Sentences with phrase «context of a story makes»

Stories and scenarios increase the level of interest of your audience and «by helping learners integrate knowledge into their mental models in meaningful ways, the realistic context of a story makes information easier to remember».1

Not exact matches

And, in the broader context, where we're all so intimately and continually connected, the statements and the brand «promises» that your business makes bounce all around the globe and, here again, even the best of us can only control a small portion of the stories being told.

Keeping track of these tools helps you weave your individual brand story into a wider context, making it more important and relevant to a wider audience, and increasing the likelihood it will be covered.

In this context, it is difficult to make sense of the stories of Simeon and Anna in Luke 2.

What the preacher has to do is to make sure the congregation experiences the story as fully as possible — by giving the context of the story.

Regardless of one's interpretation of this much - debated and reimagined text (which makes a bit more sense in its ancient Near Eastern context), the story of Abraham's binding of Isaac should unsettle every parent and every person with a conscience.

Indeed, Christians made sense of their own lives by locating their stories within the context of that larger story.

Just as it would be impossible to replace with definitions such words as» home,» or «light,» or «music,» or to make the meaning of such words clear to someone who had never himself experienced the realities to which they point, so it will always be impossible to replace with definitions such terms as «the grace of God in Christ,» «peace with God through our Lord Jesus Christ,» or the great story in which these phrases have their only possible context.

Nothing was written about jesus until 30 - 40 years after he died, so any account of who he might have been would have been taken too far out of context to make the stories accurate.

The press will twist the facts, quote people out of context etc to make a story.

In the absense of genuine information from Arsenal, the media step in with made up stories, taking statements out of context etc..

Inter used to have financial problems, hence these made up stories which the journalists are too lazy to even put in the context of the new ownership situation.

Agreed in the literal sense, but semantically there's a subtle distinction between «fake» and «false»; Trump mostly seems to be targetting non-stories, i.e. deceptive tactics that are intended to mislead, rather than outright falsehoods: inviting panels of biased «experts»; cutting people off after asking a loaded question; making news stories out of out - of - context soundbytes or by association, etc..

Making the connection created a dangerous new context for the story - it became a totemic part of the struggle between the government and the media.

Disregard the incoherent ending, which violates the source material (Joyce Carol Oates story): in her debut, Chopra has made a disturbing tale of sexual awakening set against the 1980s new context of shopping malls; Laura Dern is extraordinary as the lead

Usually, a real film aficionado can spot dozens of these quotes / homages, but they are woven into his films in such a way that the change of context makes them feel not like rip - offs, but fresh, integral parts of a completely new story.

Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.

Solid writing and a cast to die for make for a smart, savvy drama but at the same time The Ides Of March does leave you with the feeling that you walked in half way through the story; there's a certain sense of context that is missing and the lack of a weighty, focal message makes it seem a little soapOf March does leave you with the feeling that you walked in half way through the story; there's a certain sense of context that is missing and the lack of a weighty, focal message makes it seem a little soapof context that is missing and the lack of a weighty, focal message makes it seem a little soapof a weighty, focal message makes it seem a little soapy.

Some of the story elements make no sense, even in a comic context (no time seems to have passed between Connie's birth and

mmm... a protagonist who complete dominates a long film to the detriment of context and the other players in the story (though the abolitionist, limping senator with the black lover does gets close to stealing the show, and is rather more interesting than the hammily - acted Lincoln); Day - Lewis acts like he's focused on getting an Oscar rather than bringing a human being to life - Lincoln as portrayed is a strangely zombie character, an intelligent, articulate zombie, but still a zombie; I greatly appreciate Spielberg's attempt to deal with political process and I appreciate the lack of «action» but somehow the context is missing and after seeing the film I know some more facts but very little about what makes these politicians tick; and the lighting is way too stylised, beautiful but unremittingly unreal, so the film falls between the stools of docufiction and costume drama, with costume drama winning out; and the second subject of the film - slavery - is almost complete absent (unlike Django Unchained) except as a verbal abstraction

But there's absolutely nothing here so strange that it impedes the viewer's enjoyment; Shyamalan does a superb job of establishing this world and its inhabitants, as well as the rules that clearly govern their actions (eg nobody is terribly surprised by Story's presence, which does make sense within the context of the film).

There are a few weak attempts at jump scares, but they make little sense in context of the story and feel out of place.

Though it treads familiar Shakespearean territory with an array of secret affairs, false deaths, crossdressing women and betrayals galore, the story doesn't make much sense in the context of its modern setting, especially with the preservation of the original dialogue.

Unlike past visitors to the Soul Calibur universe — insert Jedi Masters and Hylian swordsmen here — his presence actually makes total sense in the context of the story, and he's also one of the more well - rounded fighters on the roster.

Out of context it may seem undeserved and unnecessary, but they make it fit perfectly into the story and characters.

«The Gathering Storm: The Chronicles of the Hobbit Part 3» is a making - of documentary that runs just short of five hours and «Here at Journey's End» (aka «The Appendices Part 12») goes into detail on aspects of the production and pulls out to see the film in the context of the entire Tolkien story told in the six films.

What's more, he knows enough about the field of parapsychology to ground the story in the context of earnest quasi-scientific theories and philosophical debates that make the most irrational and horrific elements land that much harder.

Over time, the plot of the book begins to make sense to the audience in the context of the real life story.

Unless you make a living in front of a camera, many people would balk or tighten up in front of a million flashing lights, microphones and screaming people wanting to get a 15 - second sound bite of you saying something to take it out of context for the sake of a story»» to control the narrative.

Attempts are made to place this Stars Wars story within the context of the series» timeline, but unlike Gareth Edwards» vastly superior Rogue One, Solo isn't interested in building its own legacy or saying something — anything — new or interesting about its chosen subject.

Leitch and his writers, in fact, seem to have made DP2 with Infinity War in mind, pilfering Brolin to play another villain (Deadpool teasingly calls him Thanos), poking fun at superhero mortality in the context of a story that warps time and reality.

-RRB- and cutaways to humorous stop motion yarn animation (it makes a modicum of sense in context), this is a film that always manages to visually keep its audience on its toes, an excellent method to ensure the audience remains engrossed to fully appreciate the story.

Kilmer's performance works because he's fit to undergo the changes of the screenplay so quickly, and he makes us understand what the changes mean in the context of the story and his character.

It's an old sentiment, practically a requirement of the bildungsroman, but credit ought to go to both Heller and Powley (in their respective feature debuts) for making it seem relatively new in the context of Minnie's story.

This story lends itself to several teaching and learning endeavors such as: (1) the use of personification; (2) great vocabulary instruction; (3) sequencing; (4) point of view; (5) Descriptive Writing; (6) research and investigation of several different states discussed in the story; (7) the use of similes to make comparisons; and (8) making predictions about what will happen next in the story based on the context clues provided!

Doing so will help you to introduce realistic, relevant, and relatable situations, characters, and dialogues into your storytelling, all of which will help to provide proper context to make the story resonate more fully with your audience.

It covers the following National Curriculum learning objectives: - develop pleasure in reading, motivation to read, vocabulary and understanding by: listening to, discussing and expressing views about a wide range of contemporary and classic poetry, stories and non-fiction at a level beyond that at which they can read independently - becoming increasingly familiar with and retelling a wider range of stories, fairy stories and traditional tales - drawing on what they already know or on background information and vocabulary provided by the teacher - making inferences on the basis of what is being said and done - answering and asking questions - predicting what might happen on the basis of what has been read so far - using dictionaries to check the meaning of words that they have read - checking that the text makes sense to them, discussing their understanding, and explaining the meaning of words in context

Instead of searching for the perfect stock images to go with your story, you can create characters and put them in to situations as needed to add more context to your courses and help make them more impressive and memorable for your audience.

Individual merit makes for a better story — a better After School Special if you will — but the context in which students are learning makes a significant difference to the level of success possible.

Despite its excellent piece on uncounted suspensions (see above), The Washington Post's story on principal turnover at a quarter of DCPS schools seems like it might overstate the turnover problem, lack context, and bury the progress being made there.

We don't think this works particularly well for entertainment — it takes you out of the moment and forces you to step back and consider your choice at a level of remove from the story and in the context of all the other choices you've made.

He talked about making every piece of your story exceptional, and doing all it takes to make your world believable in the context of the magic or the future that you imagine.

As well as demonstrating that fairly basic digital tools can be used to create powerful stories, our project showed that the digital also makes us appreciate anew those features of the physical book we may take for granted, the touch, smell and feel of paper and the special place that a book handed down from generation to generation has in the context of family life.

The prologue's narrative content could not fit within the structural context of the story which made a prologue necessary — in a speech before the story began.

(«The ex-boyfriend is such a jerk, but don't change it because it makes sense in the context of the story.»)

Calvin Reid, Publishers Weekly senior news editor, made note of the story's context.

When information is corrected after publication, the writer or editor will make a note at the end of the story to provide further context.

Rashid, Another one of them stories that take an interview chops it up and takes stuff out of context and make it barely comprehensible?

- the developers had to find way to convey the story in a way that didn't restrict players» freedom - they came up with this system of «watching a cutscene = Link regains a lost memory» - when you're gathering those «Memories», the cutscenes are shown without any context - this makes you wonder what happened (especially if you haven't seen them all)- a great advantage of that Memories system is that you can rewatch the cutscenes at any time, as many times as you want - the Sheikah Slate conveniently lists them in chronological order - Princess Zelda has two main roles in the game - The Princess who Seals (Zelda's traditional role, as seen in previous Zelda games)- The Princess who Researches (ways to stop Calamity Ganon, Zelda's new role)- taking those two roles into consideration, the image of «The Princess that can not use her sealing powers» was born.

The final twist of The Phantom Pain is one that can be made to sound extremely cool, like it makes perfect sense within the context of the series - and when I wrote GamingBolt's Story So Far series for the Metal Gear games, that is exactly what I did.