Not exact matches
Like the ancient apocalyptic seer, the modern
artist has unveiled a world of darkness, but whereas earlier seers could know a darkness penetrated
by a new æon of light, the
contemporary artist has seen light itself as darkness, and embodied in his
work an all - embracing vacuity dissolving every previous form of
life and light.
Open studio showing new
works of three
artists featuring large scale abstract paintings
by local educator Mike Irwin,
contemporary abstract still
life paintings
by Jeanne Dentzel, and printmaking, assemblage and conceptual riddles in his numerous
works on paper
by local educator and arts activist Dug Uyesaka.
The fair also presents
works by modern masters and
contemporary artists of note who may no longer be
living.
One of Pakistan's most influential
contemporary artists, Naiza Khan (born 1968) captures the experience of
living and
working in Karachi, where everyday
life is affected
by natural disaster, urban migration and political struggle.
Select Group Exhibitions 2017 Monarchs: Brown and Native
Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Artists in the Path of the Butterfly, Bemis Center for
Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Art, Omaha, NE 2017 Buffalo in the American
Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters,
work on display in
contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of
Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art
by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy
Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for
Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual
Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of
Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum,
Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's
Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM
Chazan Gallery at Wheeler is a nonprofit
artists» space which exhibits a wide range of
contemporary work by artists living or
working in the area.
Ballroom Marfa is proud to announced its first group exhibition devoted to emerging
artists whose
work is informed
by their experience of urban and suburban
life in
contemporary American culture.
While
works by living artists have always been collected
by the MFA — Winslow Homer, Claude Monet, and John Singer Sargent were
contemporary artists when some of their paintings were acquired — the Department of Contemporary Art was only established formally in the Museum's centennial
contemporary artists when some of their paintings were acquired — the Department of
Contemporary Art was only established formally in the Museum's centennial
Contemporary Art was only established formally in the Museum's centennial year, 1971.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated
by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National
Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried
by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated
by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated
by Virginia Rose and John Nickle, Rose
Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated
by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown
by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated
by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small
Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown
by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated
by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small
Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown
by Linda Warren Gallery in Chicago, Illinois 2006 — «
Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show,
Artist's Space, New York, NY 2006 — «AAF», shown
by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown
by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New
Works», curated
by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small
Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show,
Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still
Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small
Works Exhibition», New York, NY 2003 — «Space Invaders», curated
by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small
Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
Bringing together four
contemporary African
artists living in the United States this group show engenders a discussion about history, fact, and fiction through paintings, drawings, and sculptural
works by ruby onyinyechi amanze (b. 1982, Nigeria), Duhirwe Rushemeza (b. 1977, Rwanda), Sherin Guirguis (b. 1974, Egypt), and Meleko Mokgosi (b. 1981, Botswana).
The
work is called «Jack Lemmon,» and it was made last year
by Rachel Harrison, a brilliant
artist in her mid-40s who
lives and
works in Brooklyn, N.Y.. It's on display in the permanent collection galleries at the Institute of
Contemporary Art, on long - term loan from the benefactor Barbara Lee.
Exhibitions presented in The Brown Foundation Gallery feature
work by leading internationally - recognized
artists working at the vanguard of
contemporary art, as well as thematic exhibitions organized around questions central to the nature of art and
life today.
Curated
by Kitty Scott, the AGO's Carol and Morton Rapp Curator, Modern &
Contemporary Art, this exhibition marks Gates» first major solo exhibition in Canada, and reflects the AGO's ongoing engagement with contemporary art and commitment to working with liv
Contemporary Art, this exhibition marks Gates» first major solo exhibition in Canada, and reflects the AGO's ongoing engagement with
contemporary art and commitment to working with liv
contemporary art and commitment to
working with
living artists.
Select group exhibitions and biennials featuring her
work include Virtual Views: Digital Art from the Thoma Foundation, Knoxville Museum of Art, Knoxville, TN (2017, forthcoming); Nature Morte:
contemporary artists reinvigorate the still -
life tradition, Bohusläns Museum, Uddevalla, Sweden (2016); Momentum: An Experiment in the Unexpected, San Jose Museum of Art, San Jose, CA (2014); Turning Inside Out: Video Art
by Nam June Paik, Joan Jonas, and Jennifer Steinkamp, Sheldon Museum of Art, Lincoln, NE (2012); Blink!
117 2014 — The Figure: Painting, Drawing and Sculpture —
Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 —
Living and Sustaining a Creative
Life: Essays
by 40
Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times, In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception, Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner
Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his
work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and
Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning:
Artists Respond to Genesis,»
Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way
by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in
Contemporary Art,» Museum of
Contemporary Art, San Diego.
Concluding the exhibition are commissioned
works by emerging
artists, which provide critical insight into the continued relevance of the
artist's studio in understanding pervasive elements of
contemporary life, such as the rapid exchange of information and emphasis on performance and spectacle.
We are seeing the reemergence of
work by artists later in
life in a
contemporary context.
They will present a «
living history» of Riot Grrrl, with new
work by a half - dozen
contemporary artists significantly influenced
by the movement's ethos, alongside a host of rare archival materials from its heyday — zines, flyers, videos, records, cassettes, and other ephemera.
This Friday, May 22nd, 2015, Park
Life Gallery in San Francisco will present Jug
Life: New
Contemporary Still
Life, a group show curated
by Andrew Schoultz and Patrick Martinez featuring the
work of close to 70
artists including:
This new group exhibition features painting and sculpture
works by four
contemporary Korean
artists whose striking and intimate art serves as a record of personal experiences and key moments in
life, memorializing the often - overlooked value of the everyday.
THE EVERYWHERE STUDIO On view December 1, 2017 — February 26, 2018, Inaugural Exhibition Explores
Contemporary Life through Lens of the
Artist's Studio Including
Works by Roy Lichtenstein, Bruce Nauman, Andy Warhol, Deiter Roth, Carolee Schneemann, and Laure Prouvost, Among Others
In fluenced
by western modern and
contemporary art, Chinese
artists start applying new concepts, such as symbolic elements and inspirations from everyday
life to create unique
works, which focus more on specific questions than the conceptual ones and keep shaping the relationships between art and reality.
Cage & Kaino: Pieces and Performances is an exhibition accompanied
by rare
live performances of the
work of 20th - century composer John Cage and
contemporary multimedia
artist Glenn Kaino.
Performa: New Visual Art Performance presents an authoritative introduction to the genre, many forms including radio broadcast, dance,
live installation, new technologies, film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world of
contemporary performance, featuring inventive documentation of
works by some of the most significant
artists of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of
Contemporary Art, Museum of Fine Arts, Boston, MA
Artists» Photographs: A Private View, Blum Helman Gallery, New York
Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated
by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My
Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated
by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My
Living Room, Rhona Hoffman Gallery, New York Wall
Works, Edition Schellmann, Cologne, Germany
Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project)
Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris
Saara Pritchard, Head of Day Sale (Part I) declared: «With strong prices for
works by living artists, The
contemporary session I day sale demonstrated the growing depth in the market with new record prices set for Carolee Schneemann (lot 127) at $ 317,000 and Cheyney Thompson (lot 127) at $ 317,000.
The Royal Academy's Summer Exhibition is the largest open
contemporary art exhibition in the world, drawing together a wide range of new
work by both established and unknown
living artists.
[266]
Contemporary painters include Lucian Freud, whose
work Benefits Supervisor Sleeping in 2008 set a world record for sale value of a painting
by a
living artist.
What you do find is a high ratio of vigorous
work by contemporary Iranian
artists who
live in their homeland or elsewhere.
As the premier showcase for Western
contemporary art, the Ann Korologos Gallery proudly offers a wide array of Western
artists working in a variety of techniques and representing diverse artistic traditions: Bold Post-Expressionist still
lifes by Angus Wilson, delicate realism in the style of Chardin
by Sarah Lamb, Plein Air landscapes
by Dan Young, cutting - edge Macro Photography
by Gayle Waterman and meticulous linocut prints
by Sherrie York.
Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new
works from the Berlin - based
artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (
Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang
by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired
by the
work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and
contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the
work of this influential but sometimes overlooked
artist in the first museum survey of her
work since 2001.
The gallery shows
contemporary art, predominantly
by artists living and
working in Los Angeles and New York.
Alongside a room devoted to Jeremy Deller's Iggy Pop
Life Class, we will show contemporary work in diverse media by various artists including numerous Royal Academicians who continue to interrogate the practice of working from life, among them Jenny Saville, Chantal Joffe and Gillian Wear
Life Class, we will show
contemporary work in diverse media
by various
artists including numerous Royal Academicians who continue to interrogate the practice of
working from
life, among them Jenny Saville, Chantal Joffe and Gillian Wear
life, among them Jenny Saville, Chantal Joffe and Gillian Wearing.
On display is a prestigious new commission
by leading international
artist, Aliza Nisenbaum, made possible
by the Valeria Napoleone XX
Contemporary Art Society scheme which each year supports a regional UK museum's acquisition of a
work by a leading,
living female
artist.
Early Impressionist Influences — This area examines the
work of Eugène Delacroix and Gustave Courbet within the
contemporary productions of
artists in the Lyon school and the first stirrings of impressionist still
lifes by Frédéric Bazille and Pierre - Auguste Renoir.
In November 2013, the Post-War and
Contemporary evening sale at Christie's totaled $ 691.6 million, setting a new record for the most expensive
work by a
living artist — $ 58.4 million for Jeff Koons's sculpture Balloon Dog.
in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's
Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished
Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of
Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two
by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city
artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British
Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.
Select group exhibitions and biennials featuring her
work include Making & Unmaking, Camden Arts Centre, London (2016); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of Modern Art, New York (2016); Surrealist: The Conjured
Life, Museum of
Contemporary Art, Chicago (2015); Picasso &
Contemporary Art, Le Grand Palais, Paris (2015); Divine Comedy: Heaven, Purgatory and Hell Revisited
by Contemporary African
Artists, Museum für Moderne Kunst, Frankfurt am Main, Germany, traveled to Savannah College of Art and Design Museum of Art, GA, and the National Museum of African Art at the Smithsonian Institution, Washington, DC (2014); The Shadows Took Shape, Studio Museum in Harlem, New York (2013); Exquisite Corpses: Drawing and Disfiguration, The Museum of Modern Art, New York (2013); The Luminous Interval, Guggenheim Bilbao, Spain (2011); The Spectacle of the Everyday, and Black Womanhood, San Diego Museum of Art, CA (2009).
Hosted at the height of Aspen's summer season, the Recognition Dinner brings together art world luminaries and supporters to enjoy a festive evening of celebration and fundraising, including cocktails, dinner and a
live auction, featuring
works by leading
contemporary artists.
Frieze New York is the center of the world this week in New York City with its
contemporary art fair presenting
work by living artists only.
The Bates Museum of Art exhibition includes three groups: three photographs of Marsden Hartley;
works from his artistic circle including Berenice Abbott, Peggy Bacon, Chenoweth Hall, John Marin, Carl Sprinchorn, Mark Tobey, and Marguerite and William Zorach; and
works by prominent
contemporary artists who
live in or are connected to Maine including Dozier Bell, Robert Feintuch, and Robert S. Neuman.
Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry
by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation
by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience»
by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank
by Tyler Green WNPR, Feb. 11, Where We
Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum
by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change
Artist: The
works of Piero di Cosimo
by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost
by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum
by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for
Contemporary Art
by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink
by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off
Contemporary Collections
by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show
by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland
by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings
The X, Y, and Z Portfolios (published in 1978, 1978, and 1981, respectively)
by American photographer Robert Mapplethorpe (1946 — 1989) summarize Mapplethorpe's ambitions as a fine - art photographer and
contemporary artist, reflecting the tripartite division of his mature
work: homosexual sadomasochistic imagery (X); floral still
lifes (Y); and nude portraits of African - American men (Z).
Future Shock is a large - scale exhibition of
works by international
artists that articulates the profound impact of the acceleration of technological, social, and structural change upon
contemporary life.
A clarification was added to include Frieze's inclusion of exhibiting modern masters and
artists who may no longer be
living, in addition to the fair's emphasis on presenting
work by living contemporary artists.
Through the 2014 State of the Art: Discovering American Art Now exhibition, the museum introduced 102
artists who
live and
work in communities all over the U.S.. We're continuing that effort in 2018 through new installations and the upcoming exhibitions, The Beyond: Georgia O'Keeffe and
Contemporary Art and Native North America, both organized
by Crystal Bridges.
This month, Phillips — whose googleability went way down after Tom Hanks portrayed a certain real -
life hero, Captain Phillips, first name Richard — will have his first solo museum show in the United States, a survey of old and new
work at Dallas
Contemporary called «Negation of the Universe,» which will be joined
by his headline - grabbing public sculpture Playboy Marfa, the neon - lit, 40 - foot - tall roadside sign commissioned
by the magazine and broadcasting the
artist's queasy fusion of commercialism and art.
There are thirty or so
works by artists from around the world — from Bill Viola and Bruce Nauman to Anri Sala and Hassan Khan — who in their
work question the social, political and geopolitical aspects of
contemporary life, and also reflect on existence and that which is most intimate and fragile.
Mass Recording (To Be Read From Right to Left) is a recent photographic
work by Erik Blinderman that continues the
artist's inquiry into the intersection of representation, media, and politics in
contemporary life where an increasing number of individuals have the means to record, manipulate, and circulate information.