Sentences with phrase «contemporary visual arts»

Candidates must have an advanced postgraduate degree (M.A., M.F.A, or Ph.D.) in a field pertinent to the graduate program, close familiarity with the contemporary visual arts and current curatorial and exhibition practice, and significant experience teaching at the graduate level.

Designed by architect David Adjaye OBE, this award winning building is dedicated to the display, debate and reflection of global diversity issues in the contemporary visual arts.

About Iniva Iniva (Institute of International Visual Arts) engages with new ideas and emerging debates in the contemporary visual arts, reflecting in particular the diversity of contemporary society.

She will most certainly help us to position the MCA at the leading edge of contemporary visual arts education.»

Camden Arts Centre is an international contemporary visual arts space based in north London, Anita is a founder trustee of Camden Arts Centre.

Tags: contemporary visual arts, Jakob Rowlinson: Facial Poetics: Face Poem Choir, Lewdjaw / / Jack Wilson, live performance, Modern Art Oxford, Oxford, Platform 2013, Visual Arts South East

There are also the additional benefits of being part of a vibrant and creative studio group, with close access to AirSpace Gallery, a well established and critically acclaimed contemporary visual arts gallery.

Tags: arts organisations, Brighton, Contemporary Visual Arts Network South East, CVAN South East, News, Visual Arts, What Next?

Tags: Arts, Charity Award 2013, contemporary visual arts, Culture and Heritage category, Gregory Perry, Marc Steene, Outside In, outsider art, Pallant House Gallery, South East, Visual Arts

Threewalls partners with other organizations on exhibitions, publications, and education programs in an effort to broaden and contribute to the contemporary visual arts.

In the wake of such large - scale challenges, foundations such as the Andy Warhol Foundation for the Visual Arts stepped in with major support through the Warhol Initiative, an invitational funding program launched in the fall of 1999 to support small contemporary visual arts organizations around the country.

Wysing is the chair and coordinator of the East Contemporary Visual Arts Network (ECVAN); a group of 19 contemporary visual arts organisations and individuals based in the eastern region of England.

Cameron Shaw received her B.A. in Art History from Yale University and has over ten years of professional experience in the contemporary visual arts.

The Contemporary Visual Arts Network (CVAN) represents and supports a diverse and vibrant visual arts ecology, prescription embracing a broad range of artistic and curatorial practice across the nine English regions.

Tags: Adam Chodzko, aspex, Contemporary Visual Arts Network South East, Dom Callaghan, Fine Art, graduate award, Margate, MK Gallery, Modern Art Oxford, Oxford, Paul Hobson, Ruskin School of Drawing and Fine Art, Turner Contemporary

From April 2011 Turner Contemporary is working in partnership with a-n the Artists Information Company which is one of UK's leading agencies for supporting artists and stimulating contemporary visual arts...

ECVAN is part of the national Contemporary Visual Arts Network (CVAN) which represents and supports a diverse and vibrant visual arts ecology, embracing a broad range of artistic and curatorial practice across the nine English regions.

Common Practice, London is an advocacy group working for the recognition and fostering of the small - scale contemporary visual arts sector in London.

Bonavista Biennale, a 2 Rooms Project, is a month long contemporary visual arts festival taking place every other year in historic buildings and public sites throughout the Bonavista Peninsula.

It aims to promote the critical dissemination of contemporary visual arts practices and affiliated artforms through 1a space

As DC's premiere non-profit visual arts organization supporting emerging artists & experimental artistic practice in the contemporary visual arts, Transformer is continually working to develop new opportunities to advance artists» careers and build audiences for emergent artistic expression.

Panama Art Biennial The Panama Art Biennial is the most prestigious event for the advancement of the contemporary visual arts in Panama.

Fall edited books on contemporary visual arts and photography and curated exhibitions in Africa, Europe and the USA.

New Art Exchange is the largest dedicated facility for contemporary visual arts outside of London and offers stimulating new perspectives about diversity in art and society, focusing specifically on African, Caribbean, South Asian identities and culturally diverse expressions.

Transformer's mission is to provide a consistent, supportive, and professional platform for emerging artists to explore and present experimental artistic concepts, build audiences for their work and advance their careers, while increasing dialogue, understanding, and audiences for contemporary visual arts.

«Video's Puppet Master,» Contemporary Visual Arts, London, Issue 15, pp. 38 — 43 Ken Schulman.

Shaw received her B.A. in Art History from Yale University and has over twelve years of professional experience in the contemporary visual arts.

To promote, encourage and research into the production of contemporary visual arts in all of their related aspects.

Launched in December 2002, Transformer's FRAMEWORK Panel Series engages artists, arts professionals, cultural leaders, and audiences in conversation to create an oral «field guide» to encourage and support individual emerging artists in our community, and educate audiences through the sharing of best practices within the contemporary visual arts.

The East Contemporary Visual Arts Network (ECVAN) has launched New Geographies, a three - year partnership between nine arts organisations in the East of England, many local Outreach partners and three Dutch partners; Casco: Office for Art, Design & Theory, De Rijksakademie van beeldende kunsten and the curatorial group «If I Can't Dance, I Don't Want to be Part of Your Revolution».

Through these exhibitions and other activities, such us talk, workshops and performances, the Fondazione Memmo aims to support these institutions, which are considered vital in the maintenance and development of the contemporary visual arts and culture in Rome.

TAF will host about 30 GALLERIES dealing in CONTEMPORARY VISUAL ARTS, actively engaged in the organisation of exhibitions and contributing to the contemporary ARTISTIC DISCOURSE.

It was founded in response to Helga de Alvear's wish to share her collection with the public and thanks also to the intent of several public institutions in Extremadura to provide Caceres with a centre for research, promotion and education in the field of contemporary visual arts.

«Jenna Lash's works are of feeling as much as paintings of the external world, and as such breathe a fineness and sensitivity not often found in contemporary visual arts.

Void exists to present the contemporary visual arts and to support artists, through a programme of exhibitions, related educational and outreach activities from a national and international perspective.

CVAN (The Contemporary Visual Arts Network) South East in partnership with four other flagship galleries in the South East of England, is delighted to announce that photography graduate from University of Brighton, Tom Heatley, is the winner of the Platform Graduate Award 2015.

Working as part of CVAN (The Contemporary Visual Arts Network, five galleries in South East England — Aspex, Portsmouth; De La Warr Pavilion, Bexhill; Modern Art Oxford; MK Gallery, Milton Keynes and Turner Contemporary, Margate — each showcase the work of recent graduates from their region, selected from university and college degree shows.

The Arlington Arts Center (AAC) is a private, nonprofit contemporary visual arts center dedicated to presenting and supporting new work by regional artists in the mid-Atlantic States.

Daniel Owusu, University of Kent graduate awarded prize The Contemporary Visual Arts Network South East (CVAN SE) announces in partnership with five of its network's flagship galleries the winning artist for its Platform Graduate Award 2016, Daniel Owusu, a graduate of University of Kent.

Students from the south east nominated for prestigious development award Modern Art Oxford and CVAN (The Contemporary Visual Arts Network) South East jointly announces in partnership with four other flagship galleries in the South East of England, malady the shortlisted artists for its Platform Graduate Award 2016, a year - long professional development and creative mentoring award.

The International Biennial of Contemporary Art Foundation of Cartagena de Indias is a nonprofit organization whose main purpose is to promote all genres of international and national contemporary visual arts in Cartagena de Indias.

In addition to contemporary visual arts, the affordable warehouse spaces in the neighborhood also attract a great deal of performance art.

Founded in 2013, Gallery Protocol is one prong of a larger undertaking (Protocol Project) in support of contemporary visual arts and artists in North Florida and beyond.

Founded in 1974, Greater Reston Arts Center (GRACE) enriches community life by promoting involvement and excellence in contemporary visual arts.

«In the End was the Word: Language as a Medium of the Contemporary Visual Arts,» Ursula Blickle Stiftung, Kraichtal - Unteröwisheim, November 13 — December 18, 2011 2010 «Framed: Drawings in Motion,» The Drawing Center, New York, NY, November 24 — December 24, 2010.

Clare Fitzpatrick is a freelance curator, for the past seven years she has worked in the contemporary visual arts with emerging and established artists on new and innovative projects and is currently Gallery Manager (Projects) at Matt's Gallery.

Selected group exhibitions and performance programmes in galleries and institutions, including: ICA, London, UK; TATE Modern and TATE Britain, London, UK; g 39, Cardiff, Wales, UK; Zabludowicz Collection, London, UK; Jerwood Visual Arts, London, UK; Plymouth Art Weekender, Plymouth, UK; Cardiff Contemporary Visual Arts Festival, Wales, UK; Victoria and Albert Museum, London, UK; South London Gallery, London, UK; Focal Point Gallery, Southend, UK; Modern Art Oxford, Oxford, UK; New Art Gallery, Walsall, UK; MK Gallery, Milton Keynes, UK; Arnolfini, Bristol, UK; Grimm Gallery, Amsterdam, The Netherlands; Skanes Kunstforening, Malmo, Sweden; and Gavin Brown Enterprise, New York, USA.

To foster contact and understanding between artists and the communities of Derry and broaden people's knowledge, engagement and expectations of the contemporary visual arts.

Paul Morrison, Michael Stubbs at Duncan Cargill Gallery, London, Contemporary Visual Arts, Issue 19, 1998

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.