Sentences with phrase «contemporary modern culture»

Not exact matches

Contemporary romantics are given to disdaining the etiquette tradition of their own modern culture, while waxing sentimental over similar practices in what they regard as more authentic cultures.

The contemporary «learning society,» overwhelmed with information, knowledge and entertainment, requires discerning and constructive responses of an even greater order than those of the early church in the sophisticated rhetorical culture of the Roman Empire, or the early modern Western church faced with printing and transformations in scholarship, geographical horizons, sciences, nations and industries.

Peter L. Berger, The Sacred Canopy; Peter L. Berger, A Rumor of Angels: Modern Society and the Rediscovering of the Supernatural (Garden City, N.Y.: Doubleday & Co., 1969); Mircea Eliade, Myths, Dreams and Mysteries: The Encounter Between Contemporary Faiths and Archaic Reality (London: Harvill Press, 1960), 19; Clifford Geertz, The Interpretation of Cultures, 107; Wade Clark Roof, Community and Commitment, 156; Philip E. Slater, Microcosm: Structural, Pschological and Religious Evolution in Groups (New York: John Wiley & Sons, 1966).

The scholars who study Islamic culture today point out that the chief factors which have influenced contemporary Arab Muslim society are: the Western ideas which penetrated Arab society through education and increased contact with the West, socialist concepts which have spread throughout the world, communist doctrines which challenge religion in general, the expansion of university education, the admission of Muslim women to higher education, the study of ancient and modern philosophy in the universities, and the modern Muslim movements which have been so influential.

Contemporary Islamic culture is bound to the ancient Islamic culture with very close ties, but the decline between the ancient and the modern period was so am parent that contemporary Islamic culture is looked upon as a renaissance rather than a continuing growth, a renaissance which has been shaped in many ways by modernism and wesContemporary Islamic culture is bound to the ancient Islamic culture with very close ties, but the decline between the ancient and the modern period was so am parent that contemporary Islamic culture is looked upon as a renaissance rather than a continuing growth, a renaissance which has been shaped in many ways by modernism and wescontemporary Islamic culture is looked upon as a renaissance rather than a continuing growth, a renaissance which has been shaped in many ways by modernism and westernization.

In When Time Shall Be No More: Prophecy Belief in Modern American Culture, Paul Boyer, a senior historian at the University of Wisconsin, and one of the best in the business, seeks to address the world of secularized academics and journalists who can scarcely imagine, let alone appreciate, the breadth and depth of popular apocalypticism in contemporary America.

Gary, the Gospels are also different because, in ancient cultures, and many contemporary tribal cultures, the oral Tradition was a means of transmitting experiential wisdom through stories than historical facts (modern historicism) or systematic theologies.

In this respect, Rose avers, Taylor «encourages readers to embrace a modern mode of faith that accommodates itself to contemporary culture.»

And the further interesting thing is that the forms of religion that are more bizarre or alien to modern Western «scientific» culture — astrology, occultism, Zen, yoga, Sufism — appeal to the «intelligentsia» and so ironically tend to cluster about our contemporary university centers (the remaining seats of that culture).

It is a curious fact that while the general culture of contemporary theologians is still markedly literary, rather than scientific, they seem to forget the many lessons concerning the human situation to be learnt from tragedy, whether ancient or modern.

The contemporary ecological crisis represents a failure of prevailing Western ideas and attitudes: a male oriented culture in which it is believed that reality exists only as human beings perceive it (Berkeley); whose structure is a hierarchy erected to support humanity at its apex (Aristotle, Aquinas, Descartes); to whom God has given exclusive dominance over all life forms and inorganic entities (Genesis 1 - 2); in which God has been transformed into humanity's image by modern secularism (Genesis inverted).

Scripture, rather than contemporary culture, always needs to set the course of our critical reflection... Our modern culture must not determine the outcome of any cultural / trans - cultural analysis of Scripture.»

However, although Hall is clearly sympathetic to much in the «gnostic sensibility» as thus characterized (cf. UP 336 - 46), and although, as we have seen, he regards modern technology as the manifestation of a tendency in Western thought and culture of which he is highly critical, he does not himself recommend «a revolt against contemporary forms of technology,» at least as that phrase would ordinarily be understood.

I agree with much of his negative account of the state of contemporary culture and the role of modern technology.

It is the contemporary situation of the relation between Modern Technology, Humanist Culture and Religious Pluralism that I want to highlight today.

If my colleague Brad Gregory's historical assessment is true, and if Ephraim Radner's «Protestant version» of the Reformation's purported beneficial effects» that it «gave us back our consciences, granted us freedom, unleashed reason,» etc., and has given rise to modern secular institutions that have exercised caritas even better than have Christian institutions» are arguable if not actually overstated, what then are modern Christians (Protestant and Catholic) to do in the face of contemporary culture's relentless hostility to sacred things?

`... the modern Western custom of an independent childhood sleeping pattern is unique and exceedingly rare among contemporary and past world cultures» [6].

Mr Gorsuch also peppered the talk with contemporary culture, quoting David Foster Wallace and joking that the so - called «modern» rules of civil courts date back to 1938: «Maybe the only thing that really sounds new or modern after 70 years,» he said, «is Keith Richards of the Rolling Stones.

The freedom of expression, education and relative economic independence prevalent in the modern Western culture is responsible for the unprecedented number and scope of various contemporary social movements.

photos of bedroom designs for small rooms free classy elegant traditional that will fit any home images, photos on bedroom wall ideas images of small interior design unbelievable contemporary designs painting, images of small bedroom ideas photos designs for rooms amazing with wood flooring on wall, images of bedroom design for small spaces indian designs photos simple decorating ideas in beautiful bedrooms, images of small bedroom ideas photos color unbelievable contemporary designs, beautiful bedroom photos ideas contemporary and modern master designs of simple free, bedroom designs by top interior designers master free photos of images design for small spaces color ideas, photos of bedroom designs for small rooms indian wardrobe fantastic budget design images, embrace culture with these lovely bedroom designs photos india on wall ideas images, photos of bedroom color ideas small designs master from luxury rooms decorating.

Being African - American, many of my designs celebrate the beauty of African cultures, but with a completely modern twist that makes our products very American as well as ensuring that they fit well within contemporary interiors.

K - 4.3 The History of the United States: Democratic Principles and Values and the People from Many Cultures Who Contributed to Its Cultural, Economic, and Political Heritage GRADES 5 - 12 NSS - USH.5 - 12.1 Era 1: Three Worlds Meet (Beginnings to 1620) NSS - USH.5 - 12.2 Era 2: Colonization and Settlement (1585 - 1763) NSS - USH.5 - 12.3 Era 3: Revolution and the New Nation (1754 - 1820s) NSS - USH.5 - 12.4 Era 4: Expansion and Reform (1801 - 1861) NSS - USH.5 - 12.5 Era 5: Civil War and Reconstruction (1850 - 1877) NSS - USH.5 - 12.6 Era 6: The Development of the Industrial United States (1870 - 1900) NSS - USH.5 - 12.7 Era 7: The Emergence of Modern America (1890 - 1930) NSS - USH.5 - 12.8 Era 8: The Great Depression and World War II (1929 - 1945) NSS - USH.5 - 12.9 Era 9: Postwar United States (1945 to early 1970s) NSS - USH.5 - 12.10 Era 10: Contemporary United States (1968 to the Present)

CALICO Journal Cambridge Journal of Education Canadian Journal for the Scholarship of Teaching and Learning Canadian Journal of Action Research Canadian Journal of Applied Linguistics - Revue canadienne de linguistique appliquee Canadian Journal of Education Canadian Journal of Educational Administration and Policy Canadian Journal of Environmental Education Canadian Journal of Higher Education Canadian Journal of Learning and Technology Canadian Journal of School Psychology Canadian Journal of Science, Mathematics and Technology Education Canadian Modern Language Review Canadian Social Studies Career and Technical Education Research Career Development and Transition for Exceptional Individuals CATESOL Journal CBE - Life Sciences Education CEA Forum Center for Educational Policy Studies Journal Change: The Magazine of Higher Learning Changing English: Studies in Culture and Education Chemical Engineering Education Chemistry Education Research and Practice Child & Youth Care Forum Child Care in Practice Child Development Child Language Teaching and Therapy Childhood Education Children & Schools Children's Literature in Education Chinese Education and Society Christian Higher Education Citizenship, Social and Economics Education Classroom Discourse Clearing House: A Journal of Educational Strategies, Issues and Ideas Cogent Education Cognition and Instruction Cognitive Science Collected Essays on Learning and Teaching College & Research Libraries College and University College Composition and Communication College Quarterly College Student Affairs Journal College Student Journal College Teaching Communicar: Media Education Research Journal Communication Disorders Quarterly Communication Education Communication Teacher Communications in Information Literacy Communique Community & Junior College Libraries Community College Enterprise Community College Journal Community College Journal of Research and Practice Community College Review Community Literacy Journal Comparative Education Comparative Education Review Comparative Professional Pedagogy Compare: A Journal of Comparative and International Education Complicity: An International Journal of Complexity and Education Composition Forum Composition Studies Computer Assisted Language Learning Computer Science Education Computers in the Schools Contemporary Education Dialogue Contemporary Educational Technology Contemporary Issues in Early Childhood Contemporary Issues in Education Research Contemporary Issues in Technology and Teacher Education (CITE Journal) Contemporary School Psychology Contributions to Music Education Counselor Education and Supervision Creativity Research Journal Creighton Journal of Interdisciplinary Leadership Critical Inquiry in Language Studies Critical Questions in Education Critical Studies in Education Cultural Studies of Science Education Current Issues in Comparative Education Current Issues in Education Current Issues in Language Planning Current Issues in Middle Level Education Curriculum and Teaching Curriculum Inquiry Curriculum Journal Curriculum Studies in Health and Physical Education Cypriot Journal of Educational Sciences

Leadership, technology, modern politics and contemporary culture courses are not the norm in American high schools; worse still, these are actually rare topics in middle schools, and almost completely missing from elementary schools.

The obliquely celebrated «individual» still motivates many modern choice proponents, but contemporary reforms focus increasingly on the development and selection of individualized school cultures.

A modern American epic set against the panorama of contemporary politics and culture — a hurtling, page - turning mystery that is equal parts The Great Gatsby and The Bonfire of the Vanities

Featuring a blend of contemporary writers and modern classics, of writers from cultures around the world,...

But it is also a resolutely modern metropolis, open to science, contemporary culture and leisure activities.

Marble floors and contemporary design elements create a modern feel, while wooden furniture and paintings, depicting local scenes, showcase Hawaiian culture.

By imbibing the local culture in the dà © cor and keeping a very strong emphasis on contemporary design, the hotels are extremely modern but with a flavor of the local cultural ethos as well.

The short scenic drive from the airport lingers on your mind.Chengdu's beautiful rivers, bridges, trees and flowers are a visual feast.History resonates in this city, where the ancient Southern Silk Road began.When you enter the opulent lobby of Shangri - La Hotel, Chengdu, warm greetings accompany you.The hotel has been showcasing the rich artistic culture of Chengdu since its opening by featuring nine famous contemporary artists from Sichuan.You will be ushered into a journey of China contemporary art.Up in your room, the setting is modern and the space generous.You appreciate why you picked the hotel with the largest rooms in the city centre.

An immaculate example of Cape Edwardian architecture and modern chic design, Ellerman House blends historical influences with contemporary luxury and culture.

Located in the quiet village of Petitenget bordering Seminyak, Bugan Villas in Kerobokan Seminyak is a contemporary resort offering perfect combination of modern luxury with a touch Balinese culture and Hindu heritage.

Offering unspoilt landscapes and culture where you can find your own tropical paradise and indulge in the real Balinese charm that still remains unchanged here dispite the growth of tourism and what's best of all there is no need to sacrifice luxury accommodation to experience this.Accommodation in Candidasa is not as plentiful as in other areas of Bali but there are a selection of high quality hotels, villas, traditional Balinese bungalow villas and modern contemporary villas.

Deira is an area that offers a unique mix of the modern and the vintage, unifying ancient history and contemporary culture to create a specific identity; ideal for the holidaymaker looking for the best of both worlds.

Ovolo 1888 blends old world charm and contemporary design with Ovolo's service culture to offer a unique experience in modern hospitality.

In a 1984 Artforum review, Thomas McEvilley, a classicist new to the world of contemporary art, made the case that the Museum of Modern Art in New York served as an exclusionary temple to certain high - minded Modernists — namely, Picasso, Matisse, and Pollock — who, in fact, took many of their innovations from native cultures.

Artnet The Online Marketplace And Magazines's Clique, from left: Ben Davis, national art critic, Artnet News; Christie Chu, assistant managing editor, Artnet News; Ben Genocchio, editor in chief, Artnet News; Cait Munro, culture reporter, Artnet News; Thierry Dumoulin, vice president, marketing; Jessica Zhang, regional manager of greater China; Mops (the dog), mascot; Sophie Neuendorf, global director of partnerships; Jacob Pabst, CEO; Calvin Sharpe, office manager; Gracie Mansion, senior specialist, contemporary and modern art; Gamliel Beyderman, director, business intelligence / data science; Bree Hughes, specialist, photographs.

Panelists include Brian Wallis, Curator of the Walther Collection and former Chief Curator of the ICP; Paul Milkman, scholar and author of PM: A New Deal in Journalism 1940 - 1948; Jason Hill, Associate Professor of Modern and Contemporary Art and Visual Culture at the University of Delaware and author of the forthcoming book Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture and Laetitia Barrere, Andrew W. Mellon Postdoctoral Curatorial Fellow at the Metropolitan Museum of Art.

Passages: Walking in Contemporary Art, Perlman Teaching Museum, Carleton College, Northfield, MN (2016); Another Landscape, Yang Art Museum, Beijing, China (2016); Real / Unreal, The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China (2015); The Persistence of Images, Redtory Art and Culture Organization, Guangzhou, China (2015); The 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing, China (2015); The 9th Shanghai Biennale, China (2013); Retrospection & Deviation, Times Art Museum Beijing, Beijing, China (2011); Rendez - vous 09, Institut d'Art Contemporain, Villeurbanne, France (2009); and 55 Days in Valencia, Chinese Art Meeting, Institut Valencia d'Art Modern, Valencia, Spain (2008).

If Houseago's works resonate, it is because they encompass a wide range of influences: the formal language of sculpture throughout the ages (from ancient to early modern), mythology, the natural world of plants and animals, African tribal art, cartoon imagery and contemporary music and culture (the title of the exhibition contains a fragment from the lyrics of «Wild Child» by Lou Reed and a reference to James Taylor's «Like A Circle Round the Sun»).

Drawn entirely from the permanent collection and spanning the nine collecting areas of Phoenix Art Museum - American, Asian, Contemporary, European, Fashion, Latin American, Modern, Photography, and Western American - these works reveal the loosely defined typology of portraiture, and provide a broad dialogue of art history, perception, and popular culture.

Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).

Distinct from the ways that early twentieth - century European avant - garde film advanced narratives of «failed vision» and «enlightenment» within the transformation of modern life, this conversation reconsiders the aesthetics of abstraction and experimentation that are beholden to an ethics of contingency and fragmentation within contemporary culture.

Balkans, Caucasus, contemporary art, culture, exhibition, history, Istanbul Modern, Istanbul Museum of Modern Art, Middle East, migration, mobility, narratives, nomadism, politics, storytelling, transmission, travel, visual culture

While downstairs contemporary artists take on how the modern world interacts with centuries old religion and culture.

The Collection comprises 2,000 works from ancient Mediterranean and pre-Hispanic cultures to modern and contemporary painting, sculpture, and photography.

1986 The Frederick R.Weisman Foundation Collection of Art Laforet Harajuku, Tokyo, Japan Institute of Contemporary Arts Nagoya, Aichi, Japan Navio Museum, Osaka, Japan Sogo Museum of Art, Kanagawa, Japan Original Works for the Picture Books, Niigata City Art Museum, Niigata, Japan Today's Watercolor» 86, Kaneko Art Gallery, Tokyo, Japan The 14th Ryu Contemporary Art Sakaide Civic Art Museum, Kagawa, Japan Contemporary Japanese Art, The Taipei Fine Arts Museum, Taiwan Black and White in Art Today, The Museum of Modern Art, Saitama, Japan Kanagawa Art Dialogue for Peace, Okurayama Memorial Hall, Kanagawa, Japan Culture of Water, Effects of Trees, Ishinomaki Culture Center, Hokkaido, Japan Twelve Months by Twelve Artists, Tokyo Gallery, Tokyo, Japan 1985 Japanese Prints, Tochigi Prefectural Museum of Fine Arts, Japan A Panorama of Modern Japanese Prints from the Museum Collection, Niigata City Art Museum, Niigata, Japan Reconstructions: Avantgarde Art in Japan 1945 - 1965, Museum of Modern Art Oxford, Oxford, England Fruitmarket Gallery, Edinburgh, England

Arguably the most up - to - the - minute venue in a city jam - packed with contemporary culture, The Modern Institute stages a group show focused on art created in virtually no time at all, curated with a view to revealing associations between disparate images and techniques.

1971 6th Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York, USA Words and Image, Pinnar Gallery, Tokyo, Japan Chronicle of Post-War Art, The Museum of Modern Art Kamakura & Hayama, Japan Tokyo Gallery Exhibition 1971, Tokyo Gallery, Tokyo ／ Pinnar Gallery, Tokyo ／ Saikodo Gallery, Tokyo, Japan The 10th Contemporary Art Exhibition of Japan: Humans and Nature, Tokyo Metropolitan Art Museum, Japan Kyoto Municipal Museum of Art, Japan Aichi Cultural Hall, Japan Miyazaki Prefectural Museum of Nature and History, Japan Sasebo Central Citizens Hall, Nagasaki, Japan Fukuoka Prefectural Culture Hall, Japan Beaupin Exhibition, Pinnar Gallery, Tokyo, Japan The 1st Anniversary Exhibition & 100th Anniversary of Mainichi Shimbun, Today's 100 People, Hyogo Prefectural Museum of Art, Japan Contemporary Japanese Prints, Yokohama Civic Art Gallery, Kanagawa, Japan Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, Japan The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, February 20 － March 21 The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA