I did sign up and am reading the books (although much of the information is
content I understand pretty well), and should start the DVD series sometime next week.
Not exact matches
«We've built an interest graph where we
understand the intricate relationship between users,
content and interests on a
pretty granular level.»
Once you
understand where it falls, you can start to have a
pretty strong indication of whether or not it would do best as longform or shortform
content.
I
understand the phosphorus
content would be
pretty consistent in either, but does the processing lower or raise the potassium
content for either product?
We often sit at a computer for untold hours doing work that no one else
understands, often wearing many hats, and sometimes working with
content that's
pretty dry.
Dragon Age Inquisition's Krem set a
pretty great example earlier this year of how to respectfully write a trans character into a world where not everyone they interact with will necessarily be
understanding, but some backer - submitted
content in Obsidian Entertainment's Pillars of Eternity recently demonstrated the exact opposite.
In terms of painters, I think Amy Sillman is
pretty amazing... Patricia Treib, I think her process, without my realizing it is very similar to mine in that she takes a single image of something she has drawn, and then uses it and uses it and uses it so the form performs this emptying process:
content feels emptied out, which is maybe a valid way to
understanding what I am doing too.
So I thought I was
understanding the whole thing
pretty well and then along comes this Rosenthal paper on Pacific Ocean heat
content over the past 10,000 years.