Not exact matches
Furthermore, through its involvement with Green America and the Green Business Network, Naturepedic conducts its business according to standards that reach beyond
contemporary practices in addressing the needs of consumers, employees, communities and the
environment.
Why we do it... As a member of the Co-op America Business Network, Bean Products, Inc. conducts business according to standards that reach beyond
contemporary practices in addressing the needs of consumers, employees, the community and the
environment.
This evaluation seeks to better understand the influence that teaching artists have in fostering
contemporary arts
practices in classrooms and how that can potentially impact the whole school
environment.
La Fragua artist residency is looking for artists who are working with moving projects that aim to dynamically reinterpret the rural
environment through
contemporary artistic
practices and experiments.
Our qualification reflects the interests and concerns of
contemporary art
practices and unfolds in an alternative teaching and learning
environment within the framework of the 10th Berlin Biennale.
A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose
practice interrogates the
contemporary social climate, including issues surrounding immigration, the
environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.
Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose
practice interrogates the
contemporary social climate, including issues surrounding immigration, the
environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.
MassArt's 60 credit, full - time MFA: Media Arts (Photography) program guides students through extensive study of the history and current
practice of photography, critical theory, and the
contemporary multi-disciplinary
environment.
A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose
practice interrogates the
contemporary social climate, including issues surrounding immigration, the
environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.
Through print media, sculpture and video installation, her studio
practice examines the relationship between the mapped image and
contemporary notions of exploration, virtuality, and the simulated
environment.
The University Art Gallery (UAG) is proud to present the exhibition, Fugitive Fibers, a group show displaying work by four artists who utilize fiber in their
practice to speak about
contemporary binaries within the contexts of found and created
environments.
Known for his large - scale painting interventions based on vibrantly patterned Taiwanese textiles, Lin's
practice has been hailed as a new approach to
contemporary art and the museum through the creation of immersive and experiential
environments.
Imaging Eden presents an overview of the medium's historic complicity as silent witness, pre-meditated booster, and passionate advocate of this unique
environment, and also showcases commissioned work by five international
contemporary artists, including Gerald Slota (USA), Jungjin Lee (Korea), Bert Teunissen (the Netherlands) and Jim Goldberg and Jordan Stein (USA), whose
practice is photo - based.
Furthermore, «Built, World» explores the relationship between
contemporary visual art
practices and architecture as form and discipline, and also considers the power and ideology embedded within our built
environment.
Since 1994, the Center for Curatorial Studies and its graduate program have provided one of the world's most forward - thinking teaching and learning
environments for the research and
practice of
contemporary art and curatorship.
One Stone and the Rain takes CORE Critic - in - Residence Laura A. L. Wellen's 2016 essay of the same name as its departure point to consider
contemporary artistic
practices that pair the natural
environment with a politics of
contemporary life in Guatemala.
The Critical Academy offers a growing series of seminars around key aspects of
contemporary Arts
practice aimed at developing and strengthening key skills and mindsets, taught in participatory
environments with clear and focused aims.
Organized by curator and site95 founder Meaghan Kent, the series focuses on the influence of the urban
environment on
contemporary practices.
Originally commissioned by the Pérez Art Museum in Miami, Hiller's video installation continues her
practice of changing the register of
contemporary museum and gallery spaces, creating immersive and haunting
environments in which the viewer succumbs to a multi-sensory experience.
The first internationally touring survey show dedicated to the work of one of Japan's leading and most innovative
contemporary artists, this exhibition will present works from Ohtake's multifaceted
practice which ranges from painting to assemblage, collage, drawing, monumental sculpture, architectural
environment and sound — much of which has never been seen in the US.
«Gates» is a site - specific piece employing the traditional folk art of quilting with
contemporary art
practices such as assemblage, installation and performance to create an
environment that explores notions of cultural lineage, social tensions, economic degradation and social constructs.
«Gates» is a site - specific piece employing the traditional folk art of quilting with
contemporary art
practices such as assemblage, installation and performance to create an
environment that explores notions -LSB-...]
Here he takes his
practice to a new dimension and scale, manipulating the space to create an interactive
environment where viewer's are able to ponder the real and the virtual, exploring technology with
contemporary consciousness.
Ranging from site - specific installations to painting and photography, the diverse works in this exhibition enter a broad, polyphonic discourse on
contemporary art
practice and the
environment that has been ongoing since the 1970s.
Icelandic and UK artists Bryndis Snæbjörnsdóttir and Mark Wilson describe their collaborative
practice, which they have conducted since 2001, as «socially engaged projects that explore
contemporary relationships between human and non-human animals in the contexts of history, culture and the
environment.»
RP: Abbey Walk is an exciting venue to be working with and in this show we are seeking to explore three core strands of
contemporary artistic
practice: the relationship to the physical
environment, the exploration by artists of socio - political events and the expression of personal trauma in the creative act.
Mennour juxtaposes Morellet, a pioneering minimalist who passed away in 2016 at the age of 90, with Mohamed Bourouissa, a young Algerian - born Parisian artist whose multimedia
practice explores
contemporary social tensions and cultural idiosyncrasies, especially in urban
environments.
Les Moulins is an extension of their
practice, to establish a collective
environment dedicated to artistic research and production of
contemporary art.
suggests, the works in this project, although showing the semblances of traditional art - making techniques such as painting and printing, have been conceived in non-traditional
environments and transported to our reality, offer an exciting glimpse into
contemporary art
practices that use technology and new media for artistic creation.
This summer, Ms. Guerrero will make her exhibition debut at the Whitney with «Pacha, Llaqta, Wasichay: Building the Indigenous Present,» a group show that gives center stage to
contemporary art
practices that highlight indigenous thinking around the built
environment.
Forty - three artists and designers are forging the new face of
contemporary art and design, investigating new approaches to their creative
practices, and doing this in an
environment that nurtures innovation, ambition, and dynamism across disciplines.
This panel traced the work of
contemporary artists whose diverse sculptural
practices are inflected, transformed, or reflective of their
environment — from public space, to galleries, and institutions.