Sentences with phrase «contemporary media environment»

Not exact matches

Other artists critically addressed issues of contemporary life in a new, media - saturated technological environment.

You Are Here features immersive art installations by 15 contemporary artists, including large - scale light works, sound installations, video works, mixed - media room - size environments, and site - specific projects.

Perhaps one of the most intriguing recent developments in the field is the espousal of print - based media by a number of contemporary artists who do not define themselves as printmakers, but feel that it is the most appropriate medium in which to express themselves in today's media - saturated environment — a context that renders the hand - produced object antiquated and quaint.

The exhibition, which is ongoing through December 21, demonstrates how McLuhan's thinking resonates with contemporary artists and reflects how McLuhan's work is still pertinent to the general understanding of our complex media environment.

A Global Gathering presents the diversity and thematic hallmarks of 21c's permanent collection, with works in a broad range of media looking at contemporary conditions through a lens of power and politics, the environment and the evolution and decay of the natural world, intersectionality and the nature of gender, and portraiture and identity, from both emerging and established artists from around the world.

Crocheted Environment is an important installation in the ICA's collection of fiber works, including pieces by artists such as Eva Hesse, Françoise Grossen, and Sheila Hicks, and marks the museum's commitment to examining the relationships between craft - based media and contemporary art.

MassArt's 60 credit, full - time MFA: Media Arts (Photography) program guides students through extensive study of the history and current practice of photography, critical theory, and the contemporary multi-disciplinary environment.

This November in London, the international contemporary art exhibition «Here Today...» explores the current state of our environment through diverse perspectives and media: painting, installation, wallpaper, sound, video, dance, music, sculpture and photography.

The psycho - sexual desires and anxieties induced by the media and the built environment of contemporary America emerge in his collisions of plastic prosthetic limbs and condiments that stand in for bodily fluids.

Through print media, sculpture and video installation, her studio practice examines the relationship between the mapped image and contemporary notions of exploration, virtuality, and the simulated environment.

As a contemporary continuum to classic art historical genres such as Landscape Painting and Still Life Painting, Hanson and Schmidhofer contemplate what we have done and are doing to our environment, what the environment in turn does to us, how we naturalize what we do to each other, and how these «doings» are enacted in the media of representation during our lifetime.

Despite the various social and cultural environments these artists come from, what universally binds the logic of their artwork and personal experiences together is contemporary life's saturation in mass media.

Sensory Overload features the work of four contemporary new media artists who create immersive spaces using hypnotic soundscapes and pulsing imagery to explore the invisible data that permeate our environment.

We represent the finest in contemporary art in a variety of media: paintings, unique glass art, and an exceptional collection of stone and bronze sculptures suitable for both indoor and outdoor environments.

The artist's intention is to establish a progressive path through several purposefully built interconnected environments which enables the viewer to experience the passage from a dimension of noise, chaos and visual saturation — expressing life in contemporary cities — to a neutral setting where he intends to conduct a methodical dissection of familiar urban components with recourse to the unconventional media and destructive techniques which he has been exploring in his work.»

Working in a variety of media, including sculpture, painting, photography, and installation, Munson creates works that evaluate contemporary society, our environment, and the objects we choose to surround ourselves with, viewed through the lens of feminism.

By using fluorescent bulbs, Flavin extended the scope of his media beyond that of his contemporaries - light transcends the material constraints of physical substances, becoming an immaterial yet prevailing medium in itself that could saturate its environment and illuminate its audiences.

But there's a 21st - century revival afoot among contemporary artists exploring this delicate medium via new technology (laser - cutting), mixed - media interventions (concrete and video), and immersive environments (from paper tents to wallpapered installations).

suggests, the works in this project, although showing the semblances of traditional art - making techniques such as painting and printing, have been conceived in non-traditional environments and transported to our reality, offer an exciting glimpse into contemporary art practices that use technology and new media for artistic creation.

Ayan Farah is an Emirati - born contemporary painter, known for her unusual mixed - media paintings through which she investigates the overlap between natural and manmade environments.

Hidden in Plain Sight highlights six diverse artists that navigate the contemporary urban environment by igniting photography, painting and mixed media sculpture in a way that expands spatial confines.

Work in all media addressing contemporary challenges to our civil liberties, moral fabric, social compacts, political institutions, and environment were considered by juror Harry Philbrick.

Organized by Steven Matijcio for the Contemporary Arts Center Cincinnati, it offers a glimpse of a wide range of projects - video, installations, sculpture and mixed - media photography - by more than a dozen international artists who get rowdy with built environments to provoke questions about our relationships with space.

Among his major exhibitions are Slipcover, Art Gallery of Ontario, Toronto, Canada, 1966; Contact, Institute of Contemporary Art, Chicago, IL, 1969; Language ÷ Emotion + Syntax = Message, Vancouver, BC, Canada, 1974; I Am Not Blind: An Information Environment About Unsighted People, Albright - Knox Gallery, Buffalo, NY, 1977; Public Mind: Les Levine Media Sculpture and Mass Ad Campaigns, Everson Museum, NY, 1990, and Art Can See, Galerie der Stadt, Stuttgart, 1997.

Seeking to grow in a dynamic working environment, creating and managing, using contemporary media, design and technologies.