On the third floor, Ken Okiishi's
painterly gestures cover video monitors playing moments from cable TV, as if to put abstraction in context of
contemporary culture.
Given the basic humanity of geometry, it may come as a surprise to find that many
contemporary painters, both figurative and abstract, think plain geometrical figures are chilly, «intellectual,» inhuman things best kept out of art or buried deep beneath lots of colorful,
painterly gestures, thrustings and parryings.