Sentences with phrase «contemporary sculptural practice»

Open to the public and free to attend, this unique exhibition on Old Brompton Road will showcase the diversity of contemporary sculptural practice with works by some of the Society's most exciting early career artists.

Works on view explore several key ideas in modern and contemporary sculptural practice, such as the exploration of unorthodox materials, new choices in subject matter, and the dissolution of the boundary between painting and sculpture.

These works provide a basis for developing examples of contemporary sculptural practice within the museum's collection.

It is important for the museum to continue to build on that strength and show different facets of contemporary sculptural practice,» explains the curator.

Our integrated Public Programme consist of commissions, residencies, education and interpretation projects, which attract and inform significant audiences as well as providing artists with platforms and opportunities for debate and critique, as well as developing the discourse on contemporary sculptural practice.

In parallel to this we enhance the public's understanding and awareness of contemporary sculptural practice both nationally and internationally through a range of Public Programmes.

Incorporating materials not traditionally associated with fine art into his works — including latex, satin, bamboo, and other found objects — Sonnier began to create sculptural works that challenged the conception of art at the time, and which went on to redefine contemporary sculptural practices.

The collection also reflects distinctive contemporary sculptural practices, including works by Roxy Paine, Cameron Gainer, Mel Kendrick, Ai Wei Wei, and more.

Not exact matches

Future Eaters presents a range of contemporary Australian and international artists working with sculptural practices in our present technological age.

Harrod writes and makes work that employs traditional and contemporary craft and sculptural practices.

In her artistic practice, recent works include the large - scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich Contemporary Art Museum, Connecticut (2013).

Working on both large - scale installations and individual sculptural pieces, makes Johnson's practice unique among artists creating contemporary glass.

The curators discussed issues of material specificity and spatial concerns in contemporary painting practices, and examined the work of cutting edge artists whose work ignites a dialogue about sculptural and installation forms of painting.

This group exhibition broadens the dialogue of contemporary painting practices by showcasing the ways in which formal considerations such as color, texture and composition are created with thread, fabric, clothing and sculptural manipulations of canvas.

In his broader practice, the Dubai - born contemporary artist works with digital video, painting, sculptural installation, computer software programs, and print, to test the complexities of cultural identity.

His work is included in con / struct: Celebrating Queensland Sculpture which features eleven artists that represent the scope and depth of contemporary sculpture across Queensland and who have a sustained practice working in the sculptural realm.

The University Museum of Contemporary Art is pleased to present an exhibition of digital prints, lithographs, and mixed - media maquettes by the Brooklyn - based artist Caitlin Cherry, who is known for her hybrid practice of painting and sculptural installation.

Together, this collection comprises a snapshot of an important moment in the extensive legacy of the Los Angeles contemporary art scene, which has seen significant expansion in the possibilities of sculptural practice.

In his pursuit of a new language, the artist helped to move sculptural practice from the «modern'to the «contemporary.»

The artists invited to participate in Nasher XChange — Lara Almarcegui, Good / Bad Art Collective, Rachel Harrison, Alfredo Jaar, Liz Larner, Charles Long, Rick Lowe, Vicki Meek, Ruben Ochoa, and Ugo Rondinone — represent a range of sculptural practices in contemporary sculpture locally, nationally, and internationally.

Organized in collaboration with Art + Practice, a Los Angeles - based art and service organization, and co-curated by the BMA's Dorothy Wagner Wallis Director Christopher Bedford and Assistant Curator of Contemporary Art Cecilia Wichmann, the show is built around eight photographs, three sculptural installations, and a video compilation of performance excerpts.

Discussing current commissions (Katrina Palmer, The Quarryman's Daughters for Art Angel); exhibitions and recent sound displays (for example, Susan Phillipzs: War Damaged Musical Instruments) the group considered current theoretical, practical and institutional issues dealing with artists working with sounds as a sculptural medium, informing the networks about current practices in contemporary art.

On the other hand, when seen as a whole, the collection provides a portrait of a specific creative legacy of the Los Angeles contemporary art scene, in this case a notable expansion of the field of possibilities for sculptural practice.

Like these better - known contemporaries, Gentile's sculptural practice is in this case a disembodied one, manifested only in the context of photos — a move calculated to probe the indexical gaps between things and their depictions.

This panel traced the work of contemporary artists whose diverse sculptural practices are inflected, transformed, or reflective of their environment — from public space, to galleries, and institutions.

Curator Christian Dominguez notes, «Hudson is one of the few contemporary sculptors of his generation capable of redefining traditional sculpture... his works mainly consist of an efficient mechanism conceived to revise the present time of occidental sculptural practice in its long tradition [as] generator of beauty, and in a more specific way, essentiality.»

For many, the definition and understanding of «sculpture,» and even more so the term «sculptural,» has been expanded to the point of collapse within contemporary artistic practice while contracting within popular culture to the point of obsolescence (think no further than every bad public sculpture and memorial controversy or the trendiness of using «sculptural,» or as a comparison «architectural,» to describe everything from clothing design to cuisine).