Sentences with phrase «contemporary urban space»

Anne Maree Barry's artistic practice uses film to address connections within contemporary urban space, uniting ideas of memory, narrative, geography, sociology and architecture.

Together they form a speculative architectural analysis that points towards a possible future scenario already emerging in contemporary urban space.

Navy Pier is getting ready to celebrate its 100th anniversary in 2016 with the Centennial Vision — an exciting renovation project that will reimagine the iconic Navy Pier into a bolder, greener and more contemporary urban space.

Not exact matches

He is a planner, geographer and urbanist, and his research focuses on the contemporary restructuring and retrofitting of urban regions, with a particular emphasis on the changing dynamics of race, class and segregation across space and place.

With the fun touch of a buttoned tab top and contrast colored band, the Zelda Sheer Window Curtain Panel accents hip, urban and contemporary casual spaces.

Modern, Timeless Interior Design Inside, the Lincoln C concept welcomes driver and passengers to a space that looks more like the living room of a contemporary urban loft than the inside of a car.

Conceived primarily for urban driving, the compact zero - emissions hatchback eschews the traditional low - slung lines of contemporary BMW small cars for a distinctly more upright stance that offers the i3 excellent all - round visibility for ease of maneuverability in city traffic, along with room for up to four adults and a nominal 7.1 cubic feet of luggage space behind the rear seats.

From the lounge to the immense terrace overlooking the city, these contemporary spaces are the quintessence of chic urban life.

A controlled lighting system and a comfortable atmosphere create contemporary, timeless and sophisticated urban spaces.

Pieces for what the company is dubbing Art Basel Cities Week, will be situated in plazas, parks, and empty buildings, drawing connections between contemporary art, urban layouts and spaces, and the city's history.

, Recession Art Project, Invisible Dog Gallery, New York, NY With / drawn, The Drawing Room, Budapest, Hungary Space / Place, 39th Street Gallery, Washington D.C KY7 Biennale, Lexington Art League, Lexington, KY Eye of the Beholder, Maryland Federation of the Art, Annapolis, MD Art Chicago, With Linda Warren Gallery, Chicago, IL Dis.place.ment, Urban Institute of Contemporary Art, Grand Rapids, MI Selections from the INDA 5, Manifest Gallery, Cincinnati, OH 2009 — 62nd Rochester Finger Lakes Exhibition, Memorial Art Gallery, Rochester, NY Art Chicago, With Linda Warren Gallery, Chicago, IL 2008 — Somewhere Elsewhere, Linda Warren Gallery, Chicago, IL Weekend Fling Series, All Rise Gallery, Chicago, IL Introductions 4, Irvine Contemporary, Washington D.C Paper New England II, The Bushnell, Hartford, CT 2007 — Viewing Registry, The Drawing Center of New York, New York, NY Summer Exhibition, New York Academy of Art, New York, NY CAA Exhibition, Hunter College, New York, NY 2006 — Place as Object Figure and Landscape, Janes Gallery, St. Barths 2004 — Doppelganger, Johnsonese Gallery, Chicago, IL

2005 Log Cabin, curated by Jeffrey Uslip, Artists Space, New York Farsites: Urban Crisis and Domestic Symptoms in Recent Contemporary Art, curated by Adriano Pedrosa, Centro Cultural Tijuana, Tijuana and San Diego Museum of Art, San Diego, CA

You can see Tyler Shield's Submerged exhibition until the 9th Novermber at Imitate Modern's urban contemporary gallery space at 27a Devonshire Street, London, W1G 6PN for more information go to — imitatemodern.com/exhibitions/tyler-shields-submerged /

SELECTED GROUP EXHIBITIONS 2014 — Building Stories — Kohler Arts Center — Sheboygan, Wi 2014 — Fearless — La Esquina Gallery — Kansas City, Mo 2014 — London Art Fair — Beers Contemporary — London, UK 2013 — Imperfect Symmetry — A+D Gallery — Columbia College — Chicago, Il 2013 — CAFKA Biennial 2013 — Waterloo / Kitchener — Ontario, Canada 2012 — Plural Zone — School of the Art Institute of Chicago — Columbus Building — Chicago, Il 2012 — Somewhere Else — Urban Institute of Contemporary Art — Grand Rapids, Mi 2012 — Evanston and Vicinity Biennial — Evanston, Il 2012 — Improbable Objects — What It Is — Chicago, Il 2011 — Experience is Never Unattached: Sullivan Galleries — Chicago, Il 2011 — P.O.D.S. Project: Lexington Art League — Lexington, Ky 2011 — The Value is Present: Inn Gallery — Ox Bow School of Art — Saugatuck, Mi 2011 — Union League Civic and Arts Finalist Exhibition: Union League Club — Chicago, Il 2011 - Weddings / Proms / Corporate Events — Zhou B Art Center — Chicago, Il 2011 — NEXT: The Invitational Exhibition of Emerging Art — Chicago, Il 2011 — MFA Thesis Exhibition: Sullivan Galleries — Chicago, Il 2010 — Alphabetization: Noble and Superior Projects — Chicago, Il 2010 — Uncommon Territories: Heaven Gallery — Chicago, Il 2010 — Usefullness: Sharp Exhibition Space — Chicago, Il 2009 — Learning Modern: Sullivan Galleries - Chicago, Il 2009 — Descours — AIA New Orleans — New Orleans, La 2009 — LeFlash: Castleberry Hill — Atlanta, Ga 2008 — Adventures in Mysticism: Athens Institute for Contemporary Art — Athens, Ga

Together, these containers will turn the space into a lively urban center for contemporary art, culture and education.

It argues and rethinks city space from established divisions of function / non-function, human / extra-human, built / empty and productive / non-productive, local / global, urban / rural to more hybrid, blurred and merged notions about contemporary city space and about the agencies that are forming it.

Working primarily with representations of a contemporary urban environment, he is interested in the stereotypes associated with geographic and social spaces.

Contemporary Chinese Photography and the Cultural Revolution, Staatliche Mussen zu Berlin, Berlin, Germany (2017); The Exhibition Go Annual Contemporary Art in China, Beijing Minsheng Art Museum (2016); Silk Road International, Art Museum of Nanjing University of Arts, Nanjing, China (2016); New Capital: Huang Yu Collection Exhibition, Museum of Contemporary Art, Chengdu, China (2016); Guns and Roses, Kunstraum, Potsdam c / o Waschhaus, Germany (2016); Links — Locality and Nomadism, The Galaxy Museum of Contemporary Art, Chongqing, China (2015 - 2016); Beyond the Earth — The First Xi'an Contemporary Photography Exhibition, Xi'an Art Museum, Xi'an, Shaanxi Province, China (2015); Chinese Photography: Twentieth Century and Beyond, Three Shadows Photography Art Centre, Beijing, China (2015); Unfamiliar Asia: The Second Beijing Photo Biennial, CAFA Art Museum, Beijing, China (2015); China 8: Contemporary Art from China on the Rhine and Ruhr, Folkwang Museum, Essen, Germany (2015); 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing China (2015); and Pull Left — Not Always Right,» Urban Arts Space, Ohio State University, Columbus, OH (2014), Hillstrom Museum of Art, Saint Peter, MN (2014); and Unboundedness, China Cultural Center, Berlin, Germany (2013 - 2014).

Richard Serra is best known for his enormous COR - TEN steel sculptures installed within gallery spaces, urban environments, and landscapes, and his significant work has had an enormous influence on the contemporary art world.

The same year, he held the workshop The Shape and the Space at the K.I.R. in Stavanger, Norway during NUART, the International Festival of Urban and Contemporary Art.

Madrid Abierto Public Sculpture Competition, Madrid, ES 2005 Go - Between, Magazin4 / Bregenzer Kunstverein, Curated by Dr. Wolfgang Fetz and Peter Lewis, Bregenz, AT 2005 Library, Librarie, Institute of Contemporary Art, Curated by IDEA London, UK 2005 New Economy, Columbia University Art Gallery, Curated by Eric Angles, New York, NY, US 2005 CAC TV, Contemporary Arts Center, Curated by Raimundas Malašauskas, Vilnius, LT 2004 Synesthesia, a Neuroaesthetics Exhibition, Institute of Contemporary Art, Curated by Chloe Vaitsou, London, UK 2004 Everything is Connected, He, He, He, Astrup Fearnley Museum of Modern Art, Curated by Gunnar Kvaran, Oslo, NO 2004 Silent: A State of Being, Madrid Abierto Public Sculpture Competition, Curated by Jorge Diaz, Madrid, ES 2003 Harlem Postcards, The Studio Museum in Harlem, Curated by Christine Kim, New York, NY, US 2003 Fröhliche Wissenschaft, Brandenburgischer Kunstverein, Curated by Wilfried Dickoff, Potsdam, DE 2001 Bitstreams, Whitney Museum of American Art, Curated by Larry Rinder, New York, NY, US 2001 Urban Pornography: Project Room, Artists Space, Curated by Lauri Firstenberg, New York, NY, US 2001 Optical Verve, Ottawa Art Gallery, Curated by Sylvie Fortin, Ottawa, CA 1997 Making It Real, Aldrich Museum of Art, Curated by Vik Muniz, Ridgefield, Colorado, US.

Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily Views Chicago Film Examiner Chicago Film Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western Exhibitions What's Going On?

Urban Space, Old Gasworks, Athens and Rethymnon Centre for Contemporary Art, Rethymnon Kunst..

Curious Duke Gallery is currently London's leading urban and contemporary art space for emerging artists.

Recent group exhibitions include «A Union of Voices»: HORATIO JUNIOR, London «Sex Shop»: Folkestone Fringe, Folkestone, «In and out of windows»: Vane, Newcastle upon tyne, «Eulogy»: Vane, Newcastle upon Tyne, Between fact and fiction: Vane, Newcastle upon Tyne (2014), «Winter Show», September, Berlin, Germany, «Gifted»: Chart, London, «Luminous Language»: Launch F18 (2013), New York, USA «The Dorian Project», SecondGuest, New York, touring to Ana Cristea Gallery, New York, «Anschlüssel: London / Berlin», C4RD Centre for Recent Drawing, London (2012), «THE FUTURE CAN WAIT presents: Polemically Small», Torrance Art Museum, Torrance, California, touring to CHARLIE SMITH london, London, «Mail Please», Blyth Gallery, London, (2011), «MurmurART: an introduction», MurmurART, London (2010), «One Spirit Showcase», Hines Urban Gallery, London, «40 Artists 80 Drawings», The Drawing Gallery, London (2009), «00 Nature Part 1», Contemporary Art Projects, London, «Baltic Square», Arena Gallery, Liverpool Biennial (2008), and «Jerwood Contemporary Painters», Jerwood Space, London (2007).

Recent solo and group exhibition include Art in General, BRIC Rotunda Gallery, Momenta (all NYC); Samson Projects (Boston, MA); Illinois State Museum (Lockport, IL); Western Exhibitions, University of Illinois (both Chicago, IL); Evanston Art Center (Evanston, IL); SPACES (Cleveland, OH); Urban Institute for Contemporary Arts (Grand Rapids, MI); Art Museum of the University of Memphis (Memphis, TN); and House Gallery (Salt Lake City, UT), among many others.

Erin holds a bachelor's degree in Liberal Studies from St. Edward's University, in Austin, TX, and a master's degree in American Culture Studies from Bowling Green State University in Bowling Green, Ohio, where she wrote about intersections of gender, contemporary art, and urban space.

In recent years, he has held solo exhibitions at the OSU Urban Arts Space in Columbus and the NEIU Fine Arts Center Gallery in Chicago, and participated in group shows at Trestle Gallery (Brooklyn), NURTUREart (Brooklyn), Terrault Contemporary (Baltimore), Icebox Project Space (Philadelphia), Boston Cyberarts Gallery, Weston Art Gallery (Cincinnati), Gallery Madison Park (New York), Proto Gallery (Hoboken, NJ), and the Wassaic Project (Wassaic, NY).

From melting grids and serial units to schematic renditions of Space Invaders and walls, the knowing allusions include both modernist painting and the fragmented material of contemporary urban life.

Fragments of an Unknowable Whole curated by Timothy Smith at Urban Arts Space, the Ohio State University's off - campus space for contemporary art in downtown Columbus, brought together twenty - one artists with varying approaches to lens - basedSpace, the Ohio State University's off - campus space for contemporary art in downtown Columbus, brought together twenty - one artists with varying approaches to lens - basedspace for contemporary art in downtown Columbus, brought together twenty - one artists with varying approaches to lens - based art.

According to the organisers, the idea behind the exhibition is to bridge the gap left by the official Gallery Weekend by providing a space for urban contemporary artists, and presenting different artistic perspectives by exemplifying the diversity of the genre in one single exhibition.

Drawing on his interest and training in urban planning and preservation, he redeems spaces that have been left behind and brings the conversation of space to the forefront of contemporary art practice.

Exhibitions include: Practices Remain, Regina Rex, NY, Odalis Valdivieso's Recent Works, Le Cloître et L'église des Billettes, Paris, SET, Bridge Red Studios — Project Space, North Miami, Noise Field, Dorsch Gallery, Miami, New Work Miami 2010, Miami Art Museum, Miami, After Process, Miami Beach Regional Library, Ocupa, Far Side Gallery, Miami, Urban Interventions, Contemporary Art Museum, Rosario, Talking Heads, Girls Club, Fort Lauderlade, and Fragile Global Performance Chain Journey, Florence, to name a few.

In the spirit of urban photography, Urban Photo Village - with its intensive programme of workshops and seminars - will create an active space of discussion, participation and creativity, involving local communities, artists and researchers interested in contemporary urban urban photography, Urban Photo Village - with its intensive programme of workshops and seminars - will create an active space of discussion, participation and creativity, involving local communities, artists and researchers interested in contemporary urban Urban Photo Village - with its intensive programme of workshops and seminars - will create an active space of discussion, participation and creativity, involving local communities, artists and researchers interested in contemporary urban urban life.

Selected group exhibitions include The Exotic Journey Ends Foksal Gallery Foundation, Warsaw, Poland (2006); Metro of Pictures The Moore Space, Miami (2006); 9th Bienal de la Habana Cuba (2006); En Algun lugar alguien esta viajando furiosamente hacia ti La Casa Encendida, Madrid, Spain (2005); and Farsities: Urban Crisis and Domestic Symptoms in Recent Contemporary Art at the San Diego Museum of Art, California (2005).

Recent publications include Hopelessness Freezes Time, a study of earthworks, drawing, Detroit, urban warfare, and guerrilla historiography, co-authored with artist Edgar Arceneaux (Kunstmuseum Basel, 2012); «Earth Beneath Detroit,» an essay for the exhibition catalogue Ends of the Earth: Land Art to 1974 (Museum of Contemporary Art, Los Angeles, 2012); «Attitudes and Affects,» on the 1969 exhibition When Attitudes Become Form (CCA Wattis Institute for Contemporary Arts, San Francisco, 2013); and «After the Production of Space» (forthcoming in Critical Landscapes, University of California Press, Berkeley).

The roundtable aimed to discuss the role and function of urban - based contemporary art and theater practices as alternative urban archives and invite participants to see the relationships between art, memory, and space in a new light.

In response, artists are challenging and re-inventing the studio, colonising urban and online spaces in order to re-instate art practice within the heart of the city, and of contemporary life.

London - based artist Achiampong has exhibited and performed in various spaces within the UK and abroad including Tate Britain and Iniva, London, Novas Contemporary Urban Center, Liverpool, Westergasfabriek, Amsterdam and Antje oeklesund, Berlin.

The exhibition, a group exhibition curated by Graffuturism's creator Poesia, showcases the work of leading figures in the contemporary street art movement and is in many ways a celebration of Graffuturism's work during the last 5 years, the consolidation of an amazing journey intended to give space to the work of Graffiti / Urban Artists who seemed to be underrepresented.

Themes of urban place and space narrow down to a particular focus on urban land use and the post-industrial human living condition, alongside ideas of absence and presence and longing and belonging in the contemporary city.

Often employing a large format camera, Struth began exploring industrial spaces, attempting to reflect the ever - evolving urban conditions of contemporary society.

, Brussels, Belgium 10 +1, U10 Art Space, Belgrade, Serbia Šta ja radim, Magacin MKM, Belgrade, Serbia, curated by Biljana Tomić 2011 METAmART, Künstlerhaus, Vienna, Austria TRANSART, National Academy of Arts, Sofia, Bulgaria 2010 ARTmART, Künstlerhaus, Vienna, Austria Exhibition of Awarded works of the Faculty of Fine Arts in Belgrade, FLU Gallery, Belgrade, Serbia STEPOUT, Magacin MKM, Belgrade, Serbia 2009 Zlatno Pero, International Illustration Biennial, Paviljon Cvijeta Zuzorić, Belgrade, Serbia FIST, Festival of International Student Film, Faculty of Drama, Belgrade, Serbia Drawing, class of Prof. Dejan Grba, SKC, Belgrade, Serbia Amsterdam Biennale, Mediamatic, Amsterdam Ecology, Nature and Empathy, Gallery of Contemporary Arts, Pančevo, Serbia Belo (White), Haos Gallery, Belgrade, Serbia Biennial of Small Sculpture and Drawing, Paviljon Cvijeta Zuzorić, Belgrade, Serbia Night of the Museums, Kuća Bore Stankovića, Site - specific installation, Vranje, Serbia 2008 Real Presence 8 — Floating Site, Castello di Rivoli — Museo di Arte Contemporanea, Italy Urban Jealousy, 1st International Roaming Biennial of Tehran, Karakoy, Istanbul, Turkey Urban Jealousy, 1st International Roaming Biennial of Tehran, Kunstraum Bethanien, Berlin, Germany 37th Exhibition of Student Drawing and Sculpture, Dom Omladine, Belgrade, Serbia 2007 XIV Biennial of Student Drawing, DKSG, Belgrade, Serbia 36th Exhibition of Student Drawing and Sculpture, Dom Omladine, Belgrade, Serbia

2006 The Downtown Show, The New York Art Scene 1974 - 1984, New York University Grey Art Gallery, New York, US Onestar Shop by Hans Schabus, Art Metropole, Toronto, CA Public Space / Two Audiences, Works and Documents from the Herbert Collection, Museu d'Art Contemporani de Barcelona, ES Draft Deceit, Kunstnernes Hus, NO Location Shots, Galerie Erna Hecey, Brussels, BE Pierre Huyghe: Celebration Park, Musée d'Art Moderne de la Ville de Paris / ARC, FR Cerealart, Cerealart Lounge Pier 90, The Armory Show, New York, US Artists for Chinati, Phillips de Pury & Company, New York, US The Early Show: Video from 1969 - 1979, curated by Constance De Jong, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York, US Onestar Press, The First Five Years, The Engholm Engelhorn Gallerie, Vienna, AT Message Personnel, Yvon Lambert, Paris, FR Not Quite Ten Years Without Martin Kippenberger, a project by Chris Hamond, Bar MOT for Kippenberger (MOT), London, UK That Was Then This Is Now, De Appel, Amsterdam, NL Czesław Miłosz / To Allen Ginsberg, Dvir Gallery, Tel - Aviv, IL Mental Image - Wortwerke und Textbilder, Kunstverein St. Gallen Kunstmuseum, CH Conceptual Comics, curated by AA Bronson, Max Schumann, Walter Phillips Gallery at the Banff Centre for the Arts, Banff Alberta, CA Libri Books Bücher, Museo D'Arte Contemporanea, Rivoli (Torino), IT The Shape of Sound, Radio Arte Mobile, Sound Art Museum, Rome, IT Wall Works - Sol LeWitt, C.A. Swintak, Lawrence Weiner, Art Gallery of Ontario, Toronto, Ontario, CA I: An Exhibition in Three Acts, Futura Gallery, Prague, CZ I Will Not Make Any More Boring Art, Lithographs, Publications and Ephemera from The Nova Scotia College of Art & Design, Printed Matter, Inc., New York, US On the Ball, Galerie Anselm Dreher, Berlin, DE Group Exhibition, curated by Peter Kogler, Galerie Mezzanin, Vienna, AT The Title As The Curator's Art Piece, A Summer Show by Mathieu Copeland (spoken word exhibition), Blow de la Barra, London, UK Into Me / Out Of Me, curated Klaus Bisenbach, P.S. 1 Contemporary Art Center, Long Island City, New York, US; KW Institute for Contemporary Art, Berlin, DE A Bit Of Matter And A Little Bit More, screening Turtle, curated by Michael Shamberg, Chelsea Space, London, UK Moving On: Motion, Galerie Thomas Schulte, Berlin, DE The Known and the Unknown, Gallerie Nicolai Wallner, Copenhagen, DK As If By Magic, Bethlehem Peace Center, West Bank & Art School Palestine, Palestine, IL The Materialization of Sensibility: Art & Alchemy, Leslie Tonkonow Gallery, New York, US The Urban Forest Project, Times Square Information Station, Times Square, New York, US Word, curated by L. Brandon Krall, Deborah Colton Gallery, New York, US Printemps de Septembre, Toulouse, curated by Jean - Marc Bustamante, City of Toulouse, FR Contraband, curated by Carolina Grau, Galeria Luisa Strina, São Paulo, BR São Paulo Bienale, Escola São Paulo, São Paulo, BR Busy Going Crazy, collection Sylvio Perlstein, La Maison Rouge, Paris, FR The RxArt Ball, New York, US The Title As The Curator's Art Piece (spoken word exhibition) curated by Matthieu Copeland, Blow de la Barra, London, UK Concrete Language, Contemporary Art Gallery, Vancouver, CA Project 2023 - Arteast Collection 2000 +23, Moderna Galerija Ljubljana, SL Break Even, Andrew Roth Gallery, New York, US Open, CCS Bard Hessel Museum, Annandale - on - Hudson, New York, US Wrestle, CCS Bard Hessel Museum, Annadale - on - Hudson, New York, US Ideal City - Invisible Cities, curated by Sabrina von der Ley & Markus Richter, Europe Projects, Zamość, PL Into A Journey, Meyer Riegger, Karlsruhe, DE Magritte and Contemporary Art: The Treachery Of Images, designed by John Baldessari, LACMA, Los Angeles, California, US Art Metropole: The Top 100, National Gallery of Canada, Ottawa, CA Poster, Paula Cooper Gallery, New York, US Pandora's Reisen, Brigitte March Galerie, Stuttgart, DE Dedica - 20 Anni Della Galleria Alfonso Artiaco, curated by Julia Draganovic, Palazzo delle Arti Napoli, Naples, IT Good Riddance, curated by Claire Davies & Sam Gathercole, MOT, London, UK Art in America: 300 Years of Innovation, curated by Susan Davidson, National Art Museum of China (NAMOC), Beijing, CN Not For Sale, curated by Alanna Heiss, P.S. 1 Contemporary Art Center, New York, US Il Faut Rendre À Cézanne, The Collection Lambert, Avignon, FR

Recent grants have included support for the conservation treatment of minimalist paintings at the Guggenheim; a roundtable addressing video art preservation issues; a conservation survey of Judy Chicago's Dinner Party; publications on the art of Robert Motherwell and Jasper Johns, as well as on contemporary Chicano art, art theory, cinema, and photography; research fellowships focused on contemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns at the Museum of Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contemporcontemporary Chicano art, art theory, cinema, and photography; research fellowships focused on contemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns at the Museum of Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contemporcontemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns at the Museum of Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contemporContemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contemporarycontemporary artists.

Open This End: Contemporary Art from the Collection of Blake Byrne, Nasher Museum of Art at Duke University, Durham, North Carolina; Ohio State University Urban Arts Space, Columbus, Ohio

Other recent solo and group exhibitions include Art in General, BRIC Rotunda Gallery, Momenta, and Secret Project Robot (all NYC); Proof Gallery and Samson Projects (both Boston, MA); Illinois State Museum (Lockport, IL); Western Exhibitions, University of Illinois, and VONZWECK (all Chicago, IL); Evanston Art Center (Evanston, IL); SPACES (Cleveland, OH); Urban Institute for Contemporary Arts (Grand Rapids, MI); Art Museum of the University of Memphis (Memphis, TN); and House Gallery (Salt Lake City, UT), among many others.

If in the first instance she poses questions about the current state of the construction, development, use, and decay of spaces that are apparently peripheral to the city, in the second she manages to provoke a dialogue about the different elements that make up the physical reality of the urban landscape, in its constant transformation through demolitions, excavations, construction materials, and contemporary ruins.

San Diego, CA — On the heels of the Museum of Contemporary Art San Diego's popular exhibition, Viva la Revolucion: A Dialogue with the Urban Landscape, the Museum has partnered with Writerz Blok and Westfield Horton Plaza to continue the dialogue about bringing art to the public space.

She had exhibited at Para / site Art Space, Hong Kong; Osage, Hong Kong; Urban Institute of Contemporary Art, Grand Rapids; Gallery 400, Chicago; Outlet Gallery, Brooklyn; and Videorover 7, NURTUREart, Brooklyn.