Ganesh draws from a broad range of material, including the iconography of Hindu, Greek and Buddhist mythology, 19th century European portraiture and fairytales, archival photography, and song lyrics, as well as
contemporary visual culture such as Bollywood posters, anime, and comic books.
Not exact matches
Many
contemporary artists
such as Nan Goldin, Catherine Opie, and Wolfgang Tillmans have utilized the conventions of portraiture to record their own individual communities, giving
visual form to subcultures that have often gone unrepresented in mainstream
culture.
Ruang MES 56's aim is to «develop
contemporary art discourse and
visual culture, while also optimize art network in the South East Asia region» through initiatives
such as residencies, discussions, exhibitions and projects.
She has contributed to numerous books on
contemporary visual culture with essays on artists
such as Maurizio Cattelan, Luc Tuymans, Douglas Gordon, and Marina Abramovic.
Through these exhibitions and other activities,
such us talk, workshops and performances, the Fondazione Memmo aims to support these institutions, which are considered vital in the maintenance and development of the
contemporary visual arts and
culture in Rome.
A preeminent authority on
contemporary visual culture, she has organized exhibitions and written extensively on conceptual photography, Matthew Barney's Cremaster cycle, and on artists
such as Joseph Beuys, Tino Sehgal, and Richard Prince.
Halsband's 1985 iconic portrait of Jean - Michel Basquiat and Andy Warhol no. 143 in boxing gloves became
such a staple of popular
culture that its appropriation by
contemporary visual artists and street artists continues thirty years on.
Light was also shed on sociohistorical and historico - cultural subjects
such as «Shopping — A Century of Art and Consumer
Culture,» «Privacy,» the
visual art of the Stalin period, or New Romanticism in
contemporary art; other presentations revealed the influence of Charles Darwin's theories on art of the nineteenth and twentieth centuries, or the intriguing causalities between artists of the modern era and self - proclaimed «prophets» of this period.
The appetite for
visual stimulation in our
contemporary culture — precipitated by internet technology and globalization that has produced infinite numbers of artists of all sorts in the last decade or two, while disempowering the monopoly of the few in mainstream media by giving rise to endless writers and critics who feel an urgent need to respond to
such vast production — has paid greater attention to its temporal condition than any art of the past; I would argue that in the end it's the great work of art and thoughtful writing that compels multiple viewings and readings, hence rendering both immortal.
In addition to
such formalist aspects, Hoelscher explores the recombinant aspects of
contemporary visual culture, where once - specialized forms like painting become acclimated to everyday viewers trained on the quick - read of corporate iconography and TV fast - edits, while advertising firms create campaigns designed by fine artists.
Ganesh's works harness a broad range of
visual referents, drawing equally from German expressionism and Japanese woodblock prints, and
contemporary visual idioms
such as psychedelic print
culture, anime, and comics.
Tameka Norris (b. 1979, Guam) is a New Orleans - based
visual and performance artist that utilizes a variety of media including performance, painting, video, photography, and installation to investigate
such themes as the legacy of art history, the fictions of the past, and the contradictions inherent in
contemporary society and
culture.