Sentences with phrase «contemporary video art in»
Pratt Manhattan Gallery and Independent Curators International (ICI) will present a panel discussion on contemporary video art in conjunction with the current Pratt Manhattan Gallery exhibition «Project 35» on Tuesday, June 21 from 7 to 9 PM in Lecture Hall 213 at Pratt's Manhattan Campus at 144 West 14th Street, second floor.
https://www.pratt.edu/
Pratt Manhattan Gallery and Independent Curators International (ICI) will present a panel discussion on contemporary video art in conjunction with the current Pratt Manhattan Gallery exhibition «Project 35» on Tuesday, June 21 from 7 to...
Paying tribute to art and technology, early film, and contemporary video art in the heart of Silicon Valley, Moving Silently is a festival of ideas.
Not exact matches
According to its capital campaign brochure, the non-profit organization is in the midst of a $ 2.5 million fundraising push to repair the exterior of the arts center, as well as to upgrade the historic playhouse and renovate the galleries, including the «installation of moveable walls (to) accommodate video installations and other contemporary work.»
The Upside Down Mushroom Room appears through February 20 in Ecstasy, an exhibit at the Museum of Contemporary Art, Los Angeles, in which 30 artists explore altered modes of perception via painting, sculpture, film, video, and photography.
Students who apply and are accepted to the program spend their summer studying film and video, printmaking, design, architecture, or contemporary art in and out of the classroom.
His work has been include in the following selected exhibitions: Australian Perspecta, Art Gallery of New South Wales (1993); Fluxibelstructures, Kunsthaus Oerlikon, Zurich, Switzerland (1995); Preambles, Australian Perspecta, Museum of Contemporary Art, Sydney (1999); Art in the World, Pont Alexandre III, Paris, France (2000); Video - Salon, Week of Art and New Media, Brussels, Belgium (2000); 25th Bienale de Sao Paulo, Sao Paulo, Brazil (2002); Bitter Sweet, Art Gallery of New South Wales, Sydney (2002); Identity and Desire, Art Gallery of South Australia, Adelaide (2005); CRASH (and other worldly pleasures) Lawrence Wilson Art Gallery, University of Western Australia, Perth (2006); Bon Scott Project, Fremantle Arts Centre, Fremantle (2008) and Rough Trade, TANKS Art Centre, Cairns (1997) and Plimsoll Gallery, Hobart (1998).
In the video Noel remarks: «The hope is that the show makes a convincing case, that a space is preserved in contemporary art for just this practice - this search for poetry in a direct and unmediated experience of lookinIn the video Noel remarks: «The hope is that the show makes a convincing case, that a space is preserved in contemporary art for just this practice - this search for poetry in a direct and unmediated experience of lookinin contemporary art for just this practice - this search for poetry in a direct and unmediated experience of lookinin a direct and unmediated experience of looking.
Füsun Eczacıbasi's six - story home in Istanbul's old city is a beacon of contemporary art filled with video installations and other works by Turkish and international artists, including an animation by the South African William Kentridge, a transformed door by Polish artist Alicja Kwade, and films by Turkish artists Ali Kazma, Inci Eviner, and Extrastruggle.
Opening in June 2017, major Barbican exhibition Into the Unknown: A Journey through Science Fiction is a genre - defining exploration of one of popular culture's most celebrated realms encompassing literature, contemporary art, film, music, comic books and video games to present a new, global perspective on Science Fiction.
Watch this Dasha Zhukova - narrated video previewing the Garage Museum of Contemporary Art a month before it opens in Moscow on June 12.
The haunting installation, which features imitation artifacts, photographs, video and a reproduction of the bar's entrance, was first shown at the Contemporary Arts Center in 2008 during Prospect.1.
Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.
Artist Sara Hornbacher speaks about her pioneering work in video and electronic art in anticipation of the pop - up exhibition «Interference» at Atlanta Contemporary.
Jointly produced by CSM and the DAM, an original video featuring interviews with Bradford; Rebecca R. Hart, curator of modern and contemporary art at the DAM; and CSM director Dean Sobel is also included in the exhibition.
This catalogue is published in conjunction with the exhibition «Anonymous: Contemporary Tibetan Art» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artisArt» at Samuel Dorsky Museum in New Paltz which features over 50 works of painting, sculpture, installation and video art by 27 Tibetan artisart by 27 Tibetan artists.
Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta Contemporary Art Center where she mounted a large - scale interactive installation environment, «A Thousand Plateaus» in 2001.
Recent group exhibitions include Spies in the House of Art Photography, Film and Video, The Metropolitan Museum of Art, New York (2012); This Will Have Been: Art, Love & Politics, which traveled to the Museum of Contemporary Art Chicago (2012); Institute of Contemporary Art, Boston (2012); and the Walker Art Center, Minneapolis (2012 — 2013).
Notable recent group exhibitions include Assembly, A Recent Survey of Artist's Film and Video in Britain, 2008 - 2013, Tate Britain (2014); and Soundworks, ICA, Institute of Contemporary Arts, London (2012).
P.S. 1 Contemporary Art Center, an affiliate of The Museum of Modern Art, presents Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, an exhibition of performance - based artworks available in video foVideo Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, an exhibition of performance - based artworks available in video fovideo format.
DHC / ART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay's REPLAY, a major exhibition gathering works in video by the internationally acclaimed artiART Foundation for Contemporary Art is pleased to present the North American premiere of Christian Marclay's REPLAY, a major exhibition gathering works in video by the internationally acclaimed artiArt is pleased to present the North American premiere of Christian Marclay's REPLAY, a major exhibition gathering works in video by the internationally acclaimed artist.
February 6 — 12 Dawn Surf Jellybowl Film (16 mm film negative sanded with surfboard shaping tools, sex wax melted on, squirted, dripped, splashed, sprayed and rubbed with donuts, zinc oxide, cuervo, sunscreen, hydrogen peroxide, tecate, sand, tar, scraped with a shark's tooth, edits made by the surf and a seal while film floated in waves - surfing performed by Andy Perry, Makela Moore, Alanna Moore, Zach Moore, Johnny McCann — shot by Peter West — film negative sanded by Mariah Csepanyi, Andy Perry and Jwest) 2011, 8 minutes 15 seconds 16 mm film negative transferred to high - definition video, no sound Commissioned by the Contemporary Arts Forum, Santa Barbara, California and Thanks to Andy Perry
The Hessel Collection is international in scope, with paintings, photographs, and works on paper, sculptures, videos and video installations from the 1960s to the present including notable representations from many of the foremost movements in contemporary art; Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.
Patrick Brennan has shown his paintings and videos nationally and internationally, including: MoMA / PS1, Galerie Lelong, Nicole Klagsbrun, Fitzroy, Cleopatra's, Essex Flowers, Parrish Art Museum, Anthology Film Archives and Edward Thorpe Gallery in New York; V1 Gallery in Copenhagen, Cooper Cole in Toronto, Canada, Hiener Contemporary in Washington, DC and Romer Young in San Francisco.
February 20 — 26 Smoke, Darts and Mirrors Film (35 mm film leader painted with candle smoke, taped to a dart board and hit with darts dipped in habanero sauce, taped with mirrored and opalescent mylar — throwing darts performed by Mateo Tannatt, Lesley Moon, Jen Collins, Patrick Cates, Mariah Csepanyi, Blake Bailey, Karen Liebowitz and Jwest) 2010, 39 seconds 35 mm film leader transferred to digital video, no sound Generously supported and Commissioned by the Contemporary Art Museum, Houston
He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.
The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art, Conceptual art, and recent movements in painting, sculpture, photography, and video.
Photos and / or videos taken at the Contemporary Arts Museum Houston (CAMH) and associated events may be published in print or posted online for download, in online photo albums, on photo / video sharing sites such as Flickr and YouTube, and on social media sites such as Facebook, Twitter, Tumblr, Instagram, etc..
STAN DOUGLAS: Interregnum @ Wiels Contemporary Art Centre Brussels, Belgium Recognized for film work exploring lost utopias of the 20th century, Canadian artist Stan Douglas is premiering the six - screen video installation, «The Secret Agent,» which continues his interest in post-war history and film noir.
2005 Greater New York, PS1 / MoMA Contemporary Art Center, Long Island City, NY Video Screening, Hudson Valley Center for Contemporary Art, Peekskill, NY Codependent, The Living Room, Miami, FL Holiday Windows», Exit Art, New York, New York It Is The Same Outside, Drake Hotel, Toronto, Canada The Expression of Elemental Passions... (or, Damn Everything by the Circus), Plus Ultra Gallery, Brooklyn, NY Video 2005, Art in General, New York, NY
Passages: Walking in Contemporary Art, Perlman Teaching Museum, Carleton College, Northfield, MN (2016); Another Landscape, Yang Art Museum, Beijing, China (2016); Real / Unreal, The First edition of Changjiang International Photography & Video Biennale, Chongqing Changjiang Museum of Contemporary Art, China (2015); The Persistence of Images, Redtory Art and Culture Organization, Guangzhou, China (2015); The 2nd Three Shadows Experimental Image Open Exhibition, Three Shadows Photography Art Centre, Beijing, China (2015); The 9th Shanghai Biennale, China (2013); Retrospection & Deviation, Times Art Museum Beijing, Beijing, China (2011); Rendez - vous 09, Institut d'Art Contemporain, Villeurbanne, France (2009); and 55 Days in Valencia, Chinese Art Meeting, Institut Valencia d'Art Modern, Valencia, Spain (2008).
Select group exhibitions and biennials featuring her work include Virtual Views: Digital Art from the Thoma Foundation, Knoxville Museum of Art, Knoxville, TN (2017, forthcoming); Nature Morte: contemporary artists reinvigorate the still - life tradition, Bohusläns Museum, Uddevalla, Sweden (2016); Momentum: An Experiment in the Unexpected, San Jose Museum of Art, San Jose, CA (2014); Turning Inside Out: Video Art by Nam June Paik, Joan Jonas, and Jennifer Steinkamp, Sheldon Museum of Art, Lincoln, NE (2012); Blink!
Beds in History and Contemporary Art focuses on the historical as well as iconographic significance of the depiction of the bed and will include and juxtapose paintings, sculptures, drawings, photos, and video works spanning from old masters to present - day artists, subdivided into themes and arranged according to visual associations.
Exhibition Press Art in America: The Nothing Act ArtsATL: At Contemporary, video artist Alix Pearlstein leaves the ordinary for «The Dark Pavement» BOMB Magazine: Alix Pearlstein
Trained in art history and sculpture, Jonas was a central figure in the performance art movement of the late 1960s, and her experiments and productions in the late 1960s and early 1970s continue to be crucial to the development of many contemporary art genres, from performance and video to conceptual art and theatre.
Located at the Fashion Industry Gallery — adjacent to the Dallas Museum of Art in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisArt in the revitalized downtown Arts District — the 2013 Dallas Art Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisArt Fair will feature over 80 prominent national and international art dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artisart dealers and galleries exhibiting painting, sculpture, works on paper, photography, video, and installation by modern and contemporary artists.
Chris Hill, former video curator at Hallwells Contemporary Art Center in Buffalo, New York, curated the project.
I touch on «Fever: The Art of David Wojnarowicz,» which ran at The New Museum of Contemporary Art through June 20, 1999, and is the subject of a separate article, as is the Wojnarowicz video, «A Fire in My Belly.»
Mien Meo Mieng / Contemporary Art from Vietnam includes sculpture, video, painting, drawing and installation by 14 artists active in their homeland.
Performance and video works have been presented at MoMA, The Kitchen, the New Museum, the Whitney Museum, and the Studio Museum in Harlem in New York, LACMA, MOCA, and REDCAT in LA, the Power Plant in Toronto, De Appel, Amsterdam, El Matadero, Madrid, Galleria Civica, Trento, Townhouse Gallery, Cairo, the Center for Contemporary Art, Tel Aviv, and others.
Her videos have also been included in screenings and group exhibitions at the Hirshhorn Museum and Sculpture Garden, Washington, DC (2016); Garage Museum of Contemporary Art, Moscow (2015); the Museum of Modern Art, New York (2015); the 19th Biennial of Sydney (2014); Palais de Tokyo, Paris (2014); the 13th Istanbul Biennial (2013); Tate Modern, London (2012); Museum of Modern Art, Warsaw (2012); the Institute of Contemporary Arts, London (2012); and KW Institute for Contemporary Art, Berlin (2011).
The Icelandic artist's work gives performance art, and contemporary art in general, a good rep.. His actions, musical scores, films and paintings are reminiscent of the repetitious, contemplative tone of Bill Viola's video work as well as Anselm Kiefer's multimedia, existential reflections on the creative «self» and on cultural inheritance.
[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 197Art in the mid-1960s through the 1970s.
The gallery was established 2005 by Martin Asbæk (b. 1975) and focuses on contemporary Scandinavian as well as international art by well - established and up - coming artists who work in a wide range of media; painting, drawing, sculpture, photography, video, embroidery.
Originated by the Contemporary Arts Museum in Houston and the Museum of Contemporary Art in Denver, this show contains 44 paintings on canvas or metal, four stunning videos and sundry occasionally interesting photographs — all spanning peripatetically from 1969 to the present.
Pace's art collection contains more than 800 paintings, sculptures, installations, and video works by contemporary artists from around the world, many from artists working at Artpace, the residential art program she founded downtown in 1993.
Her work has been exhibited in numerous national and international institutions, including Artspace (New Haven, CT), DIVA International Video Art Fair (Miami, FL), City of Nanjing Art Center for Painting and Sculptures (China), CAMAC Centre D'art (France), Media Art Festival at the Armenian Center for Contemporary Experimental Art (Armenia).
For exhibitions such as 100 Steps to the Mediterranean at the Rose Art Museum at Brandeis University in Boston (2012), The Nation's Groves at Tel Aviv Museum of Art (2011), and Al - Lydd at Kunst - Werke Institute for Contemporary Art in Berlin (2010), he integrated photographs of the ancient Arab city Al - Lydd (today's Lod) and the surrounding landscape with video featuring three generations from the Christian - Palestinian community.
Cecilia Vicuña's exhibition «About to Happen» at the Contemporary Arts Center New Orleans is billed as the first major solo exhibition for the artist in the United States and features an array of media: performance, sculpture, drawing, video, text, and site - specific installation.
Video Data Bank (VDB) is an international video art distribution organization and resource in the United States for videos by and about contemporary artVideo Data Bank (VDB) is an international video art distribution organization and resource in the United States for videos by and about contemporary artvideo art distribution organization and resource in the United States for videos by and about contemporary artists.