Sentences with phrase «contemporary urban landscape»

Drawing from classical painting and architecture, the contemporary urban landscape, and popular culture, Scheibitz deconstructs and recombines signs, images, shapes, and architectural fragments in ways that challenge traditional contexts and interpretations.
Author of the cyberpunk novel Neuromancer, William Gibson talks about the relationship between his fiction and the contemporary urban landscape

Not exact matches

Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
SPRAWL Co-curated by former Houston Center for Contemporary Craft curatorial fellow Susie J. Silbert and former HCCC curator Anna Walker, SPRAWL explores the urban landscape with works by 16 artists presented in three thematic sections loosely based on the three phases of urban growth.
Article by Caitlin Eyre in Berlin / / Jun. 20, 2016 Celebrated contemporary German photographer Thomas Struth is renowned for his wide - ranging documentation of urban and natural landscapes, portraits, museums and places of worship... [read on]
Liu Wei (b. 1972, and lives and works in Beijing, China) explores 21st century socio - political concepts such as the contradictions of contemporary society and the transformation of developing cities and the urban landscape.
Each painting stands as a portrait of its individual owner (depicting homes, work, families, and ideas), while the entire group aggregates to a community of individuals across the broad landscape of contemporary urban life.
Subtitled Written in Light, this exhibition of the museum's holdings features works from the birth of photography until 1930, interspersed with contemporary work such as Hunter's Vale of Rest, which examines the post-industrial urban landscape at the turn of the millennium.
Once the project is complete, The Contemporary Austin will maintain the pedestrian path and landscaping with guidance from the City of Austin Parks and Recreation Department, the Mayfield Council, and the Austin Transportation and Public Works Department, along with landscape architects Reed Hilderbrand and engineering consultants Urban Design Group of Austin.
Richard Serra is best known for his enormous COR - TEN steel sculptures installed within gallery spaces, urban environments, and landscapes, and his significant work has had an enormous influence on the contemporary art world.
Through her work in installation, drawing and printmaking, López describes and reconfigures our contemporary — primarily urbanlandscape.
Opie is an artist of contemporary life, using urban and rural landscapes, as well as moving figures, to bring time - honoured artistic genres into the twenty - first century.
His work influenced many among the protagonists of the contemporary art scene and of the street art, such as Jean - Michel Basquiat, Keith Haring and David Hockney, who were inspired by the visual universe of Dubuffet and by his colorful landscapes of faces, bodies, urban elements and objects.
Skyline showcases new work by Jeff Carter, Tom Denlinger, and Jo Hormuth, three Chicago - based artists producing sculpture and photography connecting contemporary design, urban landscape, and the body on view in the 310 conTEMPORARY Gallery in Chicago's loop.
Often focussing on text and signage within urban landscapes it highlights contemporary social beliefs, ideals and aspirations».
Rather than striving to stage this opera, Burdis creates works that are born from this factory for producing the opera — which include an unusual cast of characters; dancers; singers; countryside and urban landscapes; architecture; musical instruments; a car mechanics; and a car engine — and depict various themes reflecting on contemporary Britain.
«Mexican Slip», the group show presented at Hilario Galguera Gallery, exhibits contemporary art as the anticipation of a new nature: a cinematic travel on a huge landscape made of videos, paintings and sculptures, where nature, urban elements and machinic ones have melted.
Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit, urban warfare, and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the exhibition catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); and «After the Production of Space» (forthcoming in Critical Landscapes, University of California Press, Berkeley).
Not everything in it is a masterpiece, but among its 95 prints are stunning portraits of actors, geishas and warriors; colorful retellings of old myths; views of contemporary urban life; and gorgeous, poetically captivating landscapes.
Playful yet perceptive, Kwan's works address the landscape of contemporary urban life, often with an ironic and witty undertone.
Ruangkritya has involved in many exhibitions in and out of the country and the previous exhibitions include «LANDSCAPE: Hotel Asia Project» (Traveled from Gallery Soap, Fukuoka to China, Thailand and Tokyo University of the Arts, Japan, 2016 - 2017), «Omnivoyeur» - a visual and sound project with Christina Kubisch (Bangkok Art and Cultural Center, Thailand, 2016), «Dream Property» (Bangkok CityCity Gallery, Thailand, 2016), «The Archive as Conversation» (Singapore Photography Festival, Singapore, 2016) and «Urban and Reflections: Contemporary Thai Photography» (Otterbein University, Ohio, USA, 2016).
The artist's first solo exhibition with Geary Contemporary displays a series of work in which Brown utilizes the post-industrial landscape of her surroundings as the starting point for a narrative, where a female protagonist, her dog, and various avian companions move through urban and pastoral settings.
These abstractions indicate a deliberate and highly formalistic departure from the accurate depiction of urban realities towards a new nonconcrete representation of urban landscapes in the contemporary arts.
1976 On The Rocks / Some Questions + 5 Answers Relative to Moved Pictures, Edition Sellem - Archive of Experimental and Marginal Art, Lund, DK Art & Project / Lawrence Weiner, Art & Project, Amsterdam, NL Various Manners with Various Things, Insitute of Contemporary Art, New Gallery, London, UK New Urban Landscapes # 6 / Lawrence Weiner / A Focus on Lower Manhattan, Through a Series of Documented Projects, Proposals, and Events, Institute for Art and Urban Resources, New York, US Lawrence Weiner / Kunsthalle Basel / 28 August - 3 Oktober 1976, Kunstverein, Basel, BE Lawrence Weinder / Van Abbemuseum Eindhoven, Van Abbemuseum, Eindhoven, NL
Through her work in printmaking, drawing and installation, Nicola López describes and reconfigures our contemporary, primarily urban, landscape.
If in the first instance she poses questions about the current state of the construction, development, use, and decay of spaces that are apparently peripheral to the city, in the second she manages to provoke a dialogue about the different elements that make up the physical reality of the urban landscape, in its constant transformation through demolitions, excavations, construction materials, and contemporary ruins.
This contemporary gallery has a taste for street art, and they are currently exhibiting Crumbling Cities by Nether, an urban art campaign focused on improving the bleak landscape of Baltimore through forms of street art meant to generate public discussion.
Art in the Open re-frames the plein air tradition in a contemporary context, encouraging both artists and audiences to draw inspiration from the city's natural and urban landscapes.
John Monteith is a contemporary Canadian abstract artist whose work is also informed by the interplay of color and the geometric architecture of the urban landscape.
A contemporary American painter, Marcus Jansen's work redefines urban landscape painting, blending action painting and objective subject matter.
This collection includes a diverse range of works exemplifying art from Cape York and Queensland's far north, contemporary urban - based indigenous art, Torres Strait Islander art, Desert painting, the Hermannsburg School of watercolour landscape painting, as well as arts and crafts from Arnhem Land and northern Australia.
Although he was a highly versatile painter who created altarpieces, frescos, scenes from mythology, landscapes, cityscapes, and contemporary genre scenes in the manner of Venetian painter Pietro Longhi, he remains best known for his urban landscape painting of Venice.
[37] In 1998, a survey of Katz» landscape paintings was shown at the P.S. 1 Contemporary Art Center, featuring nearly 40 pared - down paintings of urban or pastoral motifs.
Liu Wei explores 21st century socio - political concepts such as the contradictions of contemporary society and the transformation of developing cities and the urban landscape.
Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit, urban warfare and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); «Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2urban warfare and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); «Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2Urban Fragments» in Keith Haring: The Political Line; and «After the Production of Space,» forthcoming in Critical Landscapes: Art, Space, Politics (UC Press 2015).
While the exhibition highlights a wide range of distinct practices, when seen collectively surprising resonances and inter-relationships come forward, putting into relief ideas such as the urban landscape, mythologies of popular culture, art and narrative, contemporary abstraction, and the primordial.
Considered one of America's leading contemporary realists, Daniel Sprick's subjects range from extraordinarily realistic portraits to hauntingly contemplative still lifes and urban light filled landscapes.
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