Sentences with phrase «contemporary portrait art»

The gallery also features contemporary portrait art in its «Portraiture Now» series, and sponsors the triennial Outwin Boochever Portrait Competition for contemporary portrait painters.

Not exact matches

This striking wall art features a contemporary portrait of a deer.

Michelle Obama's official portrait will be by the painter Amy Sherald, a rising talent whose first solo museum show will open in May at the Contemporary Art Museum St. Louis... portraits are a bit like online dating, with subjects paging...

Eastern shore, MD About Blog Gillette portrait arts is a contemporary portrait studio that serves the mid-atlantic and beyond.

Seamlessly moving back and forth in time between the Soviet Union and contemporary America, The Madonnas of Leningrad is a searing portrait of war and remembrance, of the power of love, memory, and art to offer beauty, grace, and hope in the face of overwhelming despair.

It's full of curiosities and various collections of modern and contemporary art and 50 photographic portraits of key artists of the 20th and 21st centuries.

The Scottish National Gallery of Modern Art is part of the National Galleries of Scotland with the Scottish National Portrait Gallery and the Scottish National Gallery and houses the national collection of modern and contemporary art dating from about 1900 to the present dArt is part of the National Galleries of Scotland with the Scottish National Portrait Gallery and the Scottish National Gallery and houses the national collection of modern and contemporary art dating from about 1900 to the present dart dating from about 1900 to the present day.

Sherald has received wide acclaim recently for her portraits of black Americans, and was chosen last year to paint Michelle Obama's portrait, which will be unveiled on Monday at the National Portrait Gallery in Washington, D.C.; Sherald's first solo museum show will follow at the Contemporary Art Museum, St. Louis this comportrait, which will be unveiled on Monday at the National Portrait Gallery in Washington, D.C.; Sherald's first solo museum show will follow at the Contemporary Art Museum, St. Louis this comPortrait Gallery in Washington, D.C.; Sherald's first solo museum show will follow at the Contemporary Art Museum, St. Louis this coming May.

For example, portraits, which are obviously considered very classical, traditional art, are popping up in incredibly modern and contemporary interiors.

When she returned from her uptown wilderness to the fashionable Upper West side in the 1960s she was out of step with the contemporary scene, however Neel made a concerted effort to reengage with the New York art world painting numerous portraits of artists, curators and gallery owners, including the poet and MOMA curator Frank O'Hara, and artists Andy Warhol and Robert Smithson.

For many recent exhibitions, including Portrait of a Young Man at the Bass Museum of Art, Miami Beach, URANIBORG at the Galerie nationale du Jeu de Paume, Paris, France and the Montreal Museum of Contemporary Art, Canada and, most recently, Disasters and Miracles at the Kunsthaus Baselland, Switzerland, Grasso has acted as a co-curator in conjunction with the museums, altering the architecture of the exhibition spaces and merging his works with pieces in the permanent collections of the institutions in order to create a unique and dynamic viewing experience.

With a title that plays on Robert Rauschenberg's infamous 1961 portrait of Iris Clert — a telegram that simply states, «This is a portrait of Iris Clert if I say so,» — this groundbreaking exhibition examines the rise and evolution of symbolic, abstract, and conceptual portraiture in modern and contemporary American Art.

Taken by fellow artists, these portraits were created over a span of more than seventy years and capture artistic figures that define the modern and contemporary art world.

2016 Mentors, Curated by Rick Herron, CFHILL, Stockholm, Sweden New Revolutions: Goodman Gallery at 50, Goodman Gallery, Johannesburg, South Africa Tomorrow Never Happens, Samek Art Museum, Bucknell University, Lewisburg, PA Future Perfect: Picturing the Anthropocene, University Art Museum, SUNY, Albany, NY 9th Berlin Bienniale, KW Institute of Contemporary Art, Berlin, Germany Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY Imitation of Life: Melodrama and Race in the 21st Century, HOME, Manchester, UK Luis Gispert + Jacolby Satterwhite, Lundgren Gallery, Palma de Mallorca, Spain Electronic Superhighway, Whitechapel Gallery, London, UK Disguise: Masks + Global African Art, Brooklyn Art Museum, Brooklyn, NY

2018 Tacita Dean: PORTRAIT, National Portrait Gallery, London Tacita Dean: STILL LIFE, National Gallery, London 2017 Tacita Dean: LA Exuberance, Frith Street Gallery, London 2016 Tacita Dean, Museo Tamayo, Mexico City Tacita Dean, Espace Louis Vuitton, Munich 2014 Print Projects, Statens Museum For Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami ArtPORTRAIT, National Portrait Gallery, London Tacita Dean: STILL LIFE, National Gallery, London 2017 Tacita Dean: LA Exuberance, Frith Street Gallery, London 2016 Tacita Dean, Museo Tamayo, Mexico City Tacita Dean, Espace Louis Vuitton, Munich 2014 Print Projects, Statens Museum For Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami ArtPortrait Gallery, London Tacita Dean: STILL LIFE, National Gallery, London 2017 Tacita Dean: LA Exuberance, Frith Street Gallery, London 2016 Tacita Dean, Museo Tamayo, Mexico City Tacita Dean, Espace Louis Vuitton, Munich 2014 Print Projects, Statens Museum For Kunst, Copenhagen 2013 JG, Arcadia University Art Gallery, Philadelphia Tacita Dean, Frith Street Gallery, London The Measure of Things, Instituto Moreira Salles, Rio de Janeiro De Mar en Mar, Fundation Botin, Santander Tacita Dean, The Fabric Workshop and Museum, Philadelphia 2012 Five Americans, New Museum, New York Tacita Dean, Norton Museum of Art, Florida 2011 Film, Tate Modern, London Line of Fate, MUMOK, Vienna 2010 Common Guild, Glasgow Craneway Event, Frith Street Gallery, London 2009 Australian Centre for Contemporary Art, Melbourne, Australia Sprengel Museum, Hanover Museum of Contemporary Art, Montreal 2008 In My Manor, Villa Oppenheim Galerie für Gegenwartskunst, Berlin Amadeus, Marian Goodman, Paris DIA, Beacon 2007 Wandermüde, Frith Street Gallery Hugh Lane Gallery, Dublin Tacita Dean, Guggenheim Museum, New York Tacita Dean: Film works, Miami Art Central

2007 Living Room Paintings, Painted Faces, Kinkead Contemporary, Los Angeles, CA Some Kind of Portrait, curated by Simon Watson, Marc Selwyn Fine Arts, Los Angeles, CA Distinctive Messengers, curated by Simon Watson, House of Campari, Miami, FL

At Art Basel Miami Beach this week, Jack Shainman Gallery presents Odutola's most ambitious work to date, a five - foot tall portrait from her latest series, while earlier pieces are currently on view in group shows at Brooklyn's Museum of Contemporary African Diasporan Arts (MoCADA) and the Jenkins Johnson Gallery in San Francisco.

2015 Love: The First of the 7 Virtues, Hudson Valley Center of Contemporary Art, Peekskill, NY SELF: Portraits of Artists in their Absence, Curated by Filippo Fossati, National Academy Museum & School, New York, NY

The film then shifts to a photographer of a different sort, Catherine Opie, who is well known in contemporary art spheres for her raw and honest portraits that explore identity and the notion of self - formed communities.

2015 PORTRAIT AND THE PRIMORDIAL, Antelope Valley College, Lancaster, CA --(Group) Now Here: Theoretical Landscapes, The Carnegie Gallery, Covington, Kentucky --(Group) We Got Spirit, Yes We Do, Unity Gallery, Maharishi University, Fairfield, Iowa --(Group) Blood, Milk, Sky and Gold - Mural, Contemporary Arts Center, Cincinnati, Ohio --(Solo)

Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern & Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY

A key figure of Australian art since the mid-1980s, Linda Marrinon has developed an idiosyncratic language of figurative painting and sculpture that merges contemporary cartoons with neoclassic tropes of the nude, reclining figure, and bust or standing portrait.

As the title suggests, the show is comprised of a series of portraits, by 35 rising contemporary artists, of Mie Iwatsuki who is regarded as a muse and model in contemporary art.

Anne Harris has exhibited at venues ranging from Alexandre Gallery, DC Moore Gallery and Nielsen Gallery, to the National Portrait Gallery at the Smithsonian Institute, The Portland Museum of Art, the California Center for Contemporary Art and the North Dakota Museum of Art.

Recent group exhibitions include Jerwood Space, London, Royal Academy of Arts, London, Neuberger Museum of Art, New York, Australian Centre for Contemporary Art, Melbourne; Tintype, London, Centre Georges Pompidou, Paris; the Venice Biennale; National Portrait Gallery, London; and the 2012 Guangzhou Biennale in China.

Selected solo exhibitions include: The High Museum, Atlanta; Guggenheim, Bilbao (2015 — 6); Tate St Ives; Turner Contemporary, Margate (both 2012); The National Portrait Gallery, London (2010); Irish Museum of Modern Art, Dublin (2007); Albertina, Vienna (2010); Saatchi Gallery, London (1998); P.S. 1 / Institute for Contemporary Art, New York (1997 - 8); Instituto Valenciano de Arte Moderno, Valencia (1996); Staatliche Kunsthalle, Baden - Baden (1995); Brooklyn Musuem (1988); Vancouver Art Museum (1977).

The current resurgence of the figure in contemporary art makes this question all the more pressing: faces and bodies are everywhere, but few of them qualify as conventional portraits.

The owner who consigned «Still Life with Wedding Portrait» for sale at Christie's, acquired the painting from a 2015 benefit auction at the Museum of Contemporary Art Chicago.

«SHEILA PREE BRIGHT: 1960Now» @ Museum of Contemporary Art Georgia Atlanta Known for her unique approach to portrait photography, Sheila Pree Bright «s «1960Now» «celebrates a generation of leaders from Atlanta and elsewhere in the American South who became the catalyst for social change in the early 1960s» and is described as her most ambitious project yet.

Marshall's portrait of Tubman sold at the Post-War and Contemporary Art Evening Sale on Nov. 15.

Tompkins has been featured in numerous group exhibitions, including Black Sheep Feminism: The Art of Sexual Politics, Dallas Contemporary, Dallas, TX (2016); The Shell (LANDSCAPES, PORTRAITS & SHAPES), Almine Rech Gallery, Paris, France (2014); A Drawing Show, Matthew Marks Gallery, New York, NY (2014); CORPUS, Zacheta National Gallery of Art, Warsaw, Poland (2014); A Chromatic Loss, Bortolami Gallery, New York, NY (2014); Elles, Centre Pompidou, Paris, France (2011); among others.

Solo exhibitions include Kunsthalle Helsinki, Finland (2015); Museum of Contemporary Art Krakow (MoCAK), Poland (2014); National Portrait Gallery, London, UK (2011); IVAM, Valencia, Spain (2010); MAK, Vienna, Austria (2008); CAC Malaga, Spain (2006); Neues Museum, Nuremberg, Germany (2003); Ikon Gallery, Birmingham, UK (2001); Kunstverein Hannover, Germany (1994) and Institute of Contemporary Arts, London, UK (1985).

Brilliantly witty, shocking, poignant and nihilistic, his art presents a portrait of contemporary America and is, in part, an investigation into the act of producing and looking at art.

On 6 March, Warhol's Six Self - Portraits will be a highlight of the Post-War and Contemporary Art Evening Sale at Christie's in London.

The result is a multifarious portrait of 56 contemporary Iranian artists challenging the conventional perceptions of Iran and Iranian art.

(Other prominent names mentioned were Sheena Wagstaff, the chairwoman of the department of modern and contemporary art at the Metropolitan Museum of Art and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait Gallerart at the Metropolitan Museum of Art and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait GallerArt and a former chief curator of Tate Modern; Iwona Blazwick, director of Whitechapel Art Gallery; and Nicholas Cullinan, director of the National Portrait GallerArt Gallery; and Nicholas Cullinan, director of the National Portrait Gallery.)

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

How did that portrait of Condi Rice by Luc Tuymans slip so quickly from David Zwirner into «Out of Time,» in the museum's second floor for contemporary art?

Completed just months before his death in 1987, Warhol's final self - portrait series is a highlight of the Post-War and Contemporary Art Evening Sale on 6 March

Mozman is a Fulbright Fellow, and has exhibited at the Chelsea Museum, New York, The DeCordova Sculpture Park and Museum, Massachusetts, the Museum of Latin American Art, Long Beach, the Shore Institute of Contemporary Art, New Jersey, Festival de la luz at the Centro Cultural Recoleta, Buenos Aires, the Instituto Cultural Itau, São Paulo, the Friese Museum, Berlin, the Museo Nacional de Bellas Artes, Santiago, Chile, Museo Nacional de Artes Visuales, Montevideo, Uruguay, Centro Cultural de España, Mexico City, the Smithsonian National Portrait Gallery, Washington D.C., and the Studio Museum, Harlem.

2006 Symposium on Contemporary Portraiture, National Portrait Gallery, Smithsonian Institution, Washington, D.C., USA Columbus, Columbus Museum of Art, Ohio, USA

His works are in the permanent collections of The Museum of Modern Art (MoMA); the Victoria and Albert Museum; the Smithsonian's National Portrait Gallery; the Institute of Contemporary Art, Boston; the San Francisco Museum of Modern Art; and many others.

2010 Schwager, Michael, Personal Identities / Contemporary Portraits, University Art Gallery Sonoma State University, November / December Schuster, Dana, A-List Artist, New York Post, 29 December Siverio, Ida, Kehinde's R - evolution, October, pp. 24 - 27 Watson, Simon, Kehinde Wiley, Whitewall Fall 2010, pp. 119 - 123 Halperin, Julia, Kehinde Wiley Now Represented in New York by Sean Kelly Gallery, New York Observer, 17 September Jackson, Brian Keith, A World Stage, Juxtaposed: Kehinde Wiley Between Africa and China, Leap No. 03, pp. 86 - 93 PAFA's Summer Surprises and More, SanArt, 1 August Feldman, Melissa, World Cup Chic Kehinde Wiley's Fancy Footwork, New York Times Magazine, 2 June Loszach, Fabien, Bling - Bling, Everytime I Come Around, Esse Arts + Opinions, No. 69, Spring / Summer Badinella, Chiara and Fabrizio Affronti, Grandi Maestri, Fonte Perenne, La Casana No. 1, January - March, pp. 26 - 29 100 Artisti da Scommetterci / 100 Artists to Bet On, Arte Magazine, Milan, Italy, August, pp. 120 - 140 Hunt, Kena and Watson, Simon, Kehinde Wiley, Vogue Italia, October Dreyfuss, Joel, Meet the Root 100, 2010 Edition, The Root unveils its latest list of young African - American pace setters and game changers, The Root, 10 October Garfield, Joey, Kehinde Wiley, Juxtapoz January, pp. 46 - 61 Karcher, Eva, The Colours of Africa: Art Beyond the Primitive, The Mini International Vol.34, Issue 2, pp. 36 - 41 Krentcil, Faran, First Look: Puma Africa, Nylon Magazine, 16 March

Watch IL LEE discuss Rembrandt portraits in Season 2 of The Artist Project produced by The Metropolitan Museum of Art: http://metmuseum.org/artistproject/il-lee The Metropolitan Museum of Art invited 100 contemporary artists from around the world to discuss works in the Met's collection that they find particularly inspiring.

His work exists in many prominent international collections, such as the Museum of Contemporary Art (MOCA), Los Angeles; The Metropolitan Museum of Art, New York; National Portrait Gallery, London; and Tate, London.

His work has been exhibited at the Whitney Museum of American Art, New York City, NY; The Royal Hibernian Academy, Dublin, Ireland; The Institute of Contemporary Art, Philadelphia, PA; The Contemporary Arts Museum, Houston, TX; The Benaki Museum, Athens, Greece; Galerie der Stadt, Tuttlingen, Germany; and The National Portrait Gallery, Washington, D.C..

Brielmaier is the author of «Re-Position / Re-Present: Notes on Contemporary Photography of the Maghreb» (NAZAR: Photographs from the Arab World, Noorderlicht, The Fries Museum, The Netherlands, 2004) and Hector Acebes: Portraits in Africa 1948 - 1953 (University of Washington Press, 2004) and has written and lectured on international art and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affaiart and photography for PARKETT Series with Contemporary Artists, Aperture Magazine, Nka: Journal for Contemporary African Art, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural AffaiArt, The Solomon R. Guggenheim Museum, The Brooklyn Art Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural AffaiArt Museum, The Studio Museum in Harlem, NYC School of the Visual Arts, Atlanta College of Art Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural AffaiArt Gallery, Harvard University, Howard University, New York University, Essence magazine and the NYC Department of Cultural Affairs.

41 ° 7» N., LONG 72 ° 19» W, organized by Bob Nickas, Martos Gallery, East Marion, NY Dear Portrait, MOSTYN, Llandudno, Wales, UK Looking at the View, Tate Britain, Millbank Project, London, UK Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary, Nottingham, UK, travels to: Tate St. Ives, St. Ives, UK Punctum: Fotografie zwischen Inszenierung und Dokumentation, Galerie Meyer Kainer, Vienna, Austria The Fragmented Body, The Israel Museum, Jerusalem, Israel Xerography, Firstsite, Essex, UK L'oeil Photographique, FRAC Auvergne, Clermont - Ferrand, France Paint it Black, Le Plateau, Paris, France Il fascino discreto dell «oggetto, Galleria Nazionale d'Arte Moderna, Rome, Italy The Arctic, Louisiana Musuem of Modern Art, Humlebaek, Denmark

Hip Hop and Contemporary Portraiture, Smithsonian Institution, National Portrait Gallery, Washington, USA Selected Drawings, Museum of Contemporary Art, Cleveland, USA

To date Bowe's work has been exhibited in galleries and museums including the Victoria & Albert Museum, London, the Douglas Hyde Gallery, Dublin, the National Portrait Gallery, London, Fotohof, Salzburg, Fotomuseum, Winterthur, and The Visual Centre Of Contemporary Art, Ireland.