Sentences with phrase «contemporary paint effects»

Take the plunge with contemporary paint effects by rag - rolling a wall in a fluid mix of dreamy green shades.

17 Contemporary paint effects like stencils and colour washes create interest and surprise.

Not exact matches

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.

Painting as Action, Moderna Museet, Stockholm, Sweden Mexico: Expected / Unexpected, Katzen Arts Centre, Washington D.C., USA Sammen / Together, Trondheim Kunstmuseum, Trondheim, Norway Marking Time, The Museum of Contemporary Art, Sydney, Australia (catalogue) Notations: The Cage Effect Today, The Hunter College Art, New York, USA The Spiral and the Square.

The act of pulling and scraping paint is most associated with the Dutch Abstract Expressionist Willem de Kooning, who achieved this effect with a palette knife, and the German contemporary painter Gerhard Richter, who often used a squeegee.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Youngsuk Suh's stunning photographs magnify the complex interdependency of our relationship with the natural world through contemporary rural landscapes using the smoke created by wildfires as a reference of the luminous effects of 19th Century Romantic landscape paintings.

An example of this is Tarik Berber, the star of our May exhibition, who uses techniques from renaissance Fresco painting to portray contemporary urban subjects to great effect.

ANDRÉ HEMER: THE COBRA EFFECT Jun 8 - Jul 15, 2018 Private view Thu Jun 7 6 pm - 7 pm New Zealand painter explores the intersection between contemporary digital image and traditional painted object.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the Internet on artistic practice and contemporary culture.

The paintings on silk are images of Cortright that were taken from her webcam video stills, while the thick polyester flags are like a contemporary sampler of paint effects.

«Timeless» is a clichéd adjective, particularly when applied to painting, but in the case of Brice Marden's new works in his two solo exhibitions at Matthew Marks, it is especially apropos, referring less to the transcendent effect these marble paintings may have on a viewer than to the fact that they seem simultaneously anachronistic and contemporary.

Modern exponents from the eras of Impressionism (c. 1870 - 80), Expressionism (c.1905 - 30), Abstract Expressionism (c.1948 - 60), Neo-Expressionism and other styles of contemporary art have frequently resorted to impastoed paint to achieve specific effects.

The three artists featured in the exhibition are Cinthia Marcelle who uses video, collage, painting and photography to document the effects of her interventions, which introduce coincidences and connections to everyday situations, Rob Pruitt, who is one of the USA's best known contemporary artists and William Mackrel, a young artist equally fascinated by the sublime and the absurd.

At the combined ADAA booth of Van Doren Waxter and 11R, Sterne will be shown in a more contemporary context; works from her series of spray - painted abstractions will be exhibited alongside new paintings on Plexiglas by Mika Tajima, who uses a similar technique to very different effect.

Organized into galleries that explore various time periods, styles, and themes, Contemporary Painting surfaces debates surrounding abstract and figurative painting, the effects of photography on painting, and investigations of the materiality of pPainting surfaces debates surrounding abstract and figurative painting, the effects of photography on painting, and investigations of the materiality of ppainting, the effects of photography on painting, and investigations of the materiality of ppainting, and investigations of the materiality of paintingpainting.

With a background in color field painting, Vokoun uses digital tools to explore the effects of the Information Age on contemporary culture.

This elegant and ethereal chromatic effect moreover spawns a sophisticated, poetic meditation on the interaction between paint and canvas, akin to the pouring and soaking techniques of Gottlieb's Color Field contemporaries such Morris Louis, Helen Frankenthaler, and Kenneth Noland.

Since its opening in March, the exhibition has been widely heralded for its «political charge» (see for example reviews by Peter Schjeldahl in The New Yorker and Jerry Saltz in New York Magazine), for its impressive diversity of artists included (though I wish this still was not so rare as to be newsworthy), and the controversies surrounding Jordan Wolfson's ultra-graphic Real violence (2017) and of course the Dana Schutz's painting of Emmett Till, Open Casket (2016), which not only raised highly problematic issues around race and its representation in contemporary American art, censorship, and quite interestingly to me at least, the role of abstraction, also had the unfortunate side effect of overshadowing so many stronger inclusions in this year's iteration.

The hand painted, wood - effect chair legs are complemented by the embossed detailing on the backs of the chairs and this gives a look of warmth, creating a subtle contrast against the table's contemporary, high gloss finish.