Sentences with phrase «contemporary performance forms»

Her work integrates these traditional roots with contemporary performance forms, and layers stories, myths, politics and spirituality into multidisciplinary performance pieces that combine music, movement, visuals, costumes, installation and audience participation.

Not exact matches

Students compare the unique interpretive and expressive natures and aesthetic qualities of traditional arts from various cultures and historical periods with contemporary new art forms (such as performance art)

While the idea of distributed leadership is not without its critics, the contemporary literature continues to show a positive relationship between shared forms of leadership and improved organisational performance.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

Performance artist, MLu Zondi lights up the Highways Performance Space with his performance art work that seamlessly weaves together the various art forms of visual art, contemporary dance, acting and poetry that audiences will find both emotionally inspiring and intellectually Performance artist, MLu Zondi lights up the Highways Performance Space with his performance art work that seamlessly weaves together the various art forms of visual art, contemporary dance, acting and poetry that audiences will find both emotionally inspiring and intellectually Performance Space with his performance art work that seamlessly weaves together the various art forms of visual art, contemporary dance, acting and poetry that audiences will find both emotionally inspiring and intellectually performance art work that seamlessly weaves together the various art forms of visual art, contemporary dance, acting and poetry that audiences will find both emotionally inspiring and intellectually compelling.

There's persuasive evidence to support this sharp reputational shift: this was the moment when post-industrial architecture led to new forms of loft living; it was the era in which performance, film and installation became central features of contemporary art; and it's where more fluid notions of gender and sexuality were evolving in pulsing clubs and decaying factories.

Reflecting on the exhibition's consideration of «the blues» as a political and aesthetic idiom within the visual arts, the performances will showcase contemporary musical forms that extend aspects of the blues legacy.

Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aPerformance presents an authoritative introduction to the genre, many forms including radio broadcast, dance, live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aperformance, and provides a vivid tour through the world of contemporary performance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, aperformance, featuring inventive documentation of works by some of the most significant artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.

Performance art remains a vital art form today, with contemporary artists like Tino Sehgal and Gilbert & George creating new boundary - pushing pieces.

Known for her experimental video performances with contemporary, electronic composers, Angie Eng is ending 2015 with an ironic twist in her solo exhibit, Doom and Gloom at the pioneering abode for downtown artists with a proclivity for new technology, and hybrid forms including sound, moving image and interactivity.

The Moore Space is dedicated to presenting international contemporary art forms and aims to achieve this through an experimental program of cross-disciplinary exhibitions, performances, artists and curators residencies and public programs which reflect the state of contemporary art today.

Through impromptu artworks, lectures, readings, discussions, screenings, performances, and explorations of the assembly (of being together) as an art form, it opens up a space for politico - aesthetic experiments practicing art as imagination, thought, and action intervening in the contemporary.

The value and potential of this form is acknowledged by a wide spectrum of contemporary artists who freely combine the use of text with performance, installation, video, photography, drawing, painting, sculpture, and printmaking.

FAENA ART presents two distinct but related exhibitions, opening to the public on May 31, 2015 at Faena Art Center Buenos Aires (FAC), which demonstrate the power of performing bodies, in both physical and digital forms, to explore temporality and the role of gender in contemporary art and performance.

The Museum's signature survey of contemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversecontemporary American Art will take on a new form as three outside curators — Stuart Comer (currently Curator: Film at Tate Modern, London, and soon to become Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each overseContemporary Art, Philadelphia), and Michelle Grabner (Professor and Chair of the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor.

Since the early 1970s, Marina Abramovic (b. 1946) has pioneered the use of performance as a visual art form, exploring her physical and emotional limits in some of the most iconic works in contemporary art.

Goldberg is the final presentation of the Armory's 2015 season, which encompassed site - specific installations, commissions, and cross-disciplinary collaborations across a range of art forms including: FLEXN — an evolution of the Brooklyn - born street dance flex co-directed by Peter Sellars and dance pioneer Reggie (Regg Roc) Gray; H -LCB- N) Y P N (Y -RCB- OSIS, Philippe Parreno's largest exhibition in the U.S. to date, a multi-sensory journey within the monumental interior of the Armory's drill hall; the U.S. premiere of the new contemporary dance Tree of Codes by Wayne McGregor, Olafur Eliasson, and Jamie xx; HABEAS CORPUS, a penetrating new work by Laurie Anderson in collaboration with Mohammed el Gharani; and the third annual recital series featuring the U.S. premiere of The Night Dances by Charlotte Rampling and Sonia Wieder - Atherton, a concert of songs from World War I by Ian Bostridge, a performance of Viennese lieder by Christian Gerhaher and Gerold Huber, and more.

The 2014 Whitney Biennial will take a bold new form as three curators from outside the Museum - Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), an...

Articulate is a project space and artist - run initiative formed in 2010 to support experimental contemporary art by providing rental space for projects, exhibitions and performance.

And for an additional look at truth - telling, quite interestingly in the form of censorship, history, and contemporary life, the collective Slavs and Tatars present Molla Nasreddin: Embrace Your Antithesis, a «lecture - performance» at the Asia Society Texas Center.

An ardent voice in the contemporary art community, Price uses a range of media — digital paintings, sculptures, vacuum - formed reliefs, music and performance art — to investigate different means of dissemination of his and other artists» works in the Internet age.

The previous director of the Pennsylvania Academy of Fine Arts was Harry Philbrick, who stepped down in January 2016 and now works on a nonprofit venture devoted to performance and other forms of contemporary art.

The Palace of Tokyo organizes a wide variety of avant - garde art, embracing contemporary forms including photography, installation, video, electronic, performance and conceptual art.

his multidisciplinary practice draws on eastern philosophy and contemporary social issues expressed in the form of drawing, installation, video and performance.

His writings also influenced the development of Pop Art, while his use of the media as an instrument of art anticipated contemporary art movements like Fluxus, as well as new creative forms such as Performance Art and even Conceptualism.

Im Karussell der Diakonservierung», Hamburger Kunsthalle, Hamburg 2017 «Performance lecture», Lothringer13, Munich 2017 «Artist's Books», Hamburger Kunsthalle, Hamburg 2017 «Rosebuds», D21 Kunstraum Leipzig 2017 «t twoninethree in - residence at Luciana Brito Galeria», São Paulo 2017 «Morphogenesis», Galeria Francisco Fino, Lisbon 2016 «Par Tibi, Roma, nihil», Palatino archeological area, Rome 2016 «VI x VI Positionen zur Zukunft der Fotografie», Landesgalerie Linz, Linz 2016 `... und eine Welt noch», Kunsthaus Hamburg, Hamburg 2016 «Poésie Balistique», La Verrière — Hermès Foundation, Brussels 2016 «This Is Your Replacement», Sies + Höhe, Dusseldorf 2016 «New - Self - Portrait - Paradox», MINI / Goethe - Institut Curatorial Residencies Ludlow 38, New York 2015 «A story within a story», 8th Göteborg International Biennial for Contemporary Art (GIBCA) 2015 «The day will come when photography revises», Triennial of Photography, Kunstverein in Hamburg 2015 «Digital Voices», Oxford Library and the Language Center, Oxford 2014 «Society Acts — The Moderna Exhibition 2014», Moderna Museet, Malmö 2014 «Against the grain», Centre de la photographie, Genève 2014 «T293 - in - residence», Sadie Coles HQ, London 2014 «Un Nouveau Festival», Centre Pompidou, Paris 2014 «Return Journey», MOSTYN, Wales 2013 «The Story Behind», NoguerasBlanchard, Barcelona 2013 «Lecture - Performance: New Artistic Formats, Places, Practices and Behaviours», MUSAC — Museo de Arte Contemporáneo de Castilla y León, León 2013 «Unrest of Form.

Using cinema in an expanded form to reactivate lost or forgotten histories, they create new modes of collective engagement with contemporary thought through the creation of feature films, exhibitions, sound and video installations, performances, event - works, radio shows and books.

The exhibition will feature contemporary works in which classical forms receive provocative new expression — such as the fragmentary bodies by contemporary artist Marc Quinn — alongside more oblique or suggestive uses of ancient themes, such as Bruce Nauman's landmark video performance, Walk with Contrapposto (1968).

Coming from the 1980's, the era when traditional media was out of the fashion, thanks to the emerge of performance art and video, Albert Oehlen and his contemporaries, saw the potential in painting as an ideal form through which they could question the art itself.

The exhibition «The Bottom Line» presents various aspects of drawing as a form of contemporary art: from abstract to figurative, from small format to large, from rapid sketches to slow, large - scale projects and from drawing as film to drawing as performance.

Storytelling, pantomime and dry humour are interwoven with abstraction, conceptual art and contemporary, experimental performance producing an absurd, esoteric and multi-layered vocabulary of forms that teases the audience and plays with conventional rules of theatre and different art forms.

Coming from the 1980's, the era when traditional media was out of the fashion, thanks to the emerge of performance art and video, Albert Oehlen and his contemporaries, saw the potential in painting as an ideal form through which they could question the art...

The key subject of the course is the Exhibition as Communicative Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized art and culture.

They channel and challenge a history of performance that includes forms as varied as minstrelsy and contemporary pop, experimental music and improvisational dance.

Some western critics remarked that in the last two years, photography and video works from China has quickly replaced performance and installation art to become the most popular forms of contemporary art making.

«1000» a performance piece by Paola Pivi, Sunday 24 May, 17.00, Turbine Hall Bridge Adding to the lively atmosphere of the Turbine Hall during the day, a newly commissioned, one - off performance devised by contemporary artist Paola Pivi will form the latest instalment in the artist's characteristically playful, irreverent and sometimes surreal oeuvre.

The 2014 Whitney Biennial on March 7 — May 25, 2014, will take a bold new form as three curators from outside the Museum — Stuart Comer (Chief Curator of Media and Performance Art at MoMA), Anthony Elms (Associate Curator at the Institute of Contemporary Art, Philadelphia), and Michelle Grabner (artist and Professor in the Painting and Drawing Department at the School of the Art Institute, Chicago)-- each oversee one floor, representing a range of geographic vantages and curatorial methodologies.

The exhibition associates this idea of «offshore art» with past developments in Land Performance and Conceptual Art of the 1960s and 70s — a time when artists moved the creative process beyond the studio — and forms new dialogues with contemporary artists whose processes continue the interdisciplinary and site - specific practices that began with pioneers such as Bas Jan Ader, Dennis Oppenheim, and Robert Smithson.

This year 27 countries as far afield as Japan and India are represented by more than 160 galleries exhibiting contemporary art in the form of sculpture, performance, installation and a refreshing number of drawings and paintings.

Selected Events Monomania Festival, Cambridge Junction and Aid & Abet 2014 Sluice Art Fair, London 2013 The Manchester Contemporary, Manchester 2013 Process Form Image — Experimental Film 2013 Noise Improve and Sound 2013 INIVA, pop up art fair, London 2012 Vane in the Bibliotheque 2012 Constructive Interference (music / performance event) 2012 Psychic Power of Plants (workshop) 2012 Tower — David Ryan (film screening and performance) 2012 Transition Shop in the Bibliotheque 2012 Airtime — AIR networking event 2012 Refraction and Reflection — salon 2012 Sluice Art Fair, London 2011 exhaustion and exuberance, Eastside Projects Birmingham 2011

Nu class stands for New Urban Classical music an art form dedicated to exploring the spiritual and artistic depths of sound and structure forged into live performances in primarily contemporary popular music venues.

Based on documentation of performances by for instance the Ballet Russes in the 1920s, the Judson Dance Theatre in the 1960s or contemporary choreographers, Silke Otto - Knapp has also painted formations and tableaus formed by the bodies of the choreographed dancers.

Skowhegan, Maine 2003 Rockefeller Foundation 2002 Foundation for Contemporary Performance Art 2001 Japan — U.S. Friendship Commission Fellowship The Andy Warhol Foundation Creative Capital Foundation 2000 Franklin Furnace / Jerome Foundation Tanne Foundation Fellowship 1999 Maine Arts Commission Fellowship Grant 1997 Artist in Residence — Yaddo Tennessee William Writer - In - Residence, Sewanee: University of the South, Sewanee, Tennessee 1996 Ko Performance Festival Residency, Amherst College, Amherst, Massachussetts Skowhegan School of Painting and Sculpture, Residency, Skowhegan, Maine 1995 National Endowment for the Arts Artist in Residence — Yaddo Ko Performance Festival Residency, Amherst College, Amherst, Massachussetts 1994 National Endowment for the Arts New England Regional Initiative Project New Forms Artist's Project Award Maine Arts Commission Fellowship Grant 1993 National Endowment for the Arts Art Matters 1992 Franklin Furnace / Jerome Foundation Fund for Art New England Regional Initiative Project Grant 1991 Mid Atlantic Residency 1990 Art Matters Grant 1989 Mt. Holyoke Writers Workshop Art Matters Grant 1988 New England Regional Initiative Project Grant 1987 New York State Council on the Arts (NYSCA) Playwright's Development Grant 1986 Just Above Midtown Curator - Artist / Television Grant Artists Space Grant 1984 Artists Space Grant

Her exhibitions include Fluid Form II, Busan Museum of Art, Seoul (2014); Light from the Middle East, Victoria and Albert Museum, London (2012); Re-Orientations: Contemporary Arab Representations, European Parliament, Brussels (2008); No Man's Land, GEMAK Museum, The Hague (2008); In Transit, Haus der Kulturen der Welt, Berlin (2008); Biennale Cuvée, OK Centre for Contemporary Art, Linz, Austria (2008); Infr» Action — Festival International d'Art Performance, Sète, France (2007); About Time II, Nordjyllands Kunstmuseum, Aalborg, Denmark (2007); Sharjah Biennial 8 (2007) and 15th Biennale of Sydney (2006).

Photo London Talks 2018: Contemporary artists are pioneering new forms in which photography intersects with sculpture, installation, performance, the book and emerging digital technologies.

Instead, they explored the younger forms of contemporary art, including conceptual art and video (Doris Totten Chase, Dara Birnbaum, Martha Rosler, Maureen Connor), along with body painting and other types of body art (Carolee Schneemann, Marina Abramovic) and its sister discipline performance art (Rachel Rosenthal, the «maintenance artist» Mierle Laderman Ukeles, Yoko Ono, Ana Mendieta).

McLean has participated in many major international exhibitions since the 1960s, highlights include: When Attitudes Become Form, Kunsthalle, Bern (1969); Information, Museum of Modern Art, New York (1970); The British Avant Garde, New York Cultural Centre (1971); Documenta 6, Kassel (1977); Art in the Seventies, Venice Biennale (1980); A New Spirit in Painting, Royal Academy, London; Zeitgeist, Martin - Gropius - Bau, Berlin (1982); Documenta 7, Museum Fredericianum, Kassel (1982); Thought and Action, Laforet Museum, Tokyo (1983); The Critical Eye, Yale Centre for British Art, New Haven (1984); Out of Actions; Between Performance and the Object, 1949 - 79, Museum of Contemporary Art, Los Angeles (1997); Bruce McLean and William Alsop, Two Chairs, Milton Keynes Gallery (2002) and Body and Void: Echoes of Moore in Contemporary Art, The Henry Moore Foundation, Hertfordshire (2014).

Looking at the growth in awareness and appreciation of live performance that has taken place over the last few years, the exhibition compellingly illuminates the unerring contemporary relevance of this art form in the here and now.

In order to investigate the contemporary relevance of Black Mountain's pedagogical approach, students from various colleges are presenting archival materials in the form of readings, concerts and performances within the exhibition itself over the entire duration of the show.

Program Exhibitions / film screenings / manga library / performances / talk events / workshops / guided tours etc. — Brings together a total of approximately 120 works selected from 4,347 entries from 84 countries and regions — Presents a cross-section of contemporary artworks from diverse genres — Offers new perspectives on emerging styles of filmic expression through an extensive film program — Holds a program of approximately 40 talk events, workshops, performances etc. throughout the entire duration of the festival — Presents an experience of new cultural forms and ideas made possible by evolving technology