Sentences with phrase «continuing life as an artist»

Not exact matches

The show's high - energy atmosphere will continue with a DJ set from Timo Weiland and Alan Eckstein, as well as a live musical performance by a special artist to be named soon.

While most people you find on the dating sites are real people looking for fun and romance in their lives, as with everything on the Internet, there are always a couple of con artists out there, and as with any... Continue Reading →

The first issue, which sees Bendis continuing his collaboration with former «Ultimate Spider - Man» artist David Marquez, will find Tony Stark stepping into a new suit of armor and a new era of his life as he tries to uncover the mystery of his parentage.

He continues to live in New Orleans and serves as an Artist in Residence at the University of New Orleans where he teaches sculpture and drawing.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century - of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life - continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

Concluding the exhibition are commissioned works by emerging artists, which provide critical insight into the continued relevance of the artist's studio in understanding pervasive elements of contemporary life, such as the rapid exchange of information and emphasis on performance and spectacle.

At the Met, «David Hockney» continues (until 25 February), examining the magnificent output of one of the greatest of contemporary artists, who has explored the fabric of life in London, Los Angeles, and his native Yorkshire, as he has moved back and forth across these worlds, interweaving one into the other as he has created the tapestry of his long life.

She has been living in and traveling around Greece for the past few months as a part of an amazing artist residency... Continue reading →

Founded in 1946 by a group of artists including Roland Penrose, Peter Watson, and Herbert Read, the ICA continues to support living artists in showing and exploring their work, often as it emerges and before others.

Moriyama's reputation as one of Japans greatest living artists does not prevent him from continuing to make new challenging work.

As the artist writes, «The vast transportation network of the petrochemical industry, a near invisible part of a seemingly tranquil landscape, impacts the everyday lives of everyone involved, from oil riggers to Gulf Coast fishermen to consumers across the globe, interconnected and interdependent as the global economy continues its inexorable expansion.&raquAs the artist writes, «The vast transportation network of the petrochemical industry, a near invisible part of a seemingly tranquil landscape, impacts the everyday lives of everyone involved, from oil riggers to Gulf Coast fishermen to consumers across the globe, interconnected and interdependent as the global economy continues its inexorable expansion.&raquas the global economy continues its inexorable expansion.»

This is, after all, a world in which artists continue to give form to the bigger questions — to life and death — and to create objects that are as beautiful as they are poignant.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

For the next fifty years Clough would continue to develop as an artist using her unique perception to examine the human condition and re-introduce the subtle hues and tones that colour the extraneous and insignificant shapes inhabiting our lives.

John Chamberlain was an artist whose practice meshed with the mission of MFTA; we hope our recipients can find inspiration in his life and work as they continue to incorporate found materials in their arts programs for New York City.

Continuing the Museum's series The Genres: Portraiture, Still Life, and Landscape, the exhibition will feature 11 works by Paglen adjacent to an exhibition of landscapes from the 17th to 20th centuries by artists such as Charles François Daubigny, Jean Baptiste Camille Corot, John Pfahl, and Andy Warhol, among others.

Bradford often specifically makes reference in his grand and intricate paintings to Leimert Park, the South Central Los Angeles neighborhood where the artist lived as a child and continues to maintain his studio.

About as rich and varied as her artistic output was her background: born in the small town of Madingley, Cambridge, Wakely later moved to Kenya and continued to build global relationships throughout her life, later collaborating with Brazilian artists Lucia Nogueira and Tunga.

«By introducing the categories of photography as well as video and performance art, the National Academy signals a remarkable ability to re-think its 187 - year - old premises, while continuing its mandate to recognize some of the most trenchant and thoughtful living American artists.»

His paintings of nudes, skulls, and still - lifes, along with images of centaurs and muses, place Lüpertz among such diverse artists as Nicolas Poussin, Pierre Puvis de Chavannes, and Hans von Marées as he continues to reinvent classicism and engage with tradition.

While the artist has eliminated (or temporarily set aside, as time will tell) all but traces of narrative from her working method in larger canvases, she continues to paint heads, roughly life - sized (though this show includes none).

The French artist's Turbine Hall commission continues his interest in the exhibition as a living organism

The artist's challenge to what passes as news continues with Until, Until, Until... (2015 — 17), a multimedia video installation and live - action play that he wrote, staged, and directed.

Believing in the transformative power of art in peoples» lives, Beck taught art and drug prevention education in the public schools for many years, and continues to conduct art workshops and residencies in a variety of educational settings for both children and adults, as a teaching artist.

As a sculpture and ceramic artist, Ronit Baranga continues to push the line between living and still in this new exhibition by exploring the untamed facets of her imagination.

Artist Ewa Bathelier, born in Warsaw and now living in France, continues her paintings presenting ballerina tutus as portraits.

«At a moment when so many artists are looking to the so - called post-digital,» Filipovic continues, «Yi manages to reflect on our contemporary condition and how we are transformed by digital technologies without forgetting that, as beings, we live and love and die — and rot along the way.»

He lived in New York until 2008 continuing to work as an artist and exhibiting widely.

As one of the preeminent photographers of the 20th century, Walker Evans» 50 - year body of work documents and distills the essence of life in America, leaving a legacy that continues to influence generations of contemporary photographers and artists.

Painting has and continues to mean more to me than any other part of my expressive life and I am so grateful to have found this medium which allows me to dialogue with artists past and present as well as my faithful viewers and most of all to continue my own journey.

For many artists in the exhibition, the radical language of modernist painting developed during the early twentieth century — of collapsing and expanding picture planes responding to the frenetic pace and fragmentary encounters of modern life — continues to evolve as distortions and mutations of the image take on new permutations with each technological advance.

In their selection of Kehinde Wiley, for Mr. Obama's likeness, and Amy Sherald, for Mrs. Obama's, announced Friday, the Obamas continue to highlight the work of contemporary and modern African - American artists, as they so often did with the artworks they chose to live with in the White House, by Glenn Ligon, Alma Thomas and William H. Johnson, among others.

Also on show is the artist's earlier body of work The King of Solana Beach (1972), in which Antin donned a moustache and posed as the ruler of Solana Beach in San Diego — the city in which the artist continues to live and work.

Presented here will be eight new large - scale paintings that continue the artist's ongoing exploration into life as a child growing up in China.

While some artists, (such as Carrie Mae Weems, Robert Colescott, Purvis Young, Nick Cave, William Pope L., Kerry James Marshall and Barkley Hendricks) grew up admist the Civil Rights and Black Power movements of the 1960s and»70s, others continue to live within its aftermath.

The excitement continues within, as the publication forms a compelling pictorial and literary timeline of the development of still life, consolidating over 400 years of the style and bringing together the provocative re-invigorations of the genre by over 180 international contemporary artists.

During her 30 - year Venetian life, Peggy Guggenheim continued to collect works of art and to support artists, such as Edmondo Bacci and Tancredi Parmeggiani, whom she met in 1951.

He creates interactive, immersive works that invite viewers to reconsider how they perceive the world — and at 94 years old, he continues to evolve as an artist, employing the newest digital technology in his Paris atelier, where he works with his children, his grandchildren, and a team of craftspeople who help bring his ideas to life.

Rothenberg also writes that «Resnick was a very visible & dynamic artist when we met him in the early 1960s, but beyond that he was also a persistent practitioner of poetry, less in a public sense than as a release for feelings & ideas that were a necessary supplement to his life's work as a painter» Rothenberg continues, noting that Resnick «left behind at least 16 envelopes of unpublished, often handwritten poetry with some 40 poems in each.

Born in 1951 in New York, the city where he continues to live, Julian Schnabel has maintained a reputation as an undisciplined artist.

Continuing its concept of curating a special two - artist presentation at Frieze New York (last year featured Lisa Yuskavage and Isa Genzken), this year David Zwirner is presenting works by Carol Bove, who's co-representing Switzerland at the upcoming Venice Biennale, alongside works by the iconic American photographer William Eggleston, whose photographs have documented scenes of his native South as well as subjects from all walks of life with equal reverence.

EXHIBITION On view as part of 2018 MFA THESIS EXHIBITIONS March 4 — April 6, 2018 The Art Gallery at the University of Hawai`i at Mānoa TRANSGRESSING BOUNDARIES by Nisha Pinjani ARTIST STATEMENT: The focus of my research has been on the daily lives of South Asian women, specifically in my home city of Karachi, Continue Reading»

The exhibition continues to explore the theme of journey with an eye to Jacir's specific situation as an artist living and working outside the borders of her birthplace, experiencing cultural exchanges on a daily basis and not always fitting within the system.

The Diaspora Pavilion is conceived as a challenge to the prevalence of national pavilions within the structure of an international biennale and takes its form from the coming - together of nineteen artists whose practices in many ways expand, complicate and even destabilise diaspora as term, whilst highlighting the continued relevance that diaspora as a lived reality holds today.

Born on the American / Mexican border, Trillo lives and works in Philadelphia and frequently travels to Mexico and Europe for inspiration while continuing to develop as an artist with classes in painting and photography at PAFA and the University of the Arts.

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This collection of new works exemplifies the architectural influences that continue to inspire Romero as an artist living in Los Angeles.

Published to accompany a major exhibition at Tate Britain in London, All Too Human not only demonstrates how this spirit was passed down by artists of the previous generation, such as Walter Sickert and David Bomberg, but also explores how contemporary artists continue to express the complex intangible realities of life in paint today.

By bringing together a group of 19 UK - based, ethnically diverse artists, the pavilion speaks eloquently of the infinite complexities of the very idea of nationality, whilst highlighting the continued relevance that diaspora as a lived reality holds today.

«As the Dallas Museum of Art continues to expand its robust program of contemporary art and exhibitions, we are particularly attuned to incorporating the voices of living artists and representing the diversity of achievements and perspectives in today's artistic practice,» said Maxwell L. Anderson, the DMA's Eugene McDermott Director.