Sentences with phrase «contemporary visual experience»

Beyond the mask of visual detritus lies the naked syntax of the contemporary visual experience.

Not exact matches

GoldenEye 007: Reloaded is a contemporary James Bond experience featuring HD visuals and running at 60 frames per second.

Audi's trickle - down approach fortifies the 2017 S3 with the brand's best gadgetry and contemporary visuals, but the most dynamic improvements are experienced at speed.

Furthermore being a remake, Pokemon SS / HG offers a contemporary experience complete with pleasant visuals and competitive online play.

Although the Forza Motorsport series has been a mainstay of the Xbox experience for several years, the latest Horizon spin - off, with its astonishing visuals, accessible handling and vast array of racing styles, is arguably the ultimate contemporary driving game.

We work with international and UK artists to produce extraordinary experiences, creating an exciting mix of thought - provoking drama, dance, film and contemporary visual art with a strong focus on international work, new commissions and talent development.

I have created strategies for making paintings out of the act of recalling visual observations from everyday experience, from paintings and three - dimensional constructions that I have made, as well as from modern / contemporary paintings that I have seen.

-- At least five years of professional experience in the field of contemporary visual arts.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

The new Studio Museum will provide the custom - built and expanded facilities, enriched visitor experience and strong architectural presence appropriate to a premier center for contemporary artists of African descent, the principal visual art institution in Harlem and a magnet for visitors from around the world.

By juxtaposing contemporary color images of ice cream next to historical photographs of people enjoying it, the exhibition examines the visual and social culture of ice cream, the role it plays in society and the playfulness of the human experience.

Undertaken as a public - private initiative with support from the City of New York, the five - story, 82,000 - square - foot project will provide the custom - built and expanded facilities, enriched visitor experience and strong architectural presence appropriate to a premier center for contemporary artists of African descent, the principal visual art institution in Harlem and a magnet for visitors from around the world.

Second Sight will include a range of works by contemporary artists that point to ways of knowing beyond visual observation and consider the invisible societal, political, and cultural forces that govern our own frameworks of experience.

Composed by Stevie Jones, and performed together with Georgie McGeown, visual artist Vikki Morton (Muscles of Joy, Suckle) and Trembling Bell's Alex Neilson, Light the Currents is a bright and buoyant acoustic arrangement in two parts; the first written for a special performance at an exhibition of artwork by Katy Dove at Dundee Contemporary Arts in October 2016, the second written afterwards as a response to the exhibition and the experience of playing there.

Art League Houston, one of Houston's oldest arts organizations, connects the community through diverse, dynamic, and creative experiences that bring people together to see, make, and talk about contemporary visual art.

Referencing issues relevant to contemporary society including politics, war, advertising, propaganda, and surveillance, Kessler's work thrusts the viewer directly into a complex visual experience.

«Religion in the Context of Art,» Dempsey, Terrence, E. «Analogy, Meaning, and Religious Experiences in Contemporary Abstract Art,» Soltes, Ori Z. «Transformation: Jews, Christians, Religion and Art,» «Like a Prayer: A Jewish and Christian Presence in Contemporary Art,» exhibition catalogue, Tryon Center for Visual Art,» Charlotte, NC, pp. 6, 15, 25, 40, 54, 63, January 31st - June 1st, 2001.

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

It identifies, recognises and supports contemporary visual artists who engage with the human condition, social reality and lived experience and is best known for its biennial international Exhibition and Prize which takes place in Cardiff.

Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY

Yanai shares in a similar dialogue with his contemporaries through the practice of translating visceral and visual experiences that are inherently embedded in the digital.

The mission of the Center's graduate program is to provide practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts.

These galleries look to provide the tools for a critical experience of visual culture through direct exposure to a comprehensive program of contemporary art for students and community members.

«He so clearly understands the fundamental way that our visual experience and habits of perception have been influenced by technology, now so deeply integrated into contemporary life.

Exploring how methods of display and presentation affect our understanding and experience of space, these new works continue Wermers» investigation of the legacy of modernism and the aesthetics of consumption in contemporary visual culture.

2007 PURE, Sean Kelly Gallery, New York, USA I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum, St. Louis, Missouri, USA Like Colour in Pictures, Aspen Art Museum, Aspen, Colorado, USA Ensemble, ICA, University of Pennsylvania, Philidelphia, USA; curated by Christian Marclay Sparkle Then Fade, Tacoma Art Museum, Tacoma, Washington D.C., USA New Prints 2007, IPCNY, New York, USA 2006 Shiny, Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, USA Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA The Last Time They Met, Stephen Friedman Gallery, London, England The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA Gay Art Now, Paul Kasmin Gallery, New York, USA; curated by Jack Pierson Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, Massachusetts, USA The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, California, USA 2005 Art inside the Park, Memorial Park, Jefferson City, Missouri, USA Suspended Narratives, Lora Reynolds Gallery, Austin, Texas, USA Landscape Confection, Wexner Center for the Arts, Columbus, Ohio, USA Universal Experience: Art, Life and the Tourist's Eye, Museum of Contemporary Art, Chicago, USA; toured to Hayward Gallery, London, England Visual Music: 1905 - 2005, Museum of Contemporary Art, Los Angeles, California, USA Ten Year Anniversary Exhibition, Stephen Friedman Gallery, London, England

The Mentor Artist Fellowship is open to established American Indian and Alaska Native artists with at least ten years of experience who want to mentor an emerging American Indian or Alaska Native artist apprentice for a one - year period in either the Traditional Arts or Contemporary Visual Arts fields.

The Cynthia Woods Mitchell Center for the Arts cultivates interdisciplinary collaboration in the performing, visual, and literary arts, by offering public events, residencies, and courses that fuse artistic disciplines, ignite dialogue, and present new ways of experiencing the arts in contemporary life.

Many of the most innovative publishers, galleries and museums working in contemporary visual arts choose to use our specialist sales and distribution service and rely on our extensive experience of publishing, distribution and the book trade.

The experience of his compositions and the multitude of techniques he uses to create them — such as collage, monotype, relief printing, paper marbling, and decalcomania — intensifies the complexity of his unique visual universe while provoking closer contemplation of the continuing role of painting as a vital field of contemporary research.

The figure; a signifier of the land, as depicted by three African artists through the visual exploration of their contemporary experiences.

Through each of these mediums the artist finds contemporary currency, personal symbol and cultural meaning of longing, seduction, desire and romance, while also revealing a highly personal vision, fusing and transforming sentiment, wisdom and emotional experience into visual - art forms.

To the past honorees, however, among whom I feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee], whose ambitious and inspired curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer whose genius lies in his ability to synthesize the experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic true north for the arts in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture in our city... and at the High Museum; and Susan [Bridges], den mother to us all, whose generosity of spirit is set off by her unshakable personal integrity.

Before assuming relationships between older and contemporary artists based purely on visual similarities (about seventy percent of the checklist consists of work by the earlier generation), visitors must reconcile their assumptions with the particularities of each artist history, practice, and sociocultural experience.

MACLA is an inclusive contemporary arts space grounded in the Chicano / Latino experience that incubates new visual, literary and performance art in order to engage people in civic dialogue and community transformation.

He has got extensive research and curatorial experiences in contemporary Chinese art and visual culture.

The artist's intention is to establish a progressive path through several purposefully built interconnected environments which enables the viewer to experience the passage from a dimension of noise, chaos and visual saturation — expressing life in contemporary cities — to a neutral setting where he intends to conduct a methodical dissection of familiar urban components with recourse to the unconventional media and destructive techniques which he has been exploring in his work.»

Shaw received her B.A. in Art History from Yale University and has over twelve years of professional experience in the contemporary visual arts.

In July 2014 we secured major investment to realise ambitious plans which will see Site Gallery treble in scale, greatly enhancing the contemporary visual art experience in the region.

Gallery directors Priyanka and Prateek Raja share their experiences of developing discourse around contemporary visual art in South Asia and beyond.

Cameron Shaw received her B.A. in Art History from Yale University and has over ten years of professional experience in the contemporary visual arts.

In attempting to capture a portion of the region's complexity as experienced by those working in the field of contemporary visual art, ArtAsiaPacific and Artis, a New York - based nonprofit that supports and promotes contemporary visual artists from Israel, are collaborating on the essay series «Within / Without.»

The third exhibition will feature artwork by contemporary artists who continue to push art into the perceptual realm with new materials and technologies that create visual sensations, immersive experiences, and viewer - active engagement.

Resounding (Infrared)(2013) locates first - hand reports from people who have seen or claim to have seen unidentified flying objects, mysterious lights in the sky and other unexplained phenomena within a mesmerising backdrop of sound frequencies and visual patterns translated from the Big Bang and other cosmic phenomena, linking cosmology, dreams and contemporary visionary experiences.

Candidates must have an advanced postgraduate degree (M.A., M.F.A, or Ph.D.) in a field pertinent to the graduate program, close familiarity with the contemporary visual arts and current curatorial and exhibition practice, and significant experience teaching at the graduate level.

The successful applicant will have a deep understanding of and experience in contemporary arts practice and programming, and will be able to effectively advocate for and promote the vitality and diversity of contemporary visual art.

Prospective applicants will have: — an undergraduate degree in the history of art, fine art, or other appropriate area of the humanities or social sciences — relevant practical experience in the visual arts and a demonstrated commitment to curating, and a strong interest in contemporary art

«Not only do we catalogue the works of contemporary visual artists from diverse cultural backgrounds and promote their work to new audiences,» she says, «but we also act as a catalyst for change through the presentation of new ideas and experiences.»

Blum & Poe, Los Angeles, CA Dreams and Conflicts: The Dictatorship of the Viewer, The 50th International Exhibition of Visual Arts of the Biennale di Venezia, Venice, Italy Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art, The Contemporary Arts Center, Cincinnati, OH (exh.

Sarah works internationally on multiple collaborations and exhibitions, with extensive experience of working in contemporary visual art, independent film and engagement.