Sentences with phrase «contemporary political language»

The brilliant columnist at leading industry publication Edge Magazine, and one of the gaming industry's most influential independent observers, is also a regular contributor to The Times and The Guardian, and has written the book Unspeak about contemporary political language.

Not exact matches

In contemporary British politics, this idealist language is present in various political discourses: the project of a «Big Society» championed by the Conservatives aimed at reinvigorating altruistic values in citizens» behaviours so that they would help themselves and their fellow citizens instead of being «assisted» by the State.

This program provides scholarships to attend a broad range of three - to four - week summer courses at German universities which focus mainly on German language and literary, cultural, political and economic aspects of modern and contemporary Germany.

The elements include the recognition and use of heritage languages; pedagogy that stresses traditional cultural characteristics and adult - child interactions; pedagogy in which teaching strategies are congruent with the traditional culture, as well as contemporary ways of knowing and learning; curriculum based on traditional culture that places the education of young children in a contemporary context; strong Native community participation in the planning and operation of school activities; and knowledge and use of the social and political mores of the community.

Sharon Hayes, Jenny Holzer, Glenn Ligon, Adam Pendelton and Carey Young Curated by Jess Wilcox How to do things with Words explores the social and political consequences of language in contemporary society.

This juxtaposition of historic and contemporary work brings into critical focus the tremendous role Schapiro's femmages played in the reframing of craft and decoration, while shining a light on the way artists today, both distinguished and emerging, continue to approach the decorative as a language of abstraction tied to the personal and the political.

Lincoln Speaks, a 15 - minute film, was originally produced to accompany the exhibition and features contemporary writers and scholars discussing the power of Lincoln's language and his enduring legacy in American political life.

Much like the Baroque period, the diverse array of artists in this exhibition speak to contemporary political, personal and formal artistic concerns using a common, figurative language in uniquely personal styles.

The intensely engaging works of such contemporary artists as the Guerrilla Girls, Barbara Kruger, Jenny Holzer, Mark Lombardi, Trevor Paglen and others examine the political as a primary subject of their art, looking at the structures, interrelationships and language of influence and control.

From communication to transportation (of people, goods, and messages), from design to production, from political economy and capital regimes, our contemporary societies are guided by codes written in programming languages that use electromagnetic waves and computers.

Through language, the artist explores contemporary geo - political situations drawing on personnal experiences.

When he returned to Taiwan in 1997, endowed with hands - on knowledge of modern art and contemporary theory, kinetic art became the cornerstone of his creativity and the chosen language in expressing his visions on life, memory, and issues on social and political concerns.

Past exhibitions were dedicated to issues regarding educational policy, the dream of a universal language, cultures of political protest, as well as scientific visualization techniques in contemporary art.

From Derrick Adams's inventive adaptations of politically - charged designs by black fashion pioneer Patrick Kelly, to Firelei Báez's reimagining of Judy Chicago's The Dinner Party to grant women of color their rightful seat at the table, artists are resurfacing visual languages from the past to comment on contemporary socio - political culture.

Sage Dawson speaks with curator Lea Anderson about how contemporary artists explore a distinct language of surface, emerging with personal, political, and philosophical surface expressions in her recent exhibition at 516 Arts.

The exhibition brings together the work of contemporary Australian artists who have worked in textiles, re-working the language of the medium, with its domestic, cultural and gendered symbolism to personal and political ends.

To highlight this legacy, Auther will be joined by select group of contemporary artists, including Josh Blackwell, Edie Fake, Judy Ledgerwood, Jodie Mack, Sara Rahbar, and Ruth Root, for conversations that considers the decorative as a language of abstraction tied to the personal and the political.

Referencing the Italian folk - tale The Adventures of Pinocchio, Spite Your Face offers a powerful critique of contemporary «post truth» political rhetoric, in which the dubious language of truth is used and abused to enhance personal, corporate and political power.

«Protest» is an exhibition of historical and contemporary works by sixteen artists concerned with the socio - political issues of their day, who question the status quo and the power structures found within societies, and who take the language of protest as a means to explore its potency.

Photographic and film mediums are an integral part of this show, exploring the translation of political propaganda into a contemporary visual language.

These signs, languages and events are assembled into opaque narratives that are often punctuated by words and sounds from the contemporary world, from political slogans to slang.

This publication accompanies Protest at Victoria Miro, 23 September - 5 November 2016, an exhibition of historical and contemporary works by artists concerned with the socio - political issues of their day, who question the status quo and the power structures found within societies, and who take the language of protest as a means to explore its potency.