Sentences with phrase «contemporary visual media»

Not exact matches

In particular, teachers are encouraged to look at a visual media archives or collections and portals, both contemporary and historic.

Through film, media, visual and performing arts, and educational programming, CCA provides an accessible forum for the exploration of new ideas in contemporary art and thought.

Because of the mass appeal of Hockney's Royal Academy Exhibition, the iPad paintings have unfortunately been branded by popular criticism and media as the epitome of contemporary art practice, fuelling the delusions of those who unwittingly consider landscape painting to be one of the few modes of visual art.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

2012 Daniel Belasco, Henry J. Leir Associate Curator, The Jewish Museum Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Kristen Chappa, Curatorial Associate, SculptureCenter Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Elizabeth Houston, Director, Hous Projects Ryan Inouye, Curatorial Associate, New Museum Lesley Johnstone, Curator, Musée d'Art Contemporain de Montréal Nina Katchadourian, Curator, Drawing Center Jonathan David Katz, Curator and Director of the Doctoral Program in Visual Culture Studies at State University of New York at Buffalo John Massier, Visual Arts Curator, Hallwalls Gallery, Buffalo Sara Reisman, Director, Percent for Art and Independent Curator Sara Jo Romero, Director, Schroeder Romero & Shredder Gallery Gregory Volk, Contributing Writer, Art in America Megan Holly Witko, Director, Andrea Meislin Gallery

Her work has been exhibited at galleries, museums, and festivals internationally, including the Ars Electronica Center, Linz, Austria (2000); Seoul Metropolitan Museum of Art, Korea (2000); Netherlands Institute for Media Art, Amsterdam (2000, 2002, 2008); Taipei Museum of Contemporary Art, Taiwan (2001); Center for Contemporary Art, Kiev, Ukraine (2001); New Museum, New York, NY (2003); San Jose Museum of Art (2005); Skive Kunstmuseum, Denmark (2009); Frist Center for Visual Arts, Nashville, TN (2013); Smithsonian American Art Museum, Washington, D.C. (2015); and Contemporary Jewish Museum, San Francisco, CA (2015).

Most of my artistic output as an adult (and, come to think of it, much of it as a kid as well) deals with the continuous visual narrative of the so - called perfect life that the contemporary (and omnipresent) media culture constantly presents to us.

Armory programming includes: free year - round community arts programs, serving 6,500 people annually; in - school artist residencies and a gallery fieldtrip program, serving 4,500 students annually; studio programs offering visual and media arts classes for all ages, serving 3,700 people annually; professional development training for teaching artists and public school teachers; and contemporary visual art exhibitions and performance based work.

«Queer Voice», Institute for Contemporary Art, Philadelphia, PA; «London Biennale Satellite Show», Christopher Henry Gallery, NY; «Virtuoso Illusion: Cross-Dressing and the New Media Avant - Garde», MIT List Visual Arts Center

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

As Newman captured «streaks of light» in his zips, De Luca captures the atmosphere of contemporary light and color derived from varying visual sources such as advertisement and mass media, conflating modernist abstraction with contemporary illusionism and sensational effects.

Many of the forms used to represent roads, buildings, and train tracks seem to derive from visual symbols used in contemporary printed Japanese maps, an early example of the interplay between painting and popular visual language and print media which is so important in contemporary Japanese work.

REDCAT, CalArts» downtown center for contemporary arts, is a multidisciplinary center for innovative visual, performing and media arts founded by CalArts in the Walt Disney concert Hall complex in downtown Los Angeles.

The artists, who represent a wide range of styles and ideals, include visual and performance artist Nick Cave, contemporary artist Rob Pruitt, artist collective Studio Job, mixed media artist Ebony G. Patterson, and Trey Parker and Matt Stone of Comedy Central's South Park.

Leo & Raye Chestler Visual Artist Grant, June 2008 State of Florida Artist Enhancement Grant, January 2008 Audience Choice — Runner - up, Optic Nerve IX, Museum of Contemporary Art, North Miami, FL All - Media Juried Biennial, Art & Culture Center, Second Place, April 2007 State of Florida Artist Enhancement Grant, October 2006 Miami - Dade Cultural Affairs Tigertail Artist Access Grant, June 2006

With backgrounds in contemporary visual art, media and fashion, the eight artists featured in the exhibition have been identified as leading makers whose quilts act as non-functional art pieces.

«What's fascinating about Rafman's work is the way he uses the very familiar visual language of the internet, social media, and computer games to create immersive narratives that reveal the anxieties and desires of contemporary life,» says Maitreyi Maheshwari, program director at Zabludowicz Collection and curator of the exhibition, which also offered up a waterbed, ball pit, massage chair, and filing cabinets streaming video games in first - person shooter.

Lee Tusman presents projects that straddle the intersection of ideas that are socially - based, urban in nature and that combine unconventional practices with contemporary visual arts and internet media.

Julia Bennett is the LENSCRATCH Visual Media Editor, a fine art photographer, book artist, and marine scientist exploring the intersections between science, visual art, and the contemporary social landVisual Media Editor, a fine art photographer, book artist, and marine scientist exploring the intersections between science, visual art, and the contemporary social landvisual art, and the contemporary social landscape.

The Biennial will showcase more than 40 contemporary Arab artists using photography and related visual media to address a broad range of aesthetic and cultural values impacting Arab culture.

Featuring essays and unpublished texts by critics in contemporary and media arts, including Joan Fontcuberta, Derrick de Kerckhove, Suzanne Paquet, Fred Ritchin, and David Tomas, the publication was designed to challenge a re-examination of what photography is today, in a time when communication and transmission of visual data in cyberspace, the boundaries of virtual reality, and the Internet as a global public space proliferate images and reflect an imaginal reshaping of the world.

Beata Geyer is a Polish - Australian contemporary visual artist who works with various media ranging from painting and photography to site - specific, large - scale installation projects.

Contemporary society is awash in visual information — we are presented with versions of reality in marketing, news, and social media, but we rarely pause to consider how our thoughts are guided in the process of looking.

Recent positions include chief editor of Arta magazine; artistic director of the Soros Centre for Contemporary Arts, Bucharest; artistic director for media platforms at Lost Boys Interactive, Amsterdam, and consultant at the Netherlands Foundation for Visual Arts, Design and Architecture.

By Krishna Adams, Director of Visual Arts, Craft, Media and Design — In celebration of the Tennessee Arts Commission 50th anniversary, Three Grand Divisions: Celebrating Contemporary Art from the Tennessee Arts Commission's Collection will be exhibited from March 17 — May 12, 2017.

Steven Connor, Tom Corby, Dawn Nafus, Hannah Redler Hawes, Marquard Smith, and Sara Teasley discuss the influence of numbers in contemporary visual, material, immaterial, and media culture.

My achievements include an MA Fine Art (with distinction) from the University of Portsmouth and awards / commissions from Arts Council England, Festival of Video Art Kinolevchyk, Hayward Gallery, MADATAC - Contemporary Festival of New Media Arts and Advanced Audio Visual Technologies, National Museum of the Royal Navy and Portsmouth Festivities.

Organised by poet, visual artist and Performance Poetry co-founder John Giorno, along with Mark Beasley, the event explores a contemporary generation's use of the internet and social media, mirrored by Giorno's poetic use of technology.

2010Today is not a Dress Rehearsal, SFMOMA live installation in collaboration with Mika Tajima / New Humans, New York Dance With Camera, ICA Philadelphia and touring to Contemporary Arts Museum, Houston Virtuoso Illusion: Cross Dressing and the New Media Avant Garde, MIT / LIST Visual Art Centre, Cambridge, Massachusetts Albrecht Dürer Gessellschaft, Kunstverein Nürnberg, Nürnberg, Germany Recent Acquisitions, De Hallen Haarlem, The Netherlands Move: Choreographing You, Hayward Gallery, London Body / Space Mechanics, De Hallen Haarlem, The Netherlands 100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage «100 years, (Version no. 2, Nov 2009): 45 Years of Performance Video from EAI», PS1, New York, touring to Garage Centre for Contemporary Art, Moscow Time Based Arts Festival, PICA, Portland Institute for Contemporary Art, Portland Nobody Gets to See the Wizard.

Before contemporary art was mixing media, opera synthesised visual design, drama and music.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Each year, the awards honour seven artists for their artistic achievements and one person for their outstanding contribution to contemporary visual and / or media arts.

Daniel Terna (b. Brooklyn, NY) has participated in select group exhibitions at MoMA PS1 (NYC); the International Center of Photography (NYC); Elizabeth Foundation for the Arts (NYC); Foley Gallery (NYC); Baxter St. Camera Club of NY (NYC); New Wight Biennial (UCLA, Los Angeles); BRIC Arts Media Biennial (Brooklyn, NY); New York Film Festival (NYC); Eyebeam (NYC); Museum of the City of New York (NYC); The Wild Project (NYC); the Carpenter Center for Visual Arts (Cambridge, MA); Armory Center for the Arts (Pasadena, CA); Contemporary Arts Center (New Orleans, LA); and Gallery Tayuta (Tokyo, JP).

East Gallery: All and Nothing Opening Thursday January 4 at 8:00 pm, Mercer Unions A Centre for Contemporary Visual Art presents a series of mixed media works by Calgary artist Margaret May.

Waverly Street Gallery is one of the Washington DC Metro area's premier art galleries featuring contemporary visual artists working in a wide range of media.

The artist's intention is to establish a progressive path through several purposefully built interconnected environments which enables the viewer to experience the passage from a dimension of noise, chaos and visual saturation — expressing life in contemporary cities — to a neutral setting where he intends to conduct a methodical dissection of familiar urban components with recourse to the unconventional media and destructive techniques which he has been exploring in his work.»

The Mohile Parikh Center (MPC), Mumbai, is one of the leading centers in India devoted to Art, Culture and Education, with a focus on the visual arts, contemporary culture, media, underserved communities, and continuing education.

She holds an MFA in Photography and Media from California Institute of the Arts, Los Angeles, and a BA in Contemporary Visual Art from the International Academy of Art Palestine.

ART21 is a nonprofit global leader specializing in digital media about contemporary visual art, producing films on today's leading visual artists and education programs that inspire creativity worldwide.

Nataal is a global media brand celebrating contemporary African fashion, visual arts, music, travel and society

Drawing + Painting Anatomical Figure Drawing Beginning Water - based Media Color Theory for Painters + Designers Color Theory for the Painter Contemporary Figuration Contemporary Techniques for Figurative Painting Continuing the Indirect Method of Oil Painting Creating Innovative Comics Drawing + Painting the Figure Drawing for Comics Drawing Fundamentals Drawing in Color Drawing Outside in RVA Drawing with Ink, Charcoal + Wax Resist Exploring Water - based Media Figure Drawing Intensive Impressionism, Mark - making + Your Sketchbook Intermediate Classical Drawing Intermediate Drawing Intermediate Pastel Drawing Intermediate to Advanced Watercolor Introduction to Acrylic Painting Introduction to Children's Book Illustration Introduction to Classical Drawing Introduction to Oil Painting Introduction to Painting with Gouache Introduction to Pastel Drawing Introduction to the Figure Introduction to Watercolor Mixed - Media Drawing + Painting Mixed - Media Image Transfers Painting the Still Life + Figure in Oil Pen + Ink Drawing The Expressive Figure The Portrait in Oil The Traveling Sketchbook Value Into Color Visual Storytelling Through Illustration Watercolor + the Figure

Hallwalls Contemporary Arts Center presents a wide range of media, including performance, visual art, alternative jazz and new music, literary readings, community presentations and media arts, shared with the communities of WNY and beyond.

A visual arts exhibit titled Home: Contemporary Indigenous Artists Responding, will be on display through Aug. 31 in the Walter and Doris Goldstein Music and Media Center, second floor West Pattee Library, University Park campus.

Known internationally as the worldwide hub for media, music and entertainment, Los Angeles is also a burgeoning axis of contemporary visual and performing art.

Salient works are presented that highlight the diversity evident in contemporary visual art practices today, including painting sculpture and mixed media installations.

His research and teaching interests include: aesthetics and migrant subjectivity, art history and contemporary visual analysis, and the relevance of postcolonial theory for media studies.

Kheirkhah's multi - disciplinary art practice and her specific focus on decentralising the generalising cultural forms of categorization, explores the representations of the so called «Middle Eastern» female identities through a practice which is generated by the interplay of history, politics, media and visual arts within contemporary Western visual culture.

Presented as a series of filmed conversations between Aitken and celebrated cultural figures from diverse media including visual art, architecture, film, new media and music, The Source leads us to new frontiers of contemporary culture.

neo: artprize is an open exhibition inviting work in any media from contemporary visual artists of all ages and nationalities.

His work has been exhibited internationally, at venues that include Greusslich Contemporary in Berlin; the Stanlee and Gerald Rubin Center for the Visual Arts in El Paso, Texas; the Portugal Biennial; PAN Palazzo delle Arti Napoli, in Italy, and the NTU School of Art, Design and Media, in Singapore.