Not exact matches
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Kelly said he has had the opportunity three times to gaze down on Earth from
space,
giving «an entirely different perspective
of life on our planet... Earth as God created it, in the
context of God's vast universe.»
There is the ongoing problem
of biased representation in the media, with plenty
of space given to the atheistic opinions
of Hawking and Dawkins, and little if any coverage
given to the promotion and integration
of science which takes place within the
context of the Church.
This is such a huge subject that I must beg indulgence, therefore, if I
give my
space to but a small fraction
of the historic faith — namely its main emphases on God, Christ, the Church, and eternal life — and consider only these in our modem
context, in the effort to discover what values they may have for men and women who are tossed about in an unsettled world, with an uncertain future, and doomed — almost certainly it seems — to a doubtful truce
of arms, at worst to a war which threatens to annihilate man as we have known him and in any event to leave us a bare existence such as we can eke out on a totally devastated planet.
I always thought
of my readers as anyone who picked up the paper, and that it was my job to
give them my opinion, put the film itself and my opinion in a
context that could be easily explained and maybe share one or two facts or ideas they might not have considered... and every once in a while there would be time and
space for an inspired riff or burst
of insight.
Journeys in and around the school grounds can
give the
context for a story line or narrative, school grounds that have been landscaped to offer a variety
of different, interesting
spaces rather than a uniform tarmac expanse will add to the creative possibilities
of your site.
Therefore,
giving all teacher candidates, regardless
of certification concentration, the
space to experiment with geospatial technologies in meaningful and
context - rich ways is important.
Our hope is that this will
give us more valuable information on what family engagement strategies work for students in a variety
of different
contexts, and provide a much needed
space for organizations to share best practices and problem solve around challenges related to family engagement.
One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native
of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show
of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points
of contact between diverse artistic practices are explored through the tropes
of the river and weaving.2 The works themselves provide their own
context as they interact with each other and viewers, who are
given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery
spaces.
Considering these works Bridges wrote: I think the framing
gives them a
context, and the darkness is a void, and any mark made in the
space is a kind
of pure gesture, floating in the darkness, alone and isolated.
Serra said this about his works: ``... if I had to
give a brief on what I thought sculpture needed to be, it was to do away with the object, to get sculpture off the pedestal and expand the
space of the field, to open up the container and to foreground time and bodily movement in relation to the intensity
of place and
context.»
A show this large defeats any hope
of giving artists attention,
space, or
context.
In search
of that fulfillment, his own work has been steadily expanding in
space, from the relief
of his Polish Village series, created with collage and layering with cardboard, to the Moby Dick paintings, in which relief
gives way to outright three - dimensionality within the
context of a picture frame, and
of course to his architectural and free - standing sculptural works and now the Scarlatti K series.
The Interview is a discussion between author and artist and their influences and motivations, the Survey looks at the artist's work in historical and contemporary
context, Focus is an analysis
of a single piece
of the artist's work, Studio Visit brings you into the artist's creative
space and Artist's Writing
gives further insight into the artist themselves.
Thomas Lawson, dean
of the art school at CalArts, wrote on eastofborneo.org: «Michael devoted his work to exploring the limits
of the galleries and schools and museums that
give context and
space for art, poking at all sorts
of barriers and shibboleths with a humor that was sometimes sly, and sometimes hilarious.
The surfaces
of Orozco's paintings are fairly uninflected, paint here is read as a
given or found term; it works within the
context of a gallery
space where a formal play between the paintings can be read inside the limits
of walls, floor and ceiling.
The project is usually conceived for a
given space according to the socio - political
context of the surrounding region.
... though idiotically
given as proof is a typical non-experiment from the AGWSF department, by opening a bottle
of scent in a classroom saying it proves the scent is spread by Brownian motion, that's when it's not being not being idiotically explained by using ideal gas properties
of elastic collisions in empty
space as if ideal gas, but more often than not, claiming both these processes happening at the same time — seemingly as unconcerned as Willis about
context.
Externalities may be addressed by either a tax / credit or some other public policy, public ownership and management
of the commons, or privatization
of the commons, or through court actions — each option may have it's own costs — for example, the large - scale privatization
of the climate system may be impractical with
given technology (analogy with toll roads), and even without that, it has at least an aesthetic cost (nature is supposed to be nature; and psychologically, humans may benifit from some amount
of public
space) and perhaps scientific (ie nature — in this
context, nature as it is with relatively small impacts
of humankind — is not nature if it is not being itself) costs; there may be inefficiencies in the court system that could be bypassed for issues that are easily addressed with legislation (unless we had a class - action lawsuit on behalf
of all people now until the year).