Sentences with phrase «contemporary video practice»

A two - night program that traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond.

Artis, in collaboration with Hauser Wirth & Schimmel, presented the Los Angeles launch of Staring Back at the Sun: Video Art from Israel, 1970 — 2012, an internationally traveling exhibition and public program that traces the development of contemporary video practice in Israel.

, an internationally traveling exhibition and public program that traces the development of contemporary video practice in Israel.

Staring Back at the Sun: Video Art from Israel, 1970 - 2012 is a two - night video exhibition that traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective toward the cultural and political landscape in Israel and beyond.

Staring Back at the Sun: Video Art from Israel, 1970 - 2012, traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond.

Not exact matches

In the video Noel remarks: «The hope is that the show makes a convincing case, that a space is preserved in contemporary art for just this practice - this search for poetry in a direct and unmediated experience of looking.

Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.

Through conversations with a wide spectrum of painters, performance artists, sculptors, photographers, video artists, and others, Trigg set out to investigate contemporary artmaking practices.

Sterling Ruby's interdisciplinary practice incorporates sculptures, collages, ceramics, paintings and videos, which act as markers and metaphors for the burdens that plague contemporary existence.

Its principal focus is the representation of an international group of contemporary artists whose diverse practices include painting, drawing, sculpture, video, photography, and performance.

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the internet on artistic practice and contemporary culture.

The major group exhibition Believe not every spirit, but try the spirits takes as its departure point the art of forgotten Victorian - era Spiritualist Georgiana Houghton (1814 - 1884), and features contemporary and historical painting, sculpture, video and photography that both explore and adopt Spiritualist practices and methodologies.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Its principal focus is on the representation of contemporary artists whose diverse practices include painting, drawing, sculpture, video, and photography.

Sarah's art practice incorporates performance, video, documentary, installation, community engagement, social practice and drawing and aims to blur the boundaries between popular culture, community engagement, art education and contemporary art.

This collective and their contemporaries rejected traditional modes of high art - making practices in favor of performance, site - specific installations, and video art that incorporated local imagery better suited to illuminating social issues relevant to a domestic audience.

A new, annual fair revolving around publishing, Multiple Art Days MAD # 1, will present, for 3 days, a wide spectrum of contemporary publishing practices, from zines to rare objects: prints, multiples, artists» books, videos, audio CDs, vinyls.

Haunted: Contemporary Photography / Video / Performance examines the myriad ways by which photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrieviContemporary Photography / Video / Performance examines the myriad ways by which photographic imagery is incorporated into recent art practices, and in the process underscores the unique power of reproductive media — while documenting a widespread contemporary obsession with accessing and retrievicontemporary obsession with accessing and retrieving the past.

We will consider how older media have been adapted to incorporate new media technologies and strategies, how video games and the Internet have changed our expectations of media experiences, the impact of new media on artistic practice, the important of new media in contemporary cultural economy, and related topics.

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.

[1] To that end, this exhibition explores the expanded field of painting through a wide range of works in a variety of media (i.e., installation, video, sculpture, and painting) that provide fertile territory for examining the legacy and meaning of painting and painterly practices in contemporary art today.

As an outcome of full immersion in the landscape, the artworks created during this time offer dialogues between the locale's past and contemporary practices including video, sound and sculpture.

Through print media, sculpture and video installation, her studio practice examines the relationship between the mapped image and contemporary notions of exploration, virtuality, and the simulated environment.

In his broader practice, the Dubai - born contemporary artist works with digital video, painting, sculptural installation, computer software programs, and print, to test the complexities of cultural identity.

Hito Steyerl, a filmmaker and a writer based in Berlin, is perhaps best known for her video essays, which delve into pressing contemporary issues such as globalization, feminism, militarization, and, arguably most central to her practice, the mass proliferation and dissemination of images and knowledge through digital technology.

While Location One seeks to nurture a critical awareness of the implications of technology for contemporary society in both our artists - in - residence and our audiences, and on a practical level, to introduce artists to the possibilities of new media in their art practice, the work we exhibit covers a full spectrum: painting, sculpture, video, digital, audio, installation and performance.

It also includes a two - day symposium (March 5 - 6) examining the diverse practices of artists, curators and collectors from Africa and the Diaspora through a series of panel discussions and video screenings, looking at new global phenomena in contemporary artistic production.

Comprising two evenings of presentations and screenings, Surrounded by Me interlaces clinical practice and critique, through an encounter between early video art, video psychotherapy, and the work of contemporary artists and scholars.

As an awards exhibition, We Hereby Declare celebrates the achievements of contemporary artists working in Israel and whose artistic practices have been awarded prizes by the Ministry of Culture and Sport: Creative Encouragement Award, Young Artist Award, Design Award, Video Art Award, and Lifetime Achievement Award.

Steyerl's video was part of the group exhibition 14.12.13, which confronted the recent trend of speculative realist philosophy and object - oriented ontology (OOO) in contemporary art theory and practice.

It also reflected the pluralism of contemporary artistic practice: the use of media once considered non-traditional (such as video, computers, and found objects), an interest in temporality that took the form of short - lived installations, and the exploration of performative work.

New Smoke from Old Fires investigates the contemporary positions from the perspective of painting influences as a point of departure including media practices such as installation, digital print, performance and video.

Organized by Jason Eppink, Associate Curator of Digital Media From supercuts to mashups to remixes, Cut Up celebrates the practice of re-editing popular media to create new work, presenting contemporary videos by self - taught editors and emerging artists alongside landmarks of historic and genre - defining reappropriation.

S1's Studio artists have a diverse and distinctive approach to contemporary art practice and this exhibition therefore embraces a wide range of media including film, video and photography to installation, sculpture and performance.

Curated by Sessa Englund, Introductions brings a contemporary mix of video, photo, sculpture, painting and screenprint, offering the audience a view into the works of artists who's practice centers on the individual and academic exploration of self - identity.

his multidisciplinary practice draws on eastern philosophy and contemporary social issues expressed in the form of drawing, installation, video and performance.

Originally commissioned by the Pérez Art Museum in Miami, Hiller's video installation continues her practice of changing the register of contemporary museum and gallery spaces, creating immersive and haunting environments in which the viewer succumbs to a multi-sensory experience.

Etchells» practice extends through writing and performance projects, neon and video works, through diverse collaborations and the author of several books, including a critical exploration of contemporary performance and theatre, a dream dictionary and a novel.

Living and working under the pseudonym «Lutz Bacher» since the 1970s, the artist's diverse conceptual practice spans photography, film, video and sculpture, often using found material, objects and images recontextualized from contemporary culture.

Organized in collaboration with Art + Practice, a Los Angeles - based art and service organization, and co-curated by the BMA's Dorothy Wagner Wallis Director Christopher Bedford and Assistant Curator of Contemporary Art Cecilia Wichmann, the show is built around eight photographs, three sculptural installations, and a video compilation of performance excerpts.

Its principal focus is the representation of an international group of Contemporary artists whose diverse practices include painting, drawing, sculpture, video, and photography.

His interests include American and international contemporary art, with a particular focus on dance, performance, and video, as well as socially - engaged practices in all media.

Watch Art21's latest Exclusive video, where Rackstraw Downes describes why he views the work of some long - deceased painters to be relevant to his own contemporary practice.

The main body of the exhibition features contemporary works including photographs, videos, paintings, posters and installations that employ a wide range of tactics to attack, reflect upon or at any rate expose modern - day surveillance practices.

CCA Wattis Institute for Contemporary Arts, and the Graduate Program in Curatorial Practice at CCA, San Francisco, 2011 (edited volume accompanying the exhibition God Only Knows Who the Audience Is: Performance, Video, and Television Through the Lens of La Mamelle / ART COM)

The exhibition comprises a broad range of works across a variety of mediums — including painting, performance, photography, sculpture, video, and web - based projects — that all investigate the extensive effects of the Internet on artistic practice and contemporary culture.

Her areas of research include the crossover between contemporary art and architecture, video and new media practices, with a special focus on artists working and performing in the landscape.

In accentuating different perspectives within this generation and considering the infrastructures that often link them, Recent Histories provides a point of entry to engage critically with current practices, and opens up considerations about how to conceptualize the frameworks of contemporary African photography and video art.

Works by fifteen contemporary artists — whose practices encompass sculpture, painting, collage, photography, and video — examine the life of birds, as well as the concept of the nest as metaphor of home, birth, protection, and the human body.

Arsenal Institute For Film and Video Kunst «Mammying the Archive» RSFS - We Must Have Music, Living Archive Project - Archive Work as a Contemporary Artistic and Curatorial Practice