Sentences with phrase «contemporary painting movement»

The latest movement to borrow elements from the Surrealist idiom is Cynical Realism, a Chinese contemporary painting movement - led by Yue Minjun (b. 1962) and Zhang Xiaogang (b. 1958)- which emerged during the 1990s in Beijing.

Cynical Realism Chinese contemporary painting movement which emerged in Beijing in the aftermath of Tiananmen Square.

For example, Eubenia Nampitjin was in her fifties when she joined the contemporary painting movement in 1986, just a few years after the senior men in her community voted to allow women to participate.

Not exact matches

United States About Blog Dena Tollefson is an American artist whose bold contemporary floral, still life & landscape oil paintings focus on joyful use of color, texture and movement.

United States About Blog Dena Tollefson is an American artist whose bold contemporary floral, still life & landscape oil paintings focus on joyful use of color, texture and movement.

The Hessel Collection is international in scope, with paintings, photographs, and works on paper, sculptures, videos and video installations from the 1960s to the present including notable representations from many of the foremost movements in contemporary art; Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.

The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art, Conceptual art, and recent movements in painting, sculpture, photography, and video.

Martin was a contemporary of the Abstract Expressionists and identified her work with the movement, but her painting also presaged the arrival of Minimalism.

The collection begins with Ashcan School painting and follows the major movements of the twentieth century in America, with strengths in Modernism and Social Realism, Precisionism, Abstract Expressionism, Pop Art, Minimalism, Postminimalism, art centered on identity and politics that came to the fore in the 1980s and 1990s, and contemporary work.

Established in 1960 as a way to showcase the majestic paintings from the Hudson River School movement, Storm King Art Center has evolved into one of today's leading sculpture parks, with more than 100 contemporary works dotting a dramatic landscape of pastoral hills, breathtaking vistas, and tranquil ponds.

While the movement was referred to by many names throughout its time, «A.B.C. art,» «Reductive Art,» «literalism,» «systemic painting,» and «Art of the Real,» Minimalism was accepted into the contemporary canon, re-defining the boundaries of traditional art making.

Inspired by the success of The Responsive Eye and a resulting explosion in enthusiasm for the Op Art (also known as Optical Art) movement, art collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile designs.

Born in 1952 in Seoul, Korea, Il Lee studied painting in the 1970s with seminal figures of South Korean contemporary art, including those in the vanguard of the abstract monochrome painting movement (Dansaekhwa).

Still & Art begins with Still's acknowledgment of Old Masters he admired (among them Leonardo da Vinci, Rembrandt, J.M.W. Turner, and Vincent van Gogh); progresses to his interrogation of near - contemporaries such as Max Ernst and Pablo Picasso; and concludes with epic canvases, pastels, and photographs that reveal the artist meditating on his own past production as well as the spirit of color - field painting, minimalism, and comparable avant - garde movements of the 1960s and»70s.

The critic and founding editor - in - chief of Artnet magazine for 16 years, he has chronicled the «radical masquerade» of the avant - garde, heralding new talent, skewering the deserving, and identifying epochal shifts in the art scene, from his pronouncement that «there are no art movements, only market movements» to his lament about the rise of «zombie formalism» in contemporary painting today.

You don't need to be an art insider to hear the term «Abstract Expressionists» used to describe the inspiration behind all manner of contemporary painting, but what was the original movement all about?

Working within an art movement in contemporary German painting referred to loosely as the New Leipzig School, Rosa Loy's aesthetic relates to the post-reunification climate of modern Germany.

Rarely seen paintings by key figures associated with the original Surrealist movement, such as Eileen Agar and Leonora Carrington, are shown alongside modern and contemporary artists including Maria Bartuszová, Louise Bourgeois, Claude Cahun, Tracey Emin, Mona Hatoum, Linder, Laurie Simmons, Gillian Wearing, and Hannah Wilke.

Alongside works by the first generation of great American Hyperrrealists, including Richard Estes, John Baeder, Tom Blackwell, Don Eddy, Ralph Goings and Chuck Close, are European paintings and works from contemporary artists influenced by the movement.

What Pollock created with his first drip painting in 1947 was, simply put, a turning point in modern and contemporary art, and a start of the art movement that would come to place America on the global art stage — Abstract Expressionism.

The Letter Paintings, by incorporating the names of mainly male and female African - American musicians, undermined prevailing aesthetic categories by conflating many contemporary movements including Conceptual Art, Color Field, Pattern and Decoration, diary entry and social commentary.

Aung Myint one of the founding father's of Myanmar's contemporary art movement is recognised for his cubist style paintings particularly around the «Mother & Child» theme.

In fact, hard edge painting is a term that came to describe a tendency applied in the artworks of different Modern and Contemporary artists across many movements.

The same year, he participated in the exhibition Post-Painterly Abstraction curated by Clement Greenberg at the Los Angeles County Museum of Art, which subsequently travelled to the Walker Art Center and the Art Gallery of Toronto and helped to firmly establish Color Field painting as an influential new movement in the contemporary art of the 1960s.

As Irving Sandler rather argues, the lack of real «polemics» in art today — not merely in painting, but in contemporary art in general — makes it harder on today's artists» careers compared to artists who lived in times when artists publicly thrashed out their «positions» on art and aligned themselves with art movements.

Interested in transformative possibilities Dennis merges various movements throughout the western art historical canon with modern tropes in order to create clever, provocative and symbolic contemporary paintings that play on our psychological, cultural and spiritual relationships.

Once a cartoonist at Walt Disney studios, and later a contemporary of the Pop art movement, Wayne Thiebaud is known for interpreting «Americanness» through colorful still life paintings of dessert trays and ariel view landscapes.

Art Informel in Vienna European abstract paintings from the post-war Art Informel movement take centre stage at Dorotheum's Contemporary Art sale in Vienna on 31 May.

However, she hesitates to confine herself to recent contemporary movements, citing inspiration from Surrealist and traditional painting as more key to her work.

Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezePaintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freezepaintings reimagine the still life as a chance freeze - frame.

Ayako Rokkaku is a Japanese contemporary artist known for paintings and drawings similar to Anime movement and are emphasized by the use of bright colors and simple details.

Born and raised in South Korea, Il Lee studied painting in the 1970s with seminal figures of Korean contemporary art, including those in the vanguard of the abstract monochrome painting movement (Dansaekhwa).

After finishing his studies and starting to paint full - time, Ufan would go on to become a key theorist and establishing member of the Mono - ha, an avant - garde materials - based art movement in 1960s Japan and the first Japanese contemporary art movement to gain international recognition.

These major works remain an essential part of the New Image movement of the 1980s that heralded a return to subject and imagery in contemporary painting - a movement in which Jennifer Bartlett was a central figure.

A contemporary artist hailing from Los Angeles, Arceneaux often finds inspiration in history, science fiction, social movements, philosophy, and architecture, for the creation of his immersive installations that artfully synthesize diverse media like video, sculpture, and painting.

Park Seo - Bo is a major figure of the Korean contemporary art scene and a leader of the Dansaekhwa movement (which usually refers to non figurative paintings (monochrome sometimes) painted in neutral tones).

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

This exhibition features paintings, sculpture, prints and drawings by prominent contemporary African - American artists, as well as a selection of historical works from the 1930s and»40s, and the civil - rights - movement era.

Various movements, themes, and styles are represented, including Abstract Expressionism, Color Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital imagery.

Of the work for which Sam Francis is known, his Edge Paintings are highly regarded for their contributions to minimalist style of contemporary art that rose to prominence in the 1960s Abstract Expressionist movement.

At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current contemporary art) presents mainly new acquisitions in the field of international contemporary art for the first time.The presentation of our Ampersand exhibition includes site - specific installations and video art as well as paintings, drawings and photography.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

A varied display of the new contemporary movement, this installment hones in on the best and brightest of painting and sculpture.

In 1964, he was included in the exhibition Post-Painterly Abstraction curated by Clement Greenberg, [7] which traveled the country and helped to firmly establish Color Field painting as an important new movement in the contemporary art of the 1960s.

The movement she has learned from modern dance, has influenced the contemporary techniques and finishing touches for each painting.

His paintings resonate with artists and movements of the past and present, including Suprematism, Latin American Concrete Art, the geometric minimalism of Cuban - American painter, Carmen Herrera, and the modernist - inflected paintings of Mexican contemporary artist Gabriel Orozco.

The collection includes modern and contemporary oil and acrylic paintings by most major movements in British art, including:

The Modern ranges from mid-20th-century movements such as abstract expressionism and color field painting to contemporary works, photography and the latest in video and digital imagery.

Emin was the inspiration - if that's the right word - for a latter day art movement called Stuckism, which is devoted to advancing the cause of painting as the most vital means of addressing contemporary issues.