Sentences with phrase «contemporary practice of art»

On the occasion of this exhibition, Ms. Vancelette will conduct interviews and a panel discussion forum investigating the term «Actionism» in contemporary practice of art studios today.

Not exact matches

What students do in arts - integrated education is actually far closer to the practice of contemporary artists than what usually happens in regular arts classrooms.

New York, NY About Blog This blog is dedicated to exploring and cultivating contemporary aesthetic interpretations of the book as an art object, while preserving the traditional practices of the art of the book.

View works by contemporary Ubudian artists as well as traditional schools of art such as Batuan — practiced by Brahman artists — and Sanur, which features highly stylized paintings of sea creatures and other animals.

Hotels owner and international arts patron Dakis Joannou commissioned the Brazilian brothers for their eco-sensitive ethos and the use of contemporary handicraft practices and local idioms.

As a preview event, we're talking with Los Angeles Contemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imaginaContemporary Exhibitions (L.A.C.E), which describes itself as «an LA - based nonprofit contemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imaginacontemporary art space and creative laboratory that pushes boundaries to expand the definition of contemporary art practices and inspire the public imaginacontemporary art practices and inspire the public imagination.»

In the video Noel remarks: «The hope is that the show makes a convincing case, that a space is preserved in contemporary art for just this practice - this search for poetry in a direct and unmediated experience of looking.

painttube is connected to an expanding network of Irish and International painting groups delivering events that explore painting in contemporary visual arts practice.

painttube is a research group of staff and post graduate students at the National College of Art and Design, in Dublin, who are engaged and interested in painting within contemporary fine art practiArt and Design, in Dublin, who are engaged and interested in painting within contemporary fine art practiart practice.

Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.

Regularly scheduled (4 - 6 week) solo and group shows, in addition to curated exhibitions, bring fresh dialogue to issues of common concern in contemporary art practice.

P.S. 1 Contemporary Art Center is pleased to present MY SECRET LIFE, Lutz Bacher's first museum survey exhibition, which spans several decades of the artist's wide - ranging conceptual practice.

«JACK WHITTEN: Five Decades of Painting» Museum of Contemporary Art San Diego, La Jolla, Calif. Sept. 20, 2014 — Jan. 4, 2015 Jack Whitten's approach to abstraction is distinct, defined by his career - long commitment to evolving his practice.

Titled Visionary New England, this contemporary art exhibition is inspired by the impact and legacy of utopian, spiritualist, and mystical practices in the region.

Because of the mass appeal of Hockney's Royal Academy Exhibition, the iPad paintings have unfortunately been branded by popular criticism and media as the epitome of contemporary art practice, fuelling the delusions of those who unwittingly consider landscape painting to be one of the few modes of visual art.

Murillo's huge and physically enveloping canvases (seen at Art Basel 20135), echo familiar threads through contemporary fine art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.Art Basel 20135), echo familiar threads through contemporary fine art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.L.7

MARK BRADFORD Venturing beyond the creative thrust of his Los Angeles - based practice and embracing his power as a major figure in the art world, Mark Bradford launches Art + Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University practice and embracing his power as a major figure in the art world, Mark Bradford launches Art + Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University in 20art world, Mark Bradford launches Art + Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University in 20Art + Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University Practice, a groundbreaking community project, and joins the boards of the Los Angeles Museum of Contemporary Art and the Rose Art Museum at Brandeis University in 20Art and the Rose Art Museum at Brandeis University in 20Art Museum at Brandeis University in 2014.

Frieze Masters Talks provides a platform for leading artists, museum curators, writers and critics to discuss the history of art and its continuing significance in contemporary practice.

As contemporary art practice begs a cyclical understanding of culture, aesthetics, and politics, so, too does a life well lived.

Reduced to their basic characteristics, the selected works pay homage to the line, an elemental form that has helped to define the practice of modern and contemporary art.

Michelle Jacques is the Chief Curator at the Art Gallery of Greater Victoria, where she is responsible for guiding an exhibition, education and acquisitions program that links contemporary practices, ideas and issues to the Gallery's historical collections and legacies.

Occupying an important position in contemporary art practice, Lutz Bacher's work is receiving increasing levels of international recognition.Black Beauty provides a unique opportunity to see Bacher's new works made specifically for the ICA together with recent -LSB-...]

Collectively showing a range of previous and newly commissioned works over 2013 - 14, the partnership offers unique insight and perspective into the artists» work and wider perspectives and trends of contemporary Chinese arts practice.

She has been featured in major international exhibitions including the Museum of Modern Art; the Centre Georges Pompidou; the Whitney Museum of American Art; the Fowler Museum at UCLA; Art + Practice; Prospect.3: Notes for Now New Orleans Biennial; the Institute of Contemporary Art, Philadelphia; and at the Studio Museum in Harlem.

Our qualification reflects the interests and concerns of contemporary art practices and unfolds in an alternative teaching and learning environment within the framework of the 10th Berlin Biennale.

This four - week course will contextualize and make sense of two seemingly disparate strands of contemporary art: on the one hand, work that speaks to urgent political and social realities and on the other, conceptually - driven practices that seem detached from current events.

Recognizing the Bronx's cultural contributions — including the birth of artistic movements such as hip hop, graffiti art and Latin Jazz, that served as inspiration to many contemporary artists — in 1999 the Museum expanded its collecting practice to include works by artists for whom the Bronx has been critical to their artistic practice and development.

I specialize in new art or art that needs to be looked at in a fresh way, in terms of contemporary practice.

I would like to gather a selection of the many varieties of «animated vessels» found in contemporary art practice today.

The salon style group show Framed Practices explores how contemporary art frames itself to fit within the archaic structure of consumer art while accepting art practice as a commodity.

Occupying an important position in contemporary art practice, Lutz Bacher's work is receiving increasing levels of international recognition.

May 8 - 29, 2009 RMIT University School of Art and Sydney Non Objective present contemporary non-objective practice from MINUS SPACE New York.

Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecArt Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecart practices through innovative curatorial projects.

As a cross section of the diverse practices pursued by contemporary artists this exhibition reaffirms the Barrick's commitment to collecting art of the present.

He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.

ASBA's mission is to provide a thriving, interactive community dedicated to perpetuating the tradition and contemporary practice of botanical art.

Graphicstudio: Uncommon Practice at USF is curated by Jade Dellinger and co-organized by USF Contemporary Art Museum and the Tampa Museum of Art.

He draws from a history of radical art practices from Soviet avant - garde figures such as Rodchenko and Malevich, to more recent contemporary American artists Jimmie Durham and David Hammons.

The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.

Over time, I can see this network of teachers not only influencing each others practice but also contributing to new national arts standards, helping others to understand the importance of contemporary art in the curriculum, and continuing to facilitate workshops at national and statewide conferences in order to spread the love.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

In addition to Erin's art practice, she runs the gallery Species inside of her studio at Atlanta Contemporary with...

No longer separately relegated to «walking» art or «land» art, but including action - based processes, Wanderlust allows viewers to experience 50 years of artistic practices that are intertwined while highlighting diverse approaches to contemporary art.

The exhibition also brings forth the importance of these modes of practice in relation to contemporary art.

«Kerry James Marshall: Painting and Other Stuff,» the first comprehensive survey of his practice, is on view in Antwerp, Madrid, Copenhagen and Barcelona (and includes a catalog); «Look See,» his first exhibition with David Zwirner Gallery, his representative in London, opens; and he receives the Wolfgang Hahn Prize for contemporary art from the Museum Ludwig in Cologne, Germany.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporArt at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporart research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporart of the diasporas.

The Monash University Collection has been characterised by a long - standing professional commitment to the development of contemporary art practice, leading to a major, forward - looking and adventurous collection of innovative and experimental works.

The panel will discuss the role of obsession, activity, and repetition in contemporary art practice, as illustrated by Yayoi Kusama's life and work.

By exhibiting artists across multiple generations and continents, the gallery establishes a discursive critical voice in addressing diverse perspectives of art within a broader context of contemporary artistic practices.

In planning Tate Gallery St Ives from 1991, I was sharply aware of how it had to combine respect for the history and tradition of modern art in Cornwall with fostering contemporary practice.