Sentences with phrase «content licensing revenue»

Global hits such as Hawaii Five - O helped swell international content licensing revenue to $ 1.5 billion in 2015, from $ 500 million 10 years earlier.

Not exact matches

Our exclusive content is also contributing significant revenue to the bottom line through licensing agreements.
You acknowledge and agree that NBCUniversal, its licensees, affiliates, successors and assigns, will be entitled to retain any and all revenue generated from any sales, licenses, assignments and other transfers of the rights granted by you hereunder, as well as any and all revenue generated by the display of any advertising, publicity, promotional materials or distribution rights in connection with your User Content.
Theme parks, broadcast and cable networks also saw revenue increases from a year earlier, thanks to new attractions at the parks and distribution and content licensing.
Mr. Poltrack argued that while Netflix certainly was a competitor for viewers, it did not compete for advertising dollars and also provided a valuable new revenue source for licensing content.
But both Rogers and Bell are major content holders, which means even if they lose subscribers, they will be able to generate revenue through licensing agreements.
Services revenue, which includes sales from digital content and services, Apple Care, Apple Pay, licensing, and other services, climbed 23 % year over year in Apple's fiscal 2017.
Such rights granted shall include the exclusive right to publish, manage and maximise revenue from my content on various online platforms (YouTube, Facebook, Instagram and so on) and to sell licenses for the use of the Content on platforms such as television, film and digital producontent on various online platforms (YouTube, Facebook, Instagram and so on) and to sell licenses for the use of the Content on platforms such as television, film and digital produContent on platforms such as television, film and digital productions.
Car Throttle will share all revenue generated from license sales of the Content with me.
At HarperCollins Christian Publishing, we are proud to have a world - class Rights and Licensing Division that is positioned to create the broadest possible reach and explore the full array of revenue opportunities for our authors» content.
2 Contribution Profit is defined as streaming revenue minus costs for content (licensed content and in - house productions) and marketing.
Amazon will pay content creators 50 % of the revenue earned from rental receipts or sale of the videos, according to the company's license agreement.
Netflix obtains content from various studios and other content providers through fixed - fee licenses, revenue sharing agreements and direct purchases.
The business model is straightforward: source content (through licensing, revenue sharing, and outright purchasing), present it through a user - friendly platform, and charge for the service.
The Brand Licensing business unit consists of two sub-units, Consumer Products and Content Licensing, which generate royalty revenues from licensing the Angry Birds brand to product categories other than mobiLicensing business unit consists of two sub-units, Consumer Products and Content Licensing, which generate royalty revenues from licensing the Angry Birds brand to product categories other than mobiLicensing, which generate royalty revenues from licensing the Angry Birds brand to product categories other than mobilicensing the Angry Birds brand to product categories other than mobile games.
Net revenues from Digital online channels represent revenues from digitally - distributed subscriptions, licensing royalties, value - added services, downloadable content, microtransactions, and products.
2 Subscription, licensing, and other revenues represent revenues from World of Warcraft subscriptions, licensing royalties from our products and franchises, downloadable content, microtransactions, and other miscellaneous revenues.
Now I read that even if a piece is sold, the artist: 1) Isn't informed about shipping addresses; 2) Isn't assured that they have or will be paid; 3) Is responsible for paying the buyer's sales tax bill; 4) Presumably is required to forward sales tax funds to the buyer's state department of revenue; 5) Has money / time invested in shipping a parcel to a potential buyer who may or may not return the art a week later (like a toaster oven); 6) Has language like the following within their user agreement: royalty - free, sub-licensable through multiple tiers, perpetual, irrevocable, worldwide right and license to use, reproduce, distribute, modify, translate, create derivative works from, publish, publicly perform and publicly display such User Content and any names, likenesses or trademarks depicted in such User Content, in any media now known or later developed, only for the purposes of developing, promoting and providing the Site.»
Because Users license, the Content to Youtube, Youtube is entitled to recover loss of income from your breach of contract, including loss of advertising revenue, and possibly even punitive damages.
Prof. Conduct 123 (2001)(subject to the operational structure and content described in the opinion, a lawyer may affiliate with an online legal services website); Nebraska Op. 07 - 05 (lawyer may participate in internet lawyer directory which identifies itself as a directory, disclaims being a referral service and only lists basic information about lawyers without recommending specific lawyers and charges a reasonable, flat annual advertising fee); New Jersey Committee on Attorney Advertising Op. 36 (2006)(lawyer may pay flat fee to internet marketing company for exclusive website listing for particular county in specific practice area if listing includes prominent, unmistakable disclaimer stating the listings are paid advertisements and not endorsements or authorized referrals); North Carolina Op. 2004 - 1 (lawyer may participate in for - profit online service that is a hybrid referral service - legal directory, provided there is no fee - sharing with the service and communications are truthful); Oregon Op. 2007 - 180 (2007)(lawyer may pay nationwide internet referral service for listing if listing is not false or misleading and does not imply that the lawyer can represent clients outside jurisdictions of the lawyer's license, fee is not based on number of referrals, retained clients or revenue generated by listing and the service does not exercise discretion in matching clients with lawyers); Rhode Island 2005 - 01 (permitting website that enables lawyers to post information about their services and respond to anonymous requests for legal services in exchange for flat annual membership fee if website exercises no discretion over which requests lawyers may access); South Carolina 01 - 03 (lawyer may pay internet advertising service fee determined by the number of «hits» that the service produces for the lawyer provided that the service does not steer business to any particular lawyer and the payments are not based on whether user ultimately becomes a client); Texas Op. 573 (2006)(lawyer may participate in for - profit internet service that matches potential clients and lawyers if selection process is fully automated and performed by computers without the exercise of human discretion); Virginia Advertising Op.
The company agreed to a shared revenue model and licensing agreement to translate and sell Shmoop's content in Chinese, Japanese and Korean.
With Netflix, ALL of that revenue is going towards either new content purchased as a one off, or temporarily licensing a limited number of shows / movies for streaming and again the model is lump sum payment for 3 months or 6 months to be able to show Jaws or whatever.
Professional Experience United Media — a division of E.W. Scripps (New York, NY) 1988 — 2011 SVP / General Manager — Syndication & Web (2002 — Present) • Outline financial and strategic direction of business operations, directing all aspects of syndication division including sales, editorial, web, customer service, administration and production • Identify, develop and launch unique, valuable IP created by artists, writers and producers, including Dilbert and Big Nate • Negotiate client, talent, licensing and vendor agreements, working closely with in - house and external legal teams • Develop pricing strategies, competitor and market analysis, marketing and business plans for over 200 properties • Manage key talent relationships with IP including Charles Schulz / Peanuts, Scott Adams / Dilbert and Gemstar • Oversee and direct content for first and largest consumer - facing website in industry, comics.com, developing subscription and ad - based models and creating new features including e-commerce, widgets, RSS feeds and animations • Increase revenues, manage expenses, streamline workflows and create team environment to increase productivity, consistently exceeding profitability goals within a declining market segment
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