Sentences with phrase «contemporary visual artistic»

Here, a range of invited participants responded to the notion and concepts surrounding the archive and contemporary visual artistic production.

Not exact matches

The short scenic drive from the airport lingers on your mind.Chengdu's beautiful rivers, bridges, trees and flowers are a visual feast.History resonates in this city, where the ancient Southern Silk Road began.When you enter the opulent lobby of Shangri - La Hotel, Chengdu, warm greetings accompany you.The hotel has been showcasing the rich artistic culture of Chengdu since its opening by featuring nine famous contemporary artists from Sichuan.You will be ushered into a journey of China contemporary art.Up in your room, the setting is modern and the space generous.You appreciate why you picked the hotel with the largest rooms in the city centre.

In his most recent exhibition Queens of the Undead at the Institute of International Visual Arts — Iniva, in London, Donkor presented four of these highly regarded heroic women: «Queen Njinga Mbandi who led her armies against the Portuguese empire in Angola; Harriet Tubman, the underground - railroad leader who freed 70 people from US slavery in the 1850s; Queen Nanny who led the Maroon guerillas in Jamaica that fought the British in the 1700s; and lastly in what is now Ghana, the 20th - century anti-colonial commander - in - chief, Yaa Asantewaa».1 In the second part of the show, three large - scale earlier paintings were on display in which his primary source of artistic creation were contemporary facts of violent confrontations.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Southern Exposure's nationally recognized Artists in Education (AIE) program brings together diverse youth, artists, schools and organizations to provide meaningful participation in the visual arts, sparking a dialog on contemporary artistic practice and sociopolitical issues.

Most of my artistic output as an adult (and, come to think of it, much of it as a kid as well) deals with the continuous visual narrative of the so - called perfect life that the contemporary (and omnipresent) media culture constantly presents to us.

The contrast between the reclaimed «artistic» waste and the richness of the paint highlights a dynamic tension between Ruby's contemporary practice and the early - modern belief in the supremacy of «pure artistic feeling» over the visual depiction of objects.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.

We strongly believe that continuity and knowledge transfer will have a positive impact in both supporting artistic practice that is forging new terrain in contemporary visual arts, and revitalizing traditional cultural knowledge and practices in Native communities.

This pioneering contemporary visual art group exhibition takes the artistic and socio - cultural movement La Movida (literally «the movement») of post-Franco Spain as its thematic heart.

This contemporary visual art group exhibition, curated by Sarah Perks, takes the artistic and socio - cultural movement La movida (literally «the movement») of post - Franco Spain as its thematic heart.

With an artistic research process that regularly synthesizes visual and textual information from journals, diaries, and other primary documents, Dion presents us with a keen sense of our contemporary moment.

Harlem Postcards is an ongoing project that invites contemporary artists of diverse backgrounds to reflect on Harlem as a site of cultural activity, political vitality, visual stimuli, artistic contemplation and creative production.

Featuring a diverse mix of contemporary art from its 45 members artists, Touchstone Gallery aims to improve the community through visual art while bolstering the artistic and professional growth of its member artists.

Contemporary artist Ryan McGinness offers a visual essay that explores and contrasts two vastly different artistic processes while Red Hot Chili Peppers front man Anthony Kiedis provides a dynamic interview exchange between artist and musician.

The MAKER Grant Program is an annual, unrestricted award opportunity for Chicago - based contemporary visual artists who demonstrate a commitment to a sustainable artistic practice and career development.

In concersation with internationally acclaimed Ghanaian born, British architect Sir David Adjaye OBE, Professor Paul Goodwin, curato, Director of the resarch centre for Transnational Art, Identity and Nation [TrAIN], and current chair of Contemporary Art and Urbanism at the University of the Arts London, and moderated by Rachel Barrett, writer, curator and lecturer at the Jamaica based Edna Manley College of the Visual & Performing Arts, Thomas will discuss his artistic practice and the series of works in The Beautiful Game as well as the broader concerns of historical perspective and postcolonial, transnational legacies.

Contemporary artist Ryan McGinness offers a visual essay that explores and contrasts two vastly different artistic processes while Red Hot Chili Peppers front man Anthony Kiedisprovides a dynamic interview exchange between artist and musician.

Brown's artistic practice engages archives and research to place historical content within contemporary performance and visual art.

An award winning, nationally recognized organization, Space One Eleven (SOE) was established to support visual artists and more than two decades later the exhibitions hosted by SOE have presented a variety of artistic styles and mediums and covered a wide range of contemporary issues.

Female but maybe not Feminist, Biscayne Times, Victor Barrenechea, October 2008 Susan Lee - Chun Artist Profile, Theme Magazine, May / June 2008 Miami Contemporary Artists, Clear Magazine, April / May 2008 Voices, NY Arts, February / March 2008 Asian Artists on Display in BMOCA Exhibits, Boulder Daily Camera, Jenny Bergen, February 22, 2008 Urban Art Access: Art Basel Miami Beach, December 2007 Art Basel Miami Beach Notebook: A Party for the Arty, Economist, Jessica Gallucci, December 2007 Miami Contemporary Artists Book, Julie Davidow & Paul Clemence, November 2007 Susan Lee - Chun, H Magazine (Spain), Pedro Paricio, November 2007 Hurricane Project I, El Nuevo Herald, Adriana Herrera, Sept. 30, 2007 Los grabados de Goya inician una interesante temporada, El Nuevo Herald, Adriana Herrera, Sept. 16, 2007 Eight make the cut, Miami Herald, Daniel Chang, September 15, 2007 To the Brink and Back, Miami New Times, Carlos Suarez de Jesus, September 13, 2007 Body Double: Through a lens starkly, LA Times, Holly Myers, September 12, 2007 Ever more galleries in Wynwood, Miami Herald, Brett Sokol, September 7, 2007 Optic Nerve IX: MOCA Review, Miami Art Guide, Michelle Weinberg, September / October issue No. 10 Visual Power, Miami Herald, Tom Austin, August 5, 2007 Snitzer show brings 59 Homegrown Artists together, Miami Herald, Elisa Turner, July 22, 2007 Wynwood Gallery Installations show the District «Artistic Heart, Miami Herald, Brett Sokol, July 13, 2007 Stop at X, Broward & Palm Beach New Times, Michael MIlls, April 26, 2007 Asian Style and Taste, LA Times, Scarlet Cheng, January 11, 2007 Banquet Art Exhibition at Pacific Asia Museum, The Epoch Times, Dan Sanchez, Dec. 10, 2006 Critic's Pick, Miami Herald, Elisa Turner, December 8, 2006 Almost Famous, Ocean Drive Magazine, October 2006 Young at Art, Miami Herald, Elisa Turner, September 10, 2006 Galleries & Museums, Chicago Reader, September 8, 2006 Home Groan, Miami New Times, Carlos Suarez De Jesus, August 16, 2006 Cuatro Artistas en Casa, El Nuevo Herald, Jose Antonio Evora, August 8, 2006 Urban Sprawl, Sun - Sentinel, Emma Trelles, July 30, 2006 Exploring Urban Life With Art «WLRN ArtStreet with Meredith Porte, July 2006 Around Town, Coral Gables Living Magazine, June / July 2006 Five Years and Going Strong, Design Miami Magazine (vol.1, No. 2), Tiffany Chestler, May 2006 Metro - Pictures, Miami Herald, Elisa Turner, May 14, 2006.

The Museum of Contemporary African Diasporan Arts (MoCADA) uses the visual arts as a point of departure for exploring new artistic production across a variety of disciplines.

Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

CAC, OtherPeoplesPixels, and the Coney Family are enthusiastic to announce the recipients of the 2017 MAKER Grant, an award opportunity for three Chicago - based contemporary visual artists who demonstrate a commitment to a socially conscious, progressive, and sustainable artistic practice and career development.

The Mumbai Art Room is registered public charitable trust that exhibits contemporary art, design, and visual culture from India and foreign countries, this organization provides a non-commercial platform for artistic and curatorial practice, one that is experimental, educational, and as accessible as possible to all audiences.

From 2004 to 2014, Audi served as Artistic Director of the Holland Festival, presenting works in music, dance, theater, and visual art by such artists as William Kentridge, John Baldessari, Tacita Dean, and Ryoji Ikeda; directors Peter Sellars, Sam Mendes, and Ivo van Hove; choreographers Mark Morris, William Forsythe, Lemi Ponifasio, Akram Khan, Mikhail Baryshnikov, and Anne Teresa de Keersmaeker; and contemporary composers John Adams, Nico Muhly, and Louis Andriessen.

RECENT SHOW: Artistic director of Biennale of Sydney REGULAR GIG: Artistic director of Australian Centre of Contemporary Art, Melbourne KNOWN FOR: The winner of the Australia Council Visual Arts Award, Engberg is known for introducing Australian audiences to international artists like Pipilotti Rist, Joseph Kosuth, Barbara Kruger, and Richard Billingham.

Recent artistic work has been seen at Exit Art (Collective / Performative), EIDIA House / Plato's Cave, IV Soldiers, Panoply Performance Laboratory, SCOPE Art Fair (Us vs. Us), Fountain Miami (Grace Exhibition Space survey of Contemporary Visual Performance), Agape Enterprise (Tea Will Be Served), and the New Museum's Festival of Ideas for the New City (Farm City) as well as throughout public spaces in New York City.

«Through our exhibitions, and by hosting residency programmes, we are enabled to explore how contemporary artistic practice, whether text - based, visual, sonic or otherwise, can help visitors to the museum unlock the Trust's collection of 18th and 19th - century literature», says the museum's curator, Patrick Wildgust.

The Cynthia Woods Mitchell Center for the Arts cultivates interdisciplinary collaboration in the performing, visual, and literary arts, by offering public events, residencies, and courses that fuse artistic disciplines, ignite dialogue, and present new ways of experiencing the arts in contemporary life.

Between 2008 and 2011 she earned Certificate II and IV in Visual Art and Contemporary Craft at TAFE, which gave her a boost of confidence in her abilities and talent, and she definitely chose an artistic career.

Creating in a period after the Second World War, Klein was part of a wider artistic movement that sought to substitute the visual pollution of contemporary milieu with light as a new medium of art.

Recent positions include chief editor of Arta magazine; artistic director of the Soros Centre for Contemporary Arts, Bucharest; artistic director for media platforms at Lost Boys Interactive, Amsterdam, and consultant at the Netherlands Foundation for Visual Arts, Design and Architecture.

RELATED ARTS ACTIVITIES Co-Organizer, Onaman Collective (2014 — present) Project Creator / Lead Coordinator, Walking With Our Sisters Touring Exhibit (2012 on - going to 2020) Keynote Address, Indigenous Artists» Symposium: Activism & Education Through the Arts by Sâkêwêwak and the First Nations University of Canada Plains Red Gallery, Regina, SK (Feb 2016) Keynote Address, Education Through Reconciliation Through Education by First Nations, Métis, & Inuit Education Association of Ontario, Brampton, ON (May 2016) Collaboration with The House of Valentino, Milan, Italy (2015) Designer, 2015 Pan Am Parapan Am Game Medals Guest Lecturer, Shingwauk Ginoomagegamig, Algoma University, Sault Ste. Marie, ON (2014) Guest Lecturer, Museum of Contemporary Native Arts & Institute of American Indian Arts, Sante Fe, NM (2013) Lead Organizer, Community Art Collaborative Piece, Seventh Generation Midwives, Toronto, ON (2012) Jury Member, Ontario Arts Council, Aboriginal Arts Awards, Toronto, Ontario (2012) Jury Member, Ontario Arts Council, Visual Arts / Established Artist Program, Toronto, Ontario (2011) Guest Lecturer, Snelgrove Gallery, University of Saskatchewan, Arts Department, Saskatoon, Saskatchewan (2010) Guest Exhibit / Presenter, New Sun Symposium, Ottawa, Ontario (2010) Jury Member, Ontario Arts Council, Northern Arts Program, Toronto, Ontario (2009) Project Creator, Artistic Co-Director & Jury Member, Willisville Mountain Project, Willisville, Ontario (2008) Jury Member, Ontario Arts Council, Visual Arts Program, Toronto, Ontario (2008) Jury Member, Canada Council for the Arts, Aboriginal Peoples Collaborative Exchange Program, Ottawa, Ontario (2008) Jury Member, Ontario Arts Council, Chalmers Awards, Toronto, Ontario (2006)

Harlem Postcards Fall / Winter 2016 — 2017 is the latest installment in an ongoing project that invites contemporary artists to reflect on the many sides of Harlem: as a site of cultural activity, political vitality, visual stimulation, artistic contemplation and creative production.

We honor mentor and apprentice artists by facilitating the intergenerational transfer of cultural knowledge and artistic skill in traditional and contemporary visual arts.

With an artistic career distinguished by constant innovation, Cunningham expanded the frontiers not only of dance, but also of contemporary visual and performing arts.

CAC and OtherPeoplesPixels are proud to announce the recipients of the 2013 Maker Grant, an award opportunity for two Chicago - based contemporary visual artists who demonstrate a commitment to a sustainable artistic practice and career development.

Determined to stake out her own artistic ground, she turned outward from the interior world sanctified by the Abstract Expressionists and embraced the visual swirl of contemporary American life.

Predicated on the belief that contemporary artistic practices are largely driven by discursive acts of exchange and transactions, Open House records the ensuing visual dialogue and contested ways of seeing that emerge when communication channels are -LSB-.....]

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

CAC and OtherPeoplesPixels are thrilled to announce the recipients of the 2015 MAKER Grant, an award opportunity for two Chicago - based contemporary visual artists who demonstrate a commitment to a sustainable artistic practice and career development.

So far, his curators include Pierre Bal - Blanc, the director of Contemporary Art Center (CAC) Brétigny; Hendrik Folkerts, curator of performance, film, and discursive programs at the Stedelijk Museum in Amsterdam; Hila Peleg, the founder and artistic director of the Berlin Documentary Forum; Dieter Roelstraete, senior curator at the Museum of Contemporary Art Chicago; and Monika Szewczyk, visual arts program curator at the Reva and David Logan Center for the Arts, University of Chicago, where she also lectures in the departments of Visual Arts and Art Hivisual arts program curator at the Reva and David Logan Center for the Arts, University of Chicago, where she also lectures in the departments of Visual Arts and Art HiVisual Arts and Art History.

Each year, the awards honour seven artists for their artistic achievements and one person for their outstanding contribution to contemporary visual and / or media arts.

This program is aimed at artists in every artistic discipline: Architecture / landscape / urbanism, street arts / circus / puppets, digital arts, visual arts, comics, cinema / movies / video, curating projects, dance / performances, design, literature, youth book, fine arts and crafts, modern music and jazz, classical and contemporary music, contemporary art performances, photography, theatre, musics for films and video games.

Speaker: Doryun Chong, Assistant curator of visual arts, Walker Art Center In his talk, Doryun Chong will discuss the challenges and strategies of defining, identifying, and presenting Asian art within the discourse of contemporary artistic internationalism and alternative modernisms in a widely - recognized western institution of arts.

TAF will host about 30 GALLERIES dealing in CONTEMPORARY VISUAL ARTS, actively engaged in the organisation of exhibitions and contributing to the contemporary ARTISTICONTEMPORARY VISUAL ARTS, actively engaged in the organisation of exhibitions and contributing to the contemporary ARTISTIcontemporary ARTISTIC DISCOURSE.

Has make several publications and dissertations about Contemporary Visual Art, Art Circuit, Public Cultural Founds, Artistic Imaginary an Social Imaginary in magazines (Documenta 12 Magazine, Esfera Pública, Salon Kritik, Artenlinea, ArteyCritica and Revista Plus.)

Transformer's mission is to provide a consistent, supportive, and professional platform for emerging artists to explore and present experimental artistic concepts, build audiences for their work and advance their careers, while increasing dialogue, understanding, and audiences for contemporary visual arts.