Sentences with phrase «contemporary photography practice»
Thursday, February 19 • noon - 12:30 pm Jane Simon on Barbara Probst In this informal presentation, Jane Simon will discuss the photographs of Barbara Probst within the context of contemporary photography practice.
https://www.mmoca.org/ Not exact matches
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, photography, and performance.
Scheduled to open in June, Summer of Photography 2018, the Brussels Biennale for Contemporary Photography will revisit 1960s protest movements and consider the «legacy of visual activism in contemporary lens - based practContemporary Photography will revisit 1960s protest movements and consider the «legacy of visual activism in contemporary lens - based practcontemporary lens - based practices.»
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.
The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.
Together, the photographic pairings in Saints and Sinners offer the possibility of seemingly endless personal interpretations of the work and a fresh perspective on Mapplethorpe's practice and his fearless contribution to contemporary photography.
His work occupies a unique place within the practice of contemporary photography, employing anachronistic production techniques, borrowing from the aesthetics of the finest figurative painters of the 19th and 20th centuries, and drawing upon the longstanding tradition of vanitas imagery.
Its principal focus is on the representation of contemporary artists whose diverse practices include painting, drawing, sculpture, video, and photography.
From iconic modern painters like Brice Marden, to contemporary designers like Jürg Lehni, to artists working across disciplines including photography, architecture, media arts, performance, film, and public practice, we invite you to hear from artists who are shaping the future of contemporary art.
Their artistic practice spans diverse media including film, photography, painting, performance, and site - specific projects.Vătămanu and Tudor's broad - reaching practice has positioned them among the most compelling and literate interpreters of our contemporary post-communist condition, which extends far beyond their native Romania.
In response to this partial view that overlooks the complexities of daily life across a vast continent of over fifty nations, Snap Judgments: New Positions in Contemporary African Photography forces a recognition of the contradictory and varied forms of photographic practice that are now arising across Africa.
David Maisel's images of radically altered terrain have transformed the practice of contemporary landscape photography.
The ubiquity of reproducible mediums in contemporary art has a brief but complex history, dating to the 1960s and 1970s when a paradigm shift occurred within visual culture: photography and the moving image were absorbed into critical art practices.
Ashley Bickerton's vibrant and often dystopic vision of contemporary culture has been at the center of his four - decade - long practice, which includes painting, photography, sculpture, and every possible combination therein.
The last couple of months have been spent researching George Hallett pre-exile photography practice in 1960s South Africa, visiting the 13th Sharjah Biennial (read the review on Contemporary And) and Reunion Island as part of the Frac (Fonds Régional d'Art Contemporain), which was also an occasion to meet artists across the island and give a talk at the Ecole Supérieure d'Art.
Ben Brown Fine Arts Hong Kong is proud to present China — A Summer Show 2015, a survey of contemporary Chinese works that offers bold insights into versatile practices of ink, watercolour and photography.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
MassArt's 60 credit, full - time MFA: Media Arts (Photography) program guides students through extensive study of the history and current practice of photography, critical theory, and the contemporary multi-disciplinary ePhotography) program guides students through extensive study of the history and current practice of photography, critical theory, and the contemporary multi-disciplinary ephotography, critical theory, and the contemporary multi-disciplinary environment.
Haunted: Contemporary Photography / Video / Performance examines the myriad ways by which photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrieviContemporary Photography / Video / Performance examines the myriad ways by which photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrievicontemporary obsession with accessing and retrieving the past.
2018 02 15 «The way we work - about the practice of Fotografisk center in Copenhagen» and «Contemporary Nordic Photography»
He has lectured on various subjects in modern and contemporary art, the history of cinema and photography, and not - for - profit leadership practice both nationally and internationally.
FORMAT Celebrates the wealth of contemporary practice in international photography and related media.
Among a selection of work that deals with the practice of image making — looking closely at color, pattern, texture, and materials — photographer Matt Lipps combines personal history with the history of photography in his collaged «Library of Photography» series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the contemporary photographer's earlphotography in his collaged «Library of Photography» series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the contemporary photographer's earlPhotography» series; Sean Raspet fuses the optical with the tactile in wall - mounted lenticular lenses; and cyanotypes by Barbara Kasten, produced in 1974, offer some of the contemporary photographer's earliest works.
The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.
Utilizing drawings, paintings, collages, photography, sculpture and participatory installations, Darkeem's practice often incorporates a craftwork sensibility that combines traditional with contemporary aesthetics, while drawing upon cultural and historical memory.
Photography Artist - in - Residence, Danielle Dean, talks with Cultured Magazine about her practice and current exhibition at Museum of Contemporary Art Detroit — MOCAD.
Paper Play in Contemporary Photography will feature the work of six contemporary photographers whose interaction with paper is an integral part of theContemporary Photography will feature the work of six contemporary photographers whose interaction with paper is an integral part of thecontemporary photographers whose interaction with paper is an integral part of their practice.
Maisel's images of radically altered terrain have transformed the practice of contemporary landscape photography.
Yoo received his BFA and MFA in Photography from the School of the Art Institute Chicago, where he is an instructor in the Contemporary Practice and Photography departments.
His work has helped transform the history and practice of contemporary photography.
The exhibition features painting, photography, sculpture, digital media, installation and more, charting the many ways contemporary artists engage with contemporary practice.
S1's Studio artists have a diverse and distinctive approach to contemporary art practice and this exhibition therefore embraces a wide range of media including film, video and photography to installation, sculpture and performance.
Celebrating the publication of Unfamiliar Streets: The Photographs of Richard Avedon, Charles Moore, Martha Rosler, and Philip - Lorca diCorcia author and curator Katherine Bussard joins two leading lights of contemporary art, Martha Rosler and Philip - Lorca diCorcia to discuss how cities, especially New York, have shaped their practice's engagement with street photography.
The Urban Photo Village is pleased to announce its participation in this year's UrbanPhotoFest, the international urban photography festival exploring contemporary visual practices focusing on urban life.
Included among this year's selections are alumni Stefan Hancherow (MFA, Criticism & Curatorial Practice, 2013), Meryl McMaster (BFA, Photography 2010), Mary MacDonald, (MFA, Criticism & Curatorial Practice, 2012) and Caoimhe Morgan - Feir (MA, Contemporary Art History, 2012) as well as Faculty of Art Instructor Francisco - Fernando Granados.
Utilising a practice that includes painting, drawing, photography and performance, she was recently highlighted by Contemporary And for her work with e.studio.
Founded in 1980 as a non-profit venue for photographic practices, TPW is committed to a media - specific but expanded mandate, addressing the vital role that images play in contemporary culture and exploring the exchange between photography, new technologies and time - based media.
Living and working under the pseudonym «Lutz Bacher» since the 1970s, the artist's diverse conceptual practice spans photography, film, video and sculpture, often using found material, objects and images recontextualized from contemporary culture.
Its principal focus is the representation of an international group of Contemporary artists whose diverse practices include painting, drawing, sculpture, video, and photography.
Natilee Harren narrates how Haendel's practice responds to the work of Anne Truitt, Mary Kelly, and Robert Longo, as well as to feminism, contemporary photography, postinternet art, and the 2016 U.S. presidential election.
Her projects have examined the material practices of photography in the home, hairwork and photographic jewelry, and the transformation of nineteenth - century relics in the work of contemporary artist Dario Robleto.
The conversation will explore contemporary theory and practice in art and photography.
Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, and photography.
The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the Internet on artistic practice and contemporary culture.
While developing a career in wall painting and surface finishing, she explores the use of fresco as well as traditional painting techniques in contemporary practices, and works equally with murals, painting, drawing, photography and mixed media.
Linking the then - emerging conceptual photography practices of the «80s with its contemporary reflections, the exhibition promises a museum - quality experience at the gallery's three times larger new location.
In accentuating different perspectives within this generation and considering the infrastructures that often link them, Recent Histories provides a point of entry to engage critically with current practices, and opens up considerations about how to conceptualize the frameworks of contemporary African photography and video art.
This event is part of the Whitechapel Gallery's talk series Prix Pictet Conversations on Photography, which provides a platform for leading contemporary photographers from around the world to discuss and present their practice.
2012 «Daily of Concept, A Practice of Life, The Fifth Shanghai Duolun Youth Art Exhibition,» Shanghai Duolun Museum of Modern Art, Shanghai, China «The first «CAFAM Future» exhibition — Sub-phenomena: Report on the State of Chinese Young Art,» CAFA Art Museum, Beijing, China «Rising Dragon: Contemporary Chinese Photography,» Katonah Museum of Art, New York, NY; Krannert Art Museum, Champaign, IL; San Jose Museum of Art, San Jose, CA