Sentences with phrase «contemporary wunderkammer»
Sections in the exhibition include a scene featuring over 50 of the most significant works in the collection — from antiquities to the twenty - first century; a section examining the Museum's large and rich collection of portraits and the nature of portraiture; and a contemporary Wunderkammer (Cabinet of Wonders) crowded with works of art and artifacts of various origins and materials arranged in unusual juxtapositions, among others.
https://artofthetimes.com/
Hirst's continued fascination with death is evident throughout and, using Picasso's Nature morte au crane et au pot as a starting point, part of the exhibition will present a contemporary wunderkammer — a series of memento mori reflecting a theme that recurs throughout the Murderme collection.
In a sort of contemporary Wunderkammer, viewers can admire amongst others a still - life by Pablo Picasso, a Takashi Murakami painting, 17th - and 18th - century vanitas paintings, as well as reinterpretations of the same theme by contemporary artists such as Peter Blake, Sarah Lucas and Vik Muniz.
Not exact matches
Niedernhall, Germany; Salzburg, Austria Industry (hardware) Medieval art; Wunderkammer objects, especially ivory carvings, nautilus cups, and decorative tankards and boxes; postwar and contemporary art Top 200 appearance: 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014, 2015, 2016, 2017
The display integrates works by contemporary artists (including Christian Marclay and Richard Tuttle) into a Wunderkammer.
Hancock's work has also been included in a number of significant group exhibitions, including Juxtapoz x Superflat, curated by Takashi Murakami and Evan Pricco, Pivot Art + Culture, Seattle, WA (2016 - 17), Statements: African American Art from the Museum's Collection, Museum of Fine Art, Houston, TX (2016), When the Stars Begin to Fall: Imagination and the American South, The Studio Museum in Harlem, New York, NY (2014), Radical Presence: Black Performance in Contemporary Art, Contemporary Arts Museum Houston, Houston, TX (2012), The Best of Times, The Worst of Times: Rebirth and Apocalypse in Contemporary Art, Kiev International Biennale of Contemporary Art, Armory, Kiev, Ukraine (2012), Wunderkammer: A Century of Curiosities, Museum of Modern Art, New York, NY (2008), Darger - ism: Contemporary Artists and Henry Darger, American Folk Art Museum, New York, NY (2008), Political Nature, Whitney Museum of American Art, New York, NY (2005), Whitney Biennial, Whitney Museum of American Art, New York, NY (2002), Whitney Biennial, Whitney Museum of American Art, New York, NY (2000).
P.S. 1 Contemporary Art Center presents an exhibition based on the idea of a Wunderkammer, a cabinet of curiosities, with more than 100 works by 35 artists.
«Art Moves» showcases a series of dance installations inspired by renowned artists like Georgia O'Keeffe, Wassily Kandinsky and contemporary modern artist Jeff Koons, with contemporary art gallery Wunderkammer Company serving as the backdrop.
David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.
Tags: Alex Farquharson, art galleries, Brian Dillon, cabinet of curiosities, Collaboration, De la Warr Pavilion, Exhibition, Mark Leckey, museums, Turner Contemporary, Victoria Pomery, Wunderkammer
2017 Arslokacija, curated by Sonja Beljić, Jelena Vukadinović and Ivana Đorđević, Umetnička galerija Stara Kapetanija, Belgrade Elemental Quest, curated by Frida Robles, Die Labile Botschaft, Vienna Squaring the Circle Pt. 2 — Liquid Landscapes, curated by Christiane Peschek / Art Space 280a, Ruby Marie Hotel, Vienna Archipelago Mountain, curated by Ana de Almeida and Stephanie Misa, Gallery 5020, Salzburg, Austria Vienna PhotoBook Festival, with Art Space 280a, Expedithalle, Vienna 2016 Squaring the Circle Pt. 1 — Transforming Memories, 280a Art Space, Vienna, Austria (Para) matters of Perception, PROJEKTRAUMberlin, Project Space Festival, Berlin, Germany ESSENCE, Annual diploma exhibition of the University of Applied Arts in Vienna, ALTE POST, Vienna, Austria (Para) matters of Perception, Galerija Vodnikove Domacije, Ljubljana, Slovenia 2015 Budapest Art Market, with U10 Art Space, Budapest, Hungary Vienna Contemporary, Illy Coffee Award ARTmART, Künstlerhaus, Vienna Parallel Art Fair, with U10 Art Space, ALTE POST, Vienna LISTE Art Fair, with U10 Art Space, Basel, Switzerland ESSENCE, Annual diploma exhibition of the University of Applied Arts in Vienna, ALTE POST, Vienna, Austria Forum Creative Europe, Kolarceva Zaduzbina, Belgrade, Serbia Sarajevo Zima Festival, Sarajevo, BiH 2014 Beyond Space, Public Room, Sarajevo, BiH Wiener Wunderkammer, Tecnical University Vienna, Curated by Valie Export, Elisabeth von Samsonow, Renee Schröder and Martin Bernhofer, Vienna, Austria 2013 Crucial Experiments, in the scope of Vienna Art Week, MQ — Museumsquartier, Vienna, Austria Teško je biti... u vremenu, Geozavod — Pravosudna Akademija, Belgrade, Serbia HUMAN NECESSITIES, Project by: Bernd Kräftner, Moravska Galerie, Brno, Czech Republic Red Bull Curates — Canvas Cooler, Gallery G12 HUB, Belgrade, curated by Dušica Dražić Art & Science Micro Exhibition, IST — Institute for Science and Technology Klosterneuburg, Austria 2012 Art «n Bloom, On the Cover Edition, Hotel BLOOM!
Open from March 21st through May 1st, 2013, Republic Worldwide deconstructs and reimagines the traditional Wunderkammer through works by over a dozen New York based contemporary artists that will stoke your sense of wonder and odd delight.
Currently on view in England are several shows featuring wunderkammer displays of objects and artworks from disparate times and places that provide insight into «the world we live in»: Brian Dillon's Curiosity: Art and the Pleasures of Knowing at Turner Contemporary; Ralph Rugoff's Alternative Guide to the Universe at the Hayward Gallery; and Mark Leckey's The Universal Addressability of Dumb Things at Nottingham Contemporary (see my first travelogue entry).