Sentences with phrase «contemporary painting survey»

Her work has been included in group exhibitions such as new Whitney Museum's inaugural exhibition «America Is Hard To See,» MoMa's 2014 contemporary painting survey «The Forever Now,» the European contemporary art biennial Manifesta 10 and the 2012 Whitney Biennial.

These successes launched Hoptman back to MoMA in 2010 as curator of contemporary art in its painting and sculpture department, and since then her landmark show has been «The Forever Now: Contemporary Painting in an Atemporal World,» the 2014 conversation - starter billed as the first contemporary painting survey at the institution in some 30 years, featuring 17 contemporary abstract painters — including Mark Grotjahn, Kerstin Brätsch, and Mary Weatherford — who notably remix the techniques of painters from previous eras.

The work was one of three «Circus» paintings featured in the museum's 2014 «Forever Now» contemporary painting survey; the other two were donated by their owners, Donald B. Marron and the billionaire investor Steven A. Cohen — also MoMA trustees.

For MoMA's first contemporary painting survey in recent memory, curator Laura Hoptman pulled together work by 17 artists, most of whom work with various abstract formal vocabularies ranging from the expressionistic to the starkly minimal.

Not exact matches

Molesworth, who is chief curator at MOCA and has become known for her work reassessing contemporary art's canon, first contacted him about the idea of a painting survey around six years ago, on behalf of the MCA Chicago.

«None of the terms of painting really make sense to me,» the artist Molly Zuckerman - Hartung said on Saturday at the New Museum's contemporary painting symposium, held in honor of its current Albert Oehlen survey.

The contemporary art survey — a mix of performance, film, photography, sculpture, painting and other work — runs through May 27 at the Whitney Museum of American Art in New York.

In 2017, the Museum of Contemporary Art in Los Angeles presented Kerry James Marshall: Mastry, the first major museum survey of the artist's work, specially focusing on his paintings from the past thirty - five years.

Kavi Gupta is proud to announce Angel Otero: Everything and Nothing, Otero's first survey exhibition that encompasses nearly a decade of his painting and sculpture at Contemporary Art Museum Houston (CAMH).

Surveying two decades of painting and drawing from 1996 to present, it presents a comprehensive look at the career of one of the most critically recognized contemporary artists working today.

Inspired by Robert C. Jackson's 2014 publication, Behind the Easel: The Unique Voices of 20 Contemporary Representational Painters, this exhibition surveys the state of realistic painting at the start of the 21st century.

On view October 22, 2016 — January 22, 2017, this exhibition surveys the state of representational painting at the beginning of the 21st century and features approximately 40 works by 20 contemporary realist artists from throughout the United States and Canada.

The survey of more than 70 paintings, including «Vignette,» will travel to the Met Breuer in New York in October, and next year be presented at the Museum of Contemporary Art Los Angeles.

«The Paintbrush in a Digital Era: «The Forever Now,» a Survey of Contemporary Painting at MoMA,» The New York Times, December 11, 2014

Just prior to the opening of a major survey of John Currin's paintings at DHC / ART Foundation for Contemporary Art on June 30, the artist offers an illustrated talk about his work.

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

ONE OF THE MOST ANTICIPATED museum exhibitions of the season, a major survey of Kerry James Marshall «s work, primarily focused on his painting over the past 35 years, is opening at the Museum of Contemporary Art Chicago, on April 23.

«Kerry James Marshall: Painting and Other Stuff,» the first comprehensive survey of his practice, is on view in Antwerp, Madrid, Copenhagen and Barcelona (and includes a catalog); «Look See,» his first exhibition with David Zwirner Gallery, his representative in London, opens; and he receives the Wolfgang Hahn Prize for contemporary art from the Museum Ludwig in Cologne, Germany.

But taking a craft - centric approach to photorealism is a strange move — one that feels less contrarian than oblivious (and I don't only mean oblivious to the trends in, say, MoMA's survey of contemporary painting.)

He has exhibited internationally with recent major exhibitions including those at Museo Stefano Bardini, Florence (2016); DHC / ART Foundation for Contemporary Art, Montreal, Canada (2011); and in 2003 a mid-career survey of his painting which travelled to the Serpentine Gallery, London, the Whitney Museum of American Art, New York, and the Museum of Contemporary Art, Chicago.

The Whitney Biennial — one of the most prestigious surveys of contemporary art — includes two Pratt - affiliated artists: Matthew Deleget (M.F.A. Painting, M.S. History of Art» 97) and Rochelle Feinstein (B.F.A.» 75).

This is the same type of address cited in the title of Nicole Eisenman's recent exhibition, Dear Nemesis, which just closed at the Contemporary Art Museum (CAM) St. Louis and will soon be travelling to the ICA Philadelphia — a survey collection of over 120 works, primarily paintings and some sculpture, since the early 1990s.

2016 Nov. 18 — Wadsworth Atheneum Presents 43rd Annual Festival of Trees & Traditions Nov. 1 — John Trumbull Paintings Central to «Visualizing American Independence» at Wadsworth Atheneum Oct. 5 — First U.S. Exhibition by Artist Dulce Chacón Explores Human Feats and Failures in the Frontiers of Air and Space Sept. 23 — Grant S. Smith to Lead Development, Revitalize Fundraising Initiatives at Wadsworth Atheneum Sept. 9 — First Major Photography Survey in 27 Years to Open at Wadsworth Atheneum Museum of Art Aug. 16 — Francisco de Zurbarán's «Saint Serapion» Returns to Galleries at Wadsworth Atheneum May 23 — Exhibition to Highlight Diversity of Contemporary Artists, Artworks May 10 — Works by Salomon van Ruysdael and Kehinde Wiley Among Newest Acquisitions by Wadsworth Atheneum April 21 — «Vanessa German / MATRIX 174» to Confront Social Issues of Race and Violence Beginning June 9 March 25 — Wadsworth Atheneum Museum of Art Names Anne Butler Rice New Director of Education

Recent museum exhibitions include Fred Tomaselli: Ten Year Survey at the Palm Beach Institute of Contemporary Art, Florida in 2001; Painting Pictures at the Kunstmuseum Wolfsburg, Germany in 2003; and Shine at the Museum Boijmans Van Beuningen in Rotterdam, The Netherlands in 2003.

That exhibition was a highly subjective, celebratory survey of contemporary painting, and it is in this spirit that the current show has been organized.

Minimalist sculpture and paintings by Jennie C. Jones have plenty of plenty of space at the Contemporary Arts Museum Houston in the artist's mid-career survey, «Compilation,» on view through March 27.

2009 TIME + TEMP: Surveying the Shifting Climate of Painting in South Florida, Art and Culture Center of Hollywood, curated by Jane Hart, Hollywood, FL Inaugural Exhibition, Florida Museum for Women Artists, Deland, FL Dog Days of Summer, Bernice Steinbaum Gallery, Miami, FL Summer Show, Boca Raton Museum Of Art, FL Through the Lens: Contemporary Photography from The Permanent Collection, Jacksonville Museum of Contemporary Art, FL

Jennie C. Jones» «Blues in C Sharp Minor (for Teddy Wilson)» is from a series of paintings created for her midcareer survey at the Contemporary Arts Museum Houston.

Less an exhaustive survey of contemporary abstract painting than a bringing together of extraordinary works by exceptional artists, Inherent Structure encourages viewers to meditate on the underlying sources and influences of abstraction by providing varied and multiple manifestations of it.

This cross-departmental survey includes objects from our holdings of Asian, African, Egyptian, American, Native American, and European art, among them paintings, sculpture, prints, drawings, the decorative arts, illuminated manuscripts, printed books, and contemporary art.

A major survey of the artist's paintings traveled extensively from 2004 and 2005 to the Whitechapel Gallery, London; Musée de Rochechouart, France; De Pont Museum for Contemporary Art, Tilburg, The Netherlands; Museu Serralves, Porto, Portugal; and the Kunstmuseum St. Gallen, Switzerland.

He has been the subject of numerous retrospectives, including William Wegman: Paintings, Drawings, Photographs, Videotapes (Abrams) in 1990, a 20 - year survey of his work presented at the Kunstmuseum Lucerne as well as shows at the ICA London, the Stedelijk Museum, the Frankfurt Kunstverein, the Centre Pompidou, the ICA Boston, the Whitney Museum, and the Contemporary Arts Museum in Houston.

6th Moscow Biennale, Amei Wallach, architectural, architecture, biology, body, cell, disintegration, drawing, exhibition, found objects, Garage Museum of Contemporary Art, Haus der Kunst, Irina Nakhova, isolation, Jerry Gorovoy, Julienne Lorz, Kate Fowle, Louise Bourgeois, memory, microcosm, monumental, Olesya Turkina, organism, painting, prison, Rosizo State Museum, sculpture, structure, survey, The Easton Foundation

Last week Dallas Contemporary opened Dan Colen: Oil Paintings an exhibition surveying the past fifteen years of Colen's pPaintings an exhibition surveying the past fifteen years of Colen's paintingspaintings.

On view at the San Francisco Museum of Modern Art (SFMOMA) from February 18 through June 17, 2012, and at Yerba Buena Center for the Arts (YBCA) from February 18 through May 27, 2012, in its only West Coast presentation, Mark Bradford is the first major museum survey of paintings, sculptures, and multimedia works by this leading figure in contemporary American art.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

The Frist Art Museum presents Chaos and Awe: Painting for the 21st Century, a sweeping survey of paintings from around the world that invite contemplation of seemingly ungraspable forces shaping contemporary society, from the ideological to the technological.

In 1981, he became the youngest artist to be included in the Royal Academy's major survey of contemporary art, A New Spirit in Painting.

From 2003 until 2011 he was a curator at the Antwerp Museum of Contemporary Art (MuHKA), where he organized large - scale group exhibitions as well as monographic shows, including Emotion Pictures (2005); Intertidal, a survey show of contemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner — A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011); Chantal Akerman: Too Close, Too Far (2012) and the collaborative projects Academy: Learning from Art (2006), The Projection Project (2007), All That Is Solid Melts Into Air (2009), and Kerry James Marshall: Paintings and Other SContemporary Art (MuHKA), where he organized large - scale group exhibitions as well as monographic shows, including Emotion Pictures (2005); Intertidal, a survey show of contemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner — A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011); Chantal Akerman: Too Close, Too Far (2012) and the collaborative projects Academy: Learning from Art (2006), The Projection Project (2007), All That Is Solid Melts Into Air (2009), and Kerry James Marshall: Paintings and Other Scontemporary art from Vancouver (2005); The Order of Things (2008); Auguste Orts: Correspondence (2010); Liam Gillick and Lawrence Weiner — A Syntax of Dependency (2011); A Rua: The Spirit of Rio de Janeiro (2011); Chantal Akerman: Too Close, Too Far (2012) and the collaborative projects Academy: Learning from Art (2006), The Projection Project (2007), All That Is Solid Melts Into Air (2009), and Kerry James Marshall: Paintings and Other Stuff (2013).

Vitamin 3 - D follows the success of Vitamin P: New Perspectives in Painting, Vitamin D: New Perspectives in Drawing and Vitamin Ph: New Perspectives in Photography, presenting a cross-generational survey of contemporary artists from 27 countries.

This month the legendary feminist artist will turn 75, and the Tri-state area is about to explode into a trio of celebrations of the Los Angeles artist, including a survey called «The Very Best of Judy Chicago» at Jersey City's Mana Contemporary and another one displaying her early paintings, videos, and sculptures from the 1960s and»70s at the Brooklyn Museum.

Weller, Allen S, «Chicago: French Classic and Three Americans», Arts Digest (New York), February, volume 29, no. 10, pp. 14 - 15 Morris, J.A, Two Hundred Years of American Painting, catalogue, Vancouver Art Gallery Williams, Hermann Warner, The 24th Biennial Exhibition of Contemporary American Painting, catalogue, Corcoran Gallery of Art, Washington D.C. Three Young Americans, catalogue, Allen Memorial Art Museum, Oberlin College, Ohio Whiteside, Forbes, «Three Young Americans», Oberlin College Bulletin, volume 12, no. 3, pp.91 - 97 Preston, Stuart, «The Artist in Europe — And in America», New York Times, 8 May, section 6, pp.28 - 29 Devree, Howard, «About Art and Artists: Painting and Sculpture: American Show at Whitney, European at Modern Art», New York Times, 11 May, p. 29 Devree, Howard, «Modern Surveys» Development Since 1920 Seen in Three Shows», New York Times, 15 May, section 2, p. 9 Rosenblum, Robert, «The New Decade», Arts Digest (New York), 15 May, volume 29, no. 16, pp.20 - 33 Devree, Howard, «Response to Today: Museum Surveys Reveal Artists» Reactions», New York Times, 22 May, section 2, p. 11 Coates, Robert M, «The Art Galleries: The Grand Tour», New Yorker, 28 May, volume 31, no. 15, pp.90 - 92 Hess, Thomas B, «Mixed pickings from 10 fat years», Art News (New York), Summer, volume 54, no. 4, pp.36 - 39 & 77 - 78 Ashton, Dore, «Young Painters in Rome», Arts Digest (New York), 1 June, volume 29, no. 17, pp.6 - 7 Baur, John I.H, The New Decade: 35 American Painters and Sculptors, catalogue, Whitney Museum of American Art, New York Laverne, George, «Joseph Glasco», Arts (New York), November, volume 30, no. 2, pp.32 - 36 Hodgins, Eric and Lesley Parker, «The Great International Art Market», Fortune (New York), December, volume 3, no. 6, p. 118

A survey of contemporary Finnish paintings at the Kemper Museum of Contemporary Art is similarly tcontemporary Finnish paintings at the Kemper Museum of Contemporary Art is similarly tContemporary Art is similarly transporting.

The exhibition presents representative survey of contemporary figurative painting in the works of over twenty artists from nine countries.

The Forever Now: Contemporary Painting in an Atemporal World is the recently opened and highly anticipated new survey of contemporary painting at MoMA (Museum of Modern Art) Contemporary Painting in an Atemporal World is the recently opened and highly anticipated new survey of contemporary painting at MoMA (Museum of Modern Art) in NPainting in an Atemporal World is the recently opened and highly anticipated new survey of contemporary painting at MoMA (Museum of Modern Art) contemporary painting at MoMA (Museum of Modern Art) in Npainting at MoMA (Museum of Modern Art) in New York.

1993 Jeanne Dunning, Tom Friedman, Julia Fish; subject matters, Kendall College Art Gallery, Grand Rapids, USA The American Academy Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York, USA Mixed Messages: A Survey of Recent Chicago Art, Forum for Contemporary Art, St. Louis, USA Times, Anderson O'Day Gallery, London, England Substitute Teachers, Sadie Bronfman Cultural Center, Montreal, Quebec (catalogue) New Works, Feigen, Inc..

The «black square» that opens the show is actually Kazimir Malevich's Black Quadrilateral (undated), borrowed from the Greek State Museum of Contemporary Art, and painted around the same time as Malevich's Black Square (1915), making this a centennial survey of geometric abstraction.

2015 «The Forever Now: Contemporary Painting in an Atemporal World,» Aran H. Merjan Freize, April, 2015 «Painting Now,» Suzanne Hudson, Thames & Hudson, 2015 «Formal Attires,» David Geers, «Freize, March, 2015 «Seeing it Now,» Mary Ann Caws, The Brooklyn Rail, March, 2015 «Forever Now Tomorrow,» Barbara Rose, The Brooklyn Rail, March, 2015 «Structure Rising: On MoMA's Painting Survey,» David Salle, ArtNews, March, 2015 «In The Studio: Richard Aldrich,» Ross Simonini, Art in America, February 2015

This volume documenting the artist's midcareer survey at Contemporary Arts Museum Houston includes many of her best - known works alongside new paintings and a site - specific installation.

To accompany two solo shows of Lubaina Himid's work at Spike Island and Modern Art Oxford, Nottingham Contemporary has brought together works by more than 25 artists associated with the Black Arts Movement in a major survey of painting, sculpture, film and archives.