Not exact matches
Initial testing
of the most widely -
used contemporary 3D technology
used for humans —
using circular polarization to separate the two eyes» images — didn't work because the insects were so close to the
screen that the glasses failed to separate the two eyes» images correctly.
At TIFF, our David Ehrlich wrote
of Chastain's full - bodied performance that «no
contemporary American
screen actress has more consistently — or more forcefully —
used her platform to champion feminist ideals, and Chastain's performance is a worthy addition to the cause.
The XTS Platinum Concept injects more
contemporary forms and themes into the interior design, including the
use of Organic Light - Emitting Diode (O - LED) displays in place
of traditional gauges and
screens.
Just
use the slider at right
of your
screen below to scroll through a complete, updated list
of free
contemporary Kindle titles, and click on an icon like this one (at right) to read a free sample right here in your browser!
Most convincing, however, is his
use of light, which recalls the back - lit emanation on a computer
screen, allowing for a graphic reading
of the works that situates them within the
contemporary moment.
The exhibition will feature recent work by
contemporary artists who
use the moving image as a versatile tool for both documenting and questioning reality, including Zineb Sedira's fourteen
screen installation Floating Coffins 2009 and Steve McQueen's Static 2009, which probes ideas
of freedom and migration through the potent symbol
of the Statue
of Liberty.
This
screening brings together four
contemporary artists that seem to be working with a new type
of materiality — one which
uses new technologies as part
of production processes and reflects on concepts such as digital time space and the hyper real.
EXHIBITIONS /
SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for
Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015
Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for
Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University
of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University
of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama
of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X
of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
Isa Genzken's «Elefant» makes
use of vertical blinds, artificial flowers, plastic tubing and toy figures in a
contemporary art show that avoids popular formats like painting, installation works, big -
screen videos and Dolby - sound films.
Andy Warhol's silk
screens, Gerhard Richter's blurred images, Vija Celmins» hyperrealism: some
of the most influential developments in the history
of contemporary art hinge on the
use of photographs as source material.
A range
of sensory effects unfold during the
screening (scents, vibrations and more) which is presented in a darkened «5 - D» cinematic environment that makes
use of a
contemporary form
of Pepper's ghost: a 19th - century phantasmagoric device.
1983 Presence Descrete, Musee des Beaux - Arts de Dijon, Dijon, FR Radio by Artists, Walter Phillips Gallery, The Banff Centre School
of Fine Arts, Banff, CA In Other Words: Artists
Use of Language - Part 2, Franklin Furnace, FR The Chinese Chance, an American Collection, The Butler Institute
of American Art, Youngstown, Ohio, US Projects and Performances, Islip Art Museum, Islip, New York, US Live to Air, Franklin Furnace, New York, US Halle für Neue Kunst, Schaffhausen, CH The Rainer Speck Collection, Museum Haus Lange und Museum Haus Esters, Krefeld, DE Sculpture, Leo Castelli Gallery, New York, US Summer Show from the Collection, Van Abbemuseum, Eindhoven, NL Collection
of the Museum Van Hedendaagse Kunst, Gent, Belgium, Musee d'Art Contemporain, Montreal, CA Projetto Genazzano, La Zattera di Babele, Genazzano, IT Conceptual, Rhonda Hoffman Gallery, Chicago, Illinois, US When Words Become Works, Minneapolis College
of Art and Design, Minneapolis, Minnesota, US Masterworks
of Conceptual Art, Paul Maenz, Cologne, DE Language, Drama, Source and Vision, The New Museum
of Contemporary Art, New York, US ARS 83, The Art Museum
of Ateneum, Helsinki, FI Word Works, Walker Art Center, Minneapolis, Minnesota, US Between Words and Things, Clare College, Cambridge, UK Festival d'Automne a Paris, Paris, FR The First Show: Painting and Sculpture from 8 Collections 1940 - 1980, The Museum
of Contemporary Art, Los Angeles, California, US Hundreds
of Drawings, Benefit Exhibition and Sale, Artists» Space, New York, US December Exhibition, Anthony d'Offay Gallery, London, UK American Video, Arts Council
of Great Britain, London, UK There But For,
screening Infermental II (video magazine), Hamburg, DE
The comparative positioning
of the two artists» paintings at Loretta Howard Gallery inadvertently recalls the way
contemporary modernism
used to be taught
using «slide trays» filled with 35m celluloid images projected images side - by - side on a large
screen.
None
of these artists take on these
contemporary issues directly or didactically, but rather make
use of unconventional materials to produce a particular experience
of the work's physical presence, or else to present surfaces that evoke the polyvalent potential
of digital
screens to display multiple, even conflicting, perceptual modes, both sequentially and simultaneously.
the sports bar will
use all
of its television
screens to exhibit several video works, rather than sports matches, by
contemporary artists separated into two chapters: the «Hypnotic Chapter» and the «Media Chapter».
Using sculpture,
screen printing and writing Marten produces works that are full
of models and motifs taken from
contemporary visual culture.
All our Frameless Shower
Screens are produced
using high quality components to match Chrome as well a choice
of six alternative
contemporary finishes throughout the range including Brushed and Polished Nickel, Gold, Black and White.