Sentences with phrase «contemporary working machine»

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Not exact matches

Elegant contemporary design, high floor, Lake or Dubai Marina views, working desk, sofa, Nespresso machine, fully equipped kitchenette, Bose docking station, 2 LED HD TV, Pullman bed concept, modern bathroom with separate walk - in shower and tub.

Warm and elegant contemporary design, Lake or Dubai Marina views, high floor, Executive Lounge access, working desk, Nespresso machine, Bose docking station, LED HD TV, Pullman bed concept, modern bathroom with separate walk - in shower and tub.

1 queen bed — 28sqm / 310sqft — contemporary room with interior courtyard view — large work desk and office equipment for the convenience of our business travelers — room is decorated with an artifact and an explanation of its historical significance — modern en - suite bathroom with tub — heated bathroom floor — no - fog mirrors — hairdryer — bathrobes and slippers — luxury linens — complimentary wi - fi — flat - screen television — bose stereo system — direct dial telephone — minibar — nespresso coffee machine — tea - making facilities — safe — independently - controlled air - conditioning and heating — no extra bed possible — 2 persons maximum

1 king bed — 28sqm / 310sqft — contemporary room with interior courtyard view — large work desk and office equipment for the convenience of our business travelers — room is decorated with an artifact and an explanation of its historical significance — modern en - suite bathroom with tub — heated bathroom floor — no - fog mirrors — hairdryer — bathrobes and slippers — luxury linens — complimentary wi - fi — flat - screen television — bose stereo system — direct dial telephone — minibar — nespresso coffee machine — tea - making facilities — safe — independently - controlled air - conditioning and heating — may feature one extra bed — charges apply — 3 persons maximum

The contemporary apartment at our Shama Island North features a separate living room, fully equipped kitchen, work desk, washing and drying machine and ironing facilities.

Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art from the Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane / Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane / Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?

Recent exhibitions that have featured VanDerBeek's work include Stan VanDerBeek: The Culture Intercom, MIT List Visual Arts Center, Cambridge, MA and Contemporary Arts Museum Houston (2011); The Historical Box, Hauser & Wirth, Zurich (2011 - 12) / London (2012); Ghosts in The Machine, The New Museum of Contemporary Art, New York (2012); Xerography, Firstsite, Essex, UK (2013); The Venice Biennale (2013); Go!

Programs include: Affinity Atlas, an exhibition combining an international roster of contemporary works and an immersive «cabinet of curiosities,» with rotating displays by Skidmore faculty that forge unexpected connections between the works on view; a collaboration and residency with Mark Allen and Machine Project to create new installations, performances, and events at the Tang; and a reexamination of the work of Alma Thomas.

We have even incorporated sound work into our collections, from the ping pong tables on Lindbrook Terrace that are actually a part of our Hammer Contemporary Collection, officially titled A Sound Work for the Hammer Museum by Mark Allen and Chris Kallymyer as Machine Project, to a series of prints by John Baldessari that feature musicians and guitars rendered in vibrant color devoid of detwork into our collections, from the ping pong tables on Lindbrook Terrace that are actually a part of our Hammer Contemporary Collection, officially titled A Sound Work for the Hammer Museum by Mark Allen and Chris Kallymyer as Machine Project, to a series of prints by John Baldessari that feature musicians and guitars rendered in vibrant color devoid of detWork for the Hammer Museum by Mark Allen and Chris Kallymyer as Machine Project, to a series of prints by John Baldessari that feature musicians and guitars rendered in vibrant color devoid of detail.

March in London this year offered a singular opportunity to see the work of the late Richard Hamilton in depth, centered on a major retrospective at the Tate Modern and supplemented by a choice exhibition of his prints at Alan Cristea Gallery and reconstructions of two of his notable installations, Man, Machine and Motion (1955) and an Exhibit (1957), at the Institute of Contemporary Arts (ICA).

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

«While his contemporaries Donald Judd and Dan Flavin created work that was machine - made, I see Stella as a modern day John Henry, racing against the machine, brushing paint from one end of the canvas to the other and back again, setting an admirable and competitive pace.»

Recognising that technology has become an architect of emotion in the hybrid space of contemporary life, Deja's work compels the viewer to consider him or herself through this self - reflective intertwining of humans and machines.

Such machine imagery went on to figure largely in the visual languages essential to modernism and successive historical movements, and today the bachelor machine persists in the works of contemporary artists, albeit in less normatively gendered ways.

Historical and contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in Nottingham Contemporary's galleries, where objects seem to be communicating with each other contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in Nottingham Contemporary's galleries, where objects seem to be communicating with each other Contemporary's galleries, where objects seem to be communicating with each other and with us.

2007 Visions: Selections from the James T. Dyke Collection of Contemporary Drawings, Naples Museum of Art, Naples FL & Arkansas Arts Ctr, Little Rock, AR 2006 cARTalog, University of Iowa Libraries, Iowa City, IA 2005 Holiday Group Show, George Billis Gallery LA, Los Angeles, CA 2005 Pulp Friction: New Takes on Paper, Betty Barker Gallery, New Canaan, CT 2005 Span, Collaborative Concepts, Beacon, NY 2005 Drawing National, Montgomery College, Rockville, MD 2005 Now: Here: This, Studio Gallery 88, New York, NY 2003 Cycles, Patterns, Intervals, Fredericksburg Ctr for the Creative Arts, Fredericksburg, VA 2002 Memory and Metaphor, Seton Hall University, South Orange, NJ 2001 Drawing National, Montgomery College, Rockville, MD 2001 Women and Books: Uncovered, Converse College, Spartanburg, SC 2000 The Collectors» Show, Arkansas Arts Center, Little Rock, AK 1999 From Hairbread to Wishing Machines, Art Gallery of Ontario, Toronto, Canada 1998 Priva B. Gross International, Works on / of Paper, City University of NY, Queensborough College, Queens, NY.

Spread across the entire Basement level of Mana Contemporary, the show uses Mana's versatile studio environment as exhibition space, combining works that range from interactive sound work to machine vision and moving light sculptures.

Previous exhibitions include; The Sixth Borough, c / o No Longer Empty, Governor's Island, New York (2010); Soul For Sale, Tate Modern, London (2010); Ghost Machine, Magnan Metz Gallery, New York (2009) Explorations of the Uncanny, Synthetic Zero Gallery, New York (2009); Almost Nothing, Soap Factory Gallery, Minneapolis (2009); LMCC Work Space Program, New York (2008); Non-Oblectif Sud, Côtes du Rhône (2008); Kerlin Gallery, Dublin (2008); West Germany Gallery, Berlin (2007); Irish Museum of Modern Art, Dublin (2007); Fieldgate Gallery, London (2007); Mercer Union Gallery, Toronto (2006); Hugh Lane Gallery, Dublin (2005) Crawford Municipal Art Gallery, Cork (2005); Bloomberg New Contemporaries, Manchester / Sheffield / London (2005); Alma Enterprises Gallery, London (2005); British Council / CityMine (d) Brussels (2005); Eastlink Gallery, Shanghai (2004); Gallery 411, Hangzhou (2004); Zedebois Centre, Lisbon (2003) EV+A, Limerick (2002); CCFA, Prague (2001)

2009 Willy Loman: The Rise and Fall, Stephen Friedman Gallery, London, England Party Time: Re-Imagine America - A Centennial Commission by Yinka Shonibare MBE, Newark Museum, 1 July - 3 January 2010 A Centenary Commission, 26 February - August 2009 Dublin City Gallery The Hugh Lane, Ireland A Flying Machine for every Man, Woman and Child & other Astonishing Works, Santa Barbara Museum of Art, California, USA A Flying Machine for every Man, Woman and Child, Miami Art Museum, Miami, USA Yinka Shonibare, MBE, Museum of Contemporary Art (MCA), Sydney, Australia; touring to Brooklyn Museum, New York, USA and National Museum of African Art Smithsonian Institution, Washington D.C, USA 2008 Odile and Odette, Savannah College of Art and Design, ACA Gallery, Atlanta, USA Yinka Shonibare, MBE, Museum of Contemporary Art (MCA), Sydney, Australia; touring to Brooklyn Museum, New York, USA and the Smithsonian, Washington D.C., USA Prospero's Monsters, James Cohan Gallery, New York, USA 2007 Scratch the Surface, National Gallery, London, England Jardin d'Amour, Musée du Quai Branly, Paris, France White Flag at Half Mast, commission for the Jubilee Flagpole, Hayward Gallery, South Bank Centre, London, England Summer Show, New York Gallery, New York, USA

His first solo exhibition was a Sanchez Cotán in Trondheim, Norway in 2009 and recent projects include The devil finds work for idle hands at Toomey Tourell Fine Art, San Francisco (2012) and Drawology: drawing as phenomenology at the Bonington Gallery Nottingham, and the co-curation of A Machine Aesthetic at Gallery North, Northumbria University, The Gallery, The Arts University Bournemouth, University of Lincoln, Norwich University of the Arts (2013 - 2014) where eleven contemporary artists were invited to explore the various manifestations, uses and influences of different aspects of mechanisation within their practice.

He turned the structure of pictorial space on its ear and expanded the language of gesture by trading in the brushwork of Abstract Expressionism for decorative switchbacks drawn from the needle of an industrial sewing machine... The Shields avatar continues to influence the work of contemporary artists ranging from Jessica Stockholder to Jim Lambie to Lauren Luloff, and his aesthetic reach is one that crosses platforms, mediums and milieus.»

From ancient processes to new (machine) technologies, the exhibition Earth, Wind and Fire: Made in Cork Contemporary will showcase the work of Nuala O'Donovan, Eoin Turner, Alex Pentek, Mary Palmer / Anne Kiely and Joseph Walsh.

Unraveling the value of emotion in contemporary society, the work of Belgian - American artist Cécile B. Evans explores the person - to - machine exchanges that have come to define the contemporary human condition.

Seducing the Machine, an exhibition of digital video and photographic work, marks the culmination of Katherine Nolan's doctoral research into narcissism, performance and contemporary feminist practice.

For this exhibition Benedict Drew has brought together an exciting group of contemporary artists working in diverse media with a particular interest in the body's intersection with the object, with machines effect on the physical and how text and speech can unfold scenarios where the world and the body collide.

Taking inspiration from this, The Imitation Game features work by contemporary artists who explore machines and the imitation of life — with uncanny results.

1984 La Zattera di Babel Festival, Van Abbemuseum and the Stadschouwburg, Eindhoven, NL Editions (Objects, Photoworks, Special Editions of Books), Galerie A, Amsterdam, NL First Anniversary, A Pierre Et Marie, Paris, FR Idea, Tanja Grunert, Stuttgart, FR Entendons..., Ghislain Mollet - Vieville, Paris, FR 1984 im Toten Winkel, Kunstverein Hamburg, DE El Arte del Siglo XX en un Museo Holandes: Eindhoven, Fundacio Juan Miro, Barcelona, ES Drawings by Sculptors, Two Decades of Non-Objective Art from the Seagram Collection, Montreal Museum of Fine Art, Montreal, CA; Vancouver Art Gallery, Vancouver, CA; The Nickle Art Museum, Calgary, CA; The Seagram Building, New York, US From the Collection of the Museum Voor Hedendaagse Kunst te Gent, Rijksmiddenschool, Balen, BE Summer Exhibition from the Collection, Stedelijk Van Abbemuseum, Eindhoven, NL Machine Language, Congo Bill's Danceteria, New York, US A Sculpture Show, Marian Goodman Gallery, New York, US Ete 1984 a Pouilly, DANAE, Pouilly, FR Works of Conceptual Art from the Collection of David Bellman, OR Gallery, Vancouver, FR Rosc» 84, The Poetry of Vision, The Guiness Hop Store, Dublin, IR San Francisco International Video Festival, San Francisco, California, US Content: A Contemporary Focus 1974 - 1984, Hirshhorn Museum and Sculpture Garden, Washington D.C., US Forum en Scene, Middelburg, NL Nothing to Lose, performance Little Arena, Drawings and Sculptures from the Collection of Adri, Martin & Geertjan, Rijksmuseum Kroller - Muller, Otterlo, NL Selections from the Collection of Sol Le Witt, University Art Museum, California State University, Long Beach, California, US; Ackland Art Museum, University of North Carolina at Chapel Hill, Chapel Hill, North Carolina, US; Everhart Museum, Scranton, Pennsylvania, US; The Grey Art Gallery, New York, US; Museum of Art, Ft. Lauderdale, Florida, US Sign on a Truck, New York, US Art + Archeology, Newark Ohio Campus, Ohio State University, Columbus, Ohio, US Evidence of the Avant Garde Since 1957..., Art Metropole, Toronto, CA The Architect is Absent - Works from the Collection of Annick and Anton Herbert, Van Abbemuseum, Eindhoven, NL Sex, Cable Gallery, New York, US The Success of Failure, Diane Brown Gallery, New York, US; Laumeier Sculpture Park and Gallery, St. Louis, Missouri, US; North Texas State University, Denton, Texas, US; Johnson Gallery, Middlebury College, Middlebury, Vermont, US; University of Arizona Museum of Art, Tucson, Arizona, US Rosenfest, DAAD Gallery, DE Ouverture (1734 - 1984), Castello di Rivoli, Torino, IT Artists» Weapons, Ted Greenwald Gallery, New York, US Arsenal Cinema, Berlin, DE Artists» Call, Judson Church, New York, US Infermental Edition III (video magazine), Budapest, HU Sans Assurance, Montreuil, FR Podio Del Mondo Per L'Arte, Middelburg, NL

«Cécile's work unravels the value of emotion in our contemporary society, and the person - to - machine exchanges that have come to define the contemporary human condition,» explains the art collective DIS, who curated the Berlin Biennale.

2009 Mother and Father Worked Hard So I Can Play, Brooklyn Museum of Art, Brooklyn, NY, USA; Travelling to the St Louis Art Museum, USA 2009 Willy Loman: The Rise and Fall, Stephen Friedman Gallery, London, England 2009 Party Time: Re-Imagine America — A Centennial Commission by Yinka Shonibare MBE, Newark Museum, 1 July — 3 January 2010 2009 A Centenary Commission, 26 February — August 2009 2009 Dublin City Gallery The Hugh Lane, Ireland 2009 A Flying Machine for every Man, Woman and Child & other Astonishing Works, Santa Barbara Museum of Art, California, USA 2009 A Flying Machine for every Man, Woman and Child, Miami Art Museum, Miami, USA 2009 Yinka Shonibare, MBE, Museum of Contemporary Art (MCA), Sydney, Australia; touring to Brooklyn Museum, New York, USA and National Museum of African Art Smithsonian Institution, Washington D.C, USA

New Directions in the Art of the Moving Image, Smithsonian Museum of American Art, Washington D.C., US Images of the Mind, Deutsches Hygiene - Museum, Dresden, DE The Art of Deceleration, Kunstmuseum Wolfsburg, DE Space Invaders, Nikolaj Kunsthal, Copenhagen, DK Jihlava Documentary Film Festival, Jihlava, CZ Celebrazione Vasariane, Firenze Arti Visive, Florence, IT Ensemble 20/21, Auditorio Nacional de Música, Madrid, ES MMK 1991 - 2011: 20 Years of the Contemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of ContempoContemporary, MMK, Frankfurt, DE Oslo Chamber Music Festival 2011 - Gamle Logen, Oslo, NO Pino Pascali: Return to Venice / Apulia Contemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of ContempoContemporary Art, Palazzo Bianchi Michiel, Venice, IT The Missing Peace: Artists Consider the Dalai Lama, San Antonio Museum of Art, Texas, US Portraits de la Pensée, Palais des Beaux - Arts de Lille, FR Paradise Lost, Istanbul Museum of Modern Art, TR The Quintet of the Unseen, Blain Southern London, UK art / tapes / 22 a Santa Teresa (1972 - 76), Forno San Ferdinando, Follonica, IT Tout ouïe, Sans Canal Fixe, Tours, FR 2011 Images and Views of Alternative Cinema, Theatro Ena, Nicosia, CY New contemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of Contempocontemporary galleries featuring the John Kaldor Family Collection, Art Gallery New South Wales, Sydney, AU The Promised Land, Staatliche Kunstsmmlungen Dresden, DE Don't Look Now, Kunstmuseum Bern, CH Figuratively Speaking: A Survey of the Human Form, Bellagio Gallery, Las Vegas, US Happy Tech: machines with a human face, Palazo Re Enzo (1/29 -2 / 13) & La Triennale / Bovisa, Milan, IT La Candela Festival 2011, Valls, ES The Unbearable Lightness of Being, Yvon Lambert Gallery, Paris, FR San Sebastian, una iconografia comtemporánea, Kubo - Kutxa, Donostia - San Sebastian, ES When Painting Moves... Something Must Be Rotten, Stenerson Museum, Oslo, NO Knock on wood: Tales from the forest, Virserums Konsthall, SE Space, Foundazione MAXXI, Rome, IT Lust and Vice: The Seven Deadly Sins from Dürer to Nauman, Zentrum Paul Klee, Bern, CH When Eve Meets Adam, Museum of Fine Arts, Strasbourg, FR A Million and One Days, Lithuanian National Gallery of Art, Vilnius, LT The Missing Peace: Artists Consider the Dalai Lama, Nobel Museum, Stockholm, SE Tong, Haeinsa Temple, Chiin - ri, KR Esplanade — The Recital Studio, SG Video, An Art, A History 1965 - 2010: A Selection from the Centre Pompidou and Singapore Art Museum Collections, SG Déserts (1994), Tokyo Symphony Orchestra, Suntory Hall, Tokyo, JP Shan Shui, Beijing Center for the Arts, CN Environmental Day, ikono.tv / MELD, Television Broadcast, Arabsat: Menasa Region, Etisalat, AE Selected works from the Centre Pompidou's New Media Collection, Herzliya Museum of ContemporaryContemporary Art, IL

Unravelling the value of emotion in contemporary society, Cécile B. Evans» work explores the person - to - machine exchanges that have come to define the contemporary human condition.

Historical and contemporary works of art, videos, machines, archaeological artefacts and iconic objects, like the giant inflatable cartoon figure of Felix the Cat — the first image ever transmitted on TV — inhabit an «enchanted landscape» created in the Pavilion's galleries, where objects seem to be communicating with each other and with us.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

«Hardly Chicken» is among works by J. Todd Allison on view in the solo show «Pleasing the Gaited Machine,» Saturday - June 30 at Gspot Contemporary Art Space.

LOCATION: EDUCATION STUDIO — FIRST FLOOR TATE TEACHERS: Tate Teachers: Exploring Drawing 21 & 22 November 2009 10.00 — 16.00 # 150 Delivered in partnership with Liverpool John Moores University This weekend course focuses on the art works in Joyous Machines, and explores the figure and movement as material to support, expand and invigorate contemporary drawing.

In 1994 he conceived and curated the groundbreaking exhibition Time Machine which was involved juxtaposing works by contemporary artists with ancient sculpture in the British Museum's Egyptian Gallery.

Wiese's work has been exhibited throughout the United States at such venues as Machine Project in Los Angeles, The Museum of Contemporary Art, San Diego and Socrates Sculpture Park in New York.

Widely recognized for his art making machines as well as his naturalistic sculptures and reliefs of plants and fungus, Paine's work has recently been included in exhibitions at the Victoria and Albert Museum in London, the 5th Lyon Biennale of Contemporary Art in France, the ICA in Boston and P.S. 1 in Long Island City, Queens.

You have to well per chance presumably additionally additionally set up a ramification of others web browsers into your Sony Xperia XA2 and all of them will invent higher thanks to the most contemporary UI of this working machine.

You are going to be ready to additionally install different others internet browsers into your Alcatel A7 and all of them will bear better thanks to the most contemporary UI of this working machine.

In today's contemporary world of communication where facetime means looking at a screen instead of someone's face, and a trip to the bank or to the gas station involves putting a card into a machine instead of having an in - person exchange, formalized human relationship skill building must be a critical area of focus in our work as teachers.