Sentences with phrase «contemporary visual language in»

Not exact matches

At the film's recent press day in Los Angeles, MoviesOnline sat down at a roundtable interview with Chazelle who discussed how he looked for ways to bring a contemporary language that was musical, visual and emotional to a genre that runs the risk of nostalgia.

Nico is part of an international wave of contemporary artists working to establish a new visual language for the still life in the information age.

Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.

Assembling in Marfa will be a faction of contemporary artists who are peeling the page one frame - at - a-time in an inquiry into the visual dimension of language, ranging from David Gatten's reflection on the role of documents and Michael Tracy's secret, worldly recitations to Julia Meltzer and David Thorne's digital archives where images become a fault - line between world views and hidden narratives.

The relationship between drawing and sculpture is particularly interesting in contemporary art practice; Antony Gormley is one of the most eloquent artists when it comes to articulating ideas that pertain to individual perception, collective needs, intellectual processes, or the applications and development of a visual language to assuage the spiritual or emotional privations of the modern world.

Her research centers on language - based work and intersections of experimental writing, performance, and visual culture in modern and contemporary art.

Plensa debuted the monumental sculpture Echo in Madison Square Park in 2011, and Rapaport was quoted in the New York Times article regarding the project, «When we think of great modern and contemporary public art, usually we think of work that uses an abstract visual language.

Many of the forms used to represent roads, buildings, and train tracks seem to derive from visual symbols used in contemporary printed Japanese maps, an early example of the interplay between painting and popular visual language and print media which is so important in contemporary Japanese work.

Romancing The Fragment presents works that are invested in materialist histories, reconstructing our vernacular visual languages in various forms, freezing its fragments and revealing our contemporary culture in ruin.

Such machine imagery went on to figure largely in the visual languages essential to modernism and successive historical movements, and today the bachelor machine persists in the works of contemporary artists, albeit in less normatively gendered ways.

Since then she has remained at the forefront of developments in contemporary painting, making highly distinctive works which seek to articulate an abstract language in which relations of color and form generate visual sensations.

Their visual language is rooted in a tradition of displays aiming at knowledge promulgation, although their take on this iconography places their work in the realm of contemporary art.

«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.

The main influences came from his contemporaries Joseph Beuys and Georg Baselitz, postwar tendencies in Abstract Expressionism and Conceptual art, but Kiefer is most regarded as an exponent of the Neo-Expressionism derived from Minimalism and abstraction, advocating representational and symbolic visual language.

Moving between and manipulating various styles — primitivism, cubism, expressionism, minimalism — Prata's encyclopedic use of symbols and patterns grows into a language rooted in the history of visual art; however, in borrowing across time and style, Prata's distortion of form — hieroglyphs in symbolic space — proposes a reflection on how representations are read within a contemporary context.

With two distinct approaches to contemporary painting, Bresson and Prata mute stylistic expectations in the service of a visual language that has no spoken form; a collection of simplified narratives, signs and symbols that communicate from the silences between words or thoughts.

This panel considers the contemporary way curators are using language in experimental ways to expand visual art practices, and what effects the crossover of these fields has had on each.

The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.

According to Chalabi, the exhibition, titled «Archaic», will «explore the different ways in which Iraq's ancient past has affected its modern and contemporary visual languages -LSB-...].»

In the exhibition we see the subversive creativity and the physical, ironic language used in Hail reflected in the work of contemporaries of Clark and Atlas's day, as well as among modern - day artists active in visual art and dance, music and pop culture, with their rebellious expressionIn the exhibition we see the subversive creativity and the physical, ironic language used in Hail reflected in the work of contemporaries of Clark and Atlas's day, as well as among modern - day artists active in visual art and dance, music and pop culture, with their rebellious expressionin Hail reflected in the work of contemporaries of Clark and Atlas's day, as well as among modern - day artists active in visual art and dance, music and pop culture, with their rebellious expressionin the work of contemporaries of Clark and Atlas's day, as well as among modern - day artists active in visual art and dance, music and pop culture, with their rebellious expressionin visual art and dance, music and pop culture, with their rebellious expressions.

In each work, White has intentionally left strips of surface area completely blank, emphasizing the arbitrary cutting, cropping, and breaking of images — a regular feature in contemporary visual language, and one to which we have become increasingly inureIn each work, White has intentionally left strips of surface area completely blank, emphasizing the arbitrary cutting, cropping, and breaking of images — a regular feature in contemporary visual language, and one to which we have become increasingly inurein contemporary visual language, and one to which we have become increasingly inured.

Drawing on global weaving traditions as well as the history of painting and sculpture, graphic design, and architecture, American artist Sheila Hicks has redefined the role of fibre in art and influenced a generation of contemporary artists with her interdisciplinary visual language.

«As minimalism became the default visual language of contemporary art, there was a shift where all things scatological became almost suppressed,» Andrea Rosen, the president of the eponymous gallery, said in a statement.

Sarah Charlesworth (1947 - 2013) is a visual artist and photographer whose work addresses the language of photography in contemporary culture.

My current work references early 20th century abstract art and design to develop a visual language in response to the fast shifting streetscapes and architectural spaces of contemporary London and its ever present half - built skyscrapers.

By balancing its four primary activities — gallery exhibitions, studio art classes, educational outreach programs and outdoor art shows — the Contemporary Art Center of Virginia seeks to involve a diverse regional public in the rich and active language of contemporaryContemporary Art Center of Virginia seeks to involve a diverse regional public in the rich and active language of contemporarycontemporary visual art.

In addition, the visual language could have an impact on contemporary practice.

Simultaneous to León Ferrari's exhibition at Galeria Nara Roesler — SP, the 28th edition of Roesler Hotel hosts Screenspaces, which presents the recent production of 19 artists investigating contemporary visual culture through photographic language in a post-digital context.

The visual language of the works in this show references a contemporary example of Kurzweil's theory, which is founded on the principle that technological change is exponential.

As they search for a contemporary visual language with which to express our anxieties, our harmonies, our questions and our trepidations, our contemporary abstract artists happily are finding inspiration and conceptual guidance in the iconic Modern voices of the past.

Simultaneous to León Ferrari's exhibition at Galeria Nara Roesler — SP, the 28th edition of Roesler Hotel hosts Screenspaces, which presents the recent production of 19 artists investigating contemporary visual culture through photographic language in a post-digital context.

She prefers to express herself in a more direct and visual language using contemporary material.

Following Sophia's successful inaugural exhibition of his work in 2016, «Hunting the Light» features twelve new paintings demonstrating Derakshani's continued quest for a visual language that bridges Iranian artistic traditions with Western contemporary and abstract inclinations.

The exhibition will present the modern day Vanitas message expressed in the works of internationally acclaimed contemporary Dutch and Belgian artists, so brilliantly reinterpreting the Vanitas symbols and metaphors of their predecessors into their modern visual multimedia language.

His books include Scene jezika [Scenes of language](Belgrade, 1989), Pas Tout (Buffalo, 1994), Prolegomena za analitičku estetiku [Prolegomena for analytical aesthetics](Novi Sad, 1995), Postmoderna [Postmodernism](Belgrade, 1995), Asimetrični drugi [The asymmetrical other](Novi Sad, 1996), Estetika apstraktnog slikarstva [Aesthetics of abstract painting](Belgrade, 1998), Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950 [Glossary of modern and post-modern visual arts and theory after 1950](Belgrade and Novi Sad, 1999), Paragrami tela / figure [Paragrams of body / figure](Belgrade, 2001), Anatomija angelova [Anatomy of angels](Ljubljana, 2001), Figura, askeza in perverzija [Figure, asceticism and perversion](Koper, 2001), Martek — Fatalne figure umjetnika: Eseji o umjetnosti i kulturi XX stoljeća u Jugoistočnoj, Istočnoj i Srednjoj Europi kroz djelovanje umjetnika Vlade Marteka [Martek — Fatal figures of the artist: essays on 20th - century art and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etc..

Entang Wiharso (b. 1967, Tegal, Indonesia) studied painting, graduating from the Indonesian Institute of Arts in Yogyakarta in 1994 and is widely regarded for his dramatic visual language which draws on popular culture and ancient mythology to create unique images of contemporary life.

Exhibition co-curators Andrea Andersson, chief curator of the visual arts at the Contemporary Arts Center, New Orleans, and Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, discuss Cecilia Vicuña's work, including issues of lost languages and the politics of ephemerality, in this exhibition Contemporary Arts Center, New Orleans, and Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, discuss Cecilia Vicuña's work, including issues of lost languages and the politics of ephemerality, in this exhibition contemporary art and director of the Arts Research Center at UC Berkeley, discuss Cecilia Vicuña's work, including issues of lost languages and the politics of ephemerality, in this exhibition walkthrough.

«Second Sight: The Paradox of Vision in Contemporary Art,» now on view at the Bowdoin College Museum of Art, is a rigorously bold exhibition that seeks to both disrupt and expand the language and (politicized) assumptions of the experience of a visual art exhibition.

The exhibition highlights contemporary practitioners working between the disciplines of fine art and experimental fashion who employ the material and visual language of clothing in order to subvert and perform the relationship between clothing, gender, and the body.

Situated in this architecture, the exhibition imagines the open geometry of the gallery as a context to re-examine how the visual and material languages of contemporary art generate experiential, emotional, physical, environmental and intuitive intelligence.