Sentences with phrase «context of the film»

Extras: New interview with German film scholar Hermann Barth on the film's production; 1988 interview with editor Jean Oser; 2016 interview with film scholar Jan - Christopher Horak on the historical context of the film; an essay by author and critic Luc Sante.
Dash is passionate and erudite throughout, while cinematographer Arthur Jafa offers technical context of the film's production, as well as thoughts on its thematic resonance and cultural importance.
Within the wider context of the film, these words might just as easily refer to the two Jean Anouilh plays on which it's based.
There are silly logic moments, like bizarre choices of weapons in the Jaeger and certain elements of stupidity by the characters to further the need of a cool action moment, but these are mostly forgivable in the awesome context of the film.
«Dream, little one, dream Oh, the hunter in the night Fills your childish heart with fright Fear is only a dream So dream, little one, dream...» Those lines, from the score «Lullaby», written by Walter Schumann, are profoundly unsettling, partially because a choir of children credulously sing them, but also because of the creepy - crawly context of the film for which... Read more»
But as unstinting as the focus is on Roger Greenberg, a funny thing happens to the film that both partially redeems it for the viewer, and makes a huge amount of retrospective sense in context of the films Baumbach's made since: Greta Gerwig.
It's about the often unsettling interplay of those two things, as well as an examination of them on their terms within the context of the film's story.
This is a true story, after all, and Zamperini (who died this year at the age of 97) survived unimaginable horrors, but within the context of the film, the torture starts feeling repetitive and masochistic.
Even as Snooki and «The Situation» are, in the context of the film, held at arm's length (figuring into a second - half subplot, they're often seen only on monitors and television sets), the Farrellys seem to be saying: «Yes, we even have room for these people.»
But in the context of the film, what's of course a striking and great - looking aesthetic isn't grounded in anything more than a desire to rustle up some novel effects, and that emotional paucity shows.
Their on - screen chemistry is not the most fantastic ever but in the context of the film it works well, the sort of hard - to - get to - and - fro play - by - play.
Their on - screen chemistry is not the most fantastic ever but in the context of the film it works well, the sort of
The action is well - choreographed and the special effects work in the context of the film, but in the end, it is just another Hollywood product.
«Limitations of fiscal success» - good words, Chris, and ones that I agree with in the context of this film!
With TH Jackson has proven again he can adapt material that exists but also add new material and make it work in the context of the film.
The footage in the trailer was impressive, I just would've liked to have seen a full scene in the context of the film.
While it doesn't not fit within the context of the film, the formal elements that call attention to itself (cinematography that shimmers, editing that's polished like a music video, graphics to present whimsy), they do seem, to some degree, gratuitous.
He has no backstory of his own, and no major goals of his own in the context of the film.
I won't spoil how they justify this return in the context of the film, suffice it to say that the direction / explanation they take with it is unbelievably disappointing and retroactively damages one of the things that made the first film so great.
I'm confidant it will feel much more natural in the context of the film.
It wouldn't come as a surprise if he really deserved that, but in the context of the film, it isn't entirely justified.
He gobbles up the role, chews the scenery, and makes it so believable within the context of the film's social commentary that it resonates like no other performance this year.
There are no solutions to be found within the context of the film, although some people may ultimately find it to be a cathartic experience, witnessing the horrific daily existence for many families suffering from the same malady of separation, divorce, and the difficulties of the devastating aftermath.
Perhaps the cues work better within the context of the film but they certainly have trouble holding up on their own.
Is the context of a film — in this case an adventure comedy — a reasonable excuse for including content that may be viewed as inappropriate toward certain ethnic groups?
While I realize that, in the context of the film, this might work wonderfully for the action on the screen, I'm still left, as a listener, unsatisfied.
Some audience members may take issue with the ambiguous ending, but it works in the context of the film.
However, it all works in the context of the film.
Whatever one reads into the themes of «Midnight Special,» it is the work of an auteur completely unafraid of traditional story beats, working within the context of a film that echoes sci - fi (particularly «Starman») but comes from its own, confident voice.
Within the context of the film, Beetlejuice works well enough, but this depends on us seeing him as a villain and not as an anti-hero.
Then, suddenly, a shift in the third act forces viewers to think about the significance of her character's presence (in the context of the film's themes) and, as a result, Clouds» enigmatic nature multiplies.
In the context of the film, that comparison is ludicrous: Warrior is a PG - 13 flick — and a tame one, at that — and MMA doesn't look any more violent than boxing or wrestling.
There's so much more beneath the surface, so many scenes that have a powerful impact on their own that play even better within the context of the film.
While I personally wouldn't have nominated The Hurt Locker score it was moody and fit the film well and I wasn't surprised by the nomination (particularly considering the praise the film got), whereas the Inception music may well be impressive by itself but in the context of the film I found it too loud and distracting.
Despite the fact that the siblings have almost no family resemblance, they do make you believe they are everything they are supposed to be within the context of the film.
There were moments where my mind began to wander, wondering if Whedon wrote certain scenes with the trailer in mind because they made no sense in the context of the film (Thor - just about every scene he was in).
Other extras include audio commentaries on their respective films by The Abominable Dr. Phibes director Robert Fuest and Witchfinder General producer Philip Waddilove and co-star Ian Ogilvy; an hour - long interview with Price that was conducted in 1987; a rare prologue for The Pit and the Pendulum that makes no sense in the context of the film (is there also a long - lost epilogue that ties it all together?)
Here, she chooses to expose herself in a way that is somehow powerful and yet flippant, but sitll leads to the ultimate doom of those who might objectify her in the context of the film, but viewing the picture as a whole, it still seems flimsier than I believe she intended.
Rounding out the fairly unspectacular package are cast and director filmographies and a selection of vaguely deleted scenes, which can be viewed separately or in the context of the film whenever a clickable baseball icon appears onscreen.
That said, this feels quite satisfying in the context of the film and less like a concession to convention or a cop out on character — she does this so completely in her own, weird way.
However, when that happened in Annihilation it kind of fit with the context of the film.
It's undoubtedly affecting but I think that in the context of the film it's verbose and actorly.
For the most part the film manages to avoid straying too far into slapstick territory, and although many of the jokes appear in the film's trailer, they still land within the context of the film.
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