Sentences with phrase «contemporary use of models»

The contemporary use of models in science or theology — models which are not picturing models — points us back, then, to that moment of insight where along with a model there is disclosed to the scientist or the theologian that about which each is to be, in his characteristically different way, articulate.21

Not exact matches

The highlight was working on a whole - of - life data project that involved constructing networks of environmental monitoring stations in the Australian outback, and then using the collected data to empirically model groundwater dynamics — which doesn't sound all that interesting, but was actually quite a departure from the generally accepted contemporary methods.

The growing difference within evangelicalism regarding contextualization is described helpfully by David Wells in his essay: «In the one understanding of contextualization, the revelatory trajectory moves only from authoritative Word into contemporary culture; in the other, the trajectory moves both from text to context and from context to text...» Increasingly, evangelicals are opting for the second of these models - an «interactionist» approach, to use William Dymess» terminology.

Large ripples, loops and arcs embedded in the starry outer envelope were first observed in the 1970s, and they remain an active field of study for contemporary astronomers, who use the latest telescope technology to observe the finer details of NGC 1316's unusual structure through a combination of imaging and modelling.

Experimental philosophers continue the search to understand people's ordinary intuitions, but they do so using the methods of contemporary cognitive science (see also here and here)-- experimental studies, statistical analyses, cognitive models, and so forth.

We encourage contributions on current and prospective observation technologies for GHGs, modeling studies to quantify budgets and / or uncertainties in GHG flux estimates, and evaluation and benchmarking of GHG estimates from Earth System Models using contemporary observations.

Comparative aspects of lipid metabolism: impact on contemporary research and use of animal models.

Designed in the style of a 1960's 911, Singer uses the more modern 964 911 as a base as it is a better bridge between classic and contemporary models.

With a fresh interpretation of the previous model's distinctive design, the new vehicle has a sleek and contemporary appearance combined with enhanced use of space.

At Fourteen30 Contemporary, Rafferty, a participant in this year's Whitney Biennial, presents new work concerning language and the body, a connection bridged through the concept of «figure drawing,» which applies both to the classical practice of artists observing and representing a model as well as using the innate elasticity of words to suggest multiple, sometimes contradictory meanings.

Her work addresses how the historical can be used as a material to address contemporary conditions such as loss, the swipe, the flatness and limitations of an image, emotions in classical sculpture, the use of models, muscle aches from using a computer, color as a language, and the democracy of materials such as clay.

I am currently using more traditional art materials like paper, ceramics, paint, and wood but have also, and continue to use landscape materials bacteria and more contemporary means of facture like digital modeling and production.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

The exhibition considers the use of mechanization by artists to assert more contemporary models of selfhood, less reliant on gender binaries, and more inclusive of various kinds of selves and strategies for its representation.

«Works like Aerospace Folktales altered the way in which documentary photography was conceptualized and used in contemporary art, and the work continues to be an urgent model for representing the political and social realities of our world.»

The exhibition presents a selection of contemporary authors, including some of the internationally most acclaimed artists who in their work explore the phenomenon of models and modelling — either constructing 3D models, or using models to create paintings, photographs and videos...

In this class students will be painting the model from life using a blend of classical and contemporary techniques with an emphasis on drawing elements and color mixing.

For example, in this work he took a contemporary office chair, deconstructed an aluminum component of it, melted that aluminum component down, and recast the original Blossfeldt model of the plant using the material from today to hearken back to the original early twentieth - century model.

While the freshness and vivid presence of Katz's portraits makes them seem immediate and contemporary, his use of beautiful models with fashionable clothes and haircuts makes him seem like an ardent chronicler of the recent style history of the bourgeois - bohemian elite.

In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»

Using hip - hop culture as an aesthetic and ideological model, Carter references the fluidity of contemporary culture where individuals and objects flow in and out of identities, roles, and expectations.

Early house and rave culture provided a model of democratization of culture, just as contemporary visual artists consider their use of the internet now.

Olga uses new media as a means of expressing her own system of poetics based on the dialectics of high and low academism: where the artist endeavors to strike a balance between high - style classical models and contemporary elements of abstraction.

Art critic Louisa Buck recalls first edition fig - 1 in 2000, painting a picture of the second edition of the project and the changes in the contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performance?

While contrasting in colour with her contemporary use of light stones, the hard wood met her preference for direct carving over modelling; she would explain: «I like the resistance of the hard material and feel happier working that way» («The Aim of the Modern Artist: Barbara Hepworth, Ben Nicholson», Studio, vol.104, no. 477, Dec. 1932, p. 332).

The contemporary use of gaming engines, scenery - generating software and animation and modelling software allows artists to create moving image and immersive environments like never before.

Using sculpture, screen printing and writing Marten produces works that are full of models and motifs taken from contemporary visual culture.

Very interesting, Mr. S. For those of us unfamiliar with the literature can you answer for us the most pressing question about this as a reply to Alson's question: are the paleoclimate runs referred to in this abstract performed by one of the models used for contemporary climate prediction and informing the global political process — i.e., one of those referred to in the IPCC reports?

Using the scholar - practitioner model to guide learners toward the acquisition and application of advanced theory, knowledge, and skills, the program emphasizes contemporary issues in counseling studies, wellness theory and research, and methods of counseling a diverse population of clients.

Due to new federal requirements, contemporary models limit usage to 2.2 gallons per minute, compared to the 2.75 to 7 gallons of water per minute used by many older faucets.

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