Sentences with phrase «contemporary women painters»

One of the most interesting things about the book are essays and notes from contemporary women painters themselves on Frankenthaler and her work.

The addition of men is a welcome move, a penis not being the most typical subject matter for a contemporary woman painter, but the paintings, as lovely as they are to look at and as sure as they are to attract rapt crowds studying details, still feel strangely sealed and caricaturelike.

Not exact matches

In 1968, Riley represented Great Britain in the Venice Biennale, where she was the first British contemporary painter, and the first woman, to be awarded the International Prize for painting.

This position was confirmed at the Venice Biennale in 1968 when she became the first British contemporary painter, and the first woman, to win the International Prize for painting.

2011 Carolina Collects: 150 Years of Modern and Contemporary Art from Alumni Collections, Ackland Art Museum, University of North Carolina at Chapel Hill (September 9 — December 4) Points of View: Selections from Seven Colorado Collections, CU Art Museum, University of Colorado, Boulder (September 8 — December 17) Amerika - Europa: Bluhm, Kline, Motherwell, Dubuffet, Götz, Tàpies, Thomkins, Kunsthandel Wolfgang Werner, Berlin (September 7 — November 15) Abstract Expressionism and its Discontents, Annenberg Gallery, Pennsylvania, Academy of Fine Arts, Philadelphia (June 17 — August 28) The Women in Our Life: A Fifteen Year Anniversary Exhibition, Cheim & Read, New York (June 30 — September 9) Tibor de Nagy Gallery: Painters & Poets, Tibor de Nagy Gallery, New York (January 15 — March 5)

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

Celebrated as Trinidad and Tobago's leading contemporary painter, the late Boscoe Holder (1921 - 2007) creates a vital and intimate atmosphere in his portraits of West Indian men and women.

7:30 pm Women Painting television premiere Television premiere of Women Painting, a video documentary produced by Girls» Club interviewing eleven contemporary female painters in South Florida and the New York area.

Consisting of six contemporary painters and approximately thirty works, this exhibition explores the manner in which these women appropriate both the physical, dramatic processes and the expressive freedom of direct gesture at the core of action painting, redeploying the now - historic style to boldly advance the abstract painting of our time.

Saccoccio's work is featured in Confronting the Canvas: Women of Abstraction, one of the first museum exhibitions to focus solely on contemporary female painters, with works by Keltie Ferris, Maya Hayuk, Jill Nathanson, Fran O'Neill, and Anke Weyer.

These are impressively adept paintings with a confident sense of scale, but they do not have a distinctive character compared to contemporary works by artists such as Helen Frankenthaler, Grace Hartigan, or Joan Mitchell, to reference only the most noted women abstract painters of Schapiro's generation.

In Confronting the Canvas, one discovers the significant role of women painters in the contemporary history (or «her - story») of abstraction.

Ferris is one of the six contemporary painters featured in MOCA Jacksonville's Confronting the Canvas: Women of Abstraction and the focus of Art Fusion in Hemming Park on July 3.

Those who know the work of contemporary painter Cecily Brown may find Franssen's paintings, especially «An Unfinished Woman» and «I Had a King,» uncomfortably reminiscent of it.

2017 Cabbages and Kings, Maddox Arts, London Contemporary Abstract Prints, Clifford Chance, London Touchstone, APT Gallery, London Creekside Eleven, Zillah Bell Gallery, Thirsk (curator) A Funny Thing Happened on the Way to the Future, Brodrick Gallery, Hull Painting & Structure, The Kennington Residency, London Nine Painters, Syson Gallery, Nottingham Fully Awake, blip blip blip Gallery, Leeds Counterpoints, Eagle Gallery, London Women Artists: Power and Presence, University of Chichester Steal the Show, Glasgow Open House Festival Nine Painters, Syson Gallery, Nottingham Abstract, Paper Gallery, Manchester Abstract, New Adelphi Gallery, University of Salford 2016 Modern Mirror, Bread and Jam IV, London Cuts, Shapes, Scrapes and Breaks, Seventeen, London We Are The Dead, Kirk Hopper Fine Art, Dallas, Texas Juxtaposition, Zilla Bell Gallery, Thirsk, Yorkshire.

A panel discussion at The New York Times Art for Tomorrow conference in Doha explored the subject of how Arab women are portrayed in art, with Lalla Essaydi, an artist who lives and works in New York and Marrakesh, and Touria El Glaoui, the founder of the 1:54 Contemporary African Art Fair and the daughter of the renowned Moroccan painter Hassan El Glaoui.

Join the MOCA Contemporaries for a discussion about art and fashion with celebrity stylist and Academy Award - nominated costume designer Arianne Phillips, fashion designer Michael Schmidt, and painter Kimberly Brooks, moderated by fashion and culture writer, curator, consultant, and the former West Coast bureau chief of Women's Wear Daily, Rose Apodaca.

She was the first British contemporary painter, and first woman, to receive the prestigious prize.

1957 The 25th Biennial Exhibition, Corcoran Gallery of Art, Washington, DC LXII American Exhibition: Painting & Sculpture, The Art Institute of Chicago, Chicago, IL Golden Years of American Drawing 1905 - 1956, The Brooklyn Museum, Brooklyn, NY; Sloshley Art Gallery, Brandeis University, Waltham, MA 46th Annual Exhibition of American Painting, Randolph - Macon Women's College, Lynchburg, VA Cinq Maitres de la Ligne, Henry Clews Memorial, Fondation d'Arte de la Napoule, Paris, France American Painting 1945 - 57, The Minneapolis Institute of Arts, Minneapolis, MN Pacific Northwest Painters & Sculptors, Ogunquit Museum of Art, Ogunquit, ME 20th Century Works of Art, Krannert Art Museum, University of Illinois, Champaign, IL The American Vision - Paintings of 3 Centuries, Wildenstein Gallery, New York, NY Art in Asia & The West: An Exhibition to Illustrate Varied Aspects of Asian Traditions & Their Importance for Art in the West, San Francisco Museum of Modern Art, San Francisco, CA Annual Exhibition of Contemporary American Painting, The Whitney Museum of American Art, New York, NY 8 American Artists for the United States Information Agency; Korea, Japan, Australia, Europe Carnegie Institute Collects, Cincinnati Art Museum, Cincinnati, OH Prints and Drawings: Mainly By Modern French Artists, Parke Bernet Galleries, INC., New York, NY Seattle World's Fair, Seattle, WA

In response to the 1972 documentary Painters Painting, the Women Painting exhibition and documentary video assert the relevance and history of women in the field of contemporary painWomen Painting exhibition and documentary video assert the relevance and history of women in the field of contemporary painwomen in the field of contemporary painting.

Their work is exhibited at Eigen + Art's stand alongside painters who hark back to the German Romantic era — most notably Martin Eder, whose paintings of bloodied, embattled women dressed in armour are a comment on the tribulations of contemporary feminism; and Jörg Herold, who paints crepuscular scenes as mournful as any Caspar David Friedrich.

Women, from contemporary artist Lisa Yuskavage to modernist painter Frances Strain, are on show at Jeffrey Deitch's recreation of the late feminist artist Florine Stettheimer's studio.

Most recently, DeSimone has curated Project Atrium: Gabriel Dawe, Synthesize: Art + Music, and Confronting the Canvas: Women of Abstraction, the first museum show to focus on contemporary female abstract painters.

Remarking on the «Women Painting Women: Our Collective Conscience,» Demato pointed out that the show not only reveals a snapshot of the current state of painters working in contemporary figurative realism today but provides insights into the different muses influencing female painters today.

Organizations Museums / CollectionsState of California, EDD Bldg., San BernardinoSouth Coast Hospital, Laguna Beach, CA A Vay Adam Museum, Vaja, HungaryGalleries / ShowsWestbeth Gallery, NYCCenter for Contemporary Arts, Abilene, TX, 1991 A Vay Adam Museum, Art Camp Group, Hungary Awards / FoundationsTexas Watercolor Society, San Antonio, TX, 1952, 1957, and 1959 NSMP Mural Competition, NYC, 2nd place, 1983 Art in Public Places, mural commissionEducational InstitutionsUniversity of Southern California, BFA, 1961California State University, Long Beach, MA, 1967California State University, FullertonProfessional Affiliations National Society of Mural Painters Westbeth Independent ArtistsArtists for Economic ActionReviews / PublicationsUltra Magazine, 1983Who's Who of American Women The Week, NYC, 2001

In the late 50's Life magazine pronounced her «the most celebrated of the young American women painters,» Newsweek featured her in a column next to one about Judy Garland, and she was the only woman represented in «The New American Painting» exhibition that introduced contemporary American art to Europe in 1958 - 59.

He is one of the truly great painters of the 21st Century...» Phillips» Deputy Chairman of Europe & Asia Matt Carey - Williams presents Francis Bacon's «Seated Woman», 1961 to be offered in our Contemporary Art Evening Sale on 14 May in New York.

American Society of Contemporary Artists Catharine Lorillard Wolfe Art Club Fine Arts Federation of New York National Academy Museum and School National Association of Women Artists National Society of Mural Painters New York Society of Women Artists Pastel Society of America Silvermine Guild Arts Center Ward - Nasse Gallery Women in the Arts Foundation

«MIRRORCITY: London artists on fiction and reality», Hayward Gallery, London (cat) «Moral Material», Salon 94 Bowery, New York «Serralves Collection in the Museum», Serralves Museum of Contemporary Art, Porto «Black Eye», 57 Walker Street, New York «Three Women Painters: Phoebe Unwin, Clare Woods and Lynette Yiadom - Boakye», Contemporary Art Society, London «For the Record», Birmingham Museum and Art Gallery, Birmingham

New York (catalogue) Original Gagosian Gallery, New York New Portraits Blum & Poe, Tokyo (catalogue) Fashion Nahmad Contemporary, New York (catalogue) 2014 New Figures Almine Rech Gallery, Paris (catalogue) New Portraits Gagosian Gallery, New York It's a Free Concert Kunsthaus Bregenz, Bregenz (catalogue) Canal Zone Gagosian Gallery, New York Richard Prince / Roe Ethridge Gagosian Gallery, New York (catalogue) 2013 Monochromatic Jokes Nahmad Contemporary, New York (catalogue) Protest Paintings Skarstedt Gallery, London (catalogue) Untitled (band) Le Case D'Arte, Milan Richard Prince: New Work Jürgen Becker, Hamburg (catalogue) Cowboys Gagosian Gallery, Beverly Hills (catalogue) Sadie Coles HQ, London 2012 White Paintings Skarstedt Gallery, New York (catalogue) Four Saturdays Gagosian Gallery, New York 14 Paintings 303 Gallery, New York (catalogue) Prince / Picasso Picasso Museum, Malaga (catalogue) 2011 The Fug Almine Rech Gallery, Brussels (catalogue) Covering Pollock Guild Hall, Easthampton The Magic Castle 1968 - 1969 Le Consortium, Contemporary Art Center, Dijon (catalogue) Gagosian Gallery, Hong Kong de Kooning Gagosian Gallery, Paris (catalogue) American Prayer Bibliothèque nationale de France, Paris (catalogue) Bel Air Gagosian Residence, Los Angeles 2010 Pre-Appropriation Works, 1971 — 1974 Specific Objects, New York T - Shirt Paintings: Hippie Punk Salon 94, New York (catalogue) Tiffany Paintings Gagosian Gallery, New York (catalogue) 2009 After Dark Gagosian Gallery, New York 2008 Canal Zone Gagosian Gallery, New York (catalogue) Galerie Patrick Seguin, Paris (catalogue) Continuation Serpentine Gallery, London Four Blue Cowboys Gagosian Gallery, Rome Gagosian Gallery, London Spiritual America Walker Art Center, Minneapolis 2007 Spiritual America Solomon R. Guggenheim Museum, New York (catalogue) Panama Pavilion 52nd Venice Biennale, Venice Fugitive Artist: The Early Work of Richard Prince, 1974 - 77 Neuberger Museum of Art, Purchase Canaries in the Coal Mine Astrup Fearnley Museum, Oslo (catalogue) 2006 Cowboys, Mountains, and Sunsets Sprüth & Magers, Cologne The Portfolios Jürgen Becker, Hamburg Cowboys & Nurses John McWhinnie at Glenn Horowitz, New York 2005 Hippie Drawings Sadie Coles HQ, London (catalogue) Whitechapel Gallery, London Barbara Gladstone Gallery, New York Check Paintings Gagosian Gallery, Beverly Hills (catalogue) 2004 American Dream, Collecting Richard Prince for 27 Years Rubell Family Collection, Miami (catalogue) Sammlung Goetz, Munich (catalogue) Galerie Eva Presenhuber, Zurich (catalogue) Women Regen Projects, Los Angeles (catalogue) 2003 Nurse Paintings Barbara Gladstone Gallery, New York (catalogue) Upstate Sabine Knust, Munich New Work Glenn Horowitz Bookseller, East Hampton Publicities Hydra Workshop, Hydra Island (catalogue) Nurse Paintings Sadie Coles HQ, London 2002 Barbara Gladstone Gallery, New York (catalogue) Principal Painting and Photographs Kunstmuseum Wolfsburg, Wolfsburg Painting Kunsthalle Zürich, Zurich Patrick Painter, Inc., Santa Monica 2001 Museum für Gegenwartskunst, Basel (catalogue) Publicities Sadie Coles, HQ, London (catalogue) Regen Projects, Los Angeles Photographs 1977 - 1979 Skarstedt Fine Art, New York (catalogue) Galerie Micheline Szwajcer, Antwerp Neue Galerie im Höhmann - Haus, Augsburg 2000 Princeville Partobject Gallery, Carrboro Barbara Gladstone Gallery, New York Photographs, Paintings Jablonka Galerie, Cologne 4x4 MAK, Vienna Up - state MAK Center for Art and Architecture, Schindler House, Los Angeles 1999 Paintings 1988 - 1998 Sadie Coles HQ, London 1998 Regen Projects, Los Angeles Joke Paintings Skarstedt Fine Art, New York Psychoarchitecture: Richard Prince, Martin Kippenberger Anton Kern Gallery, New York Barbara Gladstone Gallery, New York Sabine Knust - Maximilian Verlag, Munich Stills Ltd., Edinburgh 1997 The White Room Jürgen Becker, Hamburg; Parco, Tokyo White Cube, London Museum Haus Lange / Museum Haus Esters, Krefeld Cowboys and Cowgirls Espace d'Art Yvonamor Palix, Paris 1996 Sabine Knust - Maximilian Verlag, Munich Passion Play Haus der Kunst, Munich New Works Jablonka Galerie, Cologne 1995 Paintings Barbara Gladstone Gallery, New York Theoretical Events, Naples Regen Projects, Los Angeles 1994 Photographs 1977 - 1993 Kestner Gesellschaft, Hanover (catalogue) Offshore Gallery, East Hampton 1993 Galerie Micheline Szwajcer, Antwerp Fotos, Schilderijen, Objecten Museum Boijmans Van Beuningen, Rotterdam Girlfriends Jablonka Galerie, Cologne (catalogue) Barbara Gladstone Gallery, New York San Francisco Museum of Modern Art, San Francisco First House Stuart Regen Projects, Los Angeles 1992 Kunstverein and Kunsthalle, Dusseldorf Whitney Museum of American Art, New York (catalogue) Protest Paintings Sabine Knust - Maximilian Verlag, Munich Beaver College Art Gallery, Glenside Works on Paper Le Case d'Arte, Milan 1991 Barbara Gladstone Gallery, New York Galleri Nordanstad — Skarstedt, Stockholm Galerie Ghislaine Hussenot, Paris Stuart Regen Gallery, Los Angeles 1990 Jokes, Gangs, Hoods Galerie Rafael Jablonka and Galerie Gisela Capitain, Cologne Galerie Micheline Szwajcer, Antwerp Arthur Roger Gallery, New Orleans 1989 Spiritual America IVAM Center del Carme, Valencia (catalogue) Sculpture Barbara Gladstone Gallery, New York Paintings Jay Gorney Modern Art, New York Barn Gallery, Ogunquit Daniel Weinberg Gallery, Los Angeles 1988 Galerie Rafael Jablonka, Cologne Barbara Gladstone Gallery, New York (catalogue) Centre National d'Art Contemporain de Grenoble, Grenoble Le Case d'Arte, Milan Galerie Ghislaine Hussenot, Paris Messages to the Public: Tell Me Everything Public Art Fund, Times Square, New York 1987 Galerie Isabella Kacprzak, Stuttgart Daniel Weinberg Gallery, Los Angeles 1986 International with Monument, New York Feature Gallery, Chicago 1985 International with Monument, New York Richard Kuhlenschmidt Gallery, Los Angeles 1984 Riverside Studios, London Feature Gallery, Chicago Baskerville + Watson, New York 1983 Le Nouveau Musée, Lyon (catalogue) Le Consortium, Contemporary Art Center, Dijon Institute of Contemporary Art, London Richard Kuhlenschmidt Gallery, Los Angeles Baskerville + Watson, New York 1982 Metro Pictures, New York 1981 Metro Pictures, New York Richard Kuhlenschmidt Gallery, Los Angeles 1980 Artists Space, New York CEPA Gallery, Buffalo

Lee Krasner (1908 - 1984), American painter and collage artist, served as an important inspiration to contemporary women artists.

American Women Artists, Part II: The Recent Generation, Sidney Janis Gallery, New York, USA Beauties and Beasts, Pratt Manhattan Center Gallery, New York, USA Three Painters, Three Decades: Lee Krasner, Joan Mitchell, Pat Steir, The Harcus Gallery, Boston, USA Fauna, Flora, Etc, Barbara Mathes Gallery, New York, USA Vision and Conscience, University Art Gallery, State University of New York, Binghamton, USA Highlights: Selections from the BankAmerica Corporation Art Collection, Bank of America World Headquarters, San Francisco, USA Four Painters: Pat Steir, Sean Scully, Robert Mangold, Robert S Zakanitch, McIntosh / Drysdale Gallery, Houston, USA Content: A Contemporary Focus 1974 — 1984, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, USA Dowd Fine Arts Center Gallery, State University of New York, Cortland, USA, The New Culture: Women Artists of the Seventies, traveled to Turman Gallery, IN; State University, Terre Haute, IN; Emily H Davis Gallery, The University of Akron, Akron, OH.

Inspired by the historic 1970s documentary Painters Painting, Women Painting explores the world of contemporary painting, from the perspective of female artists in the collection of Francie Bishop Good and David Horvitz, Girls» Club's founders.

The Contemporary Art Society's latest display, Three Woman Painters: Phoebe Unwin, Clare Woods and Lynette Yiadom - Boakye, provides an opportunity to view the work of these three prominent female artists.

And what makes her a contemporary feminist painter is that the girls and women she depicts appear to trust her totally.

In February, a series of exhibitions opens pairing works by female contemporary artists (priced between # 2,000 and # 35,000) and Modern British women (priced up to # 90,000) with the work of Gluck, a British painter born in 1895 who famously eschewed any gender - defining prefix.

Carmen Herrera (b. 1915, Havana) One Cuba's first abstract painters, Herrera has exhibited widely in solo and group shows, including El Espíritu latinoamericano: Arte y artistas en los Estados Unidos, 1920 - 1970, which traveled widely in the United States in 1988 and 1989, and Crossing Borders: Contemporary Art by Latin American Women at the College of New Rochelle, N.Y., in 1996.

,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO); «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.

Julian Opie (b. 1958) Contemporary British painter and graphic artist, best known for works like Woman Taking off Man's Shirt in two Written Stages (2003).

«Julie Mehretu: Brushes with Greatness» by Stefan Ruiz W magazine catches up with eight women artists who are «storming the boy's club,» including painter Julie Mehretu whose work is included in «The Forever Now: Contemporary Painting in an Atemporal World» at the Museum of Modern Art in New York.

It's as though, despite the enormous cultural and historical distance that separates Mexico half a century ago from contemporary Brazil, any woman painter from anywhere south of Texas must have emerged from the same current.

Three Women Painters: Phoebe Unwin, Clare Woods and Lynette Yiadom - Boakye, Contemporary Art Society, London

,» Ellis King, Dublin, Ireland; «Imagine,» Brand New Gallery, Milan, Italy; «Introductions,» La MaMa La Galleria, New York, NY; «Eden, éden,» Galerie Torri, Paris, France, curated by Timothée Chaillou; «The Ukrainian Diaspora: Women Artists 1908 - 2015,» The Ukrainian Museum, New York, NY; «Painters NYC,» Páramo Galeria, Guadalajara, Mexico, traveled to Museo de los Pintores Oaxaqueños (MUPO), Oaxaca, Mexico; «Disturbing Innocence,» The FLAG Art Foundation, New York, NY; «Sargent's Daughters,» Sargent's Daughters, New York, NY; «The Golden Ass,» Blindarte Contemporanea, Naples, Italy; «Cinematic Visions: Painting at the Edge of Reality,» Victoria Miro, London, England; «Pivot Points: 15 Years & Counting,» Museum of Contemporary Art North Miami, North Miami, FL; «Fairy Tales, Monsters and the Genetic Imagination,» Frist Center for the Visual Arts, Nashville, TN, traveled to Winnipeg Art Gallery, Winnipeg, Canada; Glenbow Art Museum, Calgary, Canada; and «The Sound of Painting,» Palazzo Saluzzo Paesana, Turin, Italy.

Never mind that Noland's signature paintings feature shapes that are distinctly hard - edged, or that Morris's work is very different from Frankenthaler's in its formal vocabulary: contemporary critics committed the unpardonable sin of treating Helen Frankenthaler as a woman painter.

At MOCA Jacksonville, DeSimone has curated Project Atrium: Shinique Smith and Confronting the Canvas: Women of Abstraction, the first museum show to focus on contemporary female abstract painters.