Sentences with phrase «contemporary photography and video»

Forming part of the collection's ongoing projects showcasing contemporary photography and video art from Africa, the show focuses on how African photographers are engaging with revolutionary and current photographic practices to respond to ideas and understandings of African diaspora.
NEW YORK, NY — Much of contemporary photography and video seems haunted by the past, by the history of art, by apparitions that are reanimated in reproductive mediums, live performance, and the virtual world.
«Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum,» organized by Jennifer Blessing, Galleria Gottardo, Lugano, Switzerland, September 28 — December 23, 2005; cat.
The article on Peckham should be prefaced by a mention of the 24 - hour festival of contemporary photography and video art that is taking place in mid-May.
Recent exhibitions include China Contemporary Art, Architecture and Visual Culture, Museum Boijmans van Beuningen (Rotterdam, 2006); The Thirteen: Chinese Video Now, P.S. 1 Contemporary Art Center (New York, 2006); Out of Sight, De Appel Foundation (Amsterdam, 2005); Double Vision, 1st Lianzhou International Foto Festival (2005); Zooming Into Focus: Chinese Contemporary Photography and Video from Haudenschild Collection, National Art Museum (Beijing, 2005) and subsequently in Mexico City and Shanghai.
Looking at this exhibition, one experiences the metamorphosis of contemporary photography and video works — from being just a tool in documentation, to a «canvas» for a myriad of artistic expression.
As such, the over one hundred works collected by the Haudenschilds is undoubtedly one of most significant single collection of contemporary photography and video.
Located up a quiet road in the vibrant Caochangdi art district, Three Shadows Photography Art Centre is Beijing's premiere photography venue and the first of its kind in China to be exclusively dedicated to contemporary photography and video art practices.
Contemporary Photography and Video Works from Russia, Ukraine, Belarus, Georgia, Kazakhstan, Kyrgyzstan, Uzbekistan and Germany», a Goethe - Institut travelling exhibition shown in the Eastern European and Central Asian regions, 2009/2010
«Zooming into Focus: Contemporary Photography and video from the Haudenschild Collection» exhibitions in US, China and Mexico included a schedule of Symposia, artist residency programs, commissioned works and a series of lectures, performance, video dialogues and screenings in US, China and Mexico.
Marking many important milestones, Zooming into Focus: Chinese Contemporary Photography and Video from the Haudenschild Collection (2003 — 2005) was the first contemporary Chinese photography exhibition at the Centro Cultural Tijuana, Mexico.
Zooming into Focus: Chinese Contemporary Photography and Video from the Haudenschild Collection
Therefore, the opening of Zooming into Focus, a preliminary review of Chinese contemporary photography and video, is not only an occasion of chance but a necessary consequence of history.
«Zooming into Focus is the first retrospective show of Chinese contemporary photography and video ever held at the National Art Museum, Beijing.
Opening 2 March 2015, the exhibition brings together more than 50 international contemporary photography and video artists.
He was closely involved with the ICP Triennial exhibitions of contemporary photography and video that took place from 2003 to 2013.
She has published extensively in the academic literature, particularly on Harvard University's Social Museum, a historical collection of social reform photography; portrait photography in West Africa; and contemporary photography and video.
sepiaEYE is dedicated to showing a spectrum of modern and contemporary photography and video work from Asia.
The first title, Moving Pictures, showcased contemporary photography and video, and the third, Primary Forms, considered Minimalism, Conceptualism and their more contemporary progeny.
Every three years, ICP's curators round up some of the most interesting contemporary photography and video works from around the world.
Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum, published by Galleria Gottardo, Lugano, Switzerland, 2005, pp. 112 — 117 [ill.]
, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.
Moving Pictures: contemporary photography and video from the Guggenheim Museum collections, Solomon R. Guggenheim Museum, New York [catalogue]

Not exact matches

The Upside Down Mushroom Room appears through February 20 in Ecstasy, an exhibit at the Museum of Contemporary Art, Los Angeles, in which 30 artists explore altered modes of perception via painting, sculpture, film, video, and photography.
That led to an interest in contemporary photography, which, in turn, led to purchases of contemporary paintings, sculptures, works on paper, and video.
Wassenaar, the Netherlands Chemical industry (Caldic) Modern and contemporary art, including sculpture, photography, artists» books, video, and installations Top 200 appearance: 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017
Global contemporary art, with an emphasis on conceptual art, photography, and video; art from Latin America, especially geometric abstraction, Cuban art, and contemporary and emerging artists
Gstaad, Switzerland; Madrid; Miami Investments; Real estate; Telecommunications; Technology Global contemporary art, with an emphasis on conceptual art, photography, and video; art from Latin America, especially geometric abstraction, Cuban art, and contemporary and emerging artists Top 200 appearance: 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
Featuring 42 contemporary artists from around the world whose work spans painting, sculpture, photography, and video, this exhibition explores issues of politics, religion, and racism.
One of the world's most prestigious annual photography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, andphotography events, The Photography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, andPhotography Show is the longest - running and foremost exhibition dedicated to the photographic medium, offering a wide range of museum - quality work, including contemporary, modern, and 19th - century photographs as well as photo - based art, video, and new media.
Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, photography, and performance.
Recent group exhibitions include Spies in the House of Art Photography, Film and Video, The Metropolitan Museum of Art, New York (2012); This Will Have Been: Art, Love & Politics, which traveled to the Museum of Contemporary Art Chicago (2012); Institute of Contemporary Art, Boston (2012); and the Walker Art Center, Minneapolis (2012 — 2013).
The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art, Conceptual art, and recent movements in painting, sculpture, photography, and video.
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.
Exhibitions at West 19th Street, New York, and 24 Grafton Street, London, balance the program's historical component with presentations of recent painting, photography, sculpture, and video, among other mediums, by boundary - pushing contemporary artists like Kerry James Marshall, Oscar Murillo, Diana Thater, Wolfgang Tillmans, and Jordan Wolfson.
Passages: Walking in Contemporary Art, Perlman Teaching Museum, Carleton College, Northfield, MN (2016); Another Landscape, Yang Art Museum, Beijing, China (2016); Real / Unreal, The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China (2015); The Persistence of Images, Redtory Art and Culture Organization, Guangzhou, China (2015); The 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing, China (2015); The 9th Shanghai Biennale, China (2013); Retrospection & Deviation, Times Art Museum Beijing, Beijing, China (2011); Rendez - vous 09, Institut d'Art Contemporain, Villeurbanne, France (2009); and 55 Days in Valencia, Chinese Art Meeting, Institut Valencia d'Art Modern, Valencia, Spain (2008).
The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.
The symbolism traditionally associated with each genre has continued to resonate over the past century and serve as a point of dialogue with contemporary artwork with a range of contemporary mediums including photography, video, installation and painting.
Located at the Fashion Industry Gallery — adjacent to the Dallas Museum of Art in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists.
For over two decades, Song Dong has been at the forefront of Chinese contemporary art, embracing performance, video, installation, photography, conceptual painting and theater, and often combining mediums within a single work.
The gallery cultivates an interdisciplinary program through emphasizing contemporary art including: painting, photography, sculpture, installation, new media, and video.
This travelling show from Anchorage Museum in Alaska, highlights work by eleven, contemporary Indigenous artists of various tribal affiliations whose works include ink drawings, video, digital photography, multi-media installation and textiles.
Art and the Feminist Revolution, Museum of Contemporary Art, Los Angeles; Haunted: Contemporary Photography / Video / Performance, Guggenheim, New York; Ends of the Earth: Land Art to 1974, Museum of Contemporary Art, Los Angeles; and A Bigger Splash: Painting After Performance, Tate Modern, London.
The gallery was established 2005 by Martin Asbæk (b. 1975) and focuses on contemporary Scandinavian as well as international art by well - established and up - coming artists who work in a wide range of media; painting, drawing, sculpture, photography, video, embroidery.
Its principal focus is on the representation of contemporary artists whose diverse practices include painting, drawing, sculpture, video, and photography.
The exhibition also includes an installation by Matthew Barney; animations by Jim Campbell, John Gerrard, and Takeshi Murata; and video works by Rivane Neuenschwander and Cao Guimarães, and Nicole Miller; as well as contemporary photography, including a large - scale work by Jeff Wall and a series by Cindy Sherman.
His work, spanning photography, video, performance, installation and writing has been exhibited or performed at the Hammer Museum, MoMA / PS1, and the Museum of Contemporary Art, Los Angeles, among others.
2006 Renegades: 25 Years of Performance Art at EXIT ART - A Selection From The Archives, Exit Art, New York, NY Do Not Stack, Roberts & Tilton, Los Angeles, CA One Way or Another: Asian American Art Now, The Asia Society, New York It's Time for Action (There's No Option), The Migros Museum für Gegenwartskunst, Zurich, Switzerland New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, Curated by Lisa Dennison and Germano Celant, Grimaldi Forum, Monte - Carlo, Monaco Still Points of the Turning World, Site Santa Fe, Sixth International Biennial, curated by Klaus Ottmann, New Mexico Into Me / Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY Six Degrees of Separation, STUX Gallery, New York, NY LOVE!
Comprised of painting, sculpture, drawing, photography, printmaking, mixed - media, installation, ceramics, video and new media, NO DEAD ARTISTS continues to exhibit a great diversity in media yet with a cohesive cross-section of the pulse of Contemporary Art.
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