Sentences with phrase «contemporary millennium»

Looking for atmosphere on the internet singles dating is never been easier because we reside in the contemporary millennium.

Not exact matches

Emboldened by this move, Neuhaus likewise feels free to declare that «the great majority of Christians in the world belong to bodies that, in continuity with two millennia of history, believe women can not be ordained to what is traditionally called the presbyterate,» as if the mere pronouncement of such a statement thereby settles the matter for any contemporary or future discussion.

If two millennia of argument have not finished off Gnosticism, that most protean of heresies, it seems unlikely that contemporary arguments, no matter how persuasive orthodox believers may find them, will do the job with the unconverted, the skeptical, or the hostile.

He draws on phenomenology, Kantian theory of knowledge, the Greek fathers of the first millennium of Christianity and a range of 20th century Russian and French thinkers, to fashion a unique critical examination of how and what we know in contemporary

Before we do that we need to remember many other things, especially the way the passion of Jesus has been employed through millennia by Christian believers for the oppression of Jews.17 We should consider also the need of a people for a homeland, an issue poorly illumined by either the memory of the passion of Jesus alone or contemporary social sciences.

Some argue, and I would not disagree, that they run more than 1,300 years into the past, and that what confronts us today is the contemporary expression of a civilizational contest that has ebbed and flowed for well over a millennium.

The first segment also recalls his 1985 autobiographical film about his adolescence, A Time to Live and a Time to Die, the second recalls his 1998 Flowers of Shanghai (set in a ritzy Shanghai bordello during the 1880s), and the third his 2001 Millennium Mambo (a mainly contemporary film starring Shu Qi).

This new work hews closely to the first three Millennium novels and is faithful to those characters; it is wholly new and contemporary — the perfect way for readers to resume their acquaintance with Lisbeth and Mikael.»

As for President of Promelit, Danilo Marchiori states: «The idea was to develop a contemporary instrument such as the Tablet, but to use it in another way, turning it into the focal point of advanced household communications in the third millennium.

Once the site of a large industrial complex, MACRO (Museum of Contemporary Art Rome) sticks out in a city where it's hard to find a museum containing works less than a millennium old.

Hotel with contemporary design in heart of city - Walk to Millennium Bridge, St Paul's Cathedral, Tate Modern, London Eye.

Contemporary sophistication combined with breathtaking views make the Millennium Park Suite ideal for a family or a couples» getaway.

Plato in L.A.: Contemporary Artists» Visions Donatien Grau Over a millennium has passed since Plato wrote his dialogues, but the concepts he presented still hold powerful sway over the artists» imaginations even to this day.

2007 GRUPS, organized by Dimitrios Antonitsis, Hydra School Project 2007, Hydra, Greece USA: AMERICAN VIDEO ART AT THE BEGINNING OF THE 3RD MILLENNIUM, Curated by Daniel Birnbaum, Gunnar B. Kvaran, Hans Ulrich Obrist, 2nd Moscow Biennale of Contemporary Art, Moscow, Russia The Lab, curated by Severin Dunser, Austria Into Position, Vienna, Austria NO. 1: DESTROY, SHE SAID, Julia Stoschek Collection, Dusseldorf, Germany

New Modernism for a New Millennium: Works by Contemporary Asian Artists from the Logan Collection

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Lee's work has been exhibited widely in major solo and group exhibitions including MoCA Shanghai, Millennium Museum, San Jose Museum of Art, Museum of Contemporary Art Korea, 53rd and 54th Venice Biennale, Incheon Womens Art Biennale, and artfairs including Art Basel, FIAC, Frieze, Armory Show, Art Basel Miami, Art HK.

Named by Time magazine in 2001 as one of 100 innovators for the new millennium, his rich work draws from subjects as diverse as ancient myth and medieval alchemy to cutting - edge physics and contemporary politics.

Their work has been included in the traveling exhibition Uncertain States of America: American Art in the 3rd Millennium curated by Hans Ulrich Obrist, Daniel Birnbaum, and Gunnar B. Kvaran and the Second Moscow Biennale of Contemporary Art.

It should come as no surprise, then, that he is one of the best - loved artists working today, the recipient of numerous international awards (including the Turner Prize) and the creative force behind some of the most popular public sculptures in contemporary art, including Marsyas in the Tate Modern Turbine Hall (2002) and Cloud Gate in Chicago's Millennium Park (2004).

Subtitled Written in Light, this exhibition of the museum's holdings features works from the birth of photography until 1930, interspersed with contemporary work such as Hunter's Vale of Rest, which examines the post-industrial urban landscape at the turn of the millennium.

Today, the Renzo Piano — designed modern wing, completed in 2009, hosts the contemporary art collection as well as boasting fabulous architecture — complete with a bridge that will take visitors all the way into Millennium Park.

Spanning four millennia, from the Bronze Age to today, the show looks at examples from different periods and cultures, and includes contemporary pieces by artists such as Wallace Chan.

She is the co-author of the award winning book After the Revolution: Women Who Transformed Contemporary Art and of The Reckoning: Women Artists of the New Millennium (both published by Prestel).

As the fine arts museum of the University of Chicago, the Smart is home to thought - provoking exhibitions and an exquisite collection of more than 15,000 objects, including modern masterpieces, millennia - old Chinese artworks, rich examples of European painting, and provocative works of contemporary art.

But arts - led developments are deep - rooted along this stretch of coast: in Margate, where the kernel for the Turner Contemporary gallery can be traced right back to 1994; in Folkestone, where the Creative Foundation, led by entrepreneur Roger De Haan, was taking hold at the turn of the millennium; and across many smaller coastal towns and villages, from Broadstairs to Dungeness, where artists have settled because of the quality of the light, following the late Derek Jarman, who moved there in the mid-1980s.

Baltic Centre for Contemporary Art (also known simply as Baltic, stylised as BALTIC) is a centre for contemporary art located on the south bank of the River Tyne alongside the Gateshead Millennium Bridge in Gateshead, Tyne and WeContemporary Art (also known simply as Baltic, stylised as BALTIC) is a centre for contemporary art located on the south bank of the River Tyne alongside the Gateshead Millennium Bridge in Gateshead, Tyne and Wecontemporary art located on the south bank of the River Tyne alongside the Gateshead Millennium Bridge in Gateshead, Tyne and Wear, England.

Whether through painting, drawing, sculpture, video, or other media, contemporary artists have drawn on the centuries - old tradition to create works of conceptual vivacity, beauty, and emotional poignancy in the present time.Structured according to the classical categories of the still - life tradition — Flora, Food, House and Home, Fauna, and Death, each chapter in Michael Petry's book explores how the timeless symbolic resonance of the memento mori, has been rediscovered for a new millennium.

He proposes that artefacts that have lain dormant for millennia suddenly have interpretation applied to them when discovered, while in contrast, objects of contemporary art come into the world laden with meanings, both intended and unintended.

Ronay has recently been included in several notable group exhibitions, including «Phantasmania,» at the Kemper Museum of Contemporary Art, Kansas City, and the traveling exhibition «Uncertain States of America: American Art in the 3rd Millennium» which originated at the Astrup Fearnley Museum of Modern Art in Oslo, Norway.

The exhibition will showcase artists of the new millennium and offer a fresh approach to contemporary art by also expanding the viewing experience into the online realm.

The works include rarely seen Ming and Qing Dynasty porcelains from the Frick Collection, first millennium stone sculpture from the Arthur M. Sackler Collection at Columbia University, and contemporary ink of paper by contemporary Beijing artist Liu Dan.

Museum of Contemporary Art Jacksonville, University of North Florida, Time Zones: James Rosenquist and Printmaking at the Millennium, Feb. 13 — May 15.

The Asian collection encompasses a rich variety of forms, materials, and functions, ranging from millennia - old ritual bronzes to contemporary photography.

Their foundation African Artists for Development (AAD) was started in 2009 in response to the UN Millennium Development Goals (MDG), with the endowment fund African Artists for Development backs community development projects associated with works by contemporary African artists with a deep - seated conviction to secure a better future for the continent through development projects.

[12] The following listing indicates by curator the group and solo exhibitions in which Cai participated that were curated or cocurated by the leading émigré Chinese critics and curators — Fei Dawei: Art Chinois 1990: Chine demain pour hier, Pourrières, Aix - en Provence, 1990, and Cai Guo - Qiang, Fondation Cartier pour l'art contemporain, Paris, 2000; Hou Hanru: Cities on the Move, which opened at Secession, Exhibition Hall for Contemporary Art, Vienna, 1997 - 98, and traveled to Bordeaux, New York, Helsinki, Humlebaek, and London; Gao Minglu: Inside Out: New Chinese Art, which opened at P.S. 1 Contemporary Art Center and Asia Society, 1998 - 99, and traveled to San Francisco, Monterrey, Tacoma, Seattle, and Canberra, and The Wall: Reshaping Contemporary Chinese Art, which opened at the Millennium Monument Art Museum, Beijing, 2005, and traveled to Buffalo; and Wu Hung: The First Guangzhou Triennial.

At Millennium Court Arts Centre, we have a strong commitment to contemporary craft and support the creation and promotion of new work by innovative designer - makers.

These works engage both the millennia - long tradition of Chinese scholar stones and, through their construction materials (Styrofoam and gasoline), the contemporary matrix of aesthetics and ethics concerning chemicals and their usage.

Millennium Court Arts Centre is proud to present «Shane Cullen, Durer and the Gallowglass, Antwerp, 1521» a new body of work by International Irish artist Shane Cullen, a touring exhibition that explores the importance of public art in both an historical and contemporary context.

HOUSTON CENTER FOR CONTEMPORARY CRAFT: Inaugural exhibit is Defining Craft I: Collecting From the New Millennium, from the American Craft Museum (New York).

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

The prestigious Contemporary Fine Arts gallery is keen to align themselves with Two Palms who have been at the forefront of a print revival since the start of the millennium.

The impressive thing about Höller is how many fans of contemporary art rate him one of the leading figures of the new millennium.

Selected presentations include the Millennium Museum, Beijing; Stedelijk Museum, Amsterdam; Anchorage (Creative Time), New York; MAC — Musee d'Art Contemporain, Montreal; MAK — Museum of Applied Arts, Vienna; National Museum of Contemporary Art, Seoul; Ars Electronica Festival, Linz; ICC Inter-Communication-Center, Tokyo; Fondation Beyeler, Basel; and Palacio de Bella Artes, Mexico City.

2000 «Good Guys, Bad Guys», Vicar Lane, Chesterfield, (commissioned by Chesterfield Council) «Scramble», Vicar Lane, Chesterfield, (second sculpture commissioned by Chesterfield Council) 1999 «Big Heids», three sculptures sited by the M8 motorway in North Lanark, Scotland, (commissioned by North Lanark Council) «A National Portrait», a 225» x 10» collage of Britain, (commissioned by the NMEC for the Self Portrait Zone of the Millennium Dome at Greenwich) 1998 Installed gargoyle sculpture (commissioned by the town of Nicosia, Cyprus) 1997 «It Takes Two», Circular Quay, Sydney, Australia, for Sydney International Arts Festival «Train», Britain's largest contemporary public sculpture, in Darlington, (commissioned by Darlington Council, Morrison Supermarkets and Northern Arts) 1996 Installed «Garden Urn», Hat Hill Sculpture Park, Goodwood «Urn» (commissioned by McMaster Museum of Art, Hamilton, Ontario, for its collection) Installed «Some of the People», Partick Underground Station, Glasgow, (commissioned to celebrate the Centenary of the Underground

Dreyer, Nikolaj Contemporary Art Center, Copenhagen, DK «Les Coups», Œuvres du FRAC Bourgogne, FRAC Dijon, FR Unconvention, Center for Visual Arts, Cardiff, Wales, UK Millennium Messages, organised by Smithsonian Institution Traveling Exhibition Service, Heckscher Museum of Art, Huntington, New York, US; traveled to Tufts University Gallery, Medford, Massachusetts, US; Everson Museum of Art, Syracuse, New York, US; Miami University Art Museum, Oxford, Ohio, US Other Rooms, Other Voices, Printed Matter, New York, US Entre Centre et Absence, Centre d'Art Contemporain Passage, Troyes, FR; Stadtgalerie Saarbrücken, Saarbrück, DE; Kunst - halle Erfut, DE; Städtische Galerie, Erlangen, DE; Musée Paul Dini, Villefranche - sur - Saône, FR Idem, Mai 36 Galerie, Zurich, CH http://auction.thing.net, The Thing, Inc, New York, US 54x54x54, Museum of Contemporary Art / Financial Times Building, London, UK; traveled to Zurich, CH; Vancouver, CA

HOUSTON CENTER FOR CONTEMPORARY CRAFT: Inaugural exhibit is Defining Craft I: Collecting From the New Millennium, selected from the collection of the American Craft Museum (New York).

1996 L'Ossessione Del Segno, Studio La Città, Verona, Italy; (7 Dec. --RRB- Millennium Eve Dress, The Fabric Workshop and Museum, Philadelphia, PA; curated by Janet Kardon (6 Dec. - 22 Feb. 1997) Unconditionally Abstraction, Schmidt Contemporary Art, St. Louis, MO; (23 Nov. - 20 Dec.) Patterns of Excess, Beaver College Art Gallery, Beaver College, Glenside, PA; curated by Paula Marincola (7 Nov. - 20 Dec.) Luminous Bodies, Rotunda Gallery, Brooklyn, NY; curated by Dara Meyers - Kingsley (19 Sept. - 2 Nov. cat.)

Jason Boughton (b. 1968, Spokane WA), has labored on an uncompensated or below minimum wage basis for: The Public Art Fund, VideoDUMBO, Spin Cycle Post, 911 Media Arts Center (Seattle), Toronto International Film Festival, Daniele Ugolini Contemporary, Franco Soffiantino Gallery (Turin), Volta NYC, Creative Time / Queens Museum, Columbia University School of the Arts, Ludlow 38, 6 - 9 Month Space, Moscow International Film and Video Festival, Martha Rosler, Vladivostok International Video Festival, Ann Arbor Film Festival, Invagination I & II, Millennium Filmmaker Workshop, Lower Manhattan Community Council, Sidney International Film Festival, National Mobilization Against Sweatshops, Bruce High Quality Foundation, Fisher - Landau Center for Contemporary Art, Anthology Film Archives, The Filmmakers Cooperative, Scaramouche Gallery.

1999 ARCO International Artist Project Room, ARCO, Madrid, Spain Best of the Season, The Aldrich Museum of Contemporary Art, Ridgefield, USA The Self, Absorbed, Bellevue Art Museum, Bellevue, USA Search Light: Consciousness at the End of the Millennium, The CCAC Institute, California College of Arts and Crafts, San Francisco, USA As Above, So Below: The body «s equal parts, The Fabric Workshop & Museum, Philadelphia, USA Digital Sites, Numark Gallery, Washington, D.C., USA Transmute, Museum of Contemporary Art, Chicago, USA Niños de la calle (Street Kids), Museo Alejandro Otero, Caracas, Venezuela