Sentences with phrase «content as a physical book»

The criteria listed above define the publishing and distribution obstacles I need to overcome in order to deliver my content as a physical book.

Not exact matches

In what it describes as «an epidemic of filth,» the site says that «unlike the bookshelves in physical stores, online bookstores appear to be a Wild West of depraved content sure to horrify every parent and book - lover.

This complete booklet / pack of blank revision templates focused on unit 3.1.7 of AS and A-level Physical Education content, covered in book 1 - Hodder Education.

This complete booklet / pack of blank revision templates focused on unit 3.1.7 of AS and A-level Physical Education content, covered in book 1 - Hodd...

While the space does include paper books and physical artifacts, as well as flexible furniture and an open environment, digital content encourages students to explore, play, and delve deeper into subjects they may not otherwise experience.

Ingram Content Group has long been known as one of the world's largest distributors of both physical and digital content, including books, music, to over 38,000 distribution partners in 195 couContent Group has long been known as one of the world's largest distributors of both physical and digital content, including books, music, to over 38,000 distribution partners in 195 coucontent, including books, music, to over 38,000 distribution partners in 195 countries.

As more and more content has moved from the physical to the digital realm, book publishers (and music labels, and newspapers, etc.) have tried to perpetuate the control they used to have over the physical artifact, and in many cases have actually tried to create new forms of control they never had in the physical world.

As readers increasingly turn to eBooks, libraries have a responsibility to provide them with the same open, easy and free access to content they have with physical books.

Thinking about this over the weekend, it seems to me that even as the internet is the instigator of many of publishing's woes, it's also a relief valve of sorts in that it allows publishers to connect readers with content, while at the same time being more (appropriately) selective about which content is turned into physical books.

Treating your content — both physical books and e-books — as bookware, rather than as something visionary or revered, solves a number of problems.

Although authors and readers agreed that they loved the narrative, a structured argument — a story — they still saw the book as a container, a physical or digital object, a defined way to obtain and consume content.

Asked about preferences for physical products versus digital content, printed books jump out as the media most desired in material form, ahead of movies (48 %), newspapers and magazines (47 %), CDs (32 %), and video games (31 %).

The issue here is more with Barnes & Noble in the long term, as consumers continue to move away from physical books and towards digital content distribution.

The Collector's Edition, presented as a physical pop - up book containing an 80 - page hardbound artbook, three mini-figurines, Sounds of the World soundtrack CD, extra digital content and more, is also available in limited quantities exclusively through the Square Enix Online Store.

This Limited Collector's Edition bundle, which is currently available to pre-order from our online store, is known as the «Moon Crux Edition» and it will feature a wonderful selection of physical content including a hardcover art book, an extensive selection of premium art cards and a large cloth poster.

Wonderbook offers unique augmented reality experiences with physical books with content announcements including the film noir title Diggs Nightcrawler and Book of Spells, a collaborative project with author J.K. Rowling where users use the PS Move as a wand while featuring extensive backgrounds on each spell.

Data is collected and used in libraries for purposes like the evaluation of usage statistics of purchased content to assess whether value is being gotten for money, and as a way to evaluate whether a physical space is still required, but I would argue that the numbers of times someone accesses a subscription, asks a question at a reference desk, or takes out a book are not reasons to fund a library that are compelling to decision makers.

Libraries are so often seen as physical content aggregators — books onto shelves — but less so digital content aggregators.