Sentences with phrase «contemporary view of all things»

warted here in deference to an updated and contemporary view of all things nautical.

The obvious and straightforward have been mostly, but not altogether, thwarted here in deference to an updated and contemporary view of all things nautical.

Not exact matches

It is this view of things that accounts for the contemporary politicizing of Christian endeavor, with the churches exhausting themselves in trying to tell the world what to do, including issuing directives for social and political action.

«47 If we follow his suggestions, the relations of contemporary things should be conceived of in terms of mutual involvement or noninvolvement, the past should be viewed as the perpetual memory of all that has happened to become determinate and actual, and the future should be considered as the anticipation of possibilities that are not yet actual and determinate.48

So when it comes to forming a view of scripture, the best place to start is not with contemporary culture, modernist foundations or the postmodern rejection of authority (although we have to think these things through eventually).

He made a few remarks about how Dallas's view of things reflected a general antipathy among some evangelicals toward contemporary culture, but I was still puzzled, given Balmer's criticism, as to why anyone would find this kind of religion attractive, and I wished our guide had helped us to see that a little better.

Catholics have not used the language of primordiurn much because they see biblical history within the tradition and the tradition within history, but the conservatives are often primitive in their views about origins of episcopacy and papacy, and contemporary moderates often try to settle things by going back to biblical accounts of early ministry and communal life.

It's hardly even worth complaining, then, that Anchorman uses its faux satire of the 1970s as an excuse to play out male fantasies of knocking uppity women — like aspiring anchorwoman Christina Applegate (View from the Top, The Sweetest Thing)-- back down into their proper place; as with the new Stepford Wives, Anchorman pretends to send up passé attitudes while actually expressing very contemporary fears.

Other recent solo exhibitions include «Jiro Takamatsu» at Stephen Friedman Gallery, London, England (2015); «Jiro Takamatsu: Mysteries», National Museum of Modern Art, Tokyo, Japan (2014); «Jiro Takamatsu», Stephen Friedman Gallery, London, England (2013); «Jiro Takamatsu Words and Things, Refinement and Tautology», NADiff Gallery, Tokyo, Japan (2011); «Point Line, Form of Absence», Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2009); «Photograph of Photograph», Yumiko Chiba Associates / Viewing Room Ginza, Tokyo, Japan (2008); «Universe of His Thoughts, Fuchu Art Museum, Tokyo, Japan (2004); «1970s Three - dimensional Works and Others», Chiba City Museum of Art, Japan (2000).

The Universal Addressability of Dumb Things, installation view, Nottingham Contemporary, 2013.

American artist Kevin Beasley takes found materials — including his own clothing, instruments, household objects and detritus he finds on the street — and moulds them into sculptural forms, using a mixture of resin and polyurethane.The sculptural installation BEATEN - FACE / TOMS / ARMS, TIES, & LEG / FLOOR / BODY / BASS, 2014 was acquired by the AGO in 2014 and included in the exhibition Many Things Brought from One Climate to Another on view on the 5th floor in the Contemporary Tower until June 12.

Gabriel Diego Delgado walks through Manny Vega's University of Texas at San Antonio drawing show with the New York artist; Nancy Zastudil has a studio visit with painter Raychael Stine, whose work is on view at Art Palace in Houston; and Benjamin Terry talks all things paint with Arthur Peña ahead of his upcoming Dallas Contemporary show.

Review: Dundee's dreamers The Scotsman; May 17, 2012; Susan Mansfield; 700 + words degree show Duncan of Jordanstone College of Art & DesignFOR all those whose view of contemporary art in Scotland is Glasgow - centric, Dundee would like us to know a thing or two.

For A View of Things, Gerald McMaster has invited artists Robert Houle and Don Hall to present contemporary views on native culture.

Currently on view in England are several shows featuring wunderkammer displays of objects and artworks from disparate times and places that provide insight into «the world we live in»: Brian Dillon's Curiosity: Art and the Pleasures of Knowing at Turner Contemporary; Ralph Rugoff's Alternative Guide to the Universe at the Hayward Gallery; and Mark Leckey's The Universal Addressability of Dumb Things at Nottingham Contemporary (see my first travelogue entry).

Over the last few weeks I have encountered a rather odd collection of sculptural things: the postwar ceramic sculpture of Lucio Fontana and Fausto Melotti bursting with dynamically glazed and roughly handled surfaces, currently on view at the Nasher Sculpture Center; The Age of Innocence, a victorian bust in three different materials by the English sculptor Alfred Drury at the Henry Moore Institute; a visit to Henry Moore's house, studios, and now foundation at Perry Green, and most recently what I can only describe as a wonderfully insane lecture by the contemporary sculptor Thomas Houseago, which involved an increasingly drunk, cursing artist saying some surprisingly sincere, profound things about sculpture.

I routinely do this kind of thing, but it is good to keep these chastening views in mind while doing contemporary statistics, or when thinking that unique events have «probabilities.»