Sentences with phrase «contemporary visual culture through»
Simultaneous to León Ferrari's exhibition at Galeria Nara Roesler — SP, the 28th edition of Roesler Hotel hosts Screenspaces, which presents the recent production of 19 artists investigating contemporary visual culture through photographic language in a post-digital context.
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Simultaneous to León Ferrari's exhibition at Galeria Nara Roesler — SP, the 28th edition of Roesler Hotel hosts Screenspaces, which presents the recent production of 19 artists investigating contemporary visual culture through photographic language in a post-digital context.
Founded in 1945, the MCA Chicago «documents contemporary visual culture through painting, sculpture, photography, video and film, and performance,» at its central Chicago Loop location.
The MCA documents contemporary visual culture through painting, sculpture, photography, video and film, and performance.
«Force and Form» explores shifts in contemporary visual culture through art in the collection of Rosa and Carlos de la Cruz.
Not exact matches
Self Publish, Be Happy is an organization dedicated to shaping contemporary photography and visual culture through publishing, online and offline events, and education programmes.
London, UK About Blog Self Publish, Be Happy is an organization dedicated to shaping contemporary photography and visual culture through publishing, online and offline events, and education programmes.
We aim to make Chinese contemporary art and visual culture accessible to everyone through our exhibitions, events, shop, artist residencies, festivals, engagement programmes and research forums.
The Visual Arts Program at Wave Hill presents the work of contemporary artists who explore the dynamic relationship between nature, culture and site through exhibitions in Glyndor Gallery and the Sunroom Project Space, and through the Winter Workspace Program and generated@wavehill.
His rhythmic patterns of repeating images, often featuring symbols of contemporary folk culture, are hand painted and rendered through the visual language of printmaking.
Their collaborative, ephemeral, and visual works reflect on contemporary culture through the language of popular music, consumer culture and other genres.
Exploring and questioning contemporary life through visual imagery, the approach of Pictures Generation artists is particularly relevant in understanding our current image - oriented culture and decoding the roles that images play as forms of representation, as icons, and as symbols.
This open - call program investigates contemporary culture through the visual arts and makes diverse curatorial visions possible.
Exploring and questioning contemporary life through visual imagery, her approach is particularly relevant in understanding our current image - oriented culture and decoding the roles that images play as forms of representation, as icons, and as symbols.
This work illustrates how avaf through their multifold references and psychedelic underground aesthetics examines our contemporary visual culture.
These galleries look to provide the tools for a critical experience of visual culture through direct exposure to a comprehensive program of contemporary art for students and community members.
As St. Louis» forum for interpreting culture through contemporary visual art, the Contemporary connects visitors to the dynamic art and ideas ocontemporary visual art, the Contemporary connects visitors to the dynamic art and ideas oContemporary connects visitors to the dynamic art and ideas of our times.
The Presidential Library Project: Black Presidential Imaginary addresses the long history of representations of a black president of the United States in visual culture, both comedic and aspirational, through contemporary art installation and institutional archives.
In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»
The show explores the influence of African visual culture on contemporary art, craft, and design, through the work of more than 100 contemporary artists, among them Nick Cave, Yinka Shonibare, Kehinde Wiley, and the Wu - Tang Clan.
Ruang MES 56's aim is to «develop contemporary art discourse and visual culture, while also optimize art network in the South East Asia region» through initiatives such as residencies, discussions, exhibitions and projects.
Promote contemporary visual culture, particularly under - represented practices and practitioners, and contributing to international critical discourse through our programmes
Through these exhibitions and other activities, such us talk, workshops and performances, the Fondazione Memmo aims to support these institutions, which are considered vital in the maintenance and development of the contemporary visual arts and culture in Rome.
The first project to explore the visual art, poetry and music of one of America's most inventive yet under - recognized contemporary Native American artists, this exhibition will survey Cannon's highly productive but short career; his development of a unique and hybrid visual vocabulary; and his combination of irony and wit with a reverence for community and tradition to interrogate American history and popular culture; as well as the issues wrought by colonialism, hegemony, and historical amnesia — all through his Native lens.
Through Cannon's personal anecdotes and their joint analyses of selected works by artists who have relationships to both places, Cannon and Nichols will examine the ways in which the black body creates meaning as it moves through these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact on contemporary visual cThrough Cannon's personal anecdotes and their joint analyses of selected works by artists who have relationships to both places, Cannon and Nichols will examine the ways in which the black body creates meaning as it moves through these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact on contemporary visual cthrough these two cityscapes, the transmission of that meaning between the two cities through 20th Century migrations, and its impact on contemporary visual cthrough 20th Century migrations, and its impact on contemporary visual culture.
Formation is part of Making Ways, a new programme supported by Sheffield Culture Consortium through Arts Council England to showcase, celebrate and develop the exceptional contemporary visual art produced in the city.
★ «Waterweavers: The River in Contemporary Colombian Visual Arts and Material Culture» (through Aug. 10) With its glades of abstract patterning, eddying pools of woven fiber, and projected images of water sluicing through galleries, this show of art and craft from and about Colombia's great waterways is one of the most unassumingly beautiful shows of the summer — politically one of the subtlest, and visually one of the coolest.
Rae rapidly moved through the playbook of abstraction in the 1990s, devouring and re-presenting the tropes and fixations of modernism through the lens of movie and televisual culture, quick to grasp the rapid changes in contemporary visual culture, and insert her painting practice into the present.
She has been based in London since April 2008 where she is now director of Afas, art & design LTD, freelancing in design and working on documenting and researching Lebanese visual culture and its interpretation through aesthetic contemporary practices.
Bringing together over 50 posters that celebrate 100 years of contemporary visual culture, this book is a fitting tribute to the exhibition that has launched the careers of many artists as well as an absorbing journey through changes in poster design and typography.
Kheirkhah's multi - disciplinary art practice and her specific focus on decentralising the generalising cultural forms of categorization, explores the representations of the so called «Middle Eastern» female identities through a practice which is generated by the interplay of history, politics, media and visual arts within contemporary Western visual culture.
Bruce Grenville, Senior Curator of the Vancouver Art Gallery, said: «The MashUp exhibition and publication trace a distinct path through the history of modern and contemporary art and visual culture, in response to a considerable void in the scholarship on this important subject.
CIFO fosters cultural understanding and educational exchange through three primary initiatives: a Grants and Commissions Program for emerging and mid-career visual artists from Latin America; an exhibitions program showcasing work by Latin American artists and international contemporary art from the Ella Fontanals - Cisneros Collection at the CIFO Art Space; and foundation - initiated support for other arts and culture projects.
His books include Scene jezika [Scenes of language](Belgrade, 1989), Pas Tout (Buffalo, 1994), Prolegomena za analitičku estetiku [Prolegomena for analytical aesthetics](Novi Sad, 1995), Postmoderna [Postmodernism](Belgrade, 1995), Asimetrični drugi [The asymmetrical other](Novi Sad, 1996), Estetika apstraktnog slikarstva [Aesthetics of abstract painting](Belgrade, 1998), Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950 [Glossary of modern and post-modern visual arts and theory after 1950](Belgrade and Novi Sad, 1999), Paragrami tela / figure [Paragrams of body / figure](Belgrade, 2001), Anatomija angelova [Anatomy of angels](Ljubljana, 2001), Figura, askeza in perverzija [Figure, asceticism and perversion](Koper, 2001), Martek — Fatalne figure umjetnika: Eseji o umjetnosti i kulturi XX stoljeća u Jugoistočnoj, Istočnoj i Srednjoj Europi kroz djelovanje umjetnika Vlade Marteka [Martek — Fatal figures of the artist: essays on 20th - century art and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etc..
Her PhD in Curatorial / Knowledge - Department of Visual Cultures at Goldsmiths, University of London - investigates contemporary affects and the aesthetics of the «new» of the Portuguese revolution through militant, documentary and essay cinema.
Through an annual programme of interdisciplinary artistic and curatorial practices across the visual arts, design, new media and performance, it provides a dynamic site for contemporary culture in Southeast Asia.
Forward thinking 17 August «Sarah Charlesworth explored and questioned contemporary life through visual imagery, and her approach is particularly relevant in understanding our current image - oriented culture,» says Michael Govan, CEO of LACMA — where a major surgery of Charlesworth's work opens tomorrow.
Received the Estimulo Award at the 42 ° Salon of Contemporary Art Luiz Sacilotto, from the municipality of Santo André and was contemplated at the Visual Arts Calling from the Culture Department of Niterói, through which she held her first solo exhibition «Incubadora» at the Cultural Centre Paschoal Carlos Magno.
London, UK About Blog Self Publish, Be Happy is an organization dedicated to shaping contemporary photography and visual culture through publishing, online and offline events, and education programmes.