He juxtaposes these attributes with
contemporary pop references in wildly imagined museum installations.
In Tête de Femme (translated as «head of a woman»), Thomas looks to early 20th century Cubism and
contemporary Pop references, fragmenting and reducing portraiture to its most formal and geometric elements to create larger - than - life portraits of her models.
According to the gallery, «Thomas looks to early 20th century Cubism and
contemporary Pop references, fragmenting and reducing portraiture to its most formal and geometric elements to create larger - than - life portraits of her models.»
This constructed interior draws inspiration from Matisse, Romare Bearden, and
contemporary Pop references, all of which have been constant influences in Mickalene Thomas's work.
This contemporary take on classical portraiture draws inspiration from Matisse, Romare Bearden, and
contemporary Pop references, all of which have been constant influences in Mickalene Thomas's work.
Not exact matches
While the script does present a realistic take on the chaos of life with little ones as far as this writer can tell (full disclosure: I am nobody's mother), it still conforms to the tired comedy mandate that at least a half - dozen
contemporary pop - culture
references must be inserted into the average feature - length script.
Such
references more often than not feel like awkward
pop culture plugs, in hopes of reaching out to a
contemporary audience, or firmly dating this movie in 2013.
However, this is anything but a period piece, as the film retains an early»90s American
pop culture feel more than anything else, replete with
contemporary references and postmodern sensibilities.
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Indeed, his
references to the pervasiveness of digital aesthetics could be viewed as a
contemporary iteration of
Pop, similar to Lichtenstein's appropriation of comic book styles.
1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of
Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for
Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post
Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game:
Reference and Simulation in Recent Painting and Sculpture, Institute of
Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)
Contemporary heir to the
pop artists, Da Corte combines these common consumer objects with
pop cultural
references, personal family narratives — and even other artists» work — in vibrant sculptures, paintings, videos, and immersive installations.
What Lawrence achieves in these ten prints is that perfect, and rare,
contemporary synthesis of
pop - cultural
reference and symbolic depth.
Eric White's paintings
reference 20th century film, music and
pop culture backed by consummate draftsmanship and painterly finesse to subvert and recode the dominant narratives of
contemporary society.
Divided into three sections - the survey by Hal Foster, a gazetteer of works and a selection of
contemporary documents - this book could replace a whole bookshelf in your art library... It's a formula that should ensure that this book is one of the essential
reference works on the
Pop - art era.»
A former student of Baldessari at CalArts in the»70s, Salle burst onto the
contemporary art scene in the early 1980s with paintings that combined art - historical
references and appropriated imagery from
pop culture.
Contemporary events and notable people of the 1970s are
referenced in various scenes — from the famous trial of heiress - turned - revolutionary Patty Hearst to the Beatles and
pop singer David Cassidy.
Either as a
pop cultural
reference point or the conceptual link between the speculative practices of
contemporary art and science fiction, this trend has seen dozens, if not hundreds, of international and Australian artists creating sci - fi - inflected pieces, with exhibitions around the world surveying their work.
Although she also creates comic books, paintings, drawings, and stop animation, Whitmarsh is best known for her hand - embroidered canvases and soft sculptures, which make
reference to both
contemporary pop culture and the 1970s and»80s eras of her childhood.
Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most
contemporary detritus — styrofoam, plastic buckets, vacuum cleaners — which she blends with slapstick humor and art historical and
pop cultural
references.
His work is placed between fine art, urban art and
pop - culture, using humour to
reference and question his
contemporary milieu.
Razmi's body of work focuses on issues of identity and gender while appropriating national, cultural and artistic
references to reposition
pop - culture within a
contemporary Iranian context, giving her re-embodied, re-contextualized works a tongue - in - cheek quality.
The poster girl of
contemporary performance art, Chetwynd has made shambolic,
pop - culture -
referencing live art officially «a thing».
They
reference contemporary consumer culture through the use of iconic
pop culture symbols in the form of shop - front - type signage and carnival shows inherent of British seaside towns, Las Vegas and Times Square.
Painter Lai Chiu - Chen uses
pop culture
references and a comic book aesthetic to reflect upon
contemporary fashions and the artist's distinct worldview.
Drawing upon historical movements such as baroque,
pop art, and abstract expressionism, while
referencing contemporary developments in graffiti and photo - realism, the duo create intricately layered canvases in which linear narrative falls prey to the chaos of our image saturated times.
She creates highly visceral and sensual environments which
reference pop culture,
contemporary game playing and animation.
Stigliani is known for her mixed - media drawings that fuse together
references to fairytales, autobiography, and
pop culture to interrogate
contemporary notions of femininity.
Coded
references to
contemporary art abound: to Joseph Beuys (a sled); Sam Gilliam (a swag painting called «The Grand Galactic Cape»); David Hammons (an oblique take on race); and, I would guess, to Mr. Johnson's slightly older
contemporary Edgar Arceneaux, who has a similarly funky, visionary way with
pop culture and art.
In a mix of
references to both Ancient Greek and
contemporary pop - culture, she tries to balance questions about ideals and gender, as well as our bodies being symbols of power and potential carriers of meaning.
As its point of departure, Funny Cuts takes, as its point of departure,
Pop art's revolutionary
referencing of comics and concludes with the most current trends in
contemporary art, reflecting in many diverse ways its dialogue with the commercial and trivial picture worlds of comics and cartoons.
Katrin Fridriks has gained huge notoriety internationally with her unique style of abstract painting on canvas and paper, with her eclectic mix of colors that fuse the natural energies of her native Iceland — fire, water, earth and air — with
contemporary pop art, graffiti and calligraphic
references.
Now AVone is one of the most established
contemporary pop - artists whose works make
reference to his hometown, the Big Apple.