Hannah has reviewed portfolios and juried exhibitions worldwide for FotoFest, Rhubarb Rhubarb, Photolucida, PhotoVisa, folioPORT and FotoTriennale.dk, among others, and is a frequent lecturer on photography and
contemporary photographic practices.
Panelists will discuss the impact of time, context, and objecthood on
contemporary photographic practices, especially as they draw attention to the power of perception.
For the upcoming session we have invited artists Lucas Blalock and John Kelsey; Matthew Biro, Professor and Chair, Department of the History of Art, University of Michigan; Alex Klein, The Dorothy and Stephen R. Weber (CHE» 60) Program Curator, Institute of Contemporary Art, University of Pennsylvania; and Carol Squiers, Curator, International Center of Photography to lead a discussion about material and conceptual experimentation in
contemporary photographic practices.
It focuses on self - referential
contemporary photographic practices addressing their own processes, actions, materials, and contexts.
This is the first major exhibition to consider the persistence of the sun as a visual metaphor and material in
contemporary photographic practices.
The three top winners — First Place Winner Travis Brown, Second Place Winner Danielle Eliska Lyle, and Third Place Winner Marc Ohrem - Leclef offer three different but cohesive visions of
contemporary photographic practice.
The three top winners — First Place Winner Meghann Riepenhoff, Second Place Winner Cynthia Henebry, and Third Place Winner Katie Shapiro offer three different but cohesive visions of
contemporary photographic practice.
Her work has been presented in many solo and group exhibitions such as For An Experience of Wholeness (2013) at the Digital Media Gallery, Lycoming College in Williamsport;
Contemporary Photographic Practice and the Archive (2013) at the Harry Ransom Center at the University of Texas at Austin; X Y Z — The Geometric Impulse in Abstract Art (2012) at the Torrance Art Museum; and Perspectives 168 (2010) at the Contemporary Arts Museum Houston.
Our annual open - submission exhibition seeks to reveal and report on critical themes and trends driving international
contemporary photographic practice.
The World in the Stedelijk,» Stedelijk Museum, Amsterdam «In Context: The Portrait in
Contemporary Photographic Practice,» Ruth and Elmer Wellin Museum of Art, Hamilton College «In Plain Sight,» Smack Mellon Gallery, New York «In the Aftermath of Trauma,» Kemper Museum, St Louis «L'ange de l'histoire,» Centre d'Art Contemporain Walter Benjamin, Perpignan «Les désastres de la guerre, 1800 - 2014,» Louvre - Lens, Lens «Literary Devices,» Fisher Landau Center for Art, New York «Manifesto!
Among other issues, these exhibitions have explored
contemporary photographic practice in color photography and representations of gender.
Not exact matches
Together, the
photographic pairings in Saints and Sinners offer the possibility of seemingly endless personal interpretations of the work and a fresh perspective on Mapplethorpe's
practice and his fearless contribution to
contemporary photography.
In response to this partial view that overlooks the complexities of daily life across a vast continent of over fifty nations, Snap Judgments: New Positions in
Contemporary African Photography forces a recognition of the contradictory and varied forms of
photographic practice that are now arising across Africa.
An eponymous new show, opening tomorrow at Boston's Institute of
Contemporary Art, represents the first full North American survey of his
practice, exploring Raad's focus on investigations into distinctions between fact and fiction, especially in relation to «the veracity of archives and
photographic documents in the public realm [and] the role of memory and narrative within discourses of conflict».
For almost three decades Lyle Ashton Harris has cultivated a diverse artistic
practice, ranging from
photographic media, collage, installation and performance, to explore the impact of desire, ethnicity, and gender in the
contemporary social and cultural dynamic.
Haunted:
Contemporary Photography / Video / Performance examines the myriad ways by which photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrievi
Contemporary Photography / Video / Performance examines the myriad ways by which
photographic imagery is incorporated into recent art
practices, and in the process underscores the unique power of reproductive media — while documenting a widespread
contemporary obsession with accessing and retrievi
contemporary obsession with accessing and retrieving the past.
His
practice incorporates
photographic, textile, installation and papermaking processes to investigate the role of history, collective memory, place and architecture in
contemporary identity formation.
An essay on
photographic portraiture
practice is forthcoming in the catalog for Becoming Disfarmer, to be published by The Aldrich
Contemporary Art Museum in 2014.
Celebrating its 125th year, Baxter St at CCNY is marking this important anniversary with an exhibition of work by artists who draw upon the origins of the medium to address
contemporary photographic issues and
practices.
Brian Weil, 1979 - 95: Being in the World brings forward the work of this powerful artist whose
practice resonates in
contemporary debates about the politics of sexuality, activist aesthetics, and
photographic representation.
Founded in 1980 as a non-profit venue for
photographic practices, TPW is committed to a media - specific but expanded mandate, addressing the vital role that images play in
contemporary culture and exploring the exchange between photography, new technologies and time - based media.
Neff's working method over the past twenty - five years (before it became the
practice au courant for a number of
contemporary photographers) involves the conflation of physical and
photographic space.
Her projects have examined the material
practices of photography in the home, hairwork and
photographic jewelry, and the transformation of nineteenth - century relics in the work of
contemporary artist Dario Robleto.
«The final room is given over to
contemporary abstraction and, perhaps inevitably, reflects the dilemma of current
photographic practice in our profligate image culture.
Seducing the Machine, an exhibition of digital video and
photographic work, marks the culmination of Katherine Nolan's doctoral research into narcissism, performance and
contemporary feminist
practice.
Placing emphasis on stylistic elements instead of the overarching
photographic medium, the
contemporary collection cites how the conventions of classic genres, such as portraiture, landscapes and architectural, are developed through new
practice.
In his
photographic practice he investigates his immediate surroundings, the role of technology and
contemporary Hip Hop culture.
To this end the author undertakes case studies of image production by Auguste Chevallier, Camille Flammarion, and Anton Giulio Bragaglia during the years 1860 to 1913, here and there opening the discussion of
photographic «time stores» to
contemporary artistic
practice.
Published in conjunction with the exhibition of a selection of photographs recently acquired by the Mildred Lane Kemper Art Museum, this brochure presents historical works by photographers who defined the standards of
photographic practice as well as an international array of
contemporary practitioners who examine and expand the parameters of the medium, including Doug Aitken, Sophie Calle, Louise Lawler, and John Stezaker.
Thompson argues that a focus on light's effects and shine in both popular
photographic practices and
contemporary art has informed new approaches to visuality, conceptions of value, and types of image - making focused on the skin as a
photographic medium.
From March 26 to September 6, 2010, the Solomon R. Guggenheim Museum presents Haunted:
Contemporary Photography / Video / Performance, an exhibition that documents this obsession, examining myriad ways
photographic imagery is incorporated into recent
practice.
Forming part of the collection's ongoing projects showcasing
contemporary photography and video art from Africa, the show focuses on how African photographers are engaging with revolutionary and current
photographic practices to respond to ideas and understandings of African diaspora.