Sentences with phrase «context of their artistic production»

Using a process inspired by the renowned feminist art critic, Arlene Raven, students examined the reasons and context of their artistic production in order...

In the context of her artistic production, Strunz uses scale models to map the exhibition space and experiment with the structure of her final compositions.

Participants, regardless of medium, are guided to examine the reasons and context of their artistic production to deepen their understanding of their work and encourage personal and professional growth.

Inspired by a process originated by the renowned feminist art critic, Arlene Raven, students examined the reasons and context of their artistic production in order to...

At WENTRUP, works by the artists Verena Dengler, Florian Meisenberg, David Renggli and Gabriele de Santis address various aspects of the query posed by Turkle, here reprised within the context of artistic production, reception, and choice of medium.

It also considers the social and economical context of artistic production and understands it as a determining factor for art's interpretation.

With a focus on conceptual, site - specific, research -, and time - based art and a particular interest in the cultural - anthropological contexts of artistic production, she develops independent exhibition projects with international artists and writes texts and essays for various publications.

As a preparatory step, models have always occupied a special place in the context of artistic production.

Not exact matches

These interconnected frameworks allow insight into the complex context from which the vital and varied artistic production of the region has emerged, illuminating the multiple histories of the region.

Meet the artist / curator: Ashley Jude Jonas By Eva Buttacavoli Photo: Ashley Jude Jonas, «Buffalo Husband» As artistic practices have expanded beyond the boundaries of the production of objects, often incorporating historical context, editing and interpretation — work typically associated with the curator — we are seeing a blurring of the boundaries between the artist and -LSB-...]

Ceysson & Bénétière will present works by Claude Viallat (b. 1936) and Noël Dolla (b. 1945), whose unconventional artistic methods challenged cultural production within the context of political and social unrest in France during the late 1960s.

A-I-R Laboratory hosts up to 30 international artists a year and focuses on production and research based practices within the context of the residency treated as an artistic medium.

In the future we look forward to placing their art in historical context through exhibitions, spotlight publications, and special showcases at key art fairs, and to educating curators, collectors, and the public about the place these artists have in the larger scheme of artistic production.»

The bringing to light of a processual artistic activity, such as Morris called for in his theoretical texts Notes on Sculpture, Part 1 - 4 (1966 - 69) and Anti-Form (1968), likewise addresses the social context of production and labor, a perspective which is also to be seen against the background of the institutional criticism of Concept Art as well as the social expectations during the 1970s with regard to art production.

In a Danish context, Ruth Campau's work is in many ways unique, drawing as it does both on Minimalism's historical focus on industrial form and mass production, and Expressionism's insistence on the physical presence of the artist and the tangible working of the artistic material.

As artistic practices have expanded beyond the boundaries of the production of objects, often incorporating historical context, editing and interpretation — work typically associated with the curator — we are seeing a blurring of the boundaries between the artist and the curator, and the evolution of a hybrid practice, the artist / curator.

berlin and los angeles, seen in an international context, are significant sites of artistic production and have — for decades --- counted as two of the most influential cities for interesting discussions on art.

Whether or not the artistic intents, aesthetic strategies, and contexts of production are similar or in dialogue in any way is one of many questions this provocative exhibition raises yet leaves unanswered.

With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.

Hence, position of the art sphere is semi-autonomous, as it is independent field of creation freed from the rules, function and norms, but on the other hand, art world is deeply connected and dependent from artistic production, ways of curating and display as well as socio - economical conditions and political context.

«Thanks to some of the shortcomings imposed by the political and socioeconomic context here, the art scene has developed its own specific type of artistic production and a wide range of self - managed independent projects,» Converti tells me, before rattling off some of the new leadership moving art forwards at cultural and contemporary arts institutions.

While many artists in the United States were exposing the workings of the gallery and institution, and challenging the traditional status of artistic persona, in Europe, attention turned to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall.

Curated by Matthew Hills, the exhibition seeks to position contemporary urban Indigenous artistic production within the context of the Northwest Coast and Vancouver's contemporary art discourse.

Discussion topics will include the current trajectory of contemporary African art production and practice in a global context, and explore modes of existing, retrospective and theoretical artistic practice.

During the symposium, a selection of key experts in the field have addressed these questions and framed them in the wider context of the naissance of the modern and contemporary art museum and the role models of Pontus Hultén and Willem Sandberg, our continuous engagement with the art production of the 1960s, the place of these exhibitions in the wider artistic oeuvres of the participating artists, post-1960s «labyrinthine» exhibition practices at large, and the growing discipline of exhibition history.

(Un) spoken is a group exhibition that explores the boundaries of collaboration and artistic production within the context of marital relationships.

In the context of artistic practice, the category of the post-internet describes an art object created with a consciousness of the networks within which it exists, from conception and production to dissemination and reception.

Through studio projects, readings, discussions, and case studies, students in this class will engage the immediate context of the University as source material for their artworks as a means to explore the effect that research and knowledge production might have on contemporary artistic practice.

Like much of Stark's work, the story of these virtual encounters self - reflexively addresses the conditions of creative self - doubt, sources of insight and inspiration within the context of the everyday and the problem of production through the often - difficult process of artistic labour.

Another project, launched last year under the name Home Workspace (HW), is a multipurpose facility dedicated to research, production and education in the context of contemporary artistic practices and debate.

Kasia Fudakowski's sculptural practice provides a totally independent view of artistic production in a social context.