Some of the work telegraphs the eclectic
contemporary painting scene, lending weight to the show's title.
Not exact matches
• Amsterdam: Explore the canals by night in a saloon boat • Athens: View the Parthenon from the Grande Bretagne Hotel rooftop • Barcelona: Go on a tapas crawl • Belle - Île, France: Enjoy oysters at Le Bistrot du Port • Berlin: Tap into the underground nightlife
scene • Budapest: Stay at the restored Four Seasons Gresham Palace • Copenhagen: Browse
contemporary design shops • Florence: Tour the Vasari Corridor at the Uffizi • Galway, Ireland: Pair oysters with Guinness at Moran's Oyster Cottage • Iceland: Marvel at the Northern Lights • Isle of Skye, Scotland: Go for whisky tastings at Tallisker distillery • Istanbul: Wander the Grand Bazaar • London: Start with breakfast at the cabmen's shelter on Pont Street • Madrid: Visit the Black
Paintings room at the Museo del Prado • Moscow: Tour the Diamond Vaults within the Kremlin • Paris: Snack on bread from Du Pain et Des Idees • Peloponnese, Greece: Stay at the ultra-luxe Amanzoe • Prague: Explore Prague's historic center • Rome: Buy a gelato at San Crispino • Santorini, Greece: Lounge at Red Beach • Sicily: See the mosaics at Villa Romana del Casale • Siena, Italy: Attend the medieval - era Palio horse race • Spain: Take an architecture - themed drive from Bilbao to Granada • Stockholm: Visit the Vasa Museum • Venice: Shop for glassware at L'Angolo del Passat • Versailles, France: Explore Andre Le Notre's gardens at Versailles • Vienna: Attend a concert at the Musikverein
Throughout the villas, vibrant
contemporary paintings, installations and murals by Indonesian artists speak to the local art
scene and breathe life into the minimalist interiors.
Marble floors and
contemporary design elements create a modern feel, while wooden furniture and
paintings, depicting local
scenes, showcase Hawaiian culture.
When «Radical Presence» opened at the
Contemporary Arts Museum, Houston, last year, it also included five works from Piper's 1975 series I am the Locus, collaged and
painted Polaroids on which images of Piper as the Mythic Being are inserted into
scenes of a crowded street.
When she returned from her uptown wilderness to the fashionable Upper West side in the 1960s she was out of step with the
contemporary scene, however Neel made a concerted effort to reengage with the New York art world
painting numerous portraits of artists, curators and gallery owners, including the poet and MOMA curator Frank O'Hara, and artists Andy Warhol and Robert Smithson.
Poaching upon the ubiquity of the photographed (or filmed) image, Songsong
paints scenes drawn from
contemporary events and personal snapshots, rendering them in stucco - like slurries of oil
paint.
Exhibitions on View Terracotta Army: Legacy of the First Emperor of China (admission fee) Ragnar Kjartansson: The Visitors and
Scenes from Western Culture William Kentridge: More Sweetly Play the Dance Cagnacci:
Painting Beauty and Death
Contemporary Japanese Ceramics Marcel Duchamp: Boîte - en - valise Mementos of Affection
, Minneapolis, MN 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art 2016 Into Quarterly, Minneapolis issue 2014 Perspectives and Parallels: Expanding Interpretive Foundations with American Indian Curators and Writers, Tweed Museum of Art, University of Minnesota Duluth 2014 The Open Studios Press, New American
Paintings, Issue No. 113, Midwest 2014 Taté Walker, Native Peoples, Urban Arts
Scene, August 2014 issue 2014 Dyani White Hawk and Joe D. Horse Capture, Mni Sota: Reflections of Time and Place, All My Relations Arts and Afton Press 2013 Michele Corriel, Western Art and Architecture, Ones to Watch: Spotlighting the Works of Dyani White Hawk, February / March Issue 2012 Suzanne Deats and Kitty Leaken,
Contemporary Native American Artists.
If the «
contemporary»
scene suffers from a crushing surfeit of concept and reference, which ends in tedium and irrelevance, the
contemporary figurative
scene suffers from a lack of internal criticism, from a failure to distinguish between what is well
painted and what is good art, which ends in mediocrity and kitsch.
«Duchamp's famous «underground» pronouncement struck a chord with Chimes, whose interest in the writings of Antonin Artaud and Alfred Jarry had encouraged him to explore the margins of mainstream art and literature... As a consequence of this withdrawal from the
contemporary art
scene, Chimes began to investigate issues such as esotericism and mystification in metal boxes and
paintings whose irrational and often willfully obscure imagery reveals his affinities with Surrealism.
It was also in New York that Thompson quickly arrived at his mature style, taking Dody Müller's advice to heart by reworking the compositions of European Masters such as Piero della Francesca, Nicolas Poussin, and Jacopo Tintoretto into simplified, abstracted forms
painted in threatening and seductive tones that were hot and violent or deep and dark — seizing on the dynamism of these classical
scenes and often transforming them into
contemporary allegorical nightmares.
Pendleton's selected Solo Exhibitions include: Adam Pendleton: Selected Works, Shane Campbell Gallery, Chicago and Adam Pendleton, Pace Gallery, New York (2014); Adam Pendleton: I'll Be Your, Pace London, (2012); Adam Pendleton: New Black Dada
Paintings, Galeria Pedro Cera, Lisbon, (2012); Adam Pendleton: BAND, The Kitchen, New York; Adam Pendleton: EL T D K Amsterdam, Part I: three
scenes, Kunstverein, Amsterdam, (2009); Part III: BAND, de Appel Arts Center, Amsterdam, (2009); Adam Pendleton: EL T D K, Haunch of Venison, Berlin, (2009); Adam Pendleton: Rendered in Black, Indianapolis Museum of
Contemporary Art, Indiana, (2008) and Rhona Hoffman Gallery, Chicago, (2007); Adam Pendleton: Deeper Down There, Yvon Lambert, New York, (2005); Adam Pendleton: Being Here, Wallspace Gallery, New York, (2004).
A 2010 McKinney Avenue
Contemporary exhibition of Sedrick Huckaby's
painting suite called A Love Supreme was as close to a popular sensation as the local art
scene has experienced in some time.
We conducted an interview with Grabner via email about the trajectory of
contemporary painting, the redemptive art
scene outside of New York, and her feminist, artist - first approach to curating the Biennial.
«Making Space» does not try to pick winners in the
contemporary scene — although women have done plenty to drive the resurgence of
painting.
Established Hamptons Artist Anne Raymond opens her East Hampton Studio to present a behind - the -
scenes look at the monotype process and the making of
contemporary abstract
paintings.
Laura Owens (born 1970) is one of the most vital artists to emerge from the 1990s Los Angeles art
scene, and a refreshingly uplifting presence in the world of
contemporary painting.
During his residency he developed new
paintings, but also shared his knowledge of the Tibetan
contemporary arts
scene, which is generally under - represented in the West where we tend to think more of their traditional culture.
The MFA Boston's permanent collection includes a wide variety of historic landscape
paintings and drawings, but its latest exhibition looks to the
contemporary scene.
With a strong emphasis on
painting and process - heavy work, the show is an exemplary display of the heavy hitters in the
contemporary scene.
The critic and founding editor - in - chief of Artnet magazine for 16 years, he has chronicled the «radical masquerade» of the avant - garde, heralding new talent, skewering the deserving, and identifying epochal shifts in the art
scene, from his pronouncement that «there are no art movements, only market movements» to his lament about the rise of «zombie formalism» in
contemporary painting today.
His oil
paintings employ Western techniques to depict
scenes of
contemporary life that reference the country's long history.
It will showcase some of the greatest artists of the 20th and 21st centuries, starting with Picasso's study for his masterpiece Les Desmoiselles d'Avignon, the
painting that changed the world in 1907, and concluding with Julie Mehretu, the Ethiopian - born artist and one of the stars of the
contemporary international art
scene.
Ged Quinn specializes in allegorical
paintings that include
contemporary images in idyllic
scenes based on classical
paintings such as the pastoral works of Claude Lorrain and Caspar David Friedrich.
Drexler has been an active participant in New York's artistic
scene, and her collages and large format
paintings — which borrow imagery from movies, advertisements, and newspapers of the 1960s — reverberate with the Pop art of her
contemporaries.
In a similar vein to
contemporary social - realist
paintings by George Shaw, Cosgrove illuminates
scenes from gritty working - class environments.
A Long Beach Island native, Engelsen is inspired by the southern New Jersey coastal region to
paint historical and
contemporary scenes, favoring the scenery closest to her home in Ocean County.
Is the occasion to discover during an urban wandering the
contemporary African art
scene through all the media:
paintings, photos, installations, videos, sculptures, sound creations...
Their work is exhibited at Eigen + Art's stand alongside painters who hark back to the German Romantic era — most notably Martin Eder, whose
paintings of bloodied, embattled women dressed in armour are a comment on the tribulations of
contemporary feminism; and Jörg Herold, who
paints crepuscular
scenes as mournful as any Caspar David Friedrich.
1961 New New York
Scene, Marlborough Fine Art Ltd., Carnegie International, London, England The Art of Assemblage, Museum of Modern Art, New York, NY
Paintings and Sculpture, Cordier and Warren Gallery, New York, NY
Contemporary Paintings Selected from 1960 - 61 New York Gallery, Yale University Art Gallery, New Haven, CT
Through the East London
Painting Prize, we set out to nurture this talent and help some of these outstanding artists to make their mark on the capital's
contemporary art
scene.
In recent years the American
contemporary artist Alex Israel (b. 1982, Los Angeles, USA) has attracted considerable attention in the international art
scene, both for his
paintings and sculptures and, not least, for his infamous interview show As It Lays.
A Cologne -
scene contemporary of Albert Oehlen and Martin Kippenberger, Günther Förg could easily be mistaken for a cynic, an artist whose blunt allusions to Barnett Newman, Piet Mondrian, and the Bauhaus were calculated simulacral feints in
painting's dismal 1980s endgame.
In essence, what he has done is to find a convincingly
contemporary way to capture in
paint what the Japanese call ukiyo, or «the floating world» — the passing, social
scene of smart urban life.
A former student of Baldessari at CalArts in the»70s, Salle burst onto the
contemporary art
scene in the early 1980s with
paintings that combined art - historical references and appropriated imagery from pop culture.
His work is about the business of looking, whether he's
painting dense Caribbean forests in layers of dripping
paint (recalling his multi-million selling near -
contemporary Peter Doig), or the Birmingham parks where he played as a child, (his various attempts to
paint the
scene over-layering each other in a way that brings to mind the master of dour Slade School - realism, William Coldstream).
For the latest installment of our interview series around Phaidon's Vitamin P3 compendium of
contemporary painting, Artspace's Loney Abrams met the painter in MoMA's courtyard to discuss how the New York art
scene has changed since the «70s, Binion's experience as the rare black artist downtown, and his secret to finding success later in life.
Tagged With: abstract expressionism, Alex Hubbard, Andy Warhol, Atlanta
Contemporary Art Center, Barnett Newman, Bruce Lee, Christopher Martin, Craig Drennen, critical complicity, David Diao, Featured, Frank Stella, Helen Frankenthaler, Jackson Pollack, Jasper Johns, Jennifer West, Judy Ledgerwood, Louis Camnitzer, New York Art
Scene, Pace Wildenstern, Painters
Painting, Painters Panting, painting is dead, Robert Mangold, Robert Rauschenberg, Saul Fletcher, Stuart Horodner, The Contemporary, Thomas Lawson, Timon of Athens, White Space, Willem de
Painting, Painters Panting,
painting is dead, Robert Mangold, Robert Rauschenberg, Saul Fletcher, Stuart Horodner, The Contemporary, Thomas Lawson, Timon of Athens, White Space, Willem de
painting is dead, Robert Mangold, Robert Rauschenberg, Saul Fletcher, Stuart Horodner, The
Contemporary, Thomas Lawson, Timon of Athens, White Space, Willem de Kooning
RL: The
contemporary art
scene is broad, but I believe there will always be an interest in and a place for figurative
painting.
«Philadelphia gallery featuring
contemporary realist
paintings of landscapes, city
scenes, still life and interiors in a wide range of styles by over forty artists.»
In the wide range of art the gallery offers, subjects range from water and beach
scenes, boats, landscape, flower arrangements, graphic
paintings of musicians, fifties photographic
paintings, birds, fish, traditional still life, figure
painting, portraits and trees, covering every major
contemporary figurative category and genre.
As an artist believing in the power of drawing, Zhang Xiaogang sticks to
painting's narrative quality and tries almost single - mindedly to bring historical continuity of art to the
contemporary art
scene.
from photography, conceptual researches or
contemporary paintings to performances, the «Cartoon Generation» or the latest video artist from today's Chinese art
scene: more than 180 pieces in total.
Smash 137 continues to excel in the
contemporary art
scene with his large scale
paintings.
Currin's accomplished and alluring
paintings of distorted and disfigured women and men, including portraits, genre
scenes, and still - lifes, bring back the figurative in
contemporary painting with an informed nod to art history.
Students are urged to get involved with the Chicago art
scene, visit galleries, and explore the new trends in
contemporary painting.
2015 Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England 56th International Art Exhibition - All the World's Futures, Venice Biennale, Venice, Italy Invitation to Travel, Central for
Contemporary Art, Brussels, Belgium Atopolis, Mons 2015, Mons, Belgium Selections from the Permanent Collection, Museum of
Contemporary Art, Los Angeles, USA
Scenes for a New Heritage:
Contemporary Art from the Collection, Museum of Modern Art, New York, USA Art Station Dubulti, Riga, Latvia Under the Clouds, Serralves Museum, Porto, Portugal Jaffa Port, Tel Aviv, Israel Fotofestival, Manheim - Ludwigshafen - Heidelberg, Germany True Story, Proyectos Monclova, Mexico City, Mexico Reasonable Sized
Paintings, Mana
Contemporary, Jersey City, USA
By using the network to access global locations that show little else than the swaying of trees, the occasional car, or person walking past, the
scenes are evocative of the landscape genre in
painting, yet brokered through the
contemporary paradigm of surveillance.
This new exhibition of
contemporary painting celebrates a dynamic and vibrant
scene that is happening right around the country, right now - with many serious artists working out of garages, spare bedrooms and garden studios across the UK.