Sentences with phrase «contemporary public performance»
Or, from any contemporary public performance of his compositions still falling under copyright protection?
https://law.stackexchange.com/ Not exact matches
Jing Daily looks at the intersection of luxury and culture in China: the ins and outs of business development there with an eye toward the upscale consumer market, as well as the business of culture — from auctions, museums, and contemporary art to performance, public events, and more.
The Chief of Army Staff, Lt. General Tukur Buratai, in his welcome address, said the annual conference is a forum for re-accessing the performances of the Nigerian Army for the year in order to rededicate them to the challenges of new year, saying it also affords the Nigerian Army hierarchy the opportunity to rub minds with the public and the private sectors, the academicians especially in view of the contemporary security challenges in the country.
New York, NY About Blog Asia Contemporary Art Week connects leading New York City galleries and museums in a citywide event comprising of public programs such as exhibitions, receptions, lectures and performances.
Her world premieres include Party People by Universes (Oregon Shakespeare Festival), The White Man — A Complex Declaration of Love by Joan Rang (DanskDansk Theatre, Denmark), Peggy Picket Sees the Face of God by Roland Schimmelpfennig (Luminato Festival / Canadian Stage Toronto), Eclipsed by Danai Gurira (Yale Repertory Theatre, Woolly Mammoth Theatre Company), The Good Negro by Tracey Scott Wilson (The Public Theater, Dallas Theater Center), A History of Light by Eisa Davis (Contemporary American Theatre Festival), Angela's Mixtape by Eisa Davis (Synchronicity Performance Group, New Georges), Bus and Family Ties (Play Company for the Romania Kiss Me!
Since 1998 Bori has written and recorded music for numerous projects, including 28 full ‑ length theatre performances (ranging from contemporary dance to traditional theatre), two seasons of a TV show screened on the Slovenian national television, several short films, documentaries, and other audiovisual works and public events.
New York, NY About Blog Asia Contemporary Art Week connects leading New York City galleries and museums in a citywide event comprising of public programs such as exhibitions, receptions, lectures and performances.
Sla307 produces a number of contemporary art exhibitions throughout the year as well as a series of public programming which include lectures, performances, and film screenings.
2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY
Baltic Centre for Contemporary Art in Gateshead are hoping to secure as many as 600 members of the public for a performance of On Kawara's One Million Years The recent host of the Turner Prize, the Baltic Centre for Contemporary Art in Gateshead is looking for as many as 600 volunteers to help the performance of On Kawara's One Million -LSB-...]
The South London Gallery (SLG) is an internationally renowned public institution with an established reputation for its programme of contemporary art exhibitions, film and performance events, with integrated education projects for children, young people and adults.
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Previously serving as Curator of Public Programs at Nottingham Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and live ePublic Programs at Nottingham Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and live epublic contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and live events.
Her current projects (in collaboration with Angel Nevarez, artist and MFA faculty member, School of Visual Arts, New York) investigate contemporary music, dissent, and public fora, while moving between the spatial simultaneity of performance and enunciation, and reflecting upon the projection of political agency through transmission and song.
Armory programming includes: free year - round community arts programs, serving 6,500 people annually; in - school artist residencies and a gallery fieldtrip program, serving 4,500 students annually; studio programs offering visual and media arts classes for all ages, serving 3,700 people annually; professional development training for teaching artists and public school teachers; and contemporary visual art exhibitions and performance based work.
From iconic modern painters like Brice Marden, to contemporary designers like Jürg Lehni, to artists working across disciplines including photography, architecture, media arts, performance, film, and public practice, we invite you to hear from artists who are shaping the future of contemporary art.
The Ulrich and the students of the Concepts in Creative Industries: Curation and Installation of do it course at the WSU School of Art, Design and Creative Industries will present realized artworks, ongoing performances, take home instructions, and the opportunity for the public to engage in the creation of contemporary art.
The exhibition, which will be held at the Museum of Contemporary Art, Andros, through September 26, 2010, will feature a total of 76 works, including 42 sculptures, 34 drawings and preliminary sketches, and a series of photographs documenting stage sets designed by the artist for various performances, as well as public works realized across Europe, Asia and the United States.
Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America
Between 1963 and 1966, the Foundation sponsored a number of public events, including a series of performances at The Pocket Theater featuring then - emerging artists like Trisha Brown, Robert Morris, Yvonne Rainer, David Tudor, and La Monte Young, among many others; a concert of music by then - emerging composers Morton Feldman and Earle Brown; «Six Lectures» (1966), a series of lectures given by Norman O. Brown, Merce Cunningham, R. Buckminster Fuller, Marshall McLuhan, Harold Rosenberg, and Peter Yates; and «9 Evenings» (1966), a series of performances organized by Experiments in Art and Technology (E.A.T.) for which contemporary artists and scientists created collaborative performance works.
From Woodlawn to Wicker Park, billboards, performances, and installations displaced contemporary art in public spaces while commenting on the structures of power.
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
Erik's work been featured in solo exhibitions at the Arts Club of Chicago, Open House Contemporary, EXPO CHICAGO, Bert Green Fine Art, Waubonsee Community College, Project 1612, Chicago Artists Coalition; via public art projects and performances for the Broadview Hotel in Toronto, the Downtown Norfolk Council, Chicago Department of Special Events & Cultural Affairs (DCASE), and Pick Museum of Anthropology; and in group shows at The Franklin, Arizona State University, Eastern Illinois University, University of Nebraska — Omaha, University of Wisconsin - Milwaukee, and Columbia College, among others.
Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco
Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco
In addition, we have done curatorial projects that explored performance through our Public Engagement department with the contemporary orchestra wildUp, the experimental opera company The Industry, and the Institute for Art and Olfaction.
Drawn from the fields of photography, painting, performance, installation, video, film, and public art, the works featured here combine to create a bigger picture of the state of contemporary art today.
The artists included in the show represent different eras and cultural voices, from Native American artists, like the late Fritz Scholder, to contemporary performance artist Raul Baltazar (MFA Public Practice» 13).
The Moore Space is dedicated to presenting international contemporary art forms and aims to achieve this through an experimental program of cross-disciplinary exhibitions, performances, artists and curators residencies and public programs which reflect the state of contemporary art today.
Chinati hosts public programs throughout the year including lectures, performances, exhibition openings, and other special events that continue the museum's tradition of bringing contemporary artists to Marfa and sharing the collection and exhibitions with the public.
Our main venue, BRIC Arts Media House, offers a public media center, a major contemporary art exhibition space, two performance spaces, a glass - walled TV studio, and artist work spaces.
Garcia has curated a wide range of notable exhibitions and projects including Joel Kyack's Superclogger (2010); artist Marcos Ramirez ERRE's retrospective at the Carrillo Gil Museum in Mexico City (with Kevin Power, 2011); a re-staging of Mark di Suvero's Artists Tower of Protest for the Getty's Pacific Standard Time Performance and Public Art Festival (2012); the US museum premier of Egyptian artist Wael Shawky's Cabaret Crusades at the Hammer Museum (2013); and artist Eduardo Sarabia's mid-career survey at the Instituto Cabañas in Guadalajara, Mexico, and the Museum of Contemporary Art of Oaxaca (2014) amongst others.
Person of the Crowd: The Contemporary Art of Flânerie is curated by Thom Collins, executive director and president of the Barnes Foundation in collaboration with Dr. Martha Lucy, deputy director for education & public programs and curator, as well as exhibition guest curator Judith Tannenbaum, who will collaborate on the performance series and billboard installations.
He is currently curating Empty Pr (oe) mises for the National Museum of Contemporary Art, Athens, and a new public performance by Stefanos Tsivopoulos on the White House sidewalk in collaboration with the Cooper Gallery at Harvard University.
Fully integrated into the Stedelijk's program at large, the Public Program presents a broad spectrum of performance, exhibition, film, music, dance, and discursive events that invite the museum's publics to join the conversation about the latest developments in contemporary art and design.
Encompassing a great number of performance, film, discursive, music, and dance programs, the Public Program connects questions and issues in the international discourse about contemporary art and design with local interests and communities.
FAENA ART presents two distinct but related exhibitions, opening to the public on May 31, 2015 at Faena Art Center Buenos Aires (FAC), which demonstrate the power of performing bodies, in both physical and digital forms, to explore temporality and the role of gender in contemporary art and performance.
A Performa Commission with HAU and SFMOMA, the performance continues SFMOMA's Now Playing live art series, which has transformed the nature of the museum's public programming by embracing the event - driven, performance - based aspect of much contemporary art.
Bringing together local and international contemporary art tendencies, Kunsthalle Basel is well known for its presentation of thought - provoking new artworks and display methodologies, as well as for its wide range of public programs that include artist talks, performances, and film screenings.
learn more... June 2017 - First Public Art Project Unveiled Sandra DeLucca Developmental Center - Miami May 25, 2017 - Mermaid Performance Vizcaya Museum and Gardens - Miami April 22 - June 25, 2017 - Group Exhibition Aesthetics & Values - Frost Art Museum - Miami March 9, 2017 - Performance Along the Shadow of the River - Girls Club Collection - Fort Lauderdale Empty Kingdom Interview Drawings at PAMM, part of «Global Positioning Systems» Exhibition My first edition, available thru Girls Club Collection New Video at the Art Center / Miami Beach Group Show - Museum of Contemporary Art - Miami Recent performances at MOCA and Pinecrest Gardens Art Slant Review New Times Review Recent Interview - OPP Website Update - Select videos now available for viewing New York Show - launchf18
A diverse programme of public and family events accompanies the exhibition, including free exhibition tours, regular and February Half Term children's workshops, a Friday night film programme selected by the artist (to enrich the references to these works in the catalogue), and Daria Martin In Conversation with Catherine Wood, Curator, Contemporary Art / Performance Tate Modern, on Thursday 23 February at 6.30 pm.
Recent artistic work has been seen at Exit Art (Collective / Performative), EIDIA House / Plato's Cave, IV Soldiers, Panoply Performance Laboratory, SCOPE Art Fair (Us vs. Us), Fountain Miami (Grace Exhibition Space survey of Contemporary Visual Performance), Agape Enterprise (Tea Will Be Served), and the New Museum's Festival of Ideas for the New City (Farm City) as well as throughout public spaces in New York City.
Every night at 11.57 pm all the billboards are taken over by Midnight Moment — a screening of innovative and contemporary performance and visual art, showcasing new talent each month, opening the public eye to different styles and encouraging the discovery of new cultural events.
Fourteen weeks of exhibitions, performances, films and events, across the city's public spaces, unused buildings and galleries: this is Liverpool Biennial, the largest contemporary art festival in the UK, running from 9 July to 16 October 2016.
Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.
LACE, or Los Angeles Contemporary Exhibitions, on January 27th will re-present Suzanne Lacy's 1977 performance work then called Three Weeks in May, now being called Three Weeks in January, as a citywide public performance and event still dedicated to raising awareness about rape and sexual violence against women.
The Savannah College of Art and Design (SCAD) announces deFINE ART, the university's annual contemporary art showcase that offers top lectures, exhibitions, performances and public events in...
Through talks, symposia, performances and other events, Herron's public programming offers encounters with world - renowned artists while serving as a catalyst for discussions about timely issues related to contemporary art and culture.
For the Center for Curatorial Studies, the exhibition will be completely reconfigured to include new works by the selected artists, a survey of contemporary independent cultural and art publications, specially commissioned performances, new outdoor installations, and public discussions.
Public Programs and Events: Graphite hosts a series of panel discussions, lectures, workshops, performances, and film screenings at the Hammer Museum that aim to foster critical dialogue around contemporary events and ideas.