Sentences with phrase «contemporary photographic works»

From a national call for submissions, independent curator, consultant and collector Mary Stanley has assembled a diverse show of contemporary photographic works for this year's Selects exhibition.

In the Main Gallery, Gregory Harris Selects, a group show of contemporary photographic works curated by Gregory Harris, Assistant Curator of Photography at the High Museum of Art, from a national call for submissions.

Please join us for the opening reception for Arnika Dawkins Selects, a group exhibition of contemporary photographic works curated from an open call for submissions by Arnika Dawkins, director of the Arnika Dawkins Gallery.

Featuring both 20th - century and contemporary photographic works, our stand includes significant pieces by six international artists: Antony Cairns, Gita Lenz, Natalia LL, George Platt Lynes, Aaron Siskind and Daisuke Yokota.

Please join us for the opening reception for Arnika Dawkins Selects, a group exhibition of contemporary photographic works curated from an open call for submissions by Arnika Dawkins.

In the main gallery, Gregory Harris Selects, a group show of contemporary photographic works curated by Gregory Harris, Assistant Curator of Photography at the High Museum of Art, from a national call for submissions.

Drawn from the Christopher E. Olofson Collection, Revealing Pictures displayed contemporary photographic works engaging with the medium's ability to articulate complex issues of national identity, culture and resistance, both personal and beyond.

The department has collected outstanding examples of contemporary photographic work to parallel the DAM's modern and contemporary art collection.

In Richard Mosse's starkly contemporary photographic work we see people as they are revealed through the eyes of weaponry.

CURRENTS is an annual exhibition which was initiated to highlight the contemporary photographic work created by NOPA members.

Not exact matches

Seis del Sur: BARRIOS is a photographic group exhibition featuring both the vintage and contemporary photojournalistic and social documentary work of the six members of the Seis del Sur photo collective: Joe Conzo, Ricky Flores, Ángel Franco, David González, Edwin Pagán, and Francisco Molina -LSB-...]

But its eerie photographic effects, off - beat narrative and stylish direction set it apart from its contemporaries and mark it as the work of an auteur with a clear, specific vision.

Upcoming in 2010 and 2011 Simmons will produce photographic, sound, performance and sculptural works in conjunction with MoMA PS.1, The Studio Museum, The Goethe Institute / Wyoming Building, The Kitchen, New York, The Nasher Museum of Art at Duke University, The Bronx Museum of Art and The Center For Contemporary Art, Prague and The Center for Art Design and Visual Culture, Baltimore among many other venues.

2008 Photographic Works, Cohan and Leslie, New York, NY Sonata for Executioner and Various Young Women, Contemporary, New York, NY I want a little sugar in my bowl, ASS Gallery, New York, NY Love is a Cannibal, Curated by Becky Smith, Sloan Fine Art, New York, NY The Dulcet Clime of the Bedchamber, Goff + Rosenthal, Berlin, Germany Would you date me on the regular?

One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.

An assistant professor of art and director of the Diggs Gallery at Winston - Salem State University, Beal is recognized for her «photographic narratives and video testimonies that examine the personal, yet contemporary stories of women of color working within the corporate space.»

His work revives antiquated photographic processes to reflect on contemporary conditions and expands the conversation about the changing role and meanings of photography today.

Together, the photographic pairings in Saints and Sinners offer the possibility of seemingly endless personal interpretations of the work and a fresh perspective on Mapplethorpe's practice and his fearless contribution to contemporary photography.

Their love of the history of photography and their use of historical photographic techniques, such as the cyanotype, has produced an original and contemporary body of work.

The remaining funds went to more contemporary works: a 1974 photographic suite by John Baldessari called «Portrait: Artist's Identity Hidden with Various Hats» for $ 500,000, and a 2009 neon installation by Glenn Ligon that plays on the word «America» for $ 100,000.

In 2009, the Centre for Contemporary Art Ujazdowski Castle in Warsaw published Them — an artistic album of Wojciech Gilewicz» work, presenting a series of photographic double self - portraits, a project started in 2002, which continues to date.

Alex Da Corte's wonderfully perverse photographic works take the kind of deadpan aesthetic perfected by Elad Lassry and Roe Ethridge and drag it through the looking glass into a strange new synthetic realm of product - pushing, memes, pop culture, and contemporary design.

His work has been included in significant survey exhibitions including Manifesta 10, The State Hermitage Museum, St. Petersburg, Russia (2014), Fundamentals, the 14th International Architecture Biennale directed by Rem Koolhaas, Book for Architects, La Biennale di Venezia, Venice, Italy (2014); the Berlin Biennale, Germany (2014, 1998), the British Art Show 5 and 7, UK (2000, 2010); the 3rd Moscow Biennale of Contemporary Art, Russia (2009); the 51st and 53rd Venice Biennale, Italy (2005, 2009); Turin Triennial, Italy (2008); 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA (2008) and the 2nd Ars Baltica Triennial of Photographic Art, Kiel, Germany (1999).

The exhibition features photographic work made in the late 1980's and early 1990's by Maud Sulter and Jeanne Moutoussamy Ashe, curated by international artist Lubaina Himid, Professor of Contemporary Art at UClan.

THE EXPANDED SUBJECT: NEW PERSPECTIVES IN PHOTOGRAPHIC PORTRAITURE FROM AFRICA Africa's contribution to 20th - century portraiture is expanded upon in this selection of the contemporary work by Sammy Baloji, Mohamed Camara, Saïdou Dicko and George Osodi.

Work by Andrew Moore is featured in the photographic survey An Orchestrated Vision: The Theater of Contemporary Photography, on display at the St. Louis Art Museum through May 13, 2012.

A number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks Gallery in 2000; «Clarissa Dalrymple's Exhibition of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks Gallery in December 2014 and January 2015; and «65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.

Michael Hoppen Contemporary is delighted to present a new series of photographic works by Chloe Sells titled Senescence.

Comprehensive in scope, the exhibition traces the evolution of Weems's career from her early documentary and autobiographical photographic series to the more conceptual and philosophically complex works that have placed her in the forefront of contemporary art.

The exhibition will feature large - scale vitrines, mirror wall panels and photographic works that reveal a historical link between contemporary consumer display forms and their early 20th century precursors.

Tracing the evolution of the medium, the exhibition will feature historic works by photographic pioneers such as Berenice Abbott, Diane Arbus, Eugène Atget, Manuel Álvarez Bravo, Ralph Eugene Meatyard, Alfred Stieglitz, and Edward Weston, as well as works by notable contemporary photographers such as Tina Barney, Katy Grannan, Malerie Marder, and Sheila Metzner.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works, texts by the artist and Pulitzer Prize winning critic Hilton Als, in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material including storyboards by artist John Hewitt.

The morning session offers a look at Rauschenberg's agile use of photographic images, explores his late transfer works, and brings together contemporary artists to respond to the artist's work.

From thought - provoking sculptures to a haunting video to a photographic installation, each of the chosen works engages with contemporary culture, reflecting the artist's looking at and thinking about life today.

Fictive Kin presents works by three contemporary artists who all construct photographic tableaux, and are united by their cultivation of modes of seeing that question conventions behind the photographic representation of three - dimensional objects.

This exhibition, the first major survey of Kasten's work, broadly situates her legacy in relationship to contemporary art, beyond a strictly photographic history.

Mass Recording (To Be Read From Right to Left) is a recent photographic work by Erik Blinderman that continues the artist's inquiry into the intersection of representation, media, and politics in contemporary life where an increasing number of individuals have the means to record, manipulate, and circulate information.

2008 Photographic Works: To Benefit the Foundation of Contemporary Arts, Leslie and Cohan, New York, NY Political Winter Redux, Malloy College Art Gallery, Rockville Center, NY Finding a Pulse, curated by Rhiannon Mercer and John Photos, Albuquerque, NM Summer Sampler, Front Room Gallery, Brooklyn, NY Sound the Alarm: Landscapes in Distress, curated by Jennifer McGregor, Wavehill, Bronx, NY Inlandia, Wignall Museum, Chaffey College, Rancho Cucamonga, CA

As the only one of its kind on the North Fork, we exhibit and sell contemporary fine art photographic works by established and emerging artists.

Permanent collections which hold works by the artist include the Art Institute of Chicago; Carnegie Museum of Art, Pittsburg; Corcoran Gallery of Art, Washington D.C.; George Eastman House, Rochester; Getty Center, Los Angeles; International Center for Photography, New York; Los Angeles County Museum of Art; Metropolitan Museum of Art, New York; Museu d'Art Contemporani de Barcelona, Spain; Museum of Contemporary Art, Los Angeles; Museum of Fine Arts Houston; Museum of Photographic Arts, San Diego; National Gallery of Canada, Ottawa; National Museum of Modern Art Tokyo, Japan; and the San Francisco Museum of Modern Art.

Recent works often contain text and photographic images which serve to underline her strong sense of Cree heritage and her active participation in mainstream contemporary culture through her art, writing and teaching.

Alex Ferrone Gallery exhibits and sells contemporary fine art photographic works by seasoned and emerging artists.

In 1980, the Museum of Contemporary Art in Chicago organized a retrospective, and by that time videos, photographic documentations and other works of his had entered numerous important public collections, including those of the Museum of Modern Art and the Whitney Museum of American Art.

Her work has been shown at many institutions, including the San Jose Museum of Art; Institute of Contemporary Art, San Jose; Friends of Photography; SF Camerawork; San Francisco Museum of Modern Art; San Diego Museum of Contemporary Art; Museum of Photographic Arts, San Diego; Corcoran Gallery of Art, Washington, D.C.; and Haines Gallery, San Francisco.

The exhibition forefronts the challenges of historicizing elusive artworks by presenting works that take photographic and video documentation and human memory as points of departure, reactivating, rearticulating and witnessing the interventions and works through the lens of the contemporary moment.

The photographic works reflect a variety of approaches by contemporary artists that extend or break with traditional understandings of the photographic medium.

Mariko Mori (b. 1967) is one of the more interesting contemporary artists who works with very high - tech photographic techniques.

A little later, Doig remembers, he and his contemporaries became interested in the Pictures Generation: a loose group of artists who emerged in New York in the «70s — Richard Prince, Jack Goldstein and Sherrie Levine among them — whose work was based on appropriating photographic images.

Victoria Miro is delighted to announce the publication of Isaac Julien: Looking for Langston, a lavishly illustrated, signed, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.

Isaac Julien: Looking for Langston, is a lavishly illustrated, signed, limited edition book by the internationally acclaimed artist and filmmaker, featuring newly - conceived photographic works in addition to storyboards from Julien's seminal 1989 film, Looking for Langston, never before published contemporary Polaroids and rare archival material.