«With tight budgets, libraries everywhere appreciate having options when it comes to digital
content licensing models», said ODILO CEO and Founder Rodrigo Rodriguez.
Not exact matches
We are implementing a new business
model where CBC / Radio - Canada will continue to
license products and
content without directly being involved in the e-commerce business.
Content area preparation is delivered through a blended
model of online curriculum with differentiated support from
licensed teachers based on results from approved GED practice tests.
FEATURES Access 468 activities for Grades K - 8 Hands - on activities that
model concrete representations of abstract mathematical concepts Teacher support that provides in - depth discussions of mathematical
content Easy - to - use resources that offer classroom - tested lesson plans targeting big ideas of math INCLUDES Access to a searchable library of 468 Super Source lessons Single - user
license
FEATURES Access 468 activities for Grades K - 8 Hands - on activities that
model concrete representations of abstract mathematical concepts Teacher support that provides in - depth discussions of mathematical
content Easy - to - use resources that offer classroom - tested lesson plans targeting big ideas of math INCLUDES Access to a searchable library of 468 Super Source lessons Site
license
- States will share
models of teacher
licensing related to
content instruction for ELs, English language development, certification for bilingual instruction, and use of different funding streams to support states and districts addressing the shortage in high quality teachers who can work with ELs.
In the
licensed fan fiction
model established by Kindle Worlds, rights holders for
licensed books, movies, or television shows allow their
content to be used for the inspiration for works that can later be published on the platform for royalties.
Here, let me summarize a report (from January 25, 2013) from the Digital
Content & Libraries Working Group (DCWG) that discusses the 15 items in The Ebook Business
Model Scorebook used to create library
licensing agreements or contracts.
What new opportunities and business
models exist for publishers, agents and authors to
license, remix and resell
content?
With these goals in mind, libraries need to find the
content they desire, seek the best price possible, determine sustainable business
models, analyze
license agreements, and evaluate vendors to effectively purchase ebooks.
In the DVD space, for example, DRM systems like the
Content Scramble System (CSS) have become the legal «hook» that forces technology companies to enter into
license agreements before they build products that can play movies.22 Those
license agreements, in turn, define what the devices can and can't do, thereby protecting Hollywood business
models from disruptive innovation.
The business
model is straightforward: source
content (through
licensing, revenue sharing, and outright purchasing), present it through a user - friendly platform, and charge for the service.
The company agreed to a shared revenue
model and
licensing agreement to translate and sell Shmoop's
content in Chinese, Japanese and Korean.
With the exception of Existing
Models, any
Licensed Player manufactured after December 31, 2010 shall limit analog video outputs for Decrypted AACS
Content to SD Interlace Modes [composite video, s - video, 480i component video and 576i video] only.
With Netflix, ALL of that revenue is going towards either new
content purchased as a one off, or temporarily
licensing a limited number of shows / movies for streaming and again the
model is lump sum payment for 3 months or 6 months to be able to show Jaws or whatever.
Professional Experience United Media — a division of E.W. Scripps (New York, NY) 1988 — 2011 SVP / General Manager — Syndication & Web (2002 — Present) • Outline financial and strategic direction of business operations, directing all aspects of syndication division including sales, editorial, web, customer service, administration and production • Identify, develop and launch unique, valuable IP created by artists, writers and producers, including Dilbert and Big Nate • Negotiate client, talent,
licensing and vendor agreements, working closely with in - house and external legal teams • Develop pricing strategies, competitor and market analysis, marketing and business plans for over 200 properties • Manage key talent relationships with IP including Charles Schulz / Peanuts, Scott Adams / Dilbert and Gemstar • Oversee and direct
content for first and largest consumer - facing website in industry, comics.com, developing subscription and ad - based
models and creating new features including e-commerce, widgets, RSS feeds and animations • Increase revenues, manage expenses, streamline workflows and create team environment to increase productivity, consistently exceeding profitability goals within a declining market segment