Sentences with phrase «contemporary world of information»

It is not easy to locate this sculptor in the contemporary world of information and media.

The SCAD Museum of Art presents «data.tron / data.scan,» an exhibition by acclaimed Japanese composer and visual artist Ryoji Ikeda, marking his first exhibition in the southeastern U.S. Ikeda's practice explores the contemporary world of information and data.

Not exact matches

(For more information: A History of Women's Ordination at the Jewish Virtual Library is decent, though a bit dated; it doesn't speak, for example, of happenings in the contemporary Orthodox world such as the ordination of women under the new title Maharat.

In an ambitious project to assess the correctness of Talcott Parsons» theory of evolutionary universals, Gary Buck accumulated masses of data for 115 contemporary nation - states from every part of the world.7 He developed elaborate indices (as of 1960 wherever possible) of the ten variables Parsons discussed: (1) communication, (2) kinship organization, (3) religion, (4) technology, (5) stratification, (6) cultural legitimation, (7) bureaucratic organization, (8) money and market complex, (9) generalized universalistic norms, and (10) democratic association.8 Information was taken from such sources as the United Nations Statistical Yearbook, the Yearbook of Labor Statistics, and UNESCO's World Survey of Educaworld.7 He developed elaborate indices (as of 1960 wherever possible) of the ten variables Parsons discussed: (1) communication, (2) kinship organization, (3) religion, (4) technology, (5) stratification, (6) cultural legitimation, (7) bureaucratic organization, (8) money and market complex, (9) generalized universalistic norms, and (10) democratic association.8 Information was taken from such sources as the United Nations Statistical Yearbook, the Yearbook of Labor Statistics, and UNESCO's World Survey of EducaWorld Survey of Education.

The «passport» includes: - a map of the world with spaces for pupils to collect a stamp or reward each time they complete an analysis - starter activities - a guide to structuring an art analysis with sentence starters (based on blooms)- key questions (based on blooms)- 14 pages of key information and images on 14 traditional and contemporary artists (from 13 different countries) An excellent Literacy resource to use for homework or extension activities.

Added comfort with contemporary style is the leather interior to heighten the quality and craftsmanship for the Porsche 911 More information about the 2016 Porsche 911: In the world of high - end sports cars, the 911 is arguably the most iconic model in history.

Added comfort with contemporary style is the leather interior to heighten the quality and craftsmanship for the Mercedes - Benz E-Class More information about the 2015 Mercedes - Benz E-Class: The E-Class offers a wide range of models that are each quite different, yet they each have plush cabins, some of the world's best safety innovations, and a reputation like no other.

Contemporary directions — earthworks, conceptual art, art as information, etc. — certainly point away from emphasis on the individual genius and his salable products; in art history, Harrison C. and Cynthia A. White's Canvases and Careers: Institutional Change in the French Painting World, New York, 1965, opens up a fruitful new direction of investigation, as did Nikolaus Pevsner's pioneering Academies of Art.

The website was devised and designed by a group of 16 - 25 year olds who wanted to develop an online resource that would give access and information about the contemporary art world and offer a platform for young artists to share and showcase their own work.

Smith's work has also been included in important group exhibitions such as Painting 2.0: Expression in the Information Age, which opened at the Museum Brandhorst, Munich, and subsequently traveled to the Museum Moderner Kunst Stiftung Ludwig Wien (mumok), Vienna (2015 - 2016); The Forever Now: Contemporary Painting in an Atemporal World, The Museum of Modern Art, New York (2014 - 2015); The Painting Factory: Abstraction after Warhol, The Museum of Contemporary Art, Los Angeles (2012); ILLUMInations, the central exhibition at the 54th Venice Biennale (2011); Le Printemps de Septembre festival in Toulouse, France (2011); and The Generational: Younger Than Jesus at the New Museum, New York (2009).

He has also participated in important group exhibitions such as The Painting Factory: Abstraction after Warhol at the Museum of Contemporary Art, Los Angeles, Le Printemps de Septembre in Toulouse, ILLUMInations in the 2011 Venice Biennale, The Generational: Younger Than Jesus at the New Museum in New York, MoMA's The Forever Now: Contemporary Painting in an Atemporal World, and most recently, Painting 2.0: Expression in the Information Age, which showed at the Museum Brandhorst, Munich, and traveled to MUMOK, Vienna.

1957 The 25th Biennial Exhibition, Corcoran Gallery of Art, Washington, DC LXII American Exhibition: Painting & Sculpture, The Art Institute of Chicago, Chicago, IL Golden Years of American Drawing 1905 - 1956, The Brooklyn Museum, Brooklyn, NY; Sloshley Art Gallery, Brandeis University, Waltham, MA 46th Annual Exhibition of American Painting, Randolph - Macon Women's College, Lynchburg, VA Cinq Maitres de la Ligne, Henry Clews Memorial, Fondation d'Arte de la Napoule, Paris, France American Painting 1945 - 57, The Minneapolis Institute of Arts, Minneapolis, MN Pacific Northwest Painters & Sculptors, Ogunquit Museum of Art, Ogunquit, ME 20th Century Works of Art, Krannert Art Museum, University of Illinois, Champaign, IL The American Vision - Paintings of 3 Centuries, Wildenstein Gallery, New York, NY Art in Asia & The West: An Exhibition to Illustrate Varied Aspects of Asian Traditions & Their Importance for Art in the West, San Francisco Museum of Modern Art, San Francisco, CA Annual Exhibition of Contemporary American Painting, The Whitney Museum of American Art, New York, NY 8 American Artists for the United States Information Agency; Korea, Japan, Australia, Europe Carnegie Institute Collects, Cincinnati Art Museum, Cincinnati, OH Prints and Drawings: Mainly By Modern French Artists, Parke Bernet Galleries, INC., New York, NY Seattle World's Fair, Seattle, WA

I thought, «My world will have relevance, and be contemporary, and have the language of its time, and I'll use the information that I want, and I'll just go forward.»

It covers everything from antiquities to contemporary work, as well as providing in - depth discussion of the latest art news and debates; exclusive interviews with the world's greatest collectors and artists; expert information on the market, authoritative guidance on collecting, and reviews and previews of exhibitions worldwide.

Unlike any other contemporary artistic oeuvre, he formulates specific images for a world that is increasingly being ruled by the flow of information and electronic communications, and connects this visualization simultaneously to the physical experience of placelessness and disorientationmore

In addition to its support of Art Basel, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world's most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news - focused app, «Planet Art».

The contemporary world foists an endless saturation of images and information upon us but Feldman's works force the viewer to grapple in real - time with the image she presents.

SFMOMA opened in January with a provocative show titled «Public Information: Desire, Disaster, Document» that explored contemporary artists» disaffection with the political, economic and social realities of the world.

In her first year, Ms. Crosby's studio practice saw a lot of experimentation, mostly grounded in drawing and painting the figure, along with a heavy dose of information about the sprawling world of Contemporary art, courtesy of her renowned teachers Catherine Murphy and Peter Halley.

Allison Grant «s curatorial statement for Our Origins, showing at the Museum of Contemporary Photography, puts it so: «Like science, photography offers arrangements of information, pulled out of the complexity of the world as a whole, presented with seemingly impartial clarity.»

Eisenman's work has been included in numerous group exhibitions including the 2016 Biennale de Montreal; «American is Hard to See,» Whitney Museum of American Art; «Painting 2.0: Expression in the information Age,» Museum Brandhorst, Munich; «The Forever Now: Contemporary Painting in an Atemporal World,» Museum of Modern Art, New York; Manifesta 10, the State Hermitage Museum, St. Petersburg; the 2013 Carnegie International; and the 2012 Whitney Biennial.

Juror Helen Frederick, who is an internationally known artist with a wealth of experience in the contemporary print world, carefully reviewed the images and information submitted by each artist and noted, «It was a joy to discover artists in many points of their careers submitting works with the inclusion of passionate statements regarding their thematic concepts.»

In the fast - paced frenzy that drives our contemporary societies, where thoughts and impulses are beamed by way of artificial satellites and express the paramount need to scroll through the snippets of information that make up the latest trends, the current post-digital, new - media generation is faced with the unprecedented shift from direct life experience to an artificial way of connecting / disconnecting with the natural / analogical world.

Clara: database of Women Artists provides access through a user - friendly, searchable interface to biographic and demographic information on close to 18,000 historic and contemporary women artists from around the world.

Influenced by the likes of Louise Bourgeois's giant spider or the massive minimalist sculptures of Richard Serra, the huge installation was designed on a scale that would make it worth taking to the galleries of the world, spreading the information that the Arabic world does, indeed, have a contemporary art scene.

Cross-linking all exhibition information enables us to understand the world of contemporary art with the artists, curators and exhibition places as many networks besides one another.

In her latest solo exhibit entitled «A New Interpretation of the Paradoxical World» at NOVA Contemporary in Bangkok, Thai artist Narissara Pianwimungsa resorts to the craft of embroidery to reflect on questions that still plague mankind, despite living in the era of information technology.

The artist's work has been included in extensive group exhibitions, including Iran Modern, Asia Society, New York (2013); Spectacular of the Vernacular, Minneapolis Institute of Arts, MN (2011); Word Into Art: Artists of the Modern Middle East, British Museum, London (2006); Far Near Distance: Contemporary Positions of Iranian Artists, House of World Cultures, Berlin (2004); Carnegie International, Pittsburgh, PA (1988); Sculptur Projekte Muster» 87, Germany (1987); International Survey of Recent Painting and Sculpture, Museum of Modern Art, New York (1984); 74th Annual American Exhibition, Art Institute of Chicago, IL (1982); Biennial of American Art; Whitney Museum of American Art, New York (1981); 39th Venice Biennale, American Pavilion, Italy (1980); Information, Museum of Modern Art, New York (1970); and Documenta 5 (1972), 7 (1982) and 8 (1987), Kassel, Germany.

Anton Vidokle (BFA 1988 Fine Arts) Established e-flux (electronic flux corporation) in 1999, a New York - based information bureau dedicated to world wide distribution of information for contemporary visual arts institutions via the Internet; co-project coordinator of e-flux video rental (EVR), comprised of a free video rental store, a public screening room and a film and video archive

For more information about postmodernist works, visit the Irish Museum of Modern Art (IMMA) or see our list of the Best Galleries of Contemporary Art around the world.

109 See Hazelwood, supra note 19, at 286 — 89 (listing a number of ethical issues surrounding email that legal writing courses could raise, including third - party access / interception, metadata, data retention, and inadvertent disclosure); Dragnich, supra note 36 at 15 (discussing how an email assignment could include lessons about confidentiality, attorney - client privilege, and «contemporary issues such as information security and removal of metadata prior to transmitting documents»); Tracy Turner, E-mail Etiquette in the Business World, 18 No. 1 Persps.: Teaching Legal Research & Writing 18, 19 — 20 (2009)(discussing ethical and professional email issues, including when to use email versus other forms of communication, forwards and replies, and CC and BCC use); see also Shapo, supra note 3, at 345 («If you are forwarding a message to another attorney, for example, check that there is nothing in the thread that is not for the eyes of that recipient.