Sentences with phrase «contemporary painters now»

Many contemporary painters now embrace the new technologies and the pace of the modern visual world, run with the pack so to speak.

Not exact matches

In some contemporary painters, these profoundly religious themes may now be expressed in ironic and convoluted ways.

Were you surprised at the contemporary reactions to now - beloved Impressionist painters?

Aged 82, she is now regarded by many as one of Britain's most exciting contemporary painters.

These successes launched Hoptman back to MoMA in 2010 as curator of contemporary art in its painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from prcontemporary art in its painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from prContemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from prcontemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from prcontemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previous eras.

Stuart Comer (formerly Curator: Film at Tate Modern, London, now Chief Curator of Media and Performance Art at MoMA) commented that his section of the Biennial «acknowledges the complexity of contemporary art practice by including many types of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographers.

Unlike many of his contemporaries, such as the garrulous populist David Hockney, with whom he arguably now vies for the unofficial title of Britain's greatest living painter, Auerbach refuses to court celebrity — Alastair Sooke, Daily Telegraph, 07/10/15

Consisting of six contemporary painters and approximately thirty works, this exhibition explores the manner in which these women appropriate both the physical, dramatic processes and the expressive freedom of direct gesture at the core of action painting, redeploying the now - historic style to boldly advance the abstract painting of our time.

Oehlen's Computer Paintings, which will be affixed to Bottrop's walls, made between 1992 and 2008, exemplify Oehlen's pioneering role as one of the first contemporary painters to explore the nascent capabilities and limits of drawing and line - making through the use of a now - rudimentary Texas Instruments computer.

Scully is a great artist because, constructing a great variety of two and three - dimensional works from a narrowly restricted choice of forms and media, he shows, in opposition to almost all other contemporary painters and sculptors and, also, to most art writers, that there is life, still, in this now seemingly distant modernist tradition.

Recent group exhibitions include: New York Painting, Kunstmuseum Bonn (2015); The Forever Now: Contemporary Painting in an Atemporal World, MoMA, New York (2014) and Painter, Painter at the Walker Art Center, Minneapolis (2013).

A British painter whose harrowing, anguished paintings and infamously licentious personal life have provided endless fodder for movie - makers, scholars, and artists alike, Francis Bacon has achieved the stature of a contemporary - art legend — all the more so now that his triptych portrait of his friend Lucian Freud made headlines when it sold for $ 142.4 million at Christie's, making it the priciest artwork to ever go under the hammer.

Even now it could be too late for some of the artists on its wish list, such as contemporary figures like painter Mark Bradford and painter - sculptor Kerry James Marshall, whose prices are now topping seven figures, or Harlem Renaissance hero Aaron Douglas, whose works are both expensive and scarce.

Stuart Kirby is a contemporary painter born and bred on the Sussex coast in England now residing on the Ayrshire coast in Scotland.

Selected two - person and group exhibitions include: «New York Painting», Kunstumuseum Bonn (2015); «The Forever Now: Contemporary Painting in an Atemporal World», MoMA, New York, curated by Laura Hoptman (2014); «Outside the Lines: Painting: A Love Story», Contemporary Arts Museum, Houston (2014); «Painter Painter», Walker Art Center, Minneapolis (2013); «Matt Connors / Marc Hundley», Herald St, London (2012); «Collaborations & Interventions», Kunsthalle Andrax, Mallorca (2012).

Keltie Ferris is an acclaimed American contemporary painter, educated at Yale's art school and now living in Brooklyn.

There has been a dramatic shift in recent years, and where once American and English painters held the Auction high prices and headlines, German artists are now defining the contemporary art scene.

Curators of the exhibition - Łukasz Habiera Nawer and Maciej Malinowski - have selected outstanding contemporary painters whose roots are firmly embedded in the street arte, but what they are creating now strives for unstrained abstraction, deprived of principles, key motifs and specific graphic forms.

But the picture is structured by a series of stripes that make it a cousin once removed to a contemporary stripe painting by Kenneth Noland, a painter whose work dominated art criticism at the time but which now seems much less substantial than Thiebaud's.

Recent Group Exhibitions include: Painters» Painters, Saatchi Gallery, London (2016), The Violet Crab at DRAF, David Roberts Arts Foundation, London (2015), Feels Like Heaven, Sommer Contemporary Art, Tel Aviv, Israel (2014), Newspeak: British Art Now, Saatchi Gallery, London (2010)

Mary Weatherford and Katy Siegel, Professor of Art History, Hunter College; Chief Curator, Hunter College Galleries Join us for a series of one - on - one conversations between curators and painters in front of their paintings on view in the exhibition The Forever Now: Contemporary Painting in an Atemporal World.

Already quite of reputable figure with a handsome international following as an illustrator of comics and graphic novels (under the name Rebecca Guay), Leveille is now recognized as a formidable figurative painter, whose works show «a distinct influence from the great Renaissance masters revamped with a fresh dosage of contemporary cleanliness and edge».

2011Out of Focus Photography, Saatchi Gallery, London, UK (catalogue) Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA «Render: New Construction in Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greece

2012Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA Polycromies: Surface and Light, Leeds City Art Gallery, Henry Moore Foundation, Leeds, UK Inside and From the Ground Up, Museum of Contemporary Art, Cleveland Out of Focus Photography, Saatchi Collection Gallery, London, UK The Only Rule is Work, Galerie Waalkens, Finsterwolde, Netherlands Painter's Panting, Atlanta Contemporary Arts Center, Georgia Quinn Latimer Book Launch, A.P. News, Zurich, Switzerland A Useful Looking Useless Object, Sierra Metro, Edinburgh, UK Sound and Vision: Crossroads, Plugin ICA, Winnepeg, Canada Movable Facture, Vivo Media Arts, Vancouver, Canada

Institutional exhibitions include Astrup Fearnley Museum of Modern Art, Oslo (2004, traveled to Helsinki City Art Museum, through 2005); Lever House, New York (2005); «Jeff Koons on the Roof,» Metropolitan Museum of Art, New York (2008); Museum of Contemporary Art, Chicago (2008); «Jeff Koons: Celebration,» Neue Nationalgalerie, Berlin (2008); «Jeff Koons: Popeye Series,» Serpentine Galleries, London (2008); «Jeff Koons: Versailles,» Château de Versailles (2008 — 09); «ARTIST ROOMS: Jeff Koons,» National Galleries of Scotland, Edinburgh (2011); «Jeff Koons: The Painter and The Sculptor,» Schirn Kunsthalle and Liebieghaus Skulpturensammlung, Frankfurt (2012); Fondation Beyeler, Basel (2012); Whitney Museum of American Art, New York (2014, traveled to Centre Georges Pompidou, Paris; and Guggenheim Bilbao, through 2015); «Jeff Koons in Florence,» Palazzo Vecchio and Piazza della Signoria, Florence (2015); and «Jeff Koons: Now,» Newport Street Gallery, London (2016).

The gallery also features contemporary portrait art in its «Portraiture Now» series, and sponsors the triennial Outwin Boochever Portrait Competition for contemporary portrait painters.

Daniels recent exhibition include Transparent Things at the Kunstverein Freiburg, Germany; Big Minis at the CAPC Bordeaux; Pure, Personal or Abstract at the GAM Contemporary City Museum in Turn; Newspeak: British Art Now, The State Hermitage Museum St. Petersburg and The Saatchi Gallery, London; Twenty - Five, Luhring Augustine, New York; At Home, curated by Mario Testino, Yvon Lambert, New York; Jerwood Contemporary Painters, Jerwood Space, London.

She has had work shown in various international group shows, including: «Painter Painter», Walker Art Center, Minneapolis, USA (2013); «Contemporary Painting, 1960 to the Present: Selections from the SFMOMA Collection», SFMOMA, San Francisco, CA, USA (2012); and «Art Now: Strange Solution», Tate Britain, London (2008).

I would like to highlight the exhibition of works from the Jacques and Natasha Gelman Collection of Mexican modern art, which includes well known masterpieces by Frida Kahlo and Diego Rivera; the survey of the African work of the Spanish painter Miquel Barceló, and the exhibition of Irish contemporary art from corporate collections in Ireland, organised with the help of Business2Arts and the very welcome support of Anglo Irish Bank, KPMG, The IrishTimes and Image Now.

06 Aug 2004 Juan Uslé at the Irish Museum of Modern Art A major exhibition of the work of the internationally - acclaimed Spanish painter Juan Uslé 15 Jul 2004 Curating Now Symposium at IMMA A major international symposium on curating contemporary art in public museums and galleries will be held at the Irish Museum of Modern Art, Dublin, from 10 to 12 November 2004.

Oscar Murillo (Born 1986 Colombia) and Christian Rosa (Born 1982 Brazil) are two contemporary painters perfectly poised to take advantage of the latest interest in Latin American art, though both live and work outside of South America now.

Given his refusal to a «signature» aesthetic, it perhaps comes as no surprise that the painter has no truck with the «cult of personality» he believes to now surround contemporary artists.

Painter Michael Williams, who participated in the recent MoMA exhibition The Forever Now: Contemporary Painting in an Atemporal World along with Joe Bradley, is now co-represented by Gladstone Gallery along with his current gallery, Canada, the Observer has learnNow: Contemporary Painting in an Atemporal World along with Joe Bradley, is now co-represented by Gladstone Gallery along with his current gallery, Canada, the Observer has learnnow co-represented by Gladstone Gallery along with his current gallery, Canada, the Observer has learned.

Interestingly, despite the fact that contemporary artists like Francis Bacon and Andy Warhol seem to be dominating the market right now, the two painters whose works have made the highest prices after adjusting for inflation are Vincent van Gogh (1853 - 1890) and Pablo Picasso (1882 - 1973).

He now represents artists including the renowned portrait painter Jonathan Yeo, the Parisian artist JR, the contemporary English painter Antony Micallef, Portuguese graffiti artist Vhils and the American painter and muralist David Choe.

In her own, at least, Dodd is now the subject of a new monograph, her first, written by the curator and critic Faye Hirsch and published by Lund Humphries as part of its series on contemporary painters.

The Contemporary Arts Museum Houston will present Perspectives 148: Su - en Wong, the first solo museum exhibition of the New York painter now through Nov. 27.

And I realized I had to do something 1983 Rammelzee vs K Rob «Beat Bop» 1984 First shows at Clarissa Dalrymple and Nicole Klagsbrun's Cable Gallery (artists of Wool's generation who begin showing same period include Philip Taaffe Jeff Koons Mike Kelley Cady Noland and James Nares 1984 produces first book photocopied edition of four: 93 Drawings of Beer on the Wall 1984 Warhol Rorschach paintings 1986 First pattern paintings 1987 Joins Luhring Augustine Gallery 1987 First word paintings 1988 Collaborative installation with Robert Gober one painting by Wool (Apocalypse Now) one sculpture by Gober (Three Urinals) one collaborative photograph (Untitled) and a mirror Gary Indiana contributes a short piece of fiction to the accompanying publication 1988 In Cologne sees show of Albert Oehlen's work meets Martin Kippenberger 1988 First European shows Cologne and Athens 1988 Collaborates with Richard Prince on two paintings: My Name and My Act 1989 Museum Group shows in Amsterdam Frankfurt am Main and Munich Whitney Biennial 1989 One year fellowship at the American Academy in Rome 1989 Starts taking photographs 1989 Publishes Black Book an oversized collection of 9 - letter images 1989 Fall of the Berlin Wall 1990 Meets Larry Clark 1991 First survey mounted at Boymans - Van Beuningen Museum Rotterdam publishes accompanying artist's book Cats in Bag Bags in River color photocopies of photographs of black and white paintings 1991 Creates edition of small paintings for ACT - UP New York Needle Exchange 1991 Participates in Carnegie International includes painting and billboard with truncated text announcing «THE SHOW IS OVER» 1991 Meets Jim Lewis 1991 Relocates studio to East 9th Street in New York 1992 LA riots 1992 DAAD residency in Berlin 1993 Publishes Absent Without Leave 160 black - and - white images from travel photographs taken over previous 4 years 1993 Begins silkscreened flower paintings 1993 Meets Michel Majerus 1994 Makes road - signs for Martin Kippenberger's Museum of Modern Art Syros 1994 New York Knicks lose to Houston Rockets in Game 7 NBA Finals 1995 Organizes retrospective of the New Cinema late 70's New York underground Super-8 films 1995 First spray - paintings 1995 Kids 1996 East Village studio severely damaged in building fire leaving Wool without a working space for 8 months artist's insurance photos become portfolio Incident on 9th Street 1997 Marries painter Charline von Heyl 1998 Museum of Contemporary Art Los Angeles mounts mid-career retrospective travels to Carnegie Museum of Art Pittsburgh and Kunsthalle Basel 1998 Begins silkscreen re-imaging of own work 2001 Solo exhibition at Secession Vienna 2002 «Grey» paintings 2003 East Broadway Breakdown photos of New York City 2005 First digital drawings 2006 Contributes art to Sonic Youth Rather Ripped 2007 Collaborates with Josh Smith on Can Your Monkey Do the Dog 2008 Collaborates with Richard Hell on Psychopts 2008 Christopher Wool lives and works in New York and Marfa Texas

«Julie Mehretu: Brushes with Greatness» by Stefan Ruiz W magazine catches up with eight women artists who are «storming the boy's club,» including painter Julie Mehretu whose work is included in «The Forever Now: Contemporary Painting in an Atemporal World» at the Museum of Modern Art in New York.

Join us for a series of one - on - one conversations between curators and painters in front of their paintings on view in the exhibition The Forever Now: Contemporary Painting in an Atemporal World.

Among the artists who now belong to the regular program of Contemporary Art are sculptors, Riera i Aragó and Rainer Hagl, painters, Henning Kürschner, Volker Lehnert, Andreas Rein, Peter Tomschiczek, Wolfgang Troschke, Rolf Urban, Jan Voss, Franziskus Wendels, and numerous others.

Radical Figurative Art from Sickert to Bevan, James Hyman Fine Art, London, England 2002 Five Painters, Kilkenny Arts Festival, Kilkenny, England 2000 Painting, I Love, Michael Hue - Williams Fine Art, London Look Out: Art, Society, Politics, Wolverhampton Art Gallery, Wolverhampton, England; traveled to Bluecoat Gallery, Liverpool, England; and Wolsey Art Gallery, Ipswich, England 1999 Bacon, Bevan, Guston and Baselitz, Michael Hue - Williams Fine Art, London The School of London: From Bacon to Bevan, Musee Maillol, Paris; traveled to Auditorio de Galicia, de Santa Maria Compostela, Spain; and Kunsthaus Wien, Austria 1998 Last Dreams of the Millennium — The Reemergence of British Romantic Painting, Stephen Solovy Art Foundation; traveled to California State University; Tyler Museum of Art, Tyler TX; Manoa Art Gallery, University of Hawaii, Honolulu 1996 Masculine Measure, Michael Kohler Arts Centre, Sheboygan, Wisconsin 1995 Inside Out, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; traveled to Galeria Arialdo Ceribelli, Bergamo, Italy 1994 Here and Now: Painting since 1970, Serpentine Gallery, London, England 1993 The Portrait Now, National Portrait Gallery, London, England 1992 British Figurative Painting of the 20th Century, The Israel Museum, Jerusalem, Israel 1991 Out of Limbo, Foundacion Luis Cernuda, Seville, Spain Five Painters from London, Colegio de Arquitectos, Malaga, Spain 1990 Inconsolable, Louver Gallery, New York, New YorK Picturing People: Figurative Art in Britain 1945 — 84, British Council touring exhibition: National Gallery, Kuala Lumpur; Museum of Art, Hong Kong; National Gallery, Harare, Zimbabwe 1989 Prospect 89, Schirn Kunsthalle, Frankfurt, Germany 1988 European Painting and Sculpture, L.A. Louver, Venice, CA Contemporary Portraits, Flowers East, London, England Aperto 88, XLIII Biennale di Venezia, Venice, Italy

Anne Sherwood Pundyk I am especially taken right now with Katherina Grosse is an important German contemporary painter who creates painting installations and works on different supports, including abandoned houses and piles of dirt.

Very few contemporary abstract painters — and among them I count Thomas Nozkowski, whose work enjoys wide exposure, and Gary Stephan, a Mary Boone artist twenty years ago and now inexplicably underrepresented in New York — excite and bewilder as Masullo does.

Contemporary realist painter George Nick is highly regarded by his peers, by students who encountered him in his 25 years of teaching at Massachusetts College of Art, where he is now Professor Emeritus, by literary luminaries like John Updike, who wrote an essay In Praise of George Nick, and by major museums, including the Museum of Fine Arts, Boston, the Metropolitan Museum of Art, the Hirschorn Museum, the Corcoran Gallery of Art and the Smithsonian American Art Museum, which have his works in their collections.