Sentences with phrase «contemporary network culture»

Ferrer's dedication to drawing in a jamboree of affective expression and material honesty attempts to close the gap between being and telling and strategizes a reconciliation between the vitality of human experience and the contemporary network culture to which it necessarily signals.

Not exact matches

Her academic research addresses contemporary internet - based art practice and network culture.

That is why we have created a network of trained volunteers whose involvement is of the utmost importance to us, an educational value that will continue to expose contemporary arts and culture to a wider audience.

This year's edition explores contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.

The members of the Turner Prize 2019 jury are Alessio Antoniolli, Director, Gasworks & Triangle Network; Elvira Dyangani Ose, Senior Curator at Creative Time and Lecturer in Visual Cultures at Goldsmiths; Victoria Pomery, Director, Turner Contemporary, Margate; Charlie Porter, writer.

In this vein, it was at once exciting and grounding to see Hyperallergic host Hypersalon in an airbnb apartment, which consisted of a week of salon - style exhibitions, daily artist talks, and «hosted conversations on the conditions of networked culture in contemporary art.»

Comprising programmes from the ICA Artists» Moving Image Network alongside several additional live events, the festival brings together a cross-section of work that engages with the language of contemporary visual culture to draw out critical and discursive reflections on its wider social influences.

Her current book project provisionally titled, Pattern Recognition: Durational Conditions of Contemporary Art, provides a critical analysis of the rise of network culture within visual art after 1989.

«Speaking out: Siting the Voice in Contemporary Asian Art», Courtauld Institute of Art and Kings College, University of London 2017 Conceptualism — Intersectional Readings, International Framings Conference, AHRC Black Artists and Modernism project in collaboration with Van Abbemuseum, NL, 7 - 9 December 2017 Trinh T Minh - ha Symposium, ICA London, 3 December 2017 Women in Collections Symposium, Contemporary Art Society / Sackler CPD Programme, Leeds City Art Gallery, 19 October 2017 Deviant Researching Symposium, part of Demodernising the Collection, Van Abbemuseum, NL, 21 - 23 September 2016 Now and Then, Here and There Conference, AHRC Black Artists and Modernism, Chelsea College of Art and Design, UAL / Clore auditorium, Tate Britain, 6 - 8 October 2016 Kung Fury: Contemporary Debates in Martial Arts Cinema Symposium, AHRC Martial Arts Studies Network, Birmingham City University, 1 April 2015 Martial Arts Studies Conference, with Luke White, Cardiff University, 10 - 12 June 2015 How to See the World Panel discussion & book launch, with Nicholas Mirzeoff, Jon Bird, Sonia Boyce, Nadja Milner - Larsen, ICA, London 4 June 2015 (In) Direct Speech: «Chineseness» in Contemporary Art Symposium, University of Lisbon, 16 - 19 March 2014 Thinking with Berger Conference, with Juliette Kristensen, Cardiff Metropolitan University, 4 - 5 September 2014 Mega Events & Culture: Arts & Artists Engagement in Events - based Regeneration, Resistance & Research Regional Studies Association, Research Seminar, Queen Elizabeth Olympic Park, London, 17 June 2014 Image — Movement — Story Conference, University of Roehampton, 14 June 2014 SPSL / A to Y Public Lecture, MAI (Montreal Arts Interculturels / University of Concordia, Montreal QC, 12 April 2013 Inter-Asian Connections IV Conference, in the strand «Contemporary Art and the Inter-Asian Imaginary», Koç University, Istanbul.

CAC is committed to building a diverse community of artist leaders who define the place of art in our city's culture and economy, and to cultivating a wide - reaching civic, philanthropic, and public support network that enhances the impact of contemporary artists in Chicago.

His interests include network theory, copyright and aura in the age of digital reproduction, and the unpredictable revisions of historical technologies within contemporary visual culture and social politics.

In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»

Ruang MES 56's aim is to «develop contemporary art discourse and visual culture, while also optimize art network in the South East Asia region» through initiatives such as residencies, discussions, exhibitions and projects.

Networking the Unseen, which is currently on view at Furtherfield gallery, is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.

From 2013 — 15 she led the multi-part curatorial project Landings, with Vivian Ziherl, presented at the Witte de With Center for Contemporary Art, David Roberts Art Foundation, NGBK (as part of the Tagore, Pedagogy, and Contemporary Visual Cultures network), the Stedelijk Museum Amsterdam, and other partner organizations.

The Culture Team strives to grow audiences for contemporary art and to build an international network for cultural exchange and engagement.

In «Network,» multidisciplinary works by Derrick Adams considers how television programming and media influence contemporary cultures.

Currently a PhD candidate in Comparative Literature at New York University, her academic research addresses contemporary internet - based art practice and network culture, digital technology and perception, and the materiality of media.

Working across video, writing, installation and other new media, the interdisciplinary artist explores «dialectics formalized in Black radicalism and organized labor into a context of networked virtual life» and seeks to reveal dynamics at play and embedded in technology and contemporary culture.

The objectives of curatorial course are aiming to: — promote reflections questioning the role of the curator, and research projects in the field of contemporary visual culture; — set up working platforms that may enable participants to develop further curatorial works; — proliferate networking between young creators of the visual art scene and encourage international circulation of cultural projects.

San Diego, CA — The Museum of Contemporary Art San Diego announces its newest membership level, Avant Garde, a special interest group for young collectors and art enthusiasts to network with artists, curators, and peers while experiencing the best in contemporary art Contemporary Art San Diego announces its newest membership level, Avant Garde, a special interest group for young collectors and art enthusiasts to network with artists, curators, and peers while experiencing the best in contemporary art contemporary art and culture.

New Era explores the technological ambivalence of contemporary culture, raising philosophical questions about the challenges of immediate access to communication and network while we distance ourselves from our metaphysical being.

A «critically engaged» artist is an artist whose practice is relevant to the current discussion and forms of contemporary visual culture as defined by a wide network of art world professionals.

Whilst the Exhibition and Prize remain at the heart of Artes Mundi, I look forward to developing further partnerships, collaborations and global networks to create a web of activity celebrating the vitality and purpose of contemporary art at the heart of our international culture».

He was named one of Time Magazine's 100 Innovators in 2001, a continuing series that features the most influential artists, scientists, entertainers and philosophers of the 21st century, and he continues to be shaped and shape «contemporary networked media art cultures of remix, glitch, social and environmental encounters».

Additional exhibits include: Sexto Continente (Barcelona); Emergent Art (Zaragoza); Arts Latina (Havana); All Female Video Review (UTSA Satellite Space); Fotograma (Galeria Ortiz Contemporary); Arte Latina: Roar (Blue Star Contemporary Arts Center); Seven Shots (Bonn, Germany); Conjunto (Institute of Texas Cultures); Latino Expressions IV; Victoria Suescum's Tremendo Manicure (Museo Alameda del Smithsonian); and t he short film The Hot Room, which aired on Showtime Networks, Inc, among others.

www.todaysart.org www.vimeo.com/groups/todaysart www.facebook.com/todaysart www.twitter.com/todaysart TodaysArt is a network organization specialized in the presentation, research, development, production and promotion within the field of digital culture, contemporary arts and creativity.

From 2013 - 15 she led the multi-part curatorial project Landings presented at Witte de With Center for Contemporary Art, David Roberts Art Foundation, NGBK (as part of the Tagore, Pedagogy and Contemporary Visual Cultures Network), Stedelijk Museum Amsterdam, and other partner organizations (with Vivian Ziherl).